In this paper, I examine the early history of discussions of participant observation and objectivity in anthropology. The discussions resolve around the question of whether participant observation is a reliable method for obtaining data that may serve as the basis for true accounts of native ways of life. I show how Malinowski in 1922 introduced participant observation as a straightforwardly reliable method and then discuss how—and why—most of the discussants in the 1940s and 1950s maintained that the method is (...) reliable only if the researcher takes a whole number of precautionary measures. (shrink)

Explorations in Anthropology and Theology. Frank A. Salamone and Walter Randolph Adams. eds. Lanham, MD: University Press of America. 1997. xii. 279 pp. $57.50 (cloth); $32.50 (paper).

This volume explores what phenomenology adds to the enterprise of anthropology, drawing on and contributing to a burgeoning field of social science research inspired by the phenomenological tradition in philosophy. Essays by leading scholars ground their discussions of theory and method in richly detailed ethnographic case studies. The contributors broaden the application of phenomenology in anthropology beyond the areas in which it has been most influential—studies of sensory perception, emotion, bodiliness, and intersubjectivity—into new areas of inquiry such as (...) martial arts, sports, dance, music, and political discourse. (shrink)

Criticism of post-modernizm and post-colonializm caused to question the mission of anthropology in terms of understanding different societies. Materialist, secular and anthropocentric anthropological approaches based on enlightenment and modern assumptions have faced criticism by many disciplines from philosophy and critical theory to science and quantum theory. Anthropology of religion which is a branch of cultural anthropology is also effected by changes within the broader field of anthropology. The aim of this project is to shed light on (...) the potential of the critical approach, which emerged in anthropology of religion recently and underlined the ontology, to understand religious experiences and practices of different societies. This approach is called ontological turn. In this article, first I point out the historical process in anthropology which led to the turn to ontology. Social structuralism and representationalism which played an important role for the formation of anthropology impacted significantly the ways in which anthropology understands nature and human being. According to these assumptions commonly used in anthropology, while human beings try to understand universal and static natural law principles, they create representations about nature. But, for there is only one nature, there must be only one true representation. This attempt to understand nature through representations created the base for the concepts of belief, knowledge, and mind of Edward Tylor who was the pioneer of cultural anthropology. While the mind refers to rational capacity of human being, belief is an area of irrational representations that human beings pragmatically need. Religious assumptions and practices are listed under incorrect representations. The concept of belief has been frequently used after Tylor as well to understand societies which are located outside of modernity. What ontological turn aims with criticism of conceptual framework is to prevent the domination of Western based reality. Therefore, one of the most emphasized arguments is the multiplicity of reality. This approach of ontological turn is called as taking everything serious. New definitions which are made in a way including the experiences of ethnographic objects mean taking them serious. Acceptance of the concepts by anthropologist in the ethnographic field means acceptance of difference in reality. The act of definition and conceptualizing is the act of creating different realities. In many ethnographic researches, ethnographers choses their concepts before entering to the field. This means that trying to fit differences within existing concepts and confirming the existing thoughts from different perspectives. Understanding ethnographic materials with its own terms or analyzing, explaining or interpreting ethnographic phenomenon by eliminating presumptions was always a concern for anthropology. These questions are asked so commonly that they can be seen as banal questions. The difference of ontological turn is not to ask these questions, but to ask ontological questions as an epistemological approach. The base of this ontological approach is the thought that what forms anthropologists’ perspective are not social or cultural but ontological assumptions. Thus, the question to be asked is how anthropologists’ assumptions about what the world is can be eliminated. To sum up, the idea of taking everything serious in ontological turn aims to eliminate the hierarchy between the subject and object of ethnography. Instead of seeing ethnography as an object of anthropology through modern categories, ontological turn suggests seeing ethnography as a real source to create new concepts and analytical tools. (shrink)

Contributed articles presented at the national seminar entitled "Ethical Issues in Anthropological Research", organized by Department of Anthropology, West Bengal State University during 19-20 January 2012.

