It is evident to anyone who is at all familiar with the documents and witnesses of the times that Aztec society at the time of the discovery of Mexico appears to be intensely religious, that all public and private life was invaded, so to speak, by rites and dominated by beliefs. But what exactly was the place of religion and its ministrants in the hierarchy of powers? To what degree was the priestly function interwoven with that of government and the (...) administration of the city? Can the regime of ancient Mexico be described as a theocracy? To answer these questions, it is of no small use, first, to go back to the period preceding the foundation of Mexico-Tenochtitlan. (shrink)

The essays collected here provide English-speaking readers with a lucid and accessible introduction to the world of France's leading contemporary philosopher. A classic student textbook.

The paper is a defense of a strict form of anti-realism, competing the "in principle" form defended by Michael Dummett. It proposes to ground anti-realism on the basis of two principles ("immanence" and "implicitness") and to develop the consequences of these principles in the light of sub-structural logics.

The starting point of this paper is the intriguing observation that Goodman has defended a phenomenalist point of view in his epistemological works and a physicalist one in aesthetics. In fact, it would certainly be more accurate to say that his focus was anti-physicalist in epistemology and anti phenomenalist in aesthetics. In any case a majority of interpreters would spontaneously have waited for a diametrically opposite choice, more consistent indeed with the positions taken by the representatives in these fields. Yet (...) Goodman’s strategy is not arbitrary, it has deep roots in the general context of the philosophy in the twentieth century and in return contributes to clarify some of its features and motivation. (shrink)

It has become a commonplace that "images" were central to the twentieth century and that their role will be even more powerful in the twenty-first. But what is an image and what can an image be? _Releasing the Image_ understands images as something beyond mere representations of things. Releasing images from that function, it shows them to be self-referential and self-generative, and in this way capable of producing forms of engagement beyond spectatorship and subjectivity. This understanding of images owes much (...) to phenomenology—the work of Husserl, Heidegger, and Merleau-Ponty—and to Gilles Deleuze's post-phenomenological work. The essays included here cover historical periods from the Romantic era to the present and address a range of topics, from Cézanne's painting, to images in poetry, to contemporary audiovisual art. They reveal the aesthetic, ethical, and political stakes of the project of releasing images and provoke new ways of engaging with embodiment, agency, history, and technology. (shrink)

Terrible ethics -- The ethic of terror -- Phares; or, divisible sovereignty -- The logic of sovereignty -- A Sadean community -- Materia in the critique of autonomy -- Three women, three bombs -- Distracted republic.

Cet ouvrage est une réédition numérique d’un livre paru au XXe siècle, désormais indisponible dans son format d’origine.

During the seminar 'Time and Death penalty', which took place on November 14th 2000 in Triest's Department of Philosophy, Jacques Derrida presented a summary of his lectures of Paris and Irvine: 'Responsibility Problems. Forgiveness, Perjury and Death Penalty'. In Derrida's opinion the philosophical thought has never been - historically - against death penalty. Philosophy has either shown agreement towards its principle or it has remained silent. The aim of deconstruction is to confute the philosophical principles in favour of death (...) penalty , therefore producing a philosophically relevant thought capable of facing such a complex and delicate ethical-political situation. For this purpose Derrida relates the issue of reason to the issue of a 'supernatural world', in which the philosophical responsibility of a different form of reasoning is located. The obvious and immediate comparison is with Kant's position, whose inner contradictions are closely analysed by Derrida. The second reference is the psychoanalytical tradition, which Derrida profusely uses in order to show the equivocal nature of concepts such as 'cruelty' and 'exception' that characterise the juridical and political discourse on death penalty; opaque concepts which constitute its hidden foundation. (shrink)