Purpose As data-driven tools increasingly shape our life and tech ethics crises become strikingly frequent, data ethics coursework is urgently needed. The purpose of this study is to map the field of data ethics curricula, tracking relations between courses, instructors, texts and writers, and present a proof-of-concept interactive website for exploring these relations. This method is designed to be used in curricular research and development and provides multiple vantage points on this multidisciplinary field. Design/methodology/approach The authors use data science methods (...) to foster insights about the field of data ethics education and literature. The authors present a semantic, linked open data graph in the Resource Description Framework, along with proof-of-concept analyses and an exploratory website. Its framework is open-source and language-agnostic, providing the seed for future contributions of code, syllabi and resources from the global data ethics community. Findings This method provides a convenient means of exploring an overview of the field of data ethics’ social and textual relations. For educators designing or refining a course, the authors provide a method for curricular introspection and discovery of transdisciplinary curricula. Research limitations/implications The syllabi the authors have collected are self-selected and represent only a subset of the field. Furthermore, this method exclusively represents a course’s assigned literature rather than a holistic view of what courses teach. The authors present a prototype rather than a finished product. Originality/value This curricular survey provides a new way of modeling a field of study, using existing ontologies to organize graph data into a comprehensible overview. This framework may be repurposed to map the institutional knowledge structures of other disciplines, as well. (shrink)

At significant times in history, a book is written which captures the spirit of the age and gives new meaning to our lives and our hopes for the future. This is such a book. Drawing on material gleaned from some of the greatest works of many of the greatest minds of the last two millennia, the author uncovers a common theme which runs through them all...a comprehensive and unifying principle of existence, a motivating and creative force behind all physical, mental (...) and spiritual evolution in the universe...consciousness. It is a concept that transcends the divisive and destructive elements in human nature, embracing harmony and reconciliation, defying all the prophecies of doom and gloom, and disclosing the real purpose of the world...to realise and fulfil a great and glorious destiny for each and every one of us of our own choice. (shrink)

Since it gained currency at the end of the second world war, the term “existentialism” has mostly been associated with a cultural movement that grew out of the wartime intellectual atmosphere of the Left Bank in Paris and spread through fiction and art as much as philosophy. The theoretical and other writings of Jean-Paul Sartre, Simone de Beauvoir, Albert Camus, and Frantz Fanon in the 1940s and 1950s are usually taken as central to this movement, as are the sculptures of (...) Alberto Giacometti, the paintings of Jean Dubuffet, and the plays of Samuel Beckett from this time. Existentialism is frequently viewed, therefore, as an aesthetic movement rooted in certain philosophical thoughts and supplanting surrealism at the centre of European artistic fashion. This is the existentialism of black clothes and jazz clubs, coffee and cigarettes. (shrink)

In this major reinterpretation and contemporary defence of Mill's political philosophy, Riley offers a new reading of Mill's radical doctrine that is quite distinct from the prevalent and vague understanding of the term 'liberalism'. Based on the argument of On Liberty , the book begins by indicating the current debates about Mill's liberalism, followed by a summary of the argument, and an exploration of the alternative forms of liberalism that have since emerged, such as the doctrines of Green, Bosanquet and (...) Berlin. Riley then provides a full reinterpretation of Mill's doctrine covering issues of social custom and behaviour, and recent claims about Millian application on cases of pornography and prostitution . This fascinating investigation of one of the most controversial doctrines in philosophy is essential reading for students of Mill and political philosophy, and for those interested in the concept of liberty and its application. (shrink)

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

Physicians have long tinkered with ways to "improve" the human brain, but as our understanding of that organ's inner workings quickly grows, artificial enhancement is becoming more feasible. Military research is at the forefront of this work, much of it focused on drugs. The goal is to produce a better soldier, but the emerging techniques could just as easily be applied to any individual. The military wants to juice up personnel's brains because the human being is the weakest instrument of (...) warfare. Although for centuries astonishing and terrifying advances have been made in the technology of conflict, soldiers are basically the same. They must eat, sleep, discern friend from foe, heal when wounded, and so forth. The first state actor to build superior fighters will make an enormous leap in the arms race. In the short run, researchers are trying to devise aids that would overcome a person's inherent limitations, such as mental fatigue. Long-term results could lead to individuals everywhere who are tireless, less fearful or even better speakers. (shrink)

Recent efforts to support state regulation of risky behavior like cigarette smoking, alcohol consumption, driving without seatbelts and riding motorcycles without helmets have focused on economic justifications—the costs to society of the consequences of these activities. However, opponents have successfully argued that the economic burdens of regulation outweigh the social benefits. To reduce the toll on society of these behaviors, we need justification for regulation that asserts the moral primacy of health and the well‐being of the community.

