En envisageant la communication dans une perspective anthropologique, Dell Hathaway Hymes a introduit le langage en acte - verbal et non verbal - au coeur de l'analyse sociolinguistique. L'étude du langage qu'il a développée va évoluer d'une « ethnographie de la parole » vers une ethnographie de la communication, ouvrant la voie à une pragmatique et à une anthropologie communicationnelle.Considering the communication from an anthropological perspective, Dell Hathaway Hymes has introduced the language act - verbal and nonverbal - in the (...) heart of sociolinguistic analysis. The study of language he has developed will develop an "ethnography of speaking" to an ethnography of communication, opening the way to a pragmatic and communicative anthropology. (shrink)

Cette contribution est centrée sur l'analyse d'une pratique éditoriale, illustrée par le parcours récent de l'Encyclopædia Universalis dans la conception de dispositifs informatisés de diffusion de connaissances. Il s'agit d'étudier les conditions d'appropriation techniques et cognitives faites aux lecteurs-utilisateurs confrontés à des environnements sophistiqués et à des interfaces hypermédias de lecture-écriture. La « culture de l'information » est utilisée pour identifier un modèle informationnel du sujet, induit par les évolutions de la technique et par les dispositifs de communication qui sont (...) proposés.This contribution focuses on the analysis of an editorial practice, illustrated by the recent approach of the Encyclopaedia Universalis to computerized systems of knowledge dissemination. The purpose is to study the conditions of technical and cognitive appropriation created for readers/users in their confrontation with sophisticated systems and hypermedia reading/writing interfaces. Information literacy is used to identify an informational model of the individual concerned, induced by the technical evolutions and the communication systems that are presented. (shrink)

This article explores a German philosophy of metaphor, which proposed a close link between the body and the mind as the basis for metaphor, debunked the view that metaphor is just a decorative rhetorical device and questioned the distinction between the literal and the figurative. This philosophy of metaphor developed at the intersection between a reflection on language and thought and a reflection on the nature of beauty in aesthetics. Thinkers such as Giambattista Vico, Johann Wolfgang von Goethe, Jean Paul (...) and others laid the foundations for this philosophy and it was successively refined by Gustav Gerber, Alfred Biese and Friedrich Nietzsche. It influenced in its turn in various ways the linguistic study of metaphor and the psychology of metaphor as elaborated, for instance, by a lesser-known American scholar, Gertrude Buck. All these thinkers contributed to a philosophy and psychology of the metaphoric according to which metaphors are not only nice, but necessary for the structure and growth of human thought and language. Obvious parallels between this 19th-century philosophy of metaphor and the 20th-century theory of metaphor developed by Lakoff and his followers are examined throughout. (shrink)

Since the time of Descartes science has been influenced by the demand for precision and accuracy in research. In the 20th century also humanities began to submit to this demand. The term precision itself has a far-reaching and historically grown semantics. As a consequence of the attempt to answer precisely and irrefutably to scientific questions, achieved knowledge today is only valid for an increasingly narrow range.

This article adds to earlier research revealing that the American news media did not discharge their responsibility as a watchdog press in the post-9/11 years by failing to scrutinize extreme and unlawful government policies and actions, most of all the decision to invade Iraq based on false information about Saddam Hussein’s alleged weapons of mass destruction arsenal. The content analyses presented here demonstrate that leading US news organizations, both television and print, did not expressly refer to human rights violations when (...) they reported on the torturing of foreign detainees during “enhanced interrogations” in US-run prison facilities abroad and the killing of civilians, including children, in US drone strikes overseas and outside theaters of war. Moreover, by framing torture and the “collateral damage” caused by drone-launched missile attacks episodically rather than in the context of human rights, the news media failed to alert the American public to the grave humanitarian violations in the so-called war on terrorism during the George W. Bush and Barack Obama administrations. (shrink)

One of the first Swiss performance artists, Manon has fashioned a career for herself out of the identities of others. Whether exploring the limits of gender or the beauty of decay, Manon—through her personas, installations, and performance pieces—continually foregrounds the instability of place and self. Her most recent project, She Was Once MISS RIMINI, is one of her most brutal and touching. Here, she literally depicts imagined futures for an aging beauty queen. Each exquisite image in this pictorial essay teases (...) out the possible paths Miss Rimini—an alter-ego for Manon who “happened” upon a beauty pageant in the early 1970s and walked away with the crown—could have taken. A small-town diva? A hypersensitive viola player? Perhaps even a psychiatric patient? She Was Once MISS RIMINI is a trenchant meditation on the art, or artifice, of growing older. Costume, lipstick, lighting, attitude—all aspects of self-presentation are in concert here with quiet critiques of social and economic systems that limit the options of older women. Accompanied by an enlightening introduction by art theorist Brigitte Ulmer, She Was Once MISS RIMINI is the first and only documentation of Miss Rimini and one of the first books in English on Manon. (shrink)

This paper deals with some structural properties of the sequent calculus and describes strong symmetries between cut-free derivations and derivations, which do not make use of identity axioms. Both of them are discussed from a semantic and syntactic point of view. Identity axioms and cuts are closely related to the treatment of negation in the sequent calculus, so the results of this article explain some nice symmetries of negation.

