The advancement of Artificial Intelligence (AI) poses challenges in the field of bioethics, especially concerning issues related to life and death. AI has permeated areas such as health and research, generating ethical dilemmas and questions about privacy, decision-making, and access to technology. Life and death have been recurring human concerns, particularly in connection with depression. AI has created systems like Thanabots or Deadbots, which digitally recreate deceased individuals and allow interactions with them. These systems rely on information generated by AI (...) users during their lifetime, raising ethical and emotional questions about the authenticity and purpose of these recreations. AI acts as a mediator between life, death, and the human being, enabling a new form of communication with the deceased. However, this raises ethical issues such as informed consent from users and the limits of digital recreation. Companies offer services like the Digital Resurrection of deceased individuals and the generation of hyper-realistic avatars. Still, concerns arise about the authenticity of these representations and their long-term emotional impact. Interaction with Thanabots may alter perceptions of death and finitude, leading to a potential “postmortal society” where death is no longer viewed as a definitive end. Nevertheless, this raises questions about the value of life and the authenticity of human experiences. AI becomes a bridge between the living and the dead, partially replacing rituals and mystical beliefs. As technology advances, there will be a need for greater transparency in interacting with AI systems and ethical reflections on the role of these technologies in shaping perceptions of life and death. Ultimately, the question arises of whether we should allow the dead to rest in peace and how to balance the pursuit of emotional relief with authenticity and respect for the memory of the deceased. A deeper ethical consideration is needed on how AI alters traditional notions of life, death, and communication in contemporary society. In this research, an interdisciplinary approach was utilized to conduct a comprehensive systematic review of the recent academic literature, followed by a detailed analysis of two key texts. Central ideas were extracted, and recurring themes were identified. Finally, a reflective analysis of the findings was conducted, yielding significant conclusions and recommendations for future research. (shrink)

This book sets out to present a Christian understanding of God in terms of the fundamental category of 'God as Spirit'.

Die Fragestellungen der Metaphysik, so scheint es, sind nicht mehr zeitgemäß. Der Begriff erinnert an abgehobene Systeme ohne jeden Realitätssinn. Dabei gibt es kein Denken ohne Metaphysik. Unter Bezugnahme auf die Traditionen der Phänomenologie und der französischen Philosophie versteht Robert Hugo Ziegler Endlichkeit als eine positive Auszeichnung, während der Begriff der Zeitlichkeit die erste Dimension von Sein beschreibt. Sein grundlegender Beitrag zur Reflexion über Mensch und Welt zeigt, wie sich die Philosophie selbstbewusst einer Erneuerung der Metaphysik stellen kann.

Reaktionäres Denken ist wieder in Mode. Aber was ist das eigentlich? Wodurch unterscheidet es sich von anderen Formen des Denkens? Und welche philosophischen Instrumente können gegen dessen erneutes Erstarken wirken? Robert Hugo Ziegler analysiert beispielhaft Autoren wie Jünger, Heidegger, Schmitt und Rand und schlägt einen systematischen Begriff des reaktionären Denkens vor. Damit entmystifiziert er eine Diskursform, die letztlich nur in der eigenen Mystifizierung besteht, und bezieht auch politisch Stellung gegen das Wiederaufleben der Reaktion.

"Esta investigación evidencia descripciones detalladas que identifican la socialización de la naturaleza en la actividad de los curanderos pames de Agua Puerca y La Manzanilla, en la Región de La Palma, San Luis Potosí. Los espacios rituales de estas prácticas y los que se les asocian son las cumbres de los cerros, el cementerio y la milpa. Y los seres a quienes se les ofrenda son aludidos bajo el nombre en español de animales, término que desgina al diablo, al Primer (...) Muerto y al Trueno"--Publisher's website. (shrink)