Kant's lectures on anthropology capture him at the height of his intellectual power. They are immensely important for advancing our understanding of Kant's conception of anthropology, its development, and the notoriously difficult relationship between it and the critical philosophy. This 2003 collection of essays by some of the leading commentators on Kant offers a systematic account of the philosophical importance of this material that should nevertheless prove of interest to historians of ideas and political theorists. There are two (...) broad approaches adopted: a number of the essays consider the systematic relations of the anthropology to critical philosophy, especially speculative knowledge and ethics. Other essays focus on the anthropology as a major source for the clarification of both the content and development of Kant's work. The volume also serves as an interpretative complement to the translation of the lectures in the Cambridge Edition of the Works of Immanuel Kant. (shrink)

The history of physical anthropology has most often been situated and studied in the context of specific colonial powers and nation states. At the same time, the study of human variation had as its scope to study human evolution on a global scale. It thus necessarily included transnational border crossings and scholarly exchanges of specimen collections that allowed researchers to study migration and differentiation patterns on a large scale. In addition, scientists working in a national context often sought international (...) approval to validate their findings and gain national standing. The set of essays collected in this special issue takes this tension between national, transnational, and global impulses in the... (shrink)

This paper is about the problem of explanation in anthropology. There are, broadly speaking, three theories of explanation, namely, the scientific theory, the historical theory, and finally what I have decided to call the phenomenological theory, after M. Natanson. The author argues that none of the three theories is adequate by itself to encompass the complex nature of anthropological science. The three theories correspond roughly to at least three different types of questions raised by anthropologists, and this being the (...) case the principle of methodological tolerance seems a natural and sensible principle to adopt. The paper also deals with the problem of reduction, i.e. the problem whether the three theories are different from and logically independent of one another. (shrink)

In this innovative introduction, Robert Layton reviews the ideas that have inspired anthropologists in their studies of societies around the world. An Introduction to Theory in Anthropology provides a clear and concise analysis of the theories, and traces the way in which they have been translated into anthropological debates. The opening chapter sets out the classical theoretical issues formulated by Hobbes, Rousseau, Marx and Durkheim. Successive chapters discuss Functionalism, Structuralism, Interactionist theories, and Marxist anthropology, while the final chapters (...) address the competing paradigms of Socioecology and Postmodernism. Using detailed case studies, Professor Layton illustrates the way in which various theoretical perspectives have shaped competing, or complementary, accounts of specific human societies. (shrink)

Anthropology is a discipline very conscious of its history. Alan Barnard has written a clear, detailed overview of anthropological theory that brings out the historical contexts of the great debates, tracing the genealogies of theories and schools of thought. His book covers the precursors of anthropology; evolutionism in all its guises; diffusionism and culture area theories, functionalism and structural-functionalism; action-centered theories; processual and Marxist perspectives; the many faces of relativism, structuralism and poststructuralism; and recent interpretive and postmodernist viewpoints. (...) This is a balanced and judicious survey, which also considers the problems involved in assessing anthropological theories. (shrink)

In Iroquois and Algonquin legend there is the story of a girl who submits in the dark of night to a man she believes to be her brother. Every detail seems to identify him: physical appearance, clothing, a scratched cheek attesting to the heroine's virtue. When formally accused by her, the brother reveals that he has a second self (Sosie) or, more precisely, a double; the bond between them is so strong that everything befalling the one is automatically transmitted to (...) the other : the torn garment, the wounded face. In order to convince his incredulous sister, the young man kills his double before her eyes, but with this single blow he pronounces his own death sentence, since their destinies are one. (shrink)