Communicating Biological Sciences discusses the 'ethics' of science communication in light of recent developments in biotechnology and biomedicine. It focuses on the role of metaphors in the creation of visions and the framing of scientific advances, as well as their impact on patterns of public acceptance and rejection, trust and scepticism. Its rigorous investigation will appeal not only to science writers and scientists, but also to scholars of sociology, science and technology studies, media and journalism.

In this article I will discuss some systematic issues of Arthur Danto's philosophy of art and art history from a Hegelian perspective. Belonging to "Absolute Spirit," art can be called a "spiritual kind." Since spiritual kinds are reflective and self-determining, they are not susceptible to philosophical definition. Nevertheless, elements of essentialism can be maintained when describing art's historicity and conceptual structure. To this end, "art" can be interpreted as a two-tier concept: in inherently reflecting its concept, it projects its own (...) conditions into the past, co-opting "prehistorical" artworks as predecessors and classical examples. Hegel's view of art as conceptually structured in itself can have disenfranchising or reenfranchising consequences: either reducing art to minor philosophy, or acknowledging its privileged access to its own essence. After Danto's detachment of the philosophy of art from aesthetics, Hegel would himself be deprived of the possibility to "define" art by intuition . Even if the spirit consists of essential kinds, philosophy is not in a privileged position to establish the essence of art and thus the difference between art and philosophy. Rather, philosophy must acknowledge art as a neighbor and as partner in a dialogue. (shrink)

This paper aims to determine whether we can locate temporal passage in a non-dynamical (block universe) world. In particular, we seek to determine both whether temporal passage can be located somewhere in our world if it is non-dynamical, and also to home in on where in such a world temporal passage can be located, if it can be located anywhere. We investigate this question by seeking to determine, across three experiments, whether the folk concept of temporal passage can be satisfied (...) in our world if it is non-dynamical, and, if it can, what sort of thing in our world satisfies that concept. In particular, we focus on the question of whether that concept (if satisfied) is satisfied by something mind-dependent or something mind-independent. In other words, we ask, is temporal passage something that is at least partially in the mind, or is it entirely external to the mind? We find, contrary to what is often assumed by dynamists and non-dynamists alike, that the folk concept of temporal passage is satisfied in our world conditional on it being non-dynamical, and that the concept is satisfied by something mind-independent. This provides further ammunition for recent deflationary accounts of temporal passage that attempt to locate passage somewhere in our non-dynamical world. (shrink)

Le marché du jeu vidéo explose avec l’émergence d’un nouveau type de jeux et de joueurs appelés occasionnels par opposition au jeu traditionnel sur console. Développeurs et éditeurs adaptent divers types de jeux au format court, simple et non technologique du casual game, mais qu’en est-il du jeu de rôle et d’action exigeant l’exposé et le traitement d’un récit long et complexe ? Après avoir esquissé les enjeux du casual game, nous montrons que seule la mobilisation d’un stéréotype mythique ou (...) légendaire permet l’appropriation d’un scénario à un jeu court : sans en avoir conscience, le joueur connaît scènes et personnages ; aussi peut-il s’immerger directement dans l’action. C’est là retrouver le procédé du « feuilleton-roman » d’aventures du XIXe siècle et pourvoir le casual game d’une ascendance culturelle. Ainsi pourrait-on élargir au jeu vidéo l’essai d’analyser les civilisations à travers leurs jeux comme le souhaitait Roger Caillois.The video games market has been booming since the emergence of “casual” gaming, as opposed to core gaming using consoles. Developers and publishers are adapting different types of games to the short, simple and non-technological casual game format, but how does this affect role-playing and action, which demand an exposé and treatment of long and complex narratives? After outlining the issues arising in casual gaming, we show that appropriating a short game scenario only works when it involves a mythical or legendary stereotype: the game player knows the scene and the characters without thinking about them and can therefore plunge directly into the action. The process harks back to the serial adventure story of the 19th century, which may thus be seen as the ancestor of “casual gaming”. Approaches to the analysis of civilisations through their games could there- fore be extended to encompass video games, as suggested by Roger Caillois. (shrink)

