Aremarkable revival of interest in Romanticism has taken place among some philosophers in recent years. Why should this be so? Romanticism has had a bad reputation among literary critics of a variety of persuasions throughout most of the twentieth century, when it was not even a topic for analytical philosophy in the English-speaking world. The philosophical movement most associated with Romanticism—German idealism—had been shunned by the curricula of a majority of the most prestigious British and American universities by the (...) mid-twentieth century. Literary modernism and then various strains of postmodernism had a self-image of having overcome Romantic illusions. (Of course, Romanticism and Romantic philosophy... (shrink)

Since the mid-1980s, Arthur C. Danto has been increasingly concerned with the implications of the demise of modernism. Out of the wake of modernist art, Danto discerns the emergence of a radically pluralistic art world. His essays illuminate this novel art world as well as the fate of criticism within it. As a result, Danto has crafted the most compelling philosophy of art criticism since Clement Greenberg. Gregg Horowitz and Tom Huhn analyze the constellation of philosophical and (...) critical elements in Danto's new- Hegelian art theory. In a provocative encounter, they employ themes from Kantian aesthetics to elucidate the continuing persistence of taste in shaping even this most sophisticated philosophy of art. (shrink)

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood (1889-1943) on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their (...) various fields, who provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment highlights the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology. (shrink)

This is the long-awaited publication of a set of writings by the British philosopher, historian, and archaeologist R.G. Collingwood on critical, anthropological, and cultural themes only hinted at in his previously available work. At the core are six essays on folktale and magic in which Collingwood applies the principles of his philosophy of history to problems in the long-term evolution of human society and culture. The volume opens with three substantial introductory essays by the editors, authorities in their various (...) fields, who provide their explanatory and contextual notes to guide the reader through the texts. The Philosophy of Enchantment highlights the broad range of Collingwood's intellectual engagements, their integration, and their relevance to current areas of debate in the fields of philosophy, cultural studies, social and literary history, and anthropology. (shrink)

This paper contends thatMichael Oakeshott's analogy of conversation conveys a conception of philosophy that can be connected with 'philosophical criticism', as interpreted by British Idealists such as Andrew Seth and Edward Caird. Firstly, my claim is that Oakeshott's notion of philosophical definition is animated by a dialectical 'refutation' of current ideas, articulated in the logical study of their presuppositions. Moreover, I show that this critical idea of philosophy is expressed through a re-interpretation of the Socratic Method that (...) can be compared to that of other Idealists. By means of an examination of textual evidence, I stress the consistency of this perspective throughout all Oakeshott's career. Secondly, I consider the image of conversation as an answer to the Idealist question about the possibility of the unity of knowledge. At the outset, I highlight that Oakeshott's position can be juxtaposed to the critiques of Modern philosophy and science paradigmatically put forward by Edward Caird and R.G. Collingwood. I argue that 'conversation' is consistent with Oakeshott's conception of modality, which is a critique both of the possibility of a final synthesis between different forms of understanding and of all reductionisms. Therefore, I analyze the theoretical foundations of this conception, which I have identified with the nature of postulates, the unity ofmind, and the non-propositional character of judgments. In the conclusion, I suggest that this reading has implications for a broader understanding of Oakeshott's Idealism, of his political theory and of the debate with Analytic philosophy. (shrink)

This book offers timely contributions to the process of conceptualizing a Latin American specificity and its forms of integration in larger contexts, both on the level of thought and the level of political and social praxis. To produce a critical reading of philosophy while also developing a philosophy of criticism is essential in cultures that continue to struggle for the decolonization of both thought and life. This book allows Anglophone readers access to the world of ideas of (...) some of the most relevant Latin American thinkers of our age. Through a comprehensive discussion of the works and contexts of thinkers such as of José Carlos Mariátegui, Enrique Dussel, Bolívar Echeverría, and Roger Bartra to Walter Benjamin, Michel Foucault, Pierre Bourdieu, and Peter Sloterdijk, Mabel Moraña demonstrates that Latin American thought has not only been inseparable from Western philosophy but also from the determinants of its history and social struggles. By doing so, Mabel Moraña provides an extensive perspective on the connections between historical moments, social structures, and discursive practices. With its interdisciplinary focus, this book will be an important resource for scholars and students in Latin American studies, comparative literature, world literature, and philosophy. (shrink)

Contains contributions from some of the most prominent thinkers and experts in philosophy-driven methods, such as phenomenology, hermeneutics, and semiotics. This international body of scholars discuss the issue of method itself, as well as bring those methods to bear on some of the most prominent issues of our time in the areas of media, culture and criticism.

In the beginning was the night. All light, shapes, language, and subjective consciousness, as well as the world and art depicting them, emerged from this formless chaos. In fantasy, we seek to return to this original darkness. Particularly in literature, visual representations, and film, the night resiliently resurfaces from the margins of the knowable, acting as a stage and state of mind in which exceptional perceptions, discoveries, and decisions play out. Elisabeth Bronfen investigates the nocturnal spaces in which extraordinary events (...) unfold, and casts a critical eye into the darkness that enables the irrational exploration of desire, transformation, ecstasy, transgression, spiritual illumination, and moral choice. She begins with an analysis of classical myths depicting the creation of the world and then moves through night scenes in Shakespeare and Milton, Gothic novels and novellas, Hegel's romantic philosophy, and Freud's psychoanalysis. Bronfen also demonstrates how modern works of literature and film, particularly film noir, can convey that piece of night the modern subject carries within. From Mozart's "Queen of the Night" to Virginia Woolf 's oscillation between day and night, life and death, and chaos and aesthetic form, Bronfen renders something visible, conceivable, and comprehensible from the dark realms of the unknown. (shrink)

Every philosophical mode has a unique conceptual system. Qi has consistently been a fundamental part of ancient Chinese philosophy, and its significance is obvious. Guided by the idea of re-evaluating all values, Yan Fu, who was deeply influenced by Western philosophy and logic, used reverse analogical interpretation to present a new explanation of the traditional Chinese concept of qi. Qi thus evolved into basic physical particles. Yan’s philosophical effort has great significance: The logical ambiguity that had haunted qi (...) was overcome. However, qi gradually evolved into a particular existence as it was Westernized. It completely lost its internal flavor as indigenous Chinese philosophy. Its previous philosophical abstraction and universality diminished and at the same time it was not Westernized into the pure concept of Hegel’s philosophy. (shrink)

This book offers an excellent analysis of Habermas’s theory of communicative action. It has two distinct but complementary focuses. In the first part, the conception of communicative rationality at the basis of Habermas’s theory of action is confronted with the conception of instrumental rationality that is predominant in the social sciences: rational choice theory. The main focus of this analysis is to evaluate the plausibility of one central claim of Habermas’s theory, namely, that communicative rationality is irreducible to instrumental rationality (...) and thus constitutes a necessary element of a general theory of rationality. Although Heath’s analysis confirms the correctness of Habermas’s claim, it does so on the basis of a command of decision and game theory, the sophistication of which goes well beyond anything that Habermas himself (and most of his commentators) have so far actually provided. This is undoubtedly one of the most important achievements of the book. For it offers the so far missing argumentative step from the intuitiveness of Habermas’s irreducibility claim to a careful demonstration of what it is exactly about linguistic communication that cannot be modeled instrumentally. Moreover, this careful demonstration includes a very interesting and equally sophisticated analysis of the implications of Habermas’s theory for the philosophy of language, which so far has received too little attention by most of Habermas’s commentators. (shrink)

This article discusses the question whether or not Cassirer’s philosophical critique of technological use of myth in The Myth of the State implies a revision of his earlier conception and theory of myth as provided by The Philosophy of Symbolic Forms. In the first part, Cassirer’s early theory of myth is compared with other approaches of his time. It is claimed that Cassirer’s early approach to myth has to be understood in terms of a transcendental philosophical approach. In consequence, (...) myth is conceived as a form of cultural consciousness which is constituted by specific symbolic processes. In the second part, the theoretical assumptions underlying Cassirer’s criticism of myth are discussed and compared with his earlier theory. It is argued that there is a strong conceptual and theoretical continuity between Cassirer’s early views on myth as a symbolic form and his later critique of technological use of myth. (shrink)

When, after the agreeable fatigues of solicitation, Mrs Millamant set out a long bill of conditions subject to which she might by degrees dwindle into a wife, Mirabell offered in return the condition that he might not thereby be beyond measure enlarged into a husband. With age and experience in research come the twin dangers of dwindling into a philosopher of science while being enlarged into a dotard. The philosophy of science, I believe, should not be the preserve of (...) senile scientists and of teachers of philosophy who have themselves never so much as understood the contents of a textbook of theoretical physics, let alone done a bit of mathematical research or even enjoyed the confidence of a creating scientist. On the latter count I run no risk: Any reader will see that I am untrained (though not altogether unread) in classroom philosophy. Of no ignorance of mine do I boast, indeed I regret it, but neither do I find this one ignorance fatal here, for few indeed of the great philosophers to explicate whose works hodiernal professors of phil osophy destroy forests of pulp were themselves so broadly and specially trained as are their scholiasts. In attempt to palliate the former count I have chosen to collect works written over the past thirty years, some of them not published before, and I include only a few very recent essays. (shrink)

It is quite clear to me that there is nothing presently available to rival this book." —Wlad Godzich, University of Geneva "Hamacher's Premises is the heir and successor to the most important theoretical and critical work done in American ...

This chapter shows that the experimental philosophy has much to offer to philosophy of science by reviewing the existing experimental‐philosophy work in the philosophy of science and by defending it against an important criticism. A natural way of extending experimental philosophy methods to the philosophy of science is to survey scientists’ judgments. The chapter presents two projects in the philosophy of science that can benefit from such surveys: analyzing the scientific concepts found (...) in particular scientific communities and studying scientific cognition. It explains how surveying lay people's judgments can bear on issues in the philosophy of science. The chapter examines the possible contributions of bibliometric, ethnographic and cliometric methods to the philosophy of science. Ethnographic methods are particularly useful to study the social structure of science, the nature and role of social norms in the production of scientific knowledge, and the discovery heuristics at work in everyday scientific practice. (shrink)

(2010). The Philosophy of Enchantment: Studies in Folktale, Cultural Criticism, and Anthropology. British Journal for the History of Philosophy: Vol. 18, No. 4, pp. 731-735.

The attempt to connect philosophy and social hope has been one of the key distinguishing features of critical theory as a tradition of enquiry. This connection has been questioned forcefully from the perspective of a post-philosophical pragmatism, as articulated by Rorty. In this article I consider two strategies that have been adopted by critical theorists in seeking to reject Affection Rorty's suggestion that we should abandon the attempt to ground social hope in philosophical reason. We consider argumentative strategies of (...) the philosophical anthropologist and of the rational proceduralist. Once the exchanges between Rorty and these two strands of critical theory have been reconstructed and assessed, an alternative perspective emerges. It is argued that philosophical reasoning best helps to sustain social hope in a rapidly changing world when we consider it in terms of the practice of democratic criticism. (shrink)

This book engages in critical discussion of the role of reason and rationality in philosophy, the human mind, ethics, science, and the social sciences. Philosophers from Poland, Germany, and the United States examine reason in the light of emotion, doubt, absolutes, implementation, and interpretation. They throw new light on old values.

This anthology is the first study of the philosophy of narrative in the analytic tradition. Brings together eleven articles exploring narrative, metaphysics and epistemology, character, and emotion Examines various narrative art forms, including painting and comics The first of a new series of books published in association with the _Journal of Aesthetics and Art Criticism_.

In a small literary gem full of sardonic wit, brilliant insights, and provocative criticism Witold Gombrowicz discusses Kant, Hegel, Schopenhauer, Kierkegaard, Sartre, and Heidegger in six "one-hour" essays—and addresses Marxism in a "fifteen-minute" piece. "Who hasn't wished for a painless way to find out what the big shots of philosophy—Hegel and Kant, Nietzsche and Sartre—thought of the human condition? It has never been easy reading such formidable thinkers, and most explainers and textbooks either get it wrong or massacre (...) the language. So imagine my pleasure in opening Witold Gombrowicz's _Guide to Philosophy in Six Hours and Fifteen Minutes_, an exceptional effort at summarizing concepts in bold, declarative sentences.... [This book] is like the course in philosophy you wish you had taken."—David Lehman, _Bloomberg News_ "A must for every reader of Gombrowicz."—Denis Hollier, New York University. (shrink)

Charts the development of feminist philosophy as a recognized contributor to intellectual debate, beginning with its origins outside the philosophical establishment in activism, cultural criticism, and social engagement. The fresh approaches of black feminists, lesbian philosophers, American Indian feminists, and ecological feminists are brought into the dialogue. In addition, Cole surveys feminist criticism of the traditional philosophical problems of metaphysics, epistemology, and ethics. She concludes that neither feminism nor philosophy thrives when viewed as the "property" of (...) specialists or in-groups, but that feminist philosophy is a powerful, vital, and inclusive conversation about the concerns most basic to human beings. Suggestions for further readings at the end of each chapter assist students to explore subjects of interest in more depth. (shrink)

This chapter presents an account of the life and work of Francis Hutcheson. It charts his career from its beginnings in Dublin to the attempt to cement his place in British intellectual life that was his posthumously published A System of Moral Philosophy. Hutcheson’s ideas were not universally welcomed and acclaimed. Religious conservatives constantly challenged him even after he was elected to the Glasgow chair of moral philosophy. The chapter describes the rationalist critique of Hutcheson’s moral sense theory, (...) the criticism levelled at his conception of natural benevolence by those who remained attached to philosophical egoism, and the complaints of those who, under the influence often of Joseph Butler, believed that Hutcheson’s ethics needed to be supplemented by a more substantial account of moral obligation. (shrink)

Frank Welz's "Kritik der Lebenswelt" undertakes a sociology of knowledge criticism of the work of Edmund Husserl and Alfred Schutz that construes them as developing absolutist, egological systems opposed to the "processual" worldview prominent since the modern rise of natural science. Welz, though, misunderstands the work of Schutz and Husserl and neglects how their focus on consciousness and eidetic features pertains to the kind of reflection that one must undertake if one would avoid succumbing to absolutism, that uncovers the (...) presuppositions of the processual worldview itself, and that secures a domain distinctive of philosophy over against sociology. Finally, Welz's charge that Schutz favors a Neo-Kantian social scientific methodology contradictory to his phenomenology neglects the levels of Schutz's discourse and ignores how the Weberian ideal-typical approach can be subsumed within phenomenology. (shrink)

The article intends to show the significance of Ch. Peirce’s ideas for the development of contemporary philosophy, to find out the main directions of his criticism of the principles of Cartesian and more broadly modern philosophy (where it comes from Descartes) and to consider the positive program of his philosophy, which he offers as an alternative to Modern philosophy. Peirce starts from a pragmatic and semiotic approach to human nature, consciousness and cognition. Thanks to this (...) approach, he managed to undermine the key ideas of the modern understanding of cognition, human, language, namely: individualism, linguistic atomism, dogmatism, dualism, representationism, nominalism, foundationalism, etc. And, instead, to propose a new theory of knowledge, a new ontology and anthropology. Peirce asserts the indirectness of human cognition by signs (linguistic, cultural, sensory), the impossibility of introspection and intuition, advocates holism, fallibilism, pragmatism, realism, synechism, inferentialism and offers a new understanding of the personality — all this makes him a relevant and contemporary thinker. Peirce’s ideas offer a fresh perspective on modern scientific practice. Peirce’s rethinking of the foundations of knowledge puts him alongside many thinkers of the 20th and 21st centuries. The development of his ideas can be seen in modern anthropology, epistemology, research on artificial intelligence, semiotics, etc. The article is divided into four subsections, which are devoted to the main directions of Peirce’s criticism of Descartes’ philosophy: in the first — against Descartes’ skeptical methodology, Peirce puts the concept of fallibilism and the principle of belief, in the second — Peirce denies the possibility of intuition and proves the indirectness of our cognition by signs, in the third — it is about the advantages of the semiotic and communicative approach over individualism and linguistic atomism, in the fourth — Descartes’ nominalism and dualism, Peirce contrasts the realist approach and his theory of synechism, as well as semiotic anthropology. (shrink)

From the nineteen-eighties on, Arthur Danto was the most significant art critic and philosopher of art in world. This book provides a comprehensive, systematic view of his philosophy and criticism including his views in relation to not only painting and sculpture but to cinema and dance.

"[A] positive contribution to the discourse on aesthetics from a cross-cultural perspective. It should be required reading for any academic who teaches and writes on aesthetics and the philosophy of art... There is much to be inspired by, and to learn from."- The Journal of Aesthetics and Art Criticism The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art provides an extensive research resource to the burgeoning field of Asian aesthetics. Featuring leading international scholars and (...) teachers whose work defines the field, this unique volume reflects the very best scholarship in creative, analytic, and comparative philosophy. Beginning with a philosophical reconstruction of the classical rasa aesthetics, chapters range from the nature of art-emotions, tones of thinking, and aesthetic education to issues in film-theory and problems of the past versus present. As well as discussing indigenous versus foreign in aesthetic practices, this volume covers North and South Indian performance practices and theories, alongside recent and new themes including the Gandhian aesthetics of surrender and self-control and the aesthetics of touch in the light of the politics of untouchability. With such unparalleled and authoritative coverage, The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art represents a dynamic map of comparative cross-cultural aesthetics. Bringing together original philosophical research from renowned thinkers, it makes a major contribution to both Eastern and Western contemporary aesthetics. (shrink)

When the original Dutch version of this book was presented in 1971 to the University of Leiden as a thesis for the Doctorate in philosophy, I was prevented by the academic mores of that university from expressing my sincere thanks to three members of the Philosophical Faculty for their support of and interest in my pursuits. I take the liberty of doing so now, two and a half years later. First and foremost I want to thank Professor G. Nuchelmans (...) warmly for his expert guidance of my research. A number of my most im portant sources were brought to my attention by him. During the whole process of composing this book his criticism and encouragement were carried out in a truly academic spirit. He thereby provided working conditions that are a sine qua non for every author who is attempting to approach controversial matters in a scientific manner, conditions which, however, were not easily available at that time. In a later phase I also came into contact with Professors L. M. de Rijk and J. B. Ubbink, with both of whom I had highly stimulating discussions and exchanges of ideas. The present edition contains some entirely new sections, viz. 1-9, IV-29, V-9, V-20, VII-14 (iii), (iv), VII-17 (i), VIII-22, IX-17, IX-19, X-9 and XI-8. Section X-9 was inspired by a remark made by Professor A. (shrink)

Philosophical interpretation of Sikh hymns.

Satire was core to the work of Thomas Hobbes although his critics also used it as a weapon to ridicule him. Condren uses Hobbes as an example to demonstrate that an examination of the persona is needed to advance our understanding of a writer's philosophy.

Hamlet tells Horatio that there are more things in heaven and earth than are dreamt of in his philosophy. In Double Vision, philosopher and literary critic Tzachi Zamir argues that there are more things in Hamlet than are dreamt of--or at least conceded--by most philosophers. Making an original and persuasive case for the philosophical value of literature, Zamir suggests that certain important philosophical insights can be gained only through literature. But such insights cannot be reached if literature is deployed (...) merely as an aesthetic sugaring of a conceptual pill. Philosophical knowledge is not opposed to, but is consonant with, the literariness of literature. By focusing on the experience of reading literature as literature and not philosophy, Zamir sets a theoretical framework for a philosophically oriented literary criticism that will appeal both to philosophers and literary critics. Double Vision is concerned with the philosophical understanding induced by the aesthetic experience of literature. Literary works can function as credible philosophical arguments--not ones in which claims are conclusively demonstrated, but in which claims are made plausible. Such claims, Zamir argues, are embedded within an experiential structure that is itself a crucial dimension of knowing. Developing an account of literature's relation to knowledge, morality, and rhetoric, and advancing philosophical-literary readings of Richard III, Macbeth, Romeo and Juliet, Othello, Antony and Cleopatra, Hamlet, and King Lear, Zamir shows how his approach can open up familiar texts in surprising and rewarding ways. (shrink)

This paper addresses two interrelated questions. The first question is our relation, as the modern westerners that we are, to Greek philosophy in its historical context. The second question is the relation between Greek philosophical conceptions of the self and what we moderns take ourselves to be when we try to think about the world objectively. My inquiry is motivated by the belief that what a philosopher of the distant past can say to us is influenced by our own (...) independent viewpoint, a viewpoint which may enable us to use that philosopher as a contributor to debates of which he himself had no inkling. Greek philosophers were innocent of the Cartesian tradition and the problems it has generated concerning the connection, if any, between an individual subject of consciousness and the so-called 'external world'. However, I argue that early Greek speculation about the physical world was inward as well as outward looking. Their attempts to think about the world objectively raised issues about the nature of the self — the inquiring (or non-inquiring) subject — issues that, in the case of Heraclitus, are quite explicit. Following up my earlier point about linking modern viewpoints to ancient insights, I make a comparison beween parts of Thomas Nagel's book, The View from Nowhere, and the philosophy of Heraclitus. In particular, I argue that Heraclitus adumbrates a concept analogous to Nagel's 'objective self and shares some of Nagel's interests in integrating that perspective with the practice of being a person in the everyday world. In the final part of the paper I comment briefly on Plato's and Aristotle's criticism of Heraclitus, a criticism that, from a modern perspective, seems to me misconceived. I also offer the Stoic Emperor Marcus Aurelius, who was influenced by Heraclitus, as an excellent example of what it could mean to combine an objective viewpoint with one's ordinary humanity. More generally, the paper may be read as a defence of objectivity — not in the sense that we can hope to understand the world independently of our own concepts or culture (I sidestep any questions about objective truth), but in the sense, rather, that trying to get beyond an irreducibly personal view of things is a basic human propensity (property of the self) even though our use of it seems bound to be (and perhaps should be) selective. (shrink)

This book investigates various aspects of the controversial relations between Spinoza's philosophy and his Jewish background. It examines some important trends of medieval Jewish philosophy on the shaping of Spinoza's thought - particularly the impact of Maimonides. The book elucidates the differences between Spinoza and his predecessors in regard to Bible criticism, and dwells extensively on the concepts of Substance and Pantheism. It also discusses Spinoza's views of Judaism and the Jewish people, the relationship between state and (...) religion, and some problems of his -Hebrew Grammar-.". (shrink)

Mary Anne Perkins re-examines Coleridge's claim to have developed a "logosophic" system which attempted "to reduce all knowledges into harmony." She pays particular attention to his later writings, some of which are still unpublished. She suggests that the accusations of plagiarism and of muddled, abstruse metaphysics which have been levelled at him may be challenged by a thorough reading of his work in which its unifying principle is revealed. She explores the various meanings of the term "logos," a recurrent theme (...) in every area of Coleridge's thought--philosophy, religion, natural science, history, political and social criticism, literary theory, and psychology. Coleridge was responding to the concerns of his own time, a revolutionary age in which increasing intellectual and moral fragmentation and confusion seemed to him to threaten both individuals and society. Drawing on the whole of Western intellectual history, he offered a ground for philosophy which was relational rather than mechanistic. He is one of those few thinkers whose work appears to become more interesting and his perceptions more acute as the historical gulf widens. This book is a contribution to the reassessment that he deserves. (shrink)

Examines the connections between American philosophy and literature. This title includes discussion of subjects ranging from Stephen Crane's metaphysics to business ethics in William Dean Howells, pragmatic religion in Willa Cather and Harold Frederic, John Steinbeck's philosophy of work, and Norman Maclean's philosophy of community.

Hans-Georg Gadamer argues that language is the medium of all understanding and thus that it is the medium through which we can reach understanding with one another. Yet many today are sceptical of this claim and worry that Gadamerian hermeneutics ignores at its own peril the limits of the particular discourses that people utilize to reach understanding with one another. I argue here that this criticism rests on the assumption that, for Gadamer, it is the semantic features of a (...) language alone that allow it to function as the medium for shared understanding. I argue that focusing solely on semantic agreement as the source of understanding ignores the role that mutual recognition plays in allowing language to serve as a medium for shared understanding. I turn to discussions in several of Gadamer’s later essays to examine how he conceives of the mutual recognition that is essential for communicative understanding. (shrink)