In his recent paper Gellner singles me out for special comment and some reply is called for. He attributes to me several propositions which he says I made in my note on ‘Physical and social kinship’ in this journal, and he then refutes them. Reading his paper I cannot avoid thinking that he exaggerates the differences between us, thereby apparently strengthening his argument. Some substantial differences there are, but others are fictional. A line-by-line analysis of what he says about me (...) in his paper might be amusing but would be of only ephemeral interest. In this reply I confine myself to a few important issues. (shrink)

Medicine does not usually consider the human body from an aesthetic point of view. This article explores the notion of the lived body as aesthetic object in anthropological medicine, concentrating on the views of Buytendijk and Straus on human uprightness and gracefulness. It is argued that their insights constitute a counter-balance to the way the human body is predominantly approached in medicine and medical ethics. In particular, (1) the relationship between anthropological, aesthetic and ethical norms, (2) the possible danger of (...) a naturalistic fallacy, (3) the implications for the care of disabled people and (4) the intrinsic aesthetic quality of the human body are dealt with. (shrink)

Purpose. The article is devoted to the analysis of corporality as an attribute of plastic art in the Ancient art, the Middle Ages, the Renaissance, the modernism and the postmodernism. Theoretical basis. The authors consider historical development of the art as a change of paradigms. Within each paradigm a special understanding of art is created, which is characterized both by the act of creativity itself and by the evaluation of its results. Particularly urgent is the task to identify the origins (...) of these changes, to indicate their stages, the direction of the evolution of artistic creativity. In this context, corporality as a paradigm of European plastic art is considered in the article in the concrete historical dimension from the classics to the postmodernism. Originality. Postmodern experiments stimulate blurring the borders between the traditional forms and genres of art. Review of canonical ideas about the creation and destruction, order and chaos in art illustrates conscious reorientation from the classical understanding of artistic creativity to the construction of artifacts-simulacra, which is a characteristic feature in the oeuvre of contemporary artists, ranging from the pop art to the present day. Conclusions. The ideas of postmodern philosophers found their visual embodiment in modern artistic practices. Reconstruction of the body, re-switching of its elements according to the principle of chaotic collage, the interpretation of the human body as a separate substance isolated from the individual him/herself, which is presented as a phenomenon of mass culture, became the basis of the creative method of contemporary plastic art. The ideas of postmodern philosophers have found their visual embodiment in the contemporary artistic practices. (shrink)

An internal critique of anthropology in recent decades has shifted the focus and scope of anthropological work on emotion. In this article I review the changes, explore the pros and cons of leading anthropological approaches and theories, and argue that—so far as anthropology is concerned—only detailed narrative accounts can do full justice to the complexity of emotions. A narrative approach captures both the particularity and the temporal dimension of emotion with greater fidelity than semantic, synchronic, and discourse-based approaches.

This book brings key authors in anthropology together to debate and transgress anthropological expectations.

We have considered two strategies for using native utterances as evidence for assigning native beliefs. We have shown that each of these two strategies (literalism and symbolism) can avoid the logical difficulties mentioned in section 1 — so long, at least, as we employ an account of the logical form of belief sentences developed by Burdick. We have also considered the methodological principles which provide the basis for translational practice. Based on our consideration of these principles, we then argued that (...) we must prefer the literalist strategy for attributing beliefs. Only the literalist strategy enables us to provide a recursive account of the significance of native utterances, and only the literalist strategy enables us to maximize the truth of our claims about native beliefs. (shrink)

Anthropology, History, and Education contains all of Kant's major writings on human nature. Some of these works, which were published over a thirty-nine year period between 1764 and 1803, have never before been translated into English. Kant's question 'What is the human being?' is approached indirectly in his famous works on metaphysics, epistemology, moral and legal philosophy, aesthetics and the philosophy of religion, but it is approached directly in his extensive but less well-known writings on physical and cultural (...) class='Hi'>anthropology, the philosophy of history, and education which are gathered in the present volume. Kant repeatedly claimed that the question 'What is the human being?' should be philosophy's most fundamental concern, and Anthropology, History, and Education can be seen as effectively presenting his philosophy as a whole in a popular guise. (shrink)