This piece, framed by sight and sound, is an (un)written essay on repetition, memory, rhythm, and marks made by the passage of time. The authorship condenses at once in the music, the initial creation, and then in the movement of the image, created with the memory of music spooling out in the silence of a train through the Rhône-Alpes. The result, an attempt— une tentative —a temptation, marks moments of feeling kept aloft through seeing what was once heard and marking (...) the passage of thought through memory's repetition. Do we remember what we listened to when we see what we saw when we listened? What remains calls back. Are you still there? Responding to thoughts, memories arise with rhythmic pulses in a mute endeavor. The voice we answer evaporates as we turn to greet it. We can replay but not repeat. We repeat without reporting, calling up a memory— une histoire —repeatedly, searching the scene. Each time new evidence, new non-evidence, new absence. Sight and sound. A parting with no meeting. Tentatively embracing the past, a passing memory in the present, big with its future. Its flowing rhythm that we take apart and keep a part of imparts a reminiscence which shapes as it passes, always departing. We think directly as the activity of memory marks the tempo. Interrupting our thoughts in their repetition, memory ignites with the slightest sound, smell, touch. A synaptic explosion which reshapes our memory of how we once thought, if we thought. Perhaps we only felt, but reflection impresses it upon present thought. Once, we have thought—or at least that is how I remember it, how you told me about it. (shrink)

Ozomatli's history of formation, the multiplicity of its sounds, the role played by its music in enabling political activism and political coalitions illuminate the relations between identities and politics at the present moment. The group is grounded in Los Angeles contemporary Chicano/a culture and in the new social relations, new knowledges, and new sensibilities of an emerging global city in a transnational era. Speaking from the interstices between commercial culture and the new social movements, Ozomatli's music and political work offers (...) us invaluable bottom‐up perspectives on the terrain of counter‐politics and cultural creation at the beginning of the twenty‐first century. (shrink)

The aim of this paper is twofold: The first part, drawing on Spinoza and Deleuze’s reading of Spinoza, develops a broad outline of what might be called a metaphysics of immanence. In the second part, I will propose to understand phenomenology in the context of this metaphysics of immanence and I will point to some methodological and ontological shifts in phenomenological research this metaphysical interpretation might entail.

(1997). Introduction: “Poohness”; or, of Universals, paradigms, and literature. The European Legacy: Vol. 2, Fourth International Conference of the International Society for the Study of European Ideas, pp. 199-205.

Trata-se de um estudo comparativo entre as ideias do filósofo Paul Ricoeur (1913 – 2005) e do romancista Milan Kundera (1929-) sobre as experiências do tempo e da memória. Parte-se de uma comparação inicial das ideias de ambos os pensadores acerca dos temas da ipseidade, da História e da experiência do tempo. Em um segundo momento, o pensamento de ambos os autores é colocado em confrontação crítica, em especial no que concerne aos seus respectivos entendimentos sobre a natureza da experiência (...) humana do tempo e os limites da memória. Em seguida, passa-se ao exame das ideias e hipóteses de Kundera sob a luz da hermenêutica filosófica de Ricoeur, com o intento de mostrar que essa é onde essa hermenêutica é mais intensamente desafiada que melhor mostra suas valências filosóficas. Em um último momento, pretende-se mostrar que dessa confrontação crítica resultam interessantes convergências por meio das quais ambos os pensadores oferecem perspectivas similares e complementares para fins do cultivo de uma memória feliz e de uma experiência viva do tempo. (shrink)

Includes Spanish version of Vita Secundi (Life of Secundus of Athens) by Vincent of Beauvais, and the Spanish version (Castellana) by Walter Burley (Gualterus Burlaeus) with the Latin version in his "Tractatus de vita et moribus philosophorum et de quibusdam dictis eorum" from his ms. in the "Biblioteca Nacional de Madrid Vit. 18-7 (Olim T. 9), fols. 50r-51v"--See page 33.

A key question in understanding microtubule dynamics is how GTP hydrolysis leads to catastrophe, the switch from slow growth to rapid shrinkage. We first provide a review of the experimental and modeling literature, and then present a new model of microtubule dynamics. We demonstrate that vectorial, random, and coupled hydrolysis mechanisms are not consistent with the dependence of catastrophe on tubulin concentration and show that, although single-protofilament models can explain many features of dynamics, they do not describe catastrophe as a (...) multistep process. Finally, we present a new combined (coupled plus random hydrolysis) multiple-protofilament model that is a simple, analytically solvable generalization of a single-protofilament model. This model accounts for the observed lifetimes of growing microtubules, the delay to catastrophe following dilution and describes catastrophe as a multistep process. (shrink)