Musical formalism, which strictly limits the type of thing any description of the music can tell us, is ill-equipped to account for contemporary performance practice. If performative interpretations are in a position to tell us something about musical works—that is if performance is a kind of description, as Peter Kivy argues—then we have to loosen the restrictions on notions of musical relevance to make sense of performance. I argue that musical formalism, which strictly limits the type of thing any description (...) of the music can tell us, is inconsistent with Kivy's quite compelling account of performance. This shows the difficulty that actual performances pose to overly rigid conceptions of music. Daniel Barenboim unannounced performance of Wagner in Israel in 2001 shows that the problem of the boundaries of musical relevance is no mere philosophical puzzle. It is a pressing problem in the musical public sphere. (shrink)

Sartre's concept of ‘non-thetic awareness’ must be understood as equivalent to the concept of ‘nonconceptual content’ currently discussed in anglophone epistemology and philosophy of mind, since it could not otherwise play the role in the structure of ‘bad faith’, or self-deception, that Sartre ascribes to it. This understanding of the term makes sense of some otherwise puzzling features of Sartre's early philosophy, and has implications for understanding certain areas of his thought.

Book 8 of Lucan's Bellum Civile opens with Pompey in desperate flight from Caesar after the disaster of Pharsalus, and in equally desperate search for a reliable ally. Before the fateful decision is taken that Pompey should make for Egypt, where he will be murdered upon arrival by minions of the treacherous Ptolemy XIII, Pompey dispatches his Galatian client-tetrarch Deiotarus to sound out the distant Parthians and summon their armed hordes to wage war on his behalf ; the king promptly (...) embarks on his arduous errand, never to reappear in Lucan's text. Although Pompey is said by several historical sources to have expressed an interest in exploring the prospect of an alliance with Parthia, the mission of Deiotarus is almost certainly a complete fiction, as Duff has convincingly demonstrated. What could Lucan's motive have been for inventing this episode out of whole cloth? (shrink)

Some Thoughts on Thinking is a work dealing with the issues one faces when one attempts to construct non-arbitrary beliefs about ourselves and our surroundings. The text opens up with a discussion of the similarities and differences between science, theology, philosophy and tradition. This initial discussion provides the foundation for a deeper push into what is, and what is not, a recommendable and non-arbitrary belief. No previous exposure to philosophy is assumed and the language of the work is free of (...) complex philosophical terms. (shrink)

With reference to Ruchkins et al.'s framework, this commentary briefly considers the history of working memory, and whether, heuristically, this is a useful concept. A neuropsychologically motivated critique is offered, specifically with regard to the recent trend for working-memory researchers to conceptualise this capacity more as a process than as a set of distinct task-specific stores.

It is a commonplace now among art historians that to say, with Ruskin, that an artist had an "innocent eye" was to give the artist an empty compliment. It would have been to say that the artist possessed something no one could possess, and that, if we follow E. H. Gombrich, the artist was not part of the history of art. Gombrich's goal was to show that the history of art was constituted by artists "making and matching" as they saw (...) and represented more accurately the objects with which their predecessors were only dimly acquainted. So an artist with an "innocent eye" would stand outside of history, or at least outside of history as Gombrich tells it; the artist's work being irrreconcilable with the works that flanked it before and after. (shrink)

Discussing the work of Karl Marx, Sigmund Freud, Michel Foucault, Jacques Derrida, and Hlne Cixous, Shakespeare and Literary Theory argues that literary theory is less an external set of ideas anachronistically imposed on Shakespeare's texts than a mode - or several modes - of critical reflection inspired by, and emerging from, his writing.

The aesthetic argument for the existence of God is sometimes seen as a weaker younger cousin to the more powerful moral argument, but it may in fact be the more formidable of the two. The phenomenological aesthetic argument, presented here, brackets the question of beauty’s objectivity. It argues that various aspects of the raw data of the human aesthetic sense—specifically, our perceptions of human, natural, artistic, and abstract beauty—are highly unlikely to have developed on naturalism but are unsurprising given theism. (...) These facets of aesthetic experience therefore ground a substantial argument against the merely Darwinian paradigm. (shrink)