Martin Paleček and Mark Risjord have recently put forward a critical evaluation of the ontological turn in anthropological theory. According to this philosophically informed theory of ethnographic practice, certain insights of twentieth-century analytic philosophy should play a part in the methodological debates concerning anthropological fieldwork: most importantly, the denial of representationalism and the acceptance of the extended mind thesis. In this paper, I will attempt to evaluate the advantages and potential drawbacks of ontological anthropology—arguing that to become a true (...) alternative to current social scientific thinking about methodology, it has to meet certain philosophical objections. (shrink)

The thesis of the present volume is critical and dual. (1) Present day philosophy of man and sciences of man suffer from the Greek mis taken polarization of everything human into nature and convention which is (allegedly) good and evil, which is (allegedly) truth and fal sity, which is (allegedly) rationality and irrationality, to wit, the polar ization of all fields of inquiry, the natural and social sciences, as well as ethics and all technology, whether natural or social, into the (...) totally positive and the totally negative. (2) Almost all philosophy and sci ences of man share the erroneous work ethic which is the myth of man's evil nature - the myth of the beast in man, the doctrine of original sin. To mediate or to compromise between the first view of human nature as good with the second view of it as evil, sociologists have devised a modified utilitarianism with deferred gratification so called, and the theory of the evil of artificial competition (capitalist and socialist alike) and of keeping up with the Joneses. Now, the mediation is not necessary. For, the polarization makes for abstract errors which are simplistic views of rationality, such as reductionism and positivism of all sorts, as well as for concrete errors, such as the disposition to condemn repeatedly those human weaknesses which are inevitable, namely man's inability to be perfectly rational, avoid all error, etc. , thus setting man against himself as all too wicked. (shrink)

Cultural relativism was the subject of a panel presentation at the 2005 meetings of the American Anthropological Association. In 2007, three of the four presentations were published in Anthropological Quarterly. The present article comprises what was presented in the fourth panel presentation, my own, plus a critical realist critique of the other three papers and the discussant’s introduction of them. The critical realist method of immanent critique, applied here, reveals the gaps, contradictions and non-sequiturs of cultural relativism, and suggests that (...) the critical realist meta-philosophy of philosopher Roy Bhaskar, sociologist Margaret Archer, and others offers anthropologists a stronger theoretical paradigm from which to operate. (shrink)

Based on field research on Andean medicine men and West Tibetan (Ladakhi) shamans, this paper delineates some research problems which arise from the lies told and amnesia experienced by indigenous informants. It is shown that the problem of amnesia leads to the paradox that "one can only do research on shamans by ceasing to do research." In discussing four hypotheses for understanding shaman's amnesia, as a "lie," as a professional ideology, or as an artifact of Western research, a solution is (...) sought for this paradox. The best solution is seen in an approach called "recycling the waste" in which lies, inventions, contradictory and fragmentary information (usually considered as the "waste" of research) are being "recycled" as valuable data in their own right. (shrink)

Anthropological inquiry has often been considered an agent of intellectual secularization. Not least is this so in the sphere of religion, where anthropological accounts have often been taken to represent the triumph of naturalism. This metanarrative, however, fails to recognize that naturalistic explanations could sometimes be espousedforreligious purposes and in defence of confessional creeds. This essay examines two late nineteenth-century figures – Alexander Winchell in the United States and William Robertson Smith in Britain – who found in anthropological analysis resources (...) to bolster rather than undermine faith. In both cases these individuals found themselves on the receiving end of ecclesiastical censure and were dismissed from their positions at church-governed institutions. But their motivation was to vindicate divine revelation, in Winchell's case from the physical anthropology of human origins and in Smith's from the cultural anthropology of Semitic ritual. (shrink)

