The 1830s and 1840s are the formative years of modern public health in Britain, when the poor law bureaucrat Edwin Chadwick conceived his vision of public health through public works and began the campaign for the construction of the kinds of water and sewerage works that ultimately became the standard components of urban infrastructure throughout the developed world. This book first explores that vision and campaign against the backdrop of the great "condition-of-England" questions of the period, of what rights and (...) expectations working people could justifiably have in regard to political participation, food, shelter and conditions of work. It examines the ways Chadwick's sanitarianism fit the political needs of the much-hated Poor Law Commission and of Whig and Tory governments, each seeking some antidote to revolutionary Charitism. It then reviews the Chadwickians' efforts to solve the host of problems they met in trying to implement the sanitary idea: of what responsibilities central and local units of government, and private contractors, were to have; of how townspeople could be persuaded to embark on untried public technologies; of where the new public health experts were to come from; and of how elegant technical designs were to be fitted to the unique social, political and geographic circumstances of individual towns. Rejecting the view that Chadwick's program was a simple response to an obvious urban problem Professor Hamlin argues that at the time a "public health" focusing narrowly on sanitary public works represented a retreat of public medicine from involvement with the great social issues of the Industrial Revolution. In exploring the views of medical men who were critical of Chadwick, Hamlin suggests the parameters of a public health that might have been, in which concern for health and well-being becomes the foundation of a public medicine that is a principal guarantor of social justice. This book offers modern public heatlh professionals elements of a forgotten professional heritage that might be useful in responding to the bewildering range of health problems we now confront. (shrink)

This book offers a new and original hypothesis on the origin of modal ontology, whose roots can be traced back to the mathematical debate about incommensurable magnitudes, which forms the implicit background for Plato’s later dialogues and culminates in the definition of being as dynamis in the Sophist. Incommensurable magnitudes – also called dynameis by Theaetetus – are presented as the solution to the problem of non-being and serve as the cornerstone for a philosophy of difference and becoming. This shift (...) also marks the passage to another form of rationality – one not of the measure, but of the mediation. The book argues that the ontology and the rationality which arise out of the discovery of incommensurable constitutes a thread that runs through the entire history of philosophy, one that leads to Kantian transcendentalism and to the philosophies derived from it, such as Hegelianism and philosophical hermeneutics. Readers discover an insightful exchange with some of the most important issues in philosophy, newly reconsidered from the point of view of an ontology of the incommensurable. These issues include the infinite, the continuum, existence, and difference. This text appeals to students and researchers in the fields of ancient philosophy, German idealism, philosophical hermeneutics and the history of mathematics. (shrink)

Luigi Pareyson’s concept of formativity is one of his most relevant and original concepts. In this paper I will give a short exposition of this concept in Pareyson’s Estetica and try to show how it can account, better as other object-, subject-, target- oriented theories, even of some features of contemporary art. The very relevant innovation that we can find in this concept is the shift from a concept of art as poiesis—as it is in Aristotle, namely, as a production (...) of an object—to the concept of art as praxis, that is, as an activity which involves the entire doing of the artist. As a doing that invents the form of doing, formativity appears as a kind of schematism that operates, not only without concept, as it is in Kant’s Critique of Judgement, but even without object. The thesis here suggested is that formativity can be understood as a transcendentalism of invention. (shrink)

Partindo das discussões que Gadamer realiza em Verdade e Método sobre a Crítica do Juízo de Kant, e em particular sobre a distinção entre beleza livre e beleza aderente, o objetivo deste texto é mostrar as implicações políticas do projeto de Gadamer. Contra as interpretações niilistas e conservadoras de Verdade e Método, queremos argumentar que o verdadeiro objetivo de Gadamer é conceber uma verdade que seja emancipadora, ou melhor, que, enquanto vivenciada e histórica, ultrapasse as condições de verdade como conformidade (...) a uma dada regra. A verdade extrametódica, de que fala Gadamer, é função de uma “universalidade intensional” que envolve a abertura de um domínio dado, entendido tanto em termos científicos (reino de verdades constituídas) quanto em termos políticos (reino de exercício do poder). Essa é, para Gadamer, a função da experiência da verdade na arte e, em geral, nas ciências do espírito. (shrink)

La traduction n’est pas seulement un problème linguistique mais aussi, et d’abord, un problème d’ordre éthique et politique. Chez les Grecs les présupposés linguistiques de la communauté font de la traduc­tion une opération visant à mettre en évidence les équivalences ou les synonymies, qui sont les fondements de toute conception universaliste du langage. Certaines théories contemporaines de la traduction – notamment celles de Benjamin et d’Ortega y Gasset – permettent en revanche d’en­tendre le processus traductif d’une manière différente : comme (...) un pro­cessus historique de déploiement des différences qui, dans leur totalité, recomposent la langue pure, chez Benjamin ; ou comme un processus où les déséquivalences et l’incommensurabilité entre les langues viennent au premier plan, favorisant l’ouverture vers l’autre et l’étranger, chez Ortega y Gasset. Une telle conception de la traduction nous permet de penser une ontologie différente, dans laquelle le concept de dynamis occupe une posi­tion centrale. (shrink)

Il saggio evidenzia come il «diritto naturale» rappresenti il cuore nevralgico della «scienza» di Giambattista Vico. Questi, nell’opporsi allo scetticismo, da un lato, e al giusnaturalismo, dall’altro, fa del «diritto naturale» il punto di incontro di molteplici questioni, dalla politica alla giurisprudenza, dall’«equità» alla «Ragion di Stato».

Catholic theologians after Trent saw the Protestant teaching about the remnants of original sin in the justified as one of the ‘chief ’ errors of Protestant soteriology. Martin Luther, John Calvin, Martin Chemnitz, and many Protestant theologians believed that a view of concupiscence as sinful, strictly speaking, did away with any reliance on good works. This conviction also clarified the Christian’s dependence on the imputed righteousness of Christ. Catholic theologians condemned this position as detracting from the work of Christ who (...) takes away the sins of the world. The rejection of this teaching—and the affirmation of Trent’s statement that original sin is taken away and that the justified at baptism is without stain or ‘immaculate’ before God—is essential for understanding Catholic opposition to Protestant soteriology. Two Spanish Dominican Thomists, Domingo de Soto and Bartolomé de Medina, rejected the Protestant teaching on imputation in part because of its connection with the view on the remnants of original sin in the justified. Adrian and Peter van Walenburch, brothers who served as auxiliary bishops of Cologne in the second half of the seventeenth century, argued that the Protestants of their time now agreed with the Catholic Church on a number of soteriological points. They also drew upon some of their post–Tridentine predecessors to offer a Catholic account of the imputation of Christ’s righteousness. Nonetheless, the issue of sin in the justified remained a point of serious controversy. (shrink)

Si « presque toutes les œuvres de fiction marquantes transmettent un “message” ou des “messages” qui sont transmis par le texte mais ne sont pas dans le texte », comment les écritures romanesques génèrent-elles des significations et des jugements sur la réalité? Sans prétendre donner une réponse péremptoire à cette question, nous pouvons émettre l’hypothèse que lorsque nous imaginons des transferts sémantiques dont les figures d’un récit littéraire peuvent être les vecteurs, nous sommes conf...

Il libro ripercorre alcune fra le tappe fondamentali del pensiero di Gian Vincenzo Gravina, inquadrandole all' interno dei generi letterari maggiormente praticati dall' autore calabrese e facendo emergere la sua capacità di padroneggiare vari aspetti della cultura del suo tempo. Il panorama intellettuale, politico e sociale del periodo compreso fra la fine del Seicento e i primi anni del Settecento, con la sua complessità, traspare dai dialoghi e dai trattati del pensatore, per il quale si fa strada l' esigenza di (...) tornare a quei valori della tradizione classica che coincidono con il bisogno di recuperare le virtù tipiche della letteratura antica per promuovere un rinnovamento culturale, politico e civile della società. (shrink)

Charles-Louis de Secondat, barón de La Brède y de Montesquieu, es uno de los personajes intelectuales más significativos del "siglo de las Luces". Todavía hoy, a doscientos cincuenta años de su muerte, son de gran actualidad algunas de sus fundamentales teorías y formulaciones, como el principio de la división de poderes dentro de un Estado, la concepción de la existencia de un "espíritu" característico de cada pueblo, el rechazo de la tortura y la necesidad de conmensurar las penas a los (...) delitos. La relevancia, la complejidad y la riqueza de los temas afrontados por el filósofo francés hacen comprender claramente el motivo por el que autores ilustres se han visto influidos por su pensamiento, y esto sería motivo suficiente para recopilar todos sus escritos. (shrink)

This essay emphasizes how Vico was one of the modern philosophers to set himself the goal to reconstruct the history of the primitive world. Differently from several authors who preceded him and also other contemporary thinkers, the Neapolitan philosopher showed that the world of the origin wasn’t idyllic, but it was affected by fear, anguish and basic needs. What mainly characterizes Vico, however, is the fact that he represented the primitive world not as a unitary and fixed block, but as (...) a world made of different historical phases and of class and social conflicts. As there were no written documents, Vico elaborated a reconstruction of history, basing it on a new and revolutionary theory of myths which, being based on creativity induced by fantasy, are called “universali fantastici”. (shrink)