Termes polysémiques s'il en est, les mots « féministe » (adjectif ou substantif) et « féminisme » servent à qualifier de plus en plus de choses, productions culturelles ou personnes, sans que l’on sache toujours bien à quoi il est vraiment fait référence. Dans les médias, on interroge depuis quelques années films et séries à travers un prisme qui recouvre pourtant des acceptions diverses, voire opposées. Effet d'aubaine à un moment où le mot fait vendre, « feminist-washing » ou engagement (...) réel, le phénomène mérite qu'on s'y attarde et le décode. Cet article se penchera donc sur ce qui se cache derrière le qualificatif attribué à des films à partir de sources diverses, qu'il s'agisse des théories féministes sur le cinéma, de listes compilées sur des sites en ligne ou des déclarations et critiques sur des films récents. (shrink)

Le rapport entre féminisme et communisme est ambigu, souvent difficile certes, mais parfois aussi productif. C’est ce que démontrent les contributions du numéro 6 d’Aden, revue publiée par leGroupe Interdisciplinaire d’Études Nizaniennes,consacré à cette thématique. L’approche choisie est biographique et littéraire. C’est d’abord à travers la trajectoire et les écrits d’actrices et d’acteurs historiques que sont abordées la question de la place des femmes et du féminisme dans le communisme et...

This book, first published in 2000, offers translations of the initial critical reactions to Kant's philosophy. Also included is a selection of writings by Kant's contemporaries who took on the task of defending the critical philosophy against early attacks. The first aim of this collection is to show in detail how Kant was understood and misunderstood by his contemporaries. The second aim is to reveal the sorts of arguments that Kant and his first disciples mounted in their defense of the (...) theoretical philosophy. The third aim of the book is to contribute to an understanding of the development of Kant's critical philosophy after its initial formulation in the Critique of Pure Reason, and in particular why Kant made the changes he did in the second edition of the work in 1787. This collection, which includes a glossary of key terms and biographical sketches of the critics on both sides of the debate, is a major addition to Kant scholarship and should be seen as a companion volume to the Cambridge Edition of the Works of Immanuel Kant. (shrink)

Brigitte Bourgeois and Philippe Jockey Gold and Marble: the Gilded Hellenistic Sculptures of Delos p. 331-349 The investigation we are conducting on the polychromy of the Hellenistic sculptures of Delos has enabled us to add to the corpus of gilded marble works and to refine the typology. A visual examination of the sculptures through a video-microscope, combined with an analysis of the remains isolated by this means under X-fluorescence, has revealed the existence of three large types of gold leaf (...) gilding on marble at Delos in around 100 BC: totally gilded statues, works on which the gilding forms only an added colouring to the general polychromy, and works that we propose to call "chrysochromes", which present a singularity not hitherto recognised of a very bright polychromy on the clothed parts associated with gold on the nude parts. Among the number of important results of this enquiry may be counted the revelation of the overall gilding on the Delian copy in the National Museum at Athens of the Polyclitus Diadumenus, carved and gilded in imitation of a gilt bronze or even a gold statue. Such a use of gold leaf gilding on the Delos marbles calls in any case for a reconsideration of the question of the reception in antiquity of such works, as well as of such a success of gold at Delos and no doubt elsewhere in the Greek world in the same period. (shrink)

In this paper, I will explore the concept that healing activities shape the objects of therapy and seek to construct those objects through therapeutic activities. Objects of therapy are the persons, patients, human bodies, diseases, physiological processes and personal suffering—that which clinical medicine constructs through its distinctive formative processes, practices and knowledge. The rationale for choice of philosophical sources namely, Cassirer, Foucault, the anthropological perspective of Good and the sociological account of Frank will be discussed. The claim articulated by Good (...) will be examined and its relationship to culture, illness, medical knowledge, practice, truth, and science. I then focus on Frank's concepts of the patient and the body and how medical knowledge and practices affects it. The concept that the medicalization of the illness narrative silences the patient's voice requiring an ethic of listening will be emphasized, described and further supported by Charon's (2006, Narrative medicine: Honoring the stories of illness. New York, NY: Oxford University Press) and Cassell's (2015, The nature of suffering and the goals of medicine. New York, NY: Oxford University Press) thoughts on narrative of illness in clinical medicine. My position concludes that healing activities construct the objects of therapy: as the medical culture's way of seeking truth; as medicine's way of mediating and organizing forms of reality through culture and symbolic forms; and, as medicine's way of entering the body and constructing the disease. Lastly, I suggest that in spite of the remarkable progress in the control of disease, the failure to address the interpretation of illness meanings is a fundamental flaw in the work of “doctoring.” The experience and meanings of illness are at the centre of clinical practice and is a moral, political, ethical and professional obligation. The person is a cultural construct, a complex and culturally shaped way of experiencing self and other, and cultural “work” is required to constitute the person who is the object of medical attention and it also necessitates the ethic of listening. (shrink)

La Renaissance commence vraiment avec Pléthon, contemporain de Nicolas de Cues et qui se voulait comme lui romain, mais du point de vue de Constantinople. Pléthon a conçu le modèle d'une constitution qui permettrait à tous les peuples de coexister en paix. Au temps où l'Occident latin est largement aristotélicien, il plaide pour le retour à Platon, l'idéalisme, la théologie affirmative.

Currently, affect and emotions are a widely discussed political topic. At least since the early 1990s, different disciplines—from the social sciences and humanities to science and technoscience—have increasingly engaged in studying and conceptualizing affect, emotion, feeling, and sensation, evoking yet another turn that is frequently framed as the “affective turn.” Within queer feminist affect theory, two positions have emerged: following Eve Kosofsky Sedgwick's well-known critique, there are either more “paranoid” or more “reparative” approaches toward affect. Whereas the latter emphasize the (...) potentialities of affect, the former argue that one should question the mere idea of affect as liberation and promise. Here, I suggest moving beyond a critique or celebration of affect by embracing the political ambivalence of affect. For this queer feminist theorizing of affective politics, I adapt Jacques Rancière's theory of the political and particularly his understanding of emancipation. Rancière takes emancipation into account without, however, uncritically endorsing or celebrating a politics of liberation. I draw on his famous idea of the “distribution of the sensible” and reframe it as the “distribution of emotions,” by which I develop a multilayered approach toward a nonidentitarian, nondichotomous, and emancipatory queer feminist theory of affective politics. (shrink)

Grace de Laguna was a philosopher working in the first part of the twentieth century on analytic and speculative philosophy, as well as on the psychology and philosophy of language, especially the social function of language. Joel Katzav’s lead essay focuses mainly on the former part of her work, while my commentary focuses mostly on the latter. Katzav shows how her work played a role in the development of analytic philosophy, I try to show how her work played a role (...) in the development of pragmatic linguistics, whose development overlapped with some aspects of analytic philosophy. I situate it in the context of an emerging ‘pragmatic Weltanschauung’ that was embraced by many working in linguistics, philology, philosophy, psychology, anthropology and what would later be called linguistic pragmatics. (shrink)

Compliance is often achieved ‘by design’ through a coherent system of controls consisting of information systems and procedures. This system-based control requires a new approach to auditing in which companies must demonstrate to the regulator that they are ‘in control’. They must determine the relevance of a regulation for their business, justify which set of control measures they have taken to comply with it, and demonstrate that the control measures are operationally effective. In this paper we show how value-based argumentation (...) theory can be applied to the compliance domain. Corporate values motivate the selection of control measures (actions) which aim to fulfil control objectives, i.e. adopted norms (goals). In particular, we show how to formalize the audit dialogue in which companies justify their compliance decisions to regulators using value-based argumentation. The approach is illustrated by a case study of the safety and security measures adopted in the context of EU customs regulation. (shrink)

Entrepreneurs who start a business to serve both self-interests and collective interests by addressing unmet social and environmental needs are usually referred to as sustainable entrepreneurs. Compared with regular entrepreneurs, we argue that sustainable entrepreneurs face specific challenges when establishing their businesses owing to the discrepancy between the creation and appropriation of private value and social value. We hypothesize that when starting a business, sustainable entrepreneurs feel more hampered by perceived barriers, such as the institutional environment and have a different (...) risk attitude and perception than regular entrepreneurs. We use two waves of the Flash Eurobarometer survey on entrepreneurship, which contains information on start-up motivations, start-up barriers, and risk perceptions of approximately 3000 business owners across 33 countries. We find that sustainable entrepreneurs indeed perceive more institutional barriers in terms of a lack of financial, administrative, and informational support at business start-up than regular entrepreneurs. Further, no significant differences between sustainable and regular entrepreneurs are found in terms of their risk attitudes or perceived financial risks. However, sustainable entrepreneurs are more likely to fear personal failure than regular entrepreneurs, which is explained by their varied and complex stakeholder relations. These insights may serve as an important signal for both governments and private capital providers in enhancing the institutional climate. (shrink)

Contrairement à ce que l’on entend généralement par mécénat - la commande d’images, peintes ou sculptées, passée entre deux individus vivants – on propose ici d’en élargir les termes pour y englober une autre modalité de la circulation des biens culturels : l’héritage, particulièrement significatif pour les femmes, qui disposaient souvent d’un important patrimoine artistique sans en avoir été les commanditaires. En examinant la manière dont Blanche de Navarre († 1398), épouse de Philippe VI de Valois et reine douairière pendant (...) près d’un demi-siècle, disposa de ses objets les plus précieux, joyaux et livres, dans un testament exceptionnel par son détail, l’accent est mis sur l’acte de tester comme un moment créateur, sinon d’objets, du moins de faits sociaux. Car, par la distribution savante de ses objets, Blanche construisit, pour ses successeurs, une mémoire, solidifiée dans des choses, des liens unissant les membres épars, vivants ou morts, de sa parenté. (shrink)