Starry Nights: Critical Structural Realism in Anthropology offers nothing less than a reinventing of the discipline of anthropology. In these six essays – four published here for the first time – Stephen Reyna critiques the postmodern tenets of anthropology, while devising a new strategy for conducting research. Combative and clear, Starry Nights provides an important critique of mainstream anthropology as represented by Geertz and the postmodern legacy, and envisions a mode of anthropological research that addresses social, (...) cultural and biological questions with techniques that are theoretically rigorous and practically useful. (shrink)

While increasing attention has been paid in recent years to the relation between Foucault’s conception of critique and Kant’s, much controversy remains over whether Foucault’s most sustained early engagement with Kant, his dissertation on Kant’s Anthropology, should be read as a wholesale rejection of Kant’s views or as the source of Foucault’s late return to ethics and critique. In this paper, I propose a new reading of the dissertation, considering it alongside 1950s-era archival materials of which I advance the (...) first scholarly appraisal. I argue that Foucault manifests a fundamental ambivalence to Kantian anthropology, rejecting it in theoretical terms while embracing its practical (‘pragmatic’) conception of the subject. Furthermore, I take these texts to collectively evidence Foucault’s attempt to situate himself within the anthropological-critical tradition rather than extricating himself from it. If we interpret Foucault to reject this tradition’s appeal to an essentialized, theoretical conception of subjectivity, what remains of anthropology is its inherent practical reflexivity in structure. Thus, I situate Foucault’s conception of ethics as one’s relation to oneself in continuity with this tradition. (shrink)

It is probably true that the greater number of contemporary American anthropologists feel that “theory” is a very dangerous kind of business which the careful anthropologist must be on his guard against. This statement represents, in the first instance, merely a crude induction from my experience in talking with professional anthropologists. It is, however, symptomatic that not until 1933 did a book by an American anthropologist include the word “theory” in its title. Only a single book published subsequently is explicitly (...) given over to anthropological theory, and this avowedly concentrates upon the historical development of theories rather than upon a fresh and extended analysis of the more abstract aspects of anthropological thought. But because anthropology still painfully remembers the stomach-ache it got from the too easy generalizations of many nineteenth century “arm-chair ethnologists” is insufficient reason, it seems to me, for that almost morbid avoidance of theory which tends to produce acute indigestion from sheer bulk of unordered concrete observations. Landheer has with some justice commented. (shrink)

We have considered two strategies for using native utterances as evidence for assigning native beliefs. We have shown that each of these two strategies can avoid the logical difficulties mentioned in section 1 - so long, at least, as we employ an account of the logical form of belief sentences developed by Burdick. We have also considered the methodological principles which provide the basis for translational practice. Based on our consideration of these principles, we then argued that we must prefer (...) the literalist strategy for attributing beliefs. Only the literalist strategy enables us to provide a recursive account of the significance of native utterances, and only the literalist strategy enables us to maximize the truth of our claims about native beliefs. (shrink)

This paper aims to explore the theme of art in Helmuth Plessner’s philosophical anthropology and show the possibilities of its use in the analysis of artistic creation and artwork. The article is divided into three parts: in the first part, it presents the background of Plessner’s anthropological project and the intersection of his philosophy with Edmund Husserl’s phenomenology. This strategy enables the synergy of both approaches which can be used for reflection of art. The second part displays the scope (...) and ingenuity of Plessner’s approach through a selection of texts where he addresses art. And finally, the third part delves into a functional elaboration of the anthropology of an artwork, specifically, using Max Beckmann as an example, into the question of anthropological foundations in art making, and the question of new form in art. For the latter question, I use the approach to architecture as an example relying on corporeality and Umwelt as guiding concepts. This analysis provides, on the one hand, description of anthropologically significant phenomena of artistic production of the first half of the twentieth century, and on the other hand, reveals functional determinations of corporeality, the world, and resonance with the world, the so-called equilibrium, which can be used to understand the artwork, and artistic production in the creation of a new form in art. (shrink)