This article examines the socio?economic functions of electronic newspaper in the context of epochal change from the industrial society to the information society. We argue that electronic newspaper is expanding its social roles and performing new functions. This article conceptualizes electronic newspaper as providing three digital marketplaces for (1) news and information, (2) opinion, and (3) trading. Examples are drawn from electronic newspapers from the United States, the United Kingdom and the Chinese communities. The notion of the market is first (...) explored and various characteristics of the marketplace are examined together with those of the electronic newspaper, which assumes the format of an open media code. Finally, implications of the advent of electronic newspaper on the changing role of journalism is discussed. (shrink)

Cette contribution se propose de caractériser le personnage de Superman au travers du prisme de la série télévisée Smallville. Prioritairement adressée aux adolescents, elle se consacre largement à représenter les rites de passages, qu’ils soient ceux du jeune garçon appelé à devenir un homme parmi les siens, ou ceux du héros en quête de ses origines, devenu une légende inscrite dans l’imaginaire collectif depuis plus de sept décennies. Notre approche s’appuie sur la possibilité d’une lecture de cette série sur deux (...) plans : celui de la biologie imaginée, cerveau imaginé compris ; et celui du cerveau imaginant. Smallville s’offre, de manière quasi immédiate, à une approche mythopoïétique du parcours super-héroïque donné au cours des dix saisons, jouant sur les thématiques de la mémoire, celle des origines comme celle de la génétique imaginée. Elle permet aussi par sa mise en images insistante des capacités spectaculaires du futur Superman, de mieux comprendre dans quel incubateur neural d’ontologies fantastiques le récit puise cette composante génératrice de son célèbre pouvoir de vol aptère, les expériences « hors-du-corps ». Nous avons pu ainsi distinguer dans les « imaginaires du cerveau », aussi clairement que possible, les apports du cerveau imaginant au cerveau imaginé chez notre super-héros. This contribution aims at unveiling—through episodes of television series Smallville —the complementarity of apparently dissociated aspects of Superman character. Primarily targeted at teenagers, rites of passage are pervasive in Smallville, whether for the young boy to become a man, or for the hero to succeed in the quest of his origins—as he became a legend in the collective imagination over more than seven decades. Our approach dwells on the potentiality to read Smallville on two levels: as so-called “naïve” or intuitive biology, including the imagined brain; as the imagining brain, with its neural correlates of imagination, i.e. biology as counter-intuitive as science may be. Smallville lends itself to a mythopoïetic reading, for the life course of our superhero, focussing on his personal memory issues, deeply concerned both with his origins and what is imagined about his own genetics. Smallville allows also, by the dramatic pageantry of Superman supernatural powers by design, to inquire about the neural incubator of such marvel ontologies, over-intuitively gifted, in Superman mainly his airworthiness for wingless flight, like in so-called oneiric out-of-body experiences. Thus in the brain imaginarium we ended with disentangling what of the over-intuitive sensori-motor experience of the imagining brain was tapped into the imagined brain of our superhero. (shrink)

Thanks to his unsurpassed eye and his fearless willingness to take a stand, Clement Greenberg (1909 1994) became one of the giants of 20th century art criticism a writer who set the terms of critical discourse from the moment he burst onto the scene with his seminal essays Avant Garde and Kitsch (1939) and Towards a Newer Laocoon (1940). In this work, which gathers previously uncollected essays and a series of seminars delivered at Bennington in 1971, Greenberg provides his (...) most expansive statement of his views on taste and quality in art, arguing for an esthetic that flies in the face of current art world fashions. Greenberg insists despite the attempts from Marcel Duchamp onwards to escape the jurisdiction of taste by producing an art so disjunctive that it cannot be judged that taste is inexorable. He argues that standards of quality in art, the artist's responsibility to seek out the hardest demands of a medium, and the critic's responsibility to discriminate, are essential conditions for great art. The obsession with innovation the epidemic of newness leads, in Greenbergs view, to the boringness of so much avant garde art. He discusses the interplay of expectation and surprise in aesthetic experience, and the exalted consciousness produced by great art. Homemade Esthetics allows us particularly in the transcribed seminar sessions, never before published to watch the critics mind at work, defending (and at times reconsidering) his theories. His views, often controversial, are the record of a lifetime of looking at and thinking about art as intensely as anyone ever has. (shrink)

The modal collapse argument states that the traditional doctrine of divine simplicity entails that God necessarily creates whatever he creates and also that all creatures necessarily perform whatever actions they perform. In response to these objections, many authors argue that God’s willing to create this precise world and God’s knowing everything about individual creatures are at least partially extrinsic or Cambridge properties (i.e., the truthmaker of the respective propositions is, in part, a fact about something contingent other than God). This (...) paper argues for a general view of action, in which such properties can turn out to be at least partially extrinsic. Section 1 explains why responding to the modal collapse argument requires that part of the truthmaker relating God to contingent facts be extrinsic to God, and that it is only in this part that contingency lies. Section 2 argues that this can be generally so in certain class of causal relations, where the agent remains intrinsically the same no matter the precise effect produced. Section 3 shows that free volition is at some level one of those relations, and section 4 offers some brief remarks about the difficulties that still remain in the case of knowledge. (shrink)

“Logic and Agon” is the text of a lecture given in Rome in 1958 by the German philosopher and mathematician Paul Lorenzen. In this inaugural text are laid the foundations of the dialogic logic, which represents an alternative approach to the question of meaning and logical truth, based on a dynamic formalism. Through the enrichment of the standard approach to logic with original tools, it allows a philosophical explanation of the foundations of the concept of formal validity. Clément Lion proposes (...) an unpublished French translation of this text as well as a presentation, in which he tries to show that the initial ambition of Paul Lorenzen was not so much to propose a new logical formalism as to question in principle any enterprise based on the use of such a formalism. (shrink)

We show that R.J. Thompson’s groupsFandTare bi-interpretable with the ring of the integers. From a result by A. Khélif, these groups are quasi-finitely axiomatizable and prime. So, the groupTprovides an example of a simple group which is quasi-finitely axiomatizable and prime. This answers questions posed by T. Altınel and A. Muranov in [2], and by A. Nies in [12].

We treat companion animals according to one set of guidelines and so-called “meat animals” according to an opposing set of guidelines, despite the apparently significant similarities between the animals in question. I consider moral justifications offered for this disparity of treatment and show that this paradox reveals a mistake in our moral thinking. Generally, we group animals used in farming and free-living animals together as subject to the ethic of justice and distinguish both from companion animals, who are subject to (...) the ethic of care. I argue that animals used in farming, like companion animals, should be understood as within the sphere of care. (shrink)

In this paper I try to show that three of William L. Rowe’s criticisms of my book, Theism, are much less than conclusive.(1) Rowe agrees that I have established, via my defense of Descartes’s Meditation Five argument for God’s existence, that God is not a non-existing being. He denies, however, that it follows that God is an existing being. In reply, I reject the thesis that something might be neither an existing nor a non-existing object.(2) Rowe maintains that the impossibility (...) of God’s non-existence might consist simply of its being the case that no one can destroy God---a kind of impossibility which is not strong enough to sustain my (S5) modal argument for God’s existence. In reply, I argue that the impossibility of God’s non-existence must be logical.(3) Rowe maintains that it may well be that religious experiencers have experienced God without experiencing him qua maximally great being, so that religious experiences do not provide us with a reason to believe that a maximally great being is logically possible. I argue in reply that if religious experiencers do not experience God qua supremely perfect, then they have no reason to believe that they experience God. (shrink)

Mathematical apriorists usually defend their view by contending that axioms are knowable a priori, and that the rules of inference in mathematics preserve this apriority for derived statements—so that by following the proof of a statement, we can trace the apriority being inherited. The empiricist Philip Kitcher attacked this claim by arguing there is no satisfactory theory that explains how mathematical axioms could be known a priori. I propose that in analyzing Ernest Sosa’s model of intuition as an intellectual virtue, (...) we can construct an “intuition–virtue” that could supply the missing explanation for the apriority of axioms. I first argue that this intuition–virtue qualifies as an a priori warrant according to Kitcher’s account, and then show that it could produce beliefs about mathematical axioms independent of experience. If my argument stands, this paper could provide insight on how virtue epistemology could help defend mathematical apriorism on a larger scale. (shrink)

If we maintain that free will requires the absence of determinism, Then can we claim to be free without any wants? if we had no wants at all, What sense would there to be talk about free will? the difference between free will and the absence of free will is not that between indeterminism and determinism. Free choice presupposes determinism in that in order to make a choice an individual must have some motive or reason for so doing. The difference (...) is found within determinism, Among the different kinds of motives that can influence an individual to make a choice. Furthermore, If I already possess the motive to change or eliminate undesirable motives then I increase my opportunity to realize more desires and thus increase freedom of choice, Even though my motive to change or eliminate undesirable motives is already predetermined. (shrink)

IS IT CONSISTENT with God's perfect goodness that He permits us to have a capacity for moral wrongdoing? Proponents of the so-called "free will defense" answer this question affirmatively and give the following reason: A world in which people are able freely to avoid wrongdoing--and in which they frequently freely do so--is better than any world in which people lack this ability. Now acts of shunning wrongdoing are, like any other actions, such that one's freely performing them logically involves his (...) being able to do otherwise. And of course being able to do other than refrain from wrongdoing is being able to do what is wrong. Hence, a capacity for wrongdoing is necessary for the free performance of the actions under discussion; and since the latter is, so to speak, worth the price of the former, God is morally justified in permitting His creatures to possess a capacity for wrongdoing. (shrink)

This article examines Jacques Derrida’s work of self-reflection on his own teaching practice by using as a guiding thread the problematics of reproduction in the seminars of the 1970s. The first part of the article examines the sequence of seminars taught by Derrida at École normale supérieure from 1971 to 1977 to show how the concept of reproduction is deconstructed by Derrida across several seminars. Derrida systematically demonstrates, across several themes and fields (sociology and economy, biology and sexuality, art, technique, (...) ontology, and so on), that the critical recourse to the concept of reproduction (for instance, in its Marxist form) risks being complicit in the reproductive system it criticizes. The deconstructive motif of débordement is introduced to problematize this onto-logic of re-production. The second part of the article analyzes more specifically the unpublished seminar “GREPH, le concept de l’idéologie chez les idéologues français” (1974–75), in which Derrida examines the seminar function, his role as a teacher, and his own situation within the French educational system. In particular, Derrida offers a deconstructive critique of the reproductive effects of teaching, and of the institution of philosophy inasmuch as it functions as a reproductive machine. This work of deconstruction is done in the seminar notably through readings of Marx, Engels, and Althusser, with special attention to the concepts of ideology, reproduction, and sexual difference. (shrink)

Science fiction has often been at the forefront of popular renderings and exploration of various “subaltern” groups, including that of nonhuman animals. I argue that science fiction’s freedom from the boundaries of what is currently possible allows writers such as Mary Shelley, H. G. Wells, Philip K. Dick, Olaf Stapledon, Daniel Keyes, Octavia Butler, Cordwainer Smith, and H. Beam Piper to explore ethical possibilities regarding animals that are diverse from those of the context in which they wrote. It is also (...) notable that the earlier science fiction writers only critique majority views regarding animals, whereas their antecessors go so far as to suggest the empowerment of the “Other,” in this case, nonhuman animals. (shrink)

This article constitutes a substantial introduction to the thematic issue “Matters.” After introducing briefly the scattered constellation described by some as “new materialism” or “the material turn,” as well as its main concepts and methods, I offer a deconstructive reflection on “the turn” by challenging a series of theoretical gestures meant to coalesce the turn to materiality in contemporary continental philosophy—starting with the exclusion of the much maligned “linguistic turn” and the opposition to an “old” concept of matter presented as (...) passive, inert, and mechanistic. I analyze how these two exclusions—precarious as they may be—allow for a relative coalescence of the new “scene” while betraying its essential heterogeneity and self-inadequacy. I thus interrogate the conditions that make the position of a “new” materialism possible, giving it force and necessity, while questioning what the production of this so-called novelty potentially obfuscates. After raising a series of questions related to new materialism’s conceptuality, I introduce the contributions that make up the thematic issue. I also provide a substantial bibliography to help the reader navigate the material turn as well as its various critiques from the perspectives of philosophical history, object-oriented ontology, social and ethico-political theory, deconstruction, critical race studies, or other perspectives on materialist theory. (shrink)

An enlightening discussion that will motivate students to think critically, the book opens with Plantinga's assertion that Christianity is compatible with evolutionary theory because Christians believe that God created the living world, and it is entirely possible that God did so by using a process of evolution.

There’s something paradoxical with a person saying ‘I am humble’; it doesn’t seem so humble to self-attribute humility in general, and intellectual humility in particular. In light of the recent interest in educating for intellectual virtues, this paradox has interesting implications to educating for intellectual humility. In particular, one might wonder how a teacher can be a model of intellectual humility to her students. If a teacher says something like ‘Here’s me being an exemplar of intellectual humility’, the paradox above (...) takes on a pedagogical angle. In this paper, I analyze the paradoxes in self-attributing and learning intellectual humility using three different accounts of this virtue, before proceeding to untangle what could be called the ‘Modeling Paradox’ of teaching intellectual humility and figure out whether this virtue can be non-problematically demonstrated to one’s students. (shrink)

Many theodicists have maintained that God is justified in permitting suffering on the ground that His doing so is a necessary condition of the realization of certain intrinsically valuable ends which the suffering serves and whose value outweighs the suffering which occasions them. Examples of ends which are frequently cited in this connection are freely chosen actions in accordance with stringent obligations to be charitable and steadfast. To say that the value of these ends outweighs the suffering which gives rise (...) to them is to say that the existence both of these ends and of suffering is better than the non-existence of both. (shrink)

“Logic and Agon” is the text of a lecture given in Rome in 1958 by the German philosopher and mathematician Paul Lorenzen. In this inaugural text are laid the foundations of the dialogic logic, which represents an alternative approach to the question of meaning and logical truth, based on a dynamic formalism. Through the enrichment of the standard approach to logic with original tools, it allows a philosophical explanation of the foundations of the concept of formal validity. Clément Lion proposes (...) an unpublished French translation of this text as well as a presentation, in which he tries to show that the initial ambition of Paul Lorenzen was not so much to propose a new logical formalism as to question in principle any enterprise based on the use of such a formalism. (shrink)

Desde que Asín Palacios publicó su estudio pionero sobre Ibn Masarra a partir de las fuentes indirectasdisponibles, proponiendo que su pensamiento estaba inspirado en los escritos del Pseudo-Empédoclesárabe y que había sido el introductor de la filosofía en al-Andalus, seinició el debate al respecto. El hallazgo de dos de las obras del autor cordobés ha dado una nueva orientacióna la polémica. En este artículo se revisan algunos aspectos fundamentales del debate sobre la «reconstrucción» del pensamiento masarrí realizada por Asín, cuestionando (...) el supuesto influjo del Pseudo-Empédocles, y se analiza el texto de Ibn ÔArabı¯ de Murcia que inspiró la asociación entre la imagen delas cinco columnas atribuida a Ibn Masarra y los cinco principios del Pseudos-Empédocles.Since Asín Palacios first published his pioneering study on the Andalusian thinker Ibn Masarra, basedon indirect sources, there has been an intense debate on some of his conjectures: he proposed that Ibn Masarrawas influenced by the writings of the so-called Pseudo-Empedocles and he introduced Philosophy in al-Andalus. The discovery of two unknown works by the author provideda new framework for discussion. The present article examines Asín’s «reconstruction» of Ibn Masarra’sthought, analysing the theory of the Pseudo-Empedocles influence, as well as a text by Ibn ÔArabı¯ which inspired the association of the image of the five pillars attributed to Ibn Masarra with the five principles of the Pseudo-Empedocles. (shrink)

In contemporary dance, experts evaluate creativity in competitions, auditions, and performances, typically through ratings of choreography or improvisation. Audiences also implicitly evaluate choreographic creativity, so dancers’ livelihoods also hinge upon the opinions of non-expert observers. However, some argue that the abstract and often pedestrian nature of contemporary dance confuses non-expert audiences. Therefore, agreement regarding creativity and appreciation amongst experts and non-experts may be low. Finding appropriate methodologies for reliable and real-world creativity evaluation remains the subject of considerable debate within the (...) psychology creativity research field. Although considerably variant in methodological operationalisation, the Consensual Assessment Technique (CAT) asks individuals to use an implicit definition to assess creativity in others’ work. This study aimed to investigate the role of experience and expertise in the evaluation of choreographic creativity, with a secondary aim of testing the feasibility of an online snowballing methodology for large-scale dance-specific research, informed by the methodology of the CAT. We filmed 23 Contemporary Dance students each performing a 3-min peer-choreographed solo and then recruited 850 online evaluators with varying degrees of expertise and experience in dance and creativity. Evaluators viewed at least one randomly selected video and rated creativity, technical ability, appreciation and understanding of the work, each using a seven-point Likert scale. A one-way ANOVA showed a significant difference in creativity ratings across the 23 videos, and creativity correlated significantly with the other variables. We then categorized evaluators on nine aspects of their dance and creative experience and entered the data into a repeated-measures linear mixed model. Two of the fixed effects yielded differences in creativity evaluations: (i) contemporary choreographic experience and (ii) self-reported creative expertise, as did the random effect of the video. The results indicate that personal experience of the choreographic process impacts creativity assessment, above and beyond experience in dance class participation. Implications for creativity assessment within creativity research and practice are discussed. (shrink)

Why do we spend so much of our time passing on amusing anecdotes, making wisecracks,watching The Simpsons? In Inside Jokes, Matthew Hurley, DanielDennett, and Reginald Adams offer an evolutionary and cognitive perspective.

In this paper, I engage with the motif of “the pluriverse” such as it has increasingly been used in the past few years in several strands of critical humanities pertaining to the so-called “ontological turn”: science and technology studies (Bruno Latour, Isabelle Stengers), critical geography and political ontology (Mario Blaser), cultural anthropology (Marisol de la Cadena, Arturo Escobar, Eduardo Viveiros de Castro), decolonial thought (Walter Mignolo), or posthuman feminism (Donna Haraway). These various iterations of the figure of the pluriverse constitute (...) a loose network of textual traces, a supposedly new scene for ‘humanities’, organized around what is understood as a pluralistic ontology. In political terms, the discourse of the pluriverse presents itself as a strategic response to the violence of universalism. It advocates for a multiversal ethics, a pluriversal cosmopolitics based on interspecies and multi-natural kinships, and more aware of the multiplicity of worlds and world-making practices that make up the post-globalization scene. Based on readings of Bruno Latour, Eduardo Viveiros de Castro, Arturo Escobar and Marisol de la Cadena among others, I argue that the notion of pluriversality remains self-contradictory and self-defeating as long as it relies on an ontological representation of world/worlds in the form of copresence. Drawing on Derrida’s deconstruction of the concept of world (cosmos, mundus) in his late writings, I propose to think an exorbitant plurality, before the pluriverse and before being. Beyond ontological pluralism, Derrida’s “infinity of untranslatable worlds” also signifies an irreducible interruption, the end of the world, of any “world-in-common”, thus raising the stakes for the ethical demand towards the other. (shrink)

This essay zooms in on a series of parentheses in Derrida’s Politics of Friendship in order to examine a somewhat failed encounter between deconstruction and Donna Haraway’s ontological discourse on kinship and companion species. The essay claims that Derrida’s notion of trace, as it exceeds the humanist-anthropocentric logic and challenges any simple division between humankind and animality, can be followed as a condition for thinking friendship, kinship, or companionship as non-strictly anthropological categories, and for accounting for a principle of failure (...) or fallibility at the very heart of the ‘encounter’ with the other – human or nonhuman. What Derrida calls ‘the possibility of failure’ is inseparable from a certain legibility and illegibility of friendship, kinship, and companionship, from their dependence on the trace-structure, suggesting that they do not have strict ontological consistency (pace Haraway) but are structurally differantial and heterogeneous, and therefore remain to be read, interpreted, attested, translated, perhaps in view of transformative deconstruction. Reading and, with it, fallibility and undecidability, contribute to problematising Haraway’s ontology of companionship, making-kin, and becoming-together. Moreover, from the perspective of the exegesis of deconstruction, the essay also claims that the problematic of the trace-structure – virtually limitless in Derrida’s corpus – presupposes, everywhere it appears, the interrogation of the anthropological machine, of human exceptionalism, and raises the ‘question of animality’ even when this ‘question’ is not formulated as such, and when the so-called ‘animal’ is not named as such. (shrink)

This article pursues the exploration of how contemporary works of deconstruction can challenge preconceptions of the body and embodiments and interrogate their limits, particularly in relation to intertwined foldings of desire, gender, race and sexuality. Through readings of Jacques Derrida and Sarah Kofman, the authors show that deconstruction allows for an understanding of the body or bodies that goes beyond the present body — indexed as human, male, white, able, living body — thus opening up towards the thinking of bodies (...) and corporealities exceeding the limitations of Christian transsubstantiation and of the Eucharist. The deconstructive body is not one of communion; it is one of (self-)interruption, différance and non-presence. It is the other's body — or the body as otherly. The authors then analyse the ethical-political implications of this thinking of another body, one inassimilable by Western metaphysics, and marked by incalculable sexual differences, animality, undecidable life-death, machinicity, monstrosity, and so on. (shrink)

Peripheral vision has different functional priorities for mammals than foveal vision. One of its roles is to monitor the environment while central vision is focused on the current task. Becoming distracted too easily would be counterproductive in this perspective, so the brain should react to behaviourally relevant changes. Gist processing is good for this purpose, and it is therefore not surprising that evidence from both functional brain imaging and behavioural research suggests a tendency to generalize and blend information in the (...) periphery. This may be caused by the balance of perceptual influence in the periphery between bottom-up and top-down processing channels. Here, we investigated this interaction behaviourally using a peripheral numerosity discrimination task with top-down and bottom-up manipulations. Participants compared numerosity between the left and right peripheries of a screen. Each periphery was divided into a centre and a surrounding area, only one of which was a task relevant target region. Our top-down task modulation was the instruction which area to attend – centre or surround. We varied the signal strength by altering the stimuli durations i.e., the amount of information presented/processed. We found that numerosity perceived in target regions was affected by contextual information in neighbouring areas. This effect appeared as soon as stimulus duration allowed the task to be reliably performed and persisted even at the longest duration. We compared the pattern of results with an ideal-observer model and found a qualitative difference in the way centre and surround areas interacted perceptually in the periphery. When participants reported on the central area, the irrelevant surround would affect the response as a weighted combination – consistent with the idea of a receptive field focused in the target area to which irrelevant surround stimulation leaks in. When participants report on surround, we can best describe the response with a model in which occasionally the attention switches from task relevant surround to task irrelevant centre – consistent with a selection model of two competing streams of information. Overall our results show that the influence of spatial context in the periphery is mandatory but task dependent. (shrink)

“In France, we say ‘an angel passes by;’ in Spain, ‘a Bishop is born;’ in Portugal, ‘a poet is dead.’ I’m glad that I could place a long silence in one of my films.”In French, the expression “téléphone arabe” has two meanings: 1) An oral communication and, furthermore, a rumor or unreliable information; 2) A kid’s game which consists of whispering a word to one another in a circle: the first person whispers a phrase in the ear of the second, (...) the second tells the heard phrase to the third, and so on until the last player says it out loud, usually giving way to a collective frenzy due to the – voluntary or involuntary – deformations the initial phrase has undergone through its multiple repetitions.One day, I noticed.. (shrink)

Desktop computerisation is a widespread phenomenon that affects many women office workers. So far, much of the discussion of this topic treats these workers as ‘users’ while the need for them to (re)design their work and information systems tends to be ignored.This paper applies both conventional and social analytic notions of information systems design to archetypal secretarial work groups, and argues that hitherto under-recognised elements of system design are endemic to desktop computerisation. Case studies which examine how office groups have (...) created information systems and associated work practices, largely through their own efforts, illustrate how this design work can be accomplished. The informal, localised processes of collaborative problem solving, development and sharing of local expertise are important ingredients in this achievement. Broader mobilisation efforts can also play a role. (shrink)

BackgroundOrgan transplantation represents the most effective and acceptable therapy for end-stage organ failure. However, its frequent practice often leads to a shortage of organs worldwide. To solve this dilemma, some countries, such as Portugal, have switched from an opt-in to an opt-out system, which has raised concerns about respect for individual autonomy. We aimed to evaluate whether young university students are aware of this opt-out system so that they can make informed, autonomous and conscious decisions, as well as to identify (...) the factors that determine a positive attitude toward post-mortem organ donation.MethodsAn observational, cross-sectional study was developed and a questionnaire was administered to first-year students from six faculties of the University of Porto.ResultsOf the 841 participants, 60% were unaware that Portugal had adopted an opt-out system. Among the informed individuals, their main sources of information included social media, internet, and family. Furthermore, only 48% of all participants agreed with the current opt-out system. Female sex (p = 0.049; OR 1.393), knowledge of the law (p < 0.001; OR 4.749) and family being the primary source of information (p < 0.001; OR 2.855) were independent factors associated with a positive attitude toward post-mortem organ donation law.ConclusionsThere is a significant lack of knowledge among young university students regarding the presumed post-mortem organ donation law and how it works. Female sex, having family as a primary source of information and being aware of the presumed post-mortem organ donation law are the strongest independent factors that determine a positive attitude toward the opt-out system. (shrink)

When describing motion along both the horizontal and vertical axes, languages from different families express the elements encoding verticality before those coding for horizontality (e.g., going up right instead of right up). In light of the motor grounding of language, the present study investigated whether the prevalence of verticality in Path expression also governs the trajectory of arm biological movements. Using a 3D virtual-reality setting, we tracked the kinematics of hand pointing movements in five spatial directions, two of which implied (...) the vertical and horizontal vectors equally (i.e., up right +45° and bottom right −45°). Movement onset could be prompted by visual or auditory verbal cues, the latter being canonical in French (“en haut à droite”/up right) or not (“à droite en haut”/right up). In two experiments, analyses of the index finger kinematics revealed a significant effect of gravity, with earlier acceleration, velocity, and deceleration peaks for upward (+45°) than downward (−45°) movements, irrespective of the instructions. Remarkably, confirming the linguistic observations, we found that vertical kinematic parameters occurred earlier than horizontal ones for upward movements, both for visual and congruent verbal cues. Non-canonical verbal instructions significantly affected this temporal dynamic: for upward movements, the horizontal and vertical components temporally aligned, while they reversed for downward movements where the kinematics of the vertical axis was delayed with respect to that of the horizontal one. This temporal dynamic is so deeply anchored that non-canonical verbal instructions allowed for horizontality to precede verticality only for movements that do not fight against gravity. Altogether, our findings provide new insights into the embodiment of language by revealing that linguistic path may reflect the organization of biological movements, giving priority to the vertical axis. (shrink)

Joint actions typically involve a sense of togetherness that has a distinctive phenomenological component. While it has been hypothesized that group size, hierarchical structure, division of labour, and expertise impact agents’ phenomenology during joint actions, the studies conducted so far have mostly involved dyads performing simple actions. We explore in this study the complex case of collectively improvised musical performances, focusing particularly on the way group size and interactional patterns modulate the phenomenology of joint action. We recorded two expert improvisation (...) ensembles of contrasting sizes (16 vs 4 musicians) and collected data about their musical behaviour, as well as reports about five aspects of their phenomenology (sense of agency, agentive identity, integration, dependence, reflexivity) and about their musical intentions. Our overall data enabled us to assess how those five phenomenological dimensions related to one another during jointly improvised performances. They also show how such phenomenology varied with the way improvisers dynamically related to one another throughout the performance. Finally, we observe that group size strongly altered the phenomenology of improvisers who otherwise shared many characteristics (high expertise, similar aesthetic preferences, etc.). Our study thus sheds light on the interactional and structural parameters that shape and modulate our felt experience when acting together, and thereby highlights the importance of pluralism for studying the phenomenology of joint action. (shrink)

The so-called eighth _Stromateus_ is a series of excerpts on inquiry, demonstration, scepticism, and causal theory, made or adopted by Clement of Alexandria. This book provides a translation and commentary of the text and a study of its origin and purpose.

This article reviews the book The So-Called Eighth Stromateus by Clement of Alexandria: Early Christian Reception of Greek Scientific Methodology, by Matyáš Havrda.

This paper focuses on the expression μαθηματικῶς ἀκουστέον (q.d.s. 18, 1) in light of which it is possible to confirm the close relationship that Clement establishes between the teaching of the Savior and the duty of those who, confronting the wisdom of divine teaching, cannot exempt themselves from a careful investigation of the Word and are required to conduct research with the utmost awareness of the message so that, given the “parabolic” character of the Scriptures, every notion is understood (...) “with mathematical rigor” without altering divine teaching in the least. (shrink)

Clemente Romano es el hombre de la reconciliación, que busca sembrar en aquellos que lo escuchan una semilla de fraternidad. Él sabe que en el corazón del hombre anidan las malas pasiones, los sentimientos de envidia y de división pero también sabe que quien vive en el amor, quien pone su mirada en el Dios que es Amor se transforma, se convierte. El único camino es Jesucristo y por eso continuamente invita, a través de sus palabras, a fijar la mirada (...) en Él. Misericordia, humildad, sencillez, corrección fraterna, hospitalidad son palabras que a lo largo de la carta a los Corintios se entrelazan tejiendo la trama del amor al hermano y del amor a Dios. ¿Qué nos enseña esta carta escrita muchos siglos atrás y que parece tan actual? Es un desafío para el hombre peregrino de hoy que siente por un lado, la sed de espiritualidad, y por otro, el ansia del poder, del tener, del placer, a contemplar a un Dios que lo ama y a buscar sólo el bien del hermano, caminando junto a él con sencillez y humildad.Clement of Rome is the man of reconciliation, which seeks to sow those who hear a seed of fraternity. He knows the heart of man nest evil passions, feelings of envy and division but also knows that whoever lives in love, who sets her sights on the God who is Love becomes becomes. The only way is Jesus Christ and so continuously invited, through his words, to stare at him. Mercy, humility, simplicity, fraternal correction, hospitality are words along the Corinthians intertwine weaving Brother love story and love of God. What can we learn this letter written many centuries ago and it seems so today? It is a challenge for pilgrims today man who feels the one hand, the thirst for spirituality, and secondly, the lust of power, possessions, pleasure, to contemplate a God who loves him and seek only good brother walking beside him with simplicity and humility. (shrink)

It is not intended as some sort of revelation on my part that Greenberg's cultural theory was originally Marxist in its stresses and, indeed in its attitude to what constituted explanation in such matters. I point out the Marxist and historical mode of proceeding as emphatically as I do partly because it may make my own procedure later in this paper seem a little less arbitrary. For I shall fall to arguing in the end with these essay's Marxism and their (...) history, and I want it understood that I think that to do so is to take issue with their strengths and their main drift.But I have to admit there are difficulties here. The essays in question ["Avant-Garde and Kitsch" and "Towards a Newer Lacoön"] are quite brief. They are, I think, extremely well written: it was not for nothing the Partisan Review described Clement Greenberg, when he first contributed to the journal early in 1939, as "a young writer who works in the New York customs house"—fine, redolent avant-garde pedigree, that! The language of these articles is forceful and easy, always straightforward, blessedly free from Marxist conundrums. Yet the price paid for such lucidity, here as so often, is a degree of inexplicitness—certain amount of elegant skirting round the difficult issues, where one might otherwise be obliged to call out the ponderous armory of Marx's concepts and somewhat spoil the low of the prose from one firm statement to another. The Marxism, in other words, is quite largely implicit; it is stated on occasion, with brittle and pugnacious finality, as the essay's frame of reference, but it remains to the reader to determine just how it works in the history and theory presented—what that history and theory depend on, in the way of Marxist assumptions about class and capital or even abase and superstructure. That is what I intend to do in this paper: to interpret and extrapolate from the texts, even at the risk of making their Marxism declare itself more stridently than the "young writer" seems to have wished. And I should admit straight away that there are several point in what follows where I am genuinely uncertain as to whether I am diverging from Greenberg's argument or explaining it more fully. This does not worry me overmuch, as long as we are alerted to the special danger in this case, dealing with such transparent yet guarded prose, and as long as we can agree that the project in general—pressing home a Marxist reading of texts which situate themselves within the Marxist tradition—is a reasonable one.22. This carelessness distinguishes the present paper from two recent studies of Greenberg's early writings, Serge Guilbaut's "The New Adventures of the Avant-Garde in America," October 15 , and Fred Orton and Griselda Pollock's "Avant-Gardes and Partisans Reviewed," Art History 3 I am indebted to both these essays and am sure that their strictures on the superficiality—not to say the opportunism–of Greenberg's Marxism are largely right. But I am nonetheless interested in the challenge offered to most Marxist, and non-Marxist, accounts of modern history by what I take to be a justified though extreme, pessimism as t the nature of established culture since 1870. That pessimism is characteristic, I suppose, of what Marxists call an ultraleftist point of view. I believe, as I say, that a version of some such view is correct and would therefore with to treat Greenberg's theory as if it were a decently elaborated Marxism of an ultraleftist kind, on which issues in certain mistaken views but which need not so issue and which might still provide, cleansed of those errors, a good vantage for a history of our culture.T. J. Clark, professor of fine arts at Harvard University, is the author of The Absolute Bourgeois: Artists and Politics in France, 1848-1851 and Image of the People: Gustave Courbet and the 1848 Revolution. His book on impressionist painting and Paris is forthcoming. (shrink)

A very slight reading of Clement of Alexandria is enough to prove how deeply he is indebted to Plato both in respect of language and of thought. Quotations from Plato are to be found throughout Clement's works, and in many cases acknowledgment is made of their origin. In addition there are frequent allusions, which for the most part the student of Plato can easily recognize. Clement invariably shows a profound respect for the Greek philosopher, whom he looks (...) upon as a seeker after truth and as an authority, we may almost say, second only to the Scriptures. A careful comparison of the Protrepticus with the Phaedrus, results of which are given below, will furnish a striking illustration of the close dependence of Clement upon Plato. The Protrepticus is a short work, occupying in space not more than one–twelfth of Clement's extant writings, while the Phaedrus is even smaller in proportion to the whole of Plato. It is remarkable that so much inter-connexion should be found in so small a field, especially when we remember that the references to the Phaedrus represent by no means the whole of Clement's drawing upon Plato in the Protrepticus. There are allusions also to the Theaetetus, Republic, Charmides, Laws and Epistles, and possibly to the Politicus, Cratylus, Philebus, Symposium and Apology. (shrink)

In what particular manner human beings are free moral agents and to what extent they can reasonably expect to attain a good life are two intertwined questions that rose to prominence in antiquity and have remained so to the present day. This book analyzes and compares the approaches of two significant authors from different schools at the turn of the third century CE, Alexander of Aphrodisias and Clement of Alexandria. These contemporaries utilize their respective Peripatetic and Christian commitments in (...) their employment of the shared Greek classics toward these shared ethical questions. (shrink)

The aim of this article is to revisit Clement of Alexandria’s Paedagogus 2.5.45-8 discussing whether Clement holds a moderate position οf laughter or, like most early Christians, tends to an “antigelastic” position. Some scholars, such as Stephen Halliwell and Laura Rizzerio, have concluded that Clement holds an intermediate position between an optimistic approach to laughter and its condemnation. However, in this essay we argue that while Clement’s position is not a straightforward antigelastic one, his apparent acceptance (...) of laughter is so narrow that his moderate view ends up being compromised. Ultimately, he is strongly inclined to condemn laughter and to prescribe an ascetic life devoid of laughter. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Clement of AlexandriaL. Michael HarringtonEric Osborn. Clement of Alexandria. Cambridge-New York: Cambridge University Press, 2005. Pp. xviii + 324. Cloth, $85.00.With Clement of Alexandria, Eric Osborn returns to the subject of his 1957 book, The Philosophy of Clement of Alexandria, but its style and themes more closely resemble his more recent studies of second-century Christian thinkers: Tertullian, First Theologian of the West (Cambridge, 1997) (...) and Irenaeus of Lyons (Cambridge, 2001). Osborn's Clement, Tertullian, and Irenaeus are bound together by more than the century in which they happened to live. They share an optimism—a confidence that the world is finally comprehensible—and an argumentative theology, developed in response to the Gnostics, who, Osborn says in his book on Irenaeus, "were strong on picture and myth but weak on argument" (xiii).Osborn's approach to Clement is, as he describes it, analytic or problematic, meaning that "we simply ask what problems forced Clement to write and where he found Christian teaching in need of elucidation" (xii-xiii). Three problems concern Clement: (1) "how can the narrative of the kerygma (what God does) be translated into a metaphysic (who God is)?"; (2) "how two distinct beings, father and son, constitute one God"; and (3) "an answer had to be found for those who divided faith and knowledge." Each problem is addressed by means of a theme—divine economy for the first, reciprocity for the second, and salvation by faith for the third—and each of the book's three major parts devotes itself to one of these themes.Having laid out this systematic division, Osborn generally follows the logic of Clement's own thought rather than an imposed structure, developing his argument by careful collation and paraphrase. As a result, by the end of the book, the reader will feel thoroughly and effortlessly initiated in Clement's major works: the Protrepticus, the Paedagogus, and the Stromateis. The book thus serves as a thorough introduction to Clement, without aiming so low that it is of no interest to the scholar.Osborn's central argument unfolds from his observation that "Clement, more than any other early Christian writer, knew and enjoyed Greek philosophy and literature" (2). Clement defends the rationality shared between Christians and Greeks against the irrationalists of his time: the theosophers, or Gnostics (215). Osborn, in turn, defends Clement against the irrationalists of our own time, represented in his book by Wolfhart Pannenberg. The "divine irrational freedom" praised by Pannenberg is replaced in Osborn's Irenaeus and Clement by "universal wisdom" (47). The universality of wisdom allows great and dispassionate natures to reach the truth—whether they are Christians or Greeks—though each is like one limb of the truth, severed from the rest. Convinced that Christ will reunite these disiecta membra, "Clement converses with them and joins their broken lights" (104).In footnotes and parenthetical references throughout the book, Osborn argues against the approaches to Clement in doxography and Discourse Power theory, precisely because they are unable to treat him as a philosopher (79). The doxographer can show Clement's dependence on earlier philosophers, but is unable to see how he differs from them (xii). The Discourse Power theorist can see that Clement's system differs from the Gnostic system, but is able to explain the difference only as a competition between two social structures, without seeing that only one of them aspires to logical coherence (215).This dismissal of doxography and Discourse Power theory may strike the reader as too thoroughgoing, especially if we distinguish, as Osborn himself does in his book on Tertullian, philosophy as "a matter of system and speculation" from philosophy as "a matter of argument" (198). Clement's optimism depends on his confidence in system and speculation, in so far as they can be defended by argument. But if argument can defend two different systems equally well, then we may wonder why Clement chooses the system he does. Here the doxographer, who can show the provenance of his thought, becomes essential, as does the Discourse Power theorist, who can set Clement's choice of system in the context of the contemporary social fabric that inevitably affects even the... (shrink)

In his masterly book Christ and Culture H. Richard Niebuhr identified five main attitudes which Christians have taken towards secular culture. The first emphasizes the opposition between Christ and culture. In the New Testament it is best seen in Revelation and in the First Epistle of John. But it appears in its most radical form in Tertullian, though even he is not wholly consistent. Men are under illusions from their very culture . Graeco-Roman society was shot through and through with (...) what Tertullian regarded as superstition and idolatry, as well as immorality. So Tertullian repudiated political life, military service, many aspects of commerce, philosophy and the arts. (shrink)

The article analyzes the ethical and theological content of the apocryphal Syrian "autobiography" of St. Clement of Rome, as well as its early Slavic translation. The study uses historical-philosophical, patristic and philological methodology to outline the specific teachings, attributed to St. Clement by this Greek-speaking Syrian text from the pseudo-Clementine cycle. The methods of comparative textology and translation studies are used to analyze the features of the Slavic version of the work. The study revealed that, contrary to the (...) ideas of the publisher of the Slavic version, P. Lavrov, the translation was undoubtedly made according to the archaic, pre-metaphrasic version of the work. Therefore, it can be dated to the ninth century and come from the school of Cyril and Methodius. The popularity of the monument among Slavic readers is partly explained by the archaic features of the original version of the work preserved in the translation, such as graphic imagery, expressive presentation, and numerous dialogues. Such a lively account facilitated the perception of the conceptually rich ethical content of the work. At the heart of both Greek and Slavic versions is the ethical category of philanthropy, which figures as a central Christian virtue. Much of the Epitome is devoted to a detailed explanation of this category and its distinction from other virtues. In the original, the ethics of philanthropy is opposed to the astrological ideology represented by Clement’s father Faust. Faust's views are based on the natural philosophical ideas of the early Greek Stoics. Apostle Peter, Clement's teacher, responds to his arguments from the standpoint of Judeo-Christian monotheism, referring to the biblical history of his people. Thus, Hellenism is confronted with biblical monotheism. So, Epitome appears a kind of argument in the controversy between Gentile Christians and Judeo-Christians, which has troubled the Syrian Church for centuries. However, in translation, this clash of worldviews remains obscured, as the translator does not seem to recognize either the terminology of Stoic natural philosophy, or astrological issues, or the debate between the traditions of Peter and Paul in Syria. Thus, all the Stoic terminology of Faust is reduced to a single concept of "being". Therefore, in the translated version, the controversy is not so much between Christianity and astrology, as between ethics and "ontology". Instead, the translator enriches the philosophical outline of the work with polysemic Slavic vocabulary, which sheds new light on the role of the bishop in Peter’s instructions to Clement. Comparison of the Greek and Slavic versions of the Epitome – an autobiography attributed to St. Clement – with his only authentic work, 1Corinthians, allowed to draw another unexpected conclusion. All these works are not only devoted to one main problem - the restoration of peace in the controversial Christian community, but also offer similar ways out of the crisis through brotherly love, solidarity and respect for the otherness of the fellow Christians. This may indicate either that the author of the Syrian apocrypha was inspired by the true Epistle of Clement to the Corinthians, or that the image of St. Clement, that developed in the early tradition, dictated the message of the pseudo-epigraph quite powerfully. Due to this consonance, the apocryphal work of the Syrian Ebionites did to some extent acquaint Slavic readers with the ideas of Clement of Rome, whose only authentic work was almost unknown in the Middle Ages. (shrink)

In so-called Christian countries an increasing number of people openly reject Christian morality. It is a commonplace that they do this for values that can be shown to be Christian. How did this state of affairs come about? An examination of the beginning of Christian ethical thought shows that, within great personal variety, certain patterns or concepts remain constant. Righteousness, discipleship, faith and love are traced in this book from the New Testament through to Augustine. There is a necessary tension (...) between high ideals and practical performance, or between perfection and contingency. When this tension is lost, Christian ethics can easily go wrong. The amoral perfectionism of second-century Gnostics is remarkably similar to the mysticism of communal movements; the opposite threat of legalism has always been present in conservative forms of Christianity. Dr Osborn is concerned to explain rather than to defend, to look at the way conclusions are reached, and to show the rich diversity of early Christian thought. Successive chapters deal with the New Testament, Clement of Alexandria, Basil the Great, John Chrysostom and Augustine. (shrink)

For Hans Hofmann and Clement Greenberg, flatness–more specifically, “re-created flatness,” a term Greenberg adopted after hearing it used in the painter’s important 1938– 39 lectures–became a key term in their accounts of pictorial meaning. In this paper, I articulate what is significant about that idea and draw out its implications for understanding what Hofmann meant by artistic expression. Ultimately, I suggest that the concept of re-created flatness, and its pictorial realization, implies or entails a certain view of expression: namely, (...) that what is expressed by an artwork is the artist’s meaning (in contradistinction to the arbitrary meanings that may be imputed to her work by a viewer). This paper has three principle objectives. First, I overview Hofmann’s unpublished writings and lectures on aesthetics. So far, the critical analysis and evaluation of these materials have had little visibility in modernist studies. I aim not only to contribute a more specific account of Hofmann’s concepts as they were introduced through his program of aesthetic education but also to situate them in a wider intellectual and critical context. Second, I interpret the significance of those ideas for modernist criticism by focusing especially on the concept of re-created flatness as it appears in the writings of both Hofmann and Greenberg. Finally, I hope to demonstrate that Hofmann’s closely associated notions of flatness, depth, and the picture plane are deeply implicated in the issue of modernist painting’s autonomy, especially as formulated by Greenberg. (shrink)

Razširjeno sumničenje nadvlade vida v moderni kulturi, ki so ga v tem stoletju izrazili številni francoski intelektualci, je vplivalo na prakso in samorazumevanje nedavne ameriške umetnosti. S sledenjem vpliva mislecev, kakršni so Bataille, Foucault in Derrida ter umetnikov, kot je Duchamp, skuša članek razložiti zavračanje visokomodernističnega vrednotenja čiste optičnosti, ki sta ga v dobi neposredno po drugi svetovni vojni zagovarjala Clement Greenberg ter Michael Fried. Čeprav so pogosto komentirali premestitev težišča modernistične umetnosti iz Pariza v New York po letu (...) 1945, to ne velja za kasnejše »maščevanje« francoske teorije, ki so ga v angloameriški kulturni prostor prenesli kritiki, kakršna sta Rosalind Krauss in Norman Bryson. Vpliv te teorije je pomagal spodkopati vrednost abstraktnega ekspresionizma v korist drugih gibanj, kakršna so neodada, konceptualna umetnost in minimalizem, kijih lahko delno razumemo kot zavračanje prvenstvenosti vizualnih vrednot. (shrink)

Is power the essence of divinity, or are divine powers distinct from divine essence? Are they divine hypostases or are they divine attributes? Are powers such as omnipotence, omniscience, etc. modes of divine activity? How do they manifest? In which way can we apprehend them? Is there a multiplicity of gods whose powers fill the cosmos or is there only one God from whom all power(s) derive(s) and whose power(s) permeate(s) everything? These are questions that become central to philosophical and (...) theological debates in Late Antiquity (roughly corresponding to the period 2nd to the 6th centuries). On the one hand, the Pagan Neoplatonic thinkers of this era postulate a complex hierarchy of gods, whose powers express the unlimited power of the ineffable One. On the other hand, Christians proclaim the existence of only one God, one divine power or one 'Lord of all powers'. -/- Divided into two main sections, the first part of Divine Powers in Late Antiquity examines aspects of the notion of divine power as developed by the four major figures of Neoplatonism: Plotinus (c. 204-270), Porphyry (c. 234-305), Iamblichus (c.245-325), and Proclus (412-485). It focuses on an aspect of the notion of divine power that has been so far relatively neglected in the literature. Part two investigates the notion of divine power in early Christian authors, from the New Testament to the Alexandrian school (Clement of Alexandria, Origen, Athanasius the Great) and, further, to the Cappadocian Fathers (Basil the Great, Gregory of Nyssa), as well as in some of these authors' sources (the Septuagint, Philo of Alexandria). The traditional view tends to overlook the fact that the Bible, particularly the New Testament, was at least as important as Platonic philosophical texts in the shaping of the early Christian thinking about the Church's doctrines. Whilst challenging the received interpretation by redressing the balance between the Bible and Greek philosophical texts, the essays in the second section of this book nevertheless argue for the philosophical value of early Christian reflections on the notion of divine power. The two groups of thinkers that each of the sections deal with (the Platonic-Pagan and the Christian one) share largely the same intellectual and cultural heritage; they are concerned with the same fundamental questions; and they often engage in more or less public philosophical and theological dialogue, directly influencing one another. (shrink)

This work is an investigation into the analytical debate on pictorial representation and the theory of pictorial art. My main concern are a critical exposition of the questions raised by the idea that it is resemblance to depicted objects that explains pictorial representation and the investigation of the phenomenon of abstract painting from an analytical point of view in relation to the debate on depiction. The first part is dedicated to a survey of the analytical debate on depiction, with special (...) attention to the fortunes and misfortunes of the resemblance theory of depiction. In the first chapter I give an outline of the main contemporary theories on offer, contextualised within an historical background that stretches from Plato to Descartes. I have decided to focus on the theory of resemblance more than on other approaches on depiction, because much of my research is dedicated to an analysis and implementation of one of the theories that have recently sought to re-discover the resemblance paradigm, although with certain important modifications. Namely, the second chapter is dedicated to the exposition of John Hyman’s basic resemblance theory of depiction, to the elucidation of its presuppositions and to the discussion of some criticisms and objections that the theory has raised. The third and the fourth chapter are dedicated to the implementation of Hyman’s theory in relation to the phenomenon of abstract painting. There are two peculiarities about Hyman’s theory: first, it is in counter-tendency in comparison with all the other accounts of depiction on offer, in that it does not need to conceive of pictorial representation as of representation of particulars or kinds of objects that we can easily identify. Second, it is a theory that gives art a prominent role: Hyman illustrates his claims with many examples taken from the history of figurative art. The second part of my work is inspired by the idea that the basic resemblance theory can be applied to abstract paintings as well. Developing an analysis of abstract painting from an analytical point of view is a task that very few authors have tried to accomplish so far – as far as I am aware. However, it is evident that the task abstract painters have set themselves is interestingly akin to the task philosophers try to accomplish when arguing about depiction. It is widely agreed that one of the main topics of contemporary art is art itself and that one of the main topics of abstract painting is the art of painting itself, the art of producing pictures, the exploration of its limits and its conventions. With these considerations in mind, I have sought to sketch my proposal for a basic resemblance theory of abstract painting, critically engaging with philosophers such as Richard Wollheim, Kendall Walton, Lambert Wiesing and with art-critics and historians such as Clement Greenberg and Ernst Gombrich. (shrink)

The article discusses the sophistic method of “antilogic” (“double arguments”, “contrasting arguments”, “opposed speeches”, “two-fold arguments”). The main goal is to show that it is a method that, in the light of the doctrine presented in Plato’s Theaetetus, is based on philosophical foundations. The work of G.B. Kerferd was crucial for the research on the art of antilogic, as it broke with the unequivocally negative understanding of this method adopted by the earlier research tradition. Late testimonies of Diogenes Laertius, (...) class='Hi'>Clement of Alexandria, Seneca and Eudoxus point to Protagoras of Abdera as the creator and promoter of the antilogic. These testimonies are confirmed by references to the method of “opposed speeches” contained in the comedies of Aristophanes, in the tragedies of Euripides and in the anonymous treatise Dialexeis. Plato’s report on the doctrine attributed to Protagoras in the Theaetetus reveals the philosophical context of the antilogic. The so- -called “secret doctrine”, based on the acceptance of appearances and of the privacy of perceptions (man-measure doctrine), the rejection of truth and falsehood, and acceptance of the contradictory judgments results from the new vision of reality in flux. Therefore, the “secret doctrine” presents a consistent and coherent project leading to a new concept of logic and language and lays the foundations for the method of “double arguments”. (shrink)

This paper explores the relationship between religion and history in the writings of R.G. Collingwood, Michael Oakeshott, and Clement C. J. Webb. Focussing principally on the early work of Collingwood and of Oakeshott and the later work of Webb, the paper shows that for all three philosophers the development of historical understanding in the late nineteenth and early twentieth centuries had important religious implications. While many of their British Idealist predecessors and contemporaries had responded to the 'higher criticism' of (...) the Bible by constructing speculative philosophies of history, Collingwood, Oakeshott and Webb understood history to be a genuine form of understanding that could not be so easily translated into other terms. Where Collingwood and Webb sought to integrate history with other expressions of mind, Oakeshott insisted on separating the various 'modes of experience'. The effect of this is to insulate religion from historical criticism but also, from the perspective of Collingwood and Webb, potentially undermine it by isolating it from ultimate truth. (shrink)

William of Ockham was a medieval English philosopher and theologian (he was born about 1285, perhaps as late as 1288, and died in 1347 or 1348). In 1328 Ockham turned away from 'pure' philosophy and theology to polemic. From that year until the end of his life he worked to overthrow what he saw as the tyranny of Pope John XXII (1316-1334) and of his successors Popes Benedict XII (1334-1342) and Clement VI (1342-1352). This campaign led him into questions (...) of ecclesiology (the study of the nature and structure of the Christian Church, e.g. of the functions and powers of the pope) and political philosophy. The Dialogus purports to be a transcript made by a mature student of lengthy discussions between himself and a university master about the various opinions of the learned on the matters disputed between John XXII and the dissident Franciscans. The student is usually the initiator; he chooses the topics, asks most of the questions and decides when he has heard enough. The master is, so to speak, an expert witness whom the student examines. This volume provides the first critical edition of part 3.2 of the Dialogus and deals with the relation between the empire and the nation-states and engages in the theory of property rights, natural law, and political freedom. (shrink)