W artykule przedstawiam koncepcję eklektyzmu wypracowaną przez Edwarda Dembowskiego na tle współczesnych jego koncepcji i typologizacji. Interpretuję eklektyzm Dembowskiego jako achroniczną, trójpostaciową postawę filozoficzną, która staje się pojęciowym narzędziem dającym się wykorzystać w historii filozofii do charakterystyki dokonań filozofów w różnych epokach, ale także do uwypuklenia i bardziej precyzyjnego ujęcia tego, co w filozofii jest oryginalne i nowe.

Discusses Indian Buddhist philosophy in three phases of its development.

CHAPTER I INTRODUCTION: A NEW UNIVERSITY AND THE CHALLENGE OF THE NEW SCIENCE Despite the recent and continuing controversy concerning the proper role of ...

If beliefs are a map by which we steer, then, ceteris paribus, we should want a more accurate map. However, the world could be structured so as to punish learning with respect to certain topics—by learning new information, one’s situation could be worse than it otherwise would have been. We investigate whether the world is structured so as to punish learning specifically about moral nihilism. We ask, if an ordinary person had the option to learn the truth about moral nihilism, (...) ought she to take it? We argue, given plausible assumptions about ordinary human preferences, she should not. (shrink)

The little-known story of the architectural project that lay at the heart of Paine's grand political vision for the United States. Thomas Jefferson praised Tom Paine as the greatest political writer of the age. The author of 'Common Sense' and Rights of Man, Paine helped make revolutions in America and France. But beyond his inspiring calls to action, Paine harbored a deeper political vision for his adopted country. It was embodied in an architectural project that he spent decades planning: an (...) iron bridge to span the Schuylkill River at Philadelphia. The bridge was Paine's answer to the political puzzle of the new nation: how to sustain a republic as large and geographically fragmented as the United States. Among its patrons were other giants of the time, including Benjamin Franklin and Edmund Burke, Paine's ideological opponent. Set against the background of the American Revolution, the story of his iron bridge reveals a new Tom Paine and connects this revolutionary to the vast program of internal improvements that soon transformed America"--Provided by publisher. (shrink)

IMAGINING and remembering, two of the most frequent and fundamental acts of mind, have long been unwelcome guests in most of the many mansions of philosophy. When not simply ignored or over-looked, they have been considered only to be dismissed. This is above all true of imagination, as first becomes evident in Plato’s view that the art of making exact images tends to degenerate into the making of mere semblances. Kant, despite the importance he gives to imagination in the first (...) edition of The Critique of Pure Reason, nevertheless considers images to be lowly "monograms" that are unruly and thus untrustworthy. In more recent times, Sartre, who is nearly as ambivalent as Kant on the subject, has stressed imagination’s "essential poverty"—its character as "debased thought"—while Ryle, in covert counterpoint, has attempted to conceive imagining as parody and pretense: as mere make-believe. (shrink)

This paper responds to an essay by Elena Ferrante on male literary figures acknowledging the influence of female ones. She poses a question about her reception by males which I address.

This book is part of a larger study of the problem of the one and the many in Aristotle's Metaphysics. Although this portion can be read and understood on its own, some remarks about the contents of the two sister volumes will be helpful.

This paper describes a kind of poem which reveals an exception to the instruction to know thyself.

What is bound to mislead us is the dichotomist assumption that keeping in mind must be either an entirely active or an utterly passive affair. This assumption has plagued theories of memory as of other mental activities. On the activist model, keeping in mind would be a creating or recreating in mind of what is either a mere mirage to begin with or a set of stultified sensations. Much as God in the seventeenth century was sometimes thought to operate by (...) continual creation, so the mind was given the same lofty powers in the Romantic thought that represented a reaction to much of what the seventeenth century stood for. But the activist model is by no means limited to the Romantic idealists or Natur-philosophen. It reappears in more than one phase of phenomenology, and it informs the sober theorizing of Bartlett and Piaget on the nature of remembering. On the passivist model, on the other hand, the mind is mute and unconfigurating. It takes in but does not give back other than what it takes in. It is a recording mechanism only. Something like this view is at work in empiricist theories of memory, considered as restricted to the contents of Humean "impressions" and arranged according to their order and position in time; it continues in Kant's notion of "reproductive imagination" as operating by association alone; and it is found flourishing today in psychological accounts of what is revealingly called "human associative memory.". (shrink)

Menos de dos siglos han transcurrido desde la Revolucion francesa; pero la transformacion de la humanidad, a partir de entonces, ha sido mas radical que en todas sus jornadas previas; en estas conferencias, el autor analiza los procesos del devenir historico desencadenado por la Revolucion francesa.

The Greek priests were concerned with ritual alone, and rarely, if ever, assumed the office of moralist; the philosophers, such as Parmenides and Empedocles ...