Results for 'Art Philosophie.'

969 found
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  1.  13
    Art, Philosophy, and Ideology: Writings on Aesthetics and Visual Culture from the Avantgarde to Postsocialism.Tyrus Miller (ed.) - 2024 - Boston: BRILL.
    This volume consists of selected essays on the art and aesthetics of the avantgarde, contemporary art, and postsocialist culture by the internationally renowned Slovenian philosopher and art theorist Aleš Erjavec.
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  2.  57
    Border Arte Philosophy: Altogether Beyond Philosophy.Nancy Tuana & Charles Scott - 2018 - Journal of Speculative Philosophy 32 (1):70-91.
    ABSTRACT We are concerned with borders and their crucial importance in people's lives. Throughout we place emphasis on liberatory critique and knowledge and on the importance of the forces lineages exercise in the ways we live. How might we speak of whatever is bordered and allow that of which we speak its manifest differences? How are we able to engage differences and maintain our own differences? How might we, as philosophers, speak philosophically about what is beyond philosophy? Such speaking would (...)
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  3.  16
    Art & philosophy.Timothy Taubes - 1993 - Buffalo, N.Y.: Prometheus Books.
    Explores painting as a form of communication through a language of aesthetics. Concludes that successful paintings teach viewers something about their own world, rather than about the ideas or the techniques of the artist, and that such learning should be effortless and intuitive. Annotation copyright by Book News, Inc., Portland, OR.
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  4.  6
    Solar sacrifice: Bataille and Poplavsky on friendship.Culture Isabel Jacobs Comparative Literature, Culture UKIsabel Jacobs is A. PhD Candidate in Comparative Literature, Aesthetics An Interest in Socialist Ecologies, the History of Science Her Dissertation on Alexandre Kojève is Funded by the London Arts Political Theology, E. -Flux Humanities Partnershipher Writings Appeared in Radical Philosophy, Studies in East European Thought Aeon & Others She Co-Founded the Soviet Temporalities Study Group - forthcoming - Journal for Cultural Research:1-16.
    This article reconstructs the forgotten friendship between Georges Bataille and the Russian émigré poet and philosopher Boris Poplavsky. Comparing their solar metaphysics, I focus on conceptions of friendship, sacrifice and depersonalisation. First, I retrace Bataille’s relationship to early Surrealis and Russian circles in interwar Paris, with a focus on his friendship with Irina Odoevtseva. I then offer a novel reading of Poplavsky’s poetry through the lens of Bataille’s philosophy, analysing a recurring motif that I call ‘dark solarity’. Uncovering a hidden (...)
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  5.  25
    Between art, philosophy of design and philosophical-hermeneutical design.Leonardo Kussler - 2023 - Filosofia Unisinos 24 (2):1-15.
    At first glance, relating philosophy and design does not seem trivial, but there are several elements that make it possible to develop such a hypothesis beyond the context of the philosophy of technology. In this article, the main objective is to explore some aspects of design in the world and in Brazil, emphasizing how much its bases dialogue with the principles of Gadamer’s philosophical hermeneutics. To do so, in the first section, I develop a bibliographical analysis of the history of (...)
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  6.  27
    Complexity: Architecture, Art, Philosophy.Andrew Benjamin (ed.) - 1995 - Distributed to the Trade in the United States of America by National Book Network.
    JPVA Journal of Philosophy and the Visual Arts No 6 Complexity Architecture / Art / Philosophy 'Beginning with complexity will involve working with the recognition that there has always been more than one. Here however this insistent "more than one" will be positioned beyond the scope of semantics; rather than complexity occurring within the range of meaning and taking the form of a generalised polysemy, it will be linked to the nature of the object and to its production. Complexity, therefore, (...)
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  7.  11
    Stanley Cavell and the arts: philosophy and popular culture.Rex Butler - 2020 - New York: Bloomsbury Academic.
    In the late 1990s, Rosalind Krauss, one of the principal theorists of post-modernism in the arts, began using the term "post-medium" in her work. It was a nod to the American "ordinary language" philosopher Stanley Cavell, who had been thinking through a concept of medium in art for 30 years. Today with the decline of post-modernism, Stanley Cavell has emerged as one of the most important figures for thinking again about the visual arts, film and theatre. Stanley Cavell and the (...)
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  8.  12
    Kʻartʻvel pʻilosopʻostʻa lekʻsikoni: personalia.Tamaz Buachidze & Sak°Art°Velos P.°Ilosop°Iuri Sazogadoeba (eds.) - 2000 - Tʻbilisi: Gamomcʻemloba "Oazisi".
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  9.  71
    Art, Philosophy and Concreteness in Hegel.William Desmond - 1985 - The Owl of Minerva 16 (2):131-146.
    It is a philosophical commonplace to juxtapose logic and imagination, reason and sensibility, the concept and intuition, philosophy itself and art. Frequently these pairs are thought of as opposites, one mediated through abstract reflection, the other a more intimate participant in the given of concrete existence. Philosophy does not always come off uncriticized in this opposition. Its reflective, analytical impulse is often thought to abstract us, remove us from the concretely real. Art, by contrast, it is said, serves to keep (...)
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  10.  91
    Reflections on Business Ethics: What Is It? What Causes It? and, What Should A Course in Business Ethics Include?Art Wolfe - 1991 - Business Ethics Quarterly 1 (4):409-439.
    Business ethics courses have been launched with professors from business pulling on one oar, and professors of philosophy pulling on the other, but they lack a sense of direction. Let's begin with the basics: What is an ehtical decision? More fundamentally, why the interest in professional ethics in the first place?There are over 300 centers for the study of appIied ethics in this country-why? The events which face our society today are outside the business-oriented collection of shared beIiefs that set (...)
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  11.  3
    Art, philosophy, and ideology: writings on aesthetics and visual culture from the avantgarde to postsocialism.Aleš Erjavec - 2024 - Boston: Brill. Edited by Tyrus Miller.
    This volume presents a selection of aesthetic and art theoretical writings by the internationally renowned philosopher Aleš Erjavec from the 1990s to the present. Erjavec was an active participant in the artistic revolt in Slovenia throughout the 1980 and became one of the most notable international theorists of late- and post-socialist developments in art. His work also extended to new, emergent forms of contemporary art and visual culture in global art and culture networks. The diverse contexts and artists with which (...)
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  12.  49
    Art, Philosophy, and Life.Horace Meyer Kallen - 1913 - International Journal of Ethics 24 (1):37-54.
  13. Art, Philosophy, and Creativity.Said Mikki - manuscript
    We reflect on the nature of art, the creative process, and the connection between art and philosophy.
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  14.  53
    Art, Philosophy and the Connectivity of Concepts: Ricoeur and Deleuze and Guattari.Clive Cazeaux - 2019 - Journal of Aesthetics and Phenomenology 6 (1):21-40.
    Concepts are traditionally pictured as discrete containers that bring together objects or qualities based on the possession of shared, uniform properties. This paper focuses on a contrasting notion of the concept which holds that concepts are defined by their capacity to reach out and connect with other concepts. Two theories in recent continental philosophy maintain this view: one from Ricoeur, the other from Deleuze and Guattari. Both are offered as attempts to bring art and philosophy into relation, but they differ (...)
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  15.  65
    On Sartwell’s Thesis That Knowledge is Merely True Belief.Art Skidmore - 1997 - Southwest Philosophy Review 13 (1):123-127.
  16. Buchbesprechungen philosophie/philosophiegeschichte 1 ch. Rowe, Plato and the art of writing, isbn 978-0-521-85932-5.F. Ricken - 2010 - Theologie Und Philosophie 85 (4):575.
  17.  12
    Art, Education, and Cultural Renewal: Essays in Reformational Philosophy.Lambert Zuidervaart - 2017 - Montréal ; Kingston ; London ; Chicago: Mcgill-Queen's University Press.
    What good is art? What is the point of a university education? Can philosophers contribute anything to social liberation? Such questions, both ancient and urgent, are the pulse of reformational philosophy. Inspired by the vision of the Dutch religious and political leader Abraham Kuyper, reformational philosophy pursues social transformation for the common good. In this companion volume to Religion, Truth, and Social Transformation, Lambert Zuidervaart presents a socially engaged philosophy of the arts and higher education. Interacting with the ideas of (...)
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  18.  11
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2019 - Estetika: The European Journal of Aesthetics 56 (2):263-272.
    A review of Stephen Snyder’s End-of-Art Philosophy in Hegel, Nietzsche and Danto.
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  19.  13
    „[...] die auffallende Engbrüstigkeit dieser Art von Philosophie“ - Schellings Hegel-Kritik.Gian Franco Frigo - 2006 - In Steffen Dietzsch & Gian Franco Frigo (eds.), Vernunft Und Glauben: Ein Philosophischer Dialog der Moderne Mit Dem Christentum. Père Xavier Tilliette Sj Zum 85. Geburtstag. Akademie Verlag. pp. 259-276.
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  20.  33
    Art & Philosophy: Seven Aestheticians, Croce, Dewey, Collingwood, Santayana, Ducasse, Langer, Reid.Sushil Kumar Saxena - 1996 - Journal of Aesthetics and Art Criticism 54 (2):188-189.
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  21.  8
    Filosofii︠a︡ i pravo: monografii︠a︡.V. M. Artëmov - 2017 - Moskva: Prospekt.
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  22.  28
    L'art dialectique dans la philosophie d'Aristote.Georges Frappier - 1977 - Laval Théologique et Philosophique 33 (2):115-134.
  23.  58
    World Philosophy. [REVIEW]Brad Art - 1996 - Teaching Philosophy 19 (4):399-403.
  24.  16
    Spinoza et la Philosophie de l’Art Baroque.Soltani Lakhdhar - 2016 - Review of Philosophical Studies 49 (113):1-16.
  25.  10
    Distances dans les arts plastiques: colloque organisé par le Centre d'études de recherches en esthétique et arts plastiques.Dominique Berthet & Martinique) Centre D'âetudes Et de Recherches En Esthâetique Et Arts Plastiques (eds.) - 1997 - Fort-de-France: Centre régional de documentation pédagogique des Antilles et de la Guyane.
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  26.  47
    End-of-Art Philosophy in Hegel, Nietzsche and Danto.Stephen Snyder - 2018 - Cham: Palgrave Macmillan.
    This book examines the little understood end-of-art theses of Hegel, Nietzsche, and Danto. The end-of-art claim is often associated with the end of a certain standard of taste or skill. However, at a deeper level, it relates to a transformation in how we philosophically understand our relation to the ‘world’. Hegel, Nietzsche, and Danto each strive philosophically to overcome Cartesian dualism, redrawing the traditional lines between mind and matter. Hegel sees the overcoming of the material in the ideal, Nietzsche levels (...)
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  27.  2
    Jhoon Rhee Martial Arts: Philosophy & Life Skills.Jhoon Rhee - 2000 - Jhoon Rhee Foundation for International Leadership.
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  28. La science et l'art dans la philosophie.Paul Frédault - 1903 - Paris,: J.-B. Baillière et fils.
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  29.  77
    Isolation, Loneliness and the Falsification of Reality.Brad Art - 1992 - International Journal of Applied Philosophy 7 (1):31-36.
  30.  16
    Voir les choses mêmes, art et philosophie selon Bergson.Jean-Michel Le Lannou - 1999 - Philosophique 2:61-74.
    Pour retrouver la réalité, il faut d’abord de cesser de la penser à partir de ce qui l’absente. Rien en vérité ne nous empêche de la connaître et de l’éprouver comme absolue présence. Aucun irrémédiable exil ne nous en sépare. Revenir à la plénitude substantielle impose cependant d’abandonner tout rapport d’extériorité, pour enfin redécouvrir que « dans l’absolu nous sommes, … » (664)). L’on ne pourra ainsi échapper à la vacuité qu’en se délivrant des scissions qui nous absentent, et nous (...)
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  31.  41
    On Peirce's Denial of the Law of Contradiction.Art Skidmore - 1982 - Philosophical Topics 13 (9999):101-107.
  32. 2006: Ästhetik Und Philosophie der Kunst / Aesthetics and Philosophy of Art.Jürgen Stolzenberg & Karl P. Ameriks (eds.) - 2007 - Walter de Gruyter.
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  33.  34
    A Reply to Robert Allan Cooke.Art Wolfe - 1993 - Business Ethics Quarterly 3 (1):65-67.
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  34.  36
    M. A. Zagdoun: La philosophie stoïcienne de l’art. Pp. 308. Paris: CNRS Editions, 2000. Paper. ISBN: 0-521-59403-0.Timothy Hill - 2002 - The Classical Review 52 (2):374-374.
  35.  6
    De la nécessité d’introduire la philosophie hégélienne de l’art en France. La traduction non littérale des Cours d’esthétique par Charles Bénard.Audrey Rieber - 2023 - Nouvelle Revue d'Esthétique 31 (1):99-110.
    La traduction, à partir de 1840, des Cours d’esthétique de Hegel par Charles Bénard joue un rôle de premier plan dans l’introduction de l’esthétique et, plus généralement, de la philosophie allemande en France. Pour éclairer le sens et la portée de ce transfert linguistique et théorique, on prêtera attention aux écrits de Bénard dans lesquels il expose quels sont, selon lui, les indispensables apports et aussi les limites de l’approche hégélienne du point de vue de l’esthétique métaphysique française. On s’intéressera (...)
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  36.  31
    Image et sens dans l'herméneutique et la philosophie de l'art de Paul Ricoeur [Image and Sense in Paul Ricoeur's Hermeneutics and Philosophy of Art].Samuel Lelievre - 2020 - Dissertation, Ecole des Hautes Etudes En Sciences Sociales
    Ricoeur’s philosophical project can be broadly termed as a philosophical anthropology. Within this context, a main role is given to the issue of imagination through the resources of phenomenology, hermeneutics, and reflexive philosophy. The issue of picture, however, remains quite unknown and has not been much questioned; it might even be undermined by being reduced to the context of reproductive imagination as opposed to that of productive imagination within Ricoeur’s anthropology, and due to the emphasis on the linguistic relationship to (...)
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  37.  35
    On Moral Dilemmas.Art Skidmore - 1999 - Southwest Philosophy Review 15 (1):81-85.
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  38.  60
    Gilson, l’oeuvre d’art et le roman.Guy Bouchard - 1982 - Philosophiques 9 (2):195-221.
    La philosophie de l'art d'Étienne Gilson n'accorde aucune place au roman. Après avoir dégagé les raisons de ce rejet et en avoir dévoilé les présupposés, nous montrons que le roman a droit de cité dans la sphère des arts majeurs, et ce même à partir des principes de la théorie de Gilson.Gilson's philosophy of art leaves no room to the novel. First, we elucidate his reasons to do so, then we disclose their presuppositions, and finally we show that the novel (...)
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  39.  14
    Takedown: art and power in the digital age.Farah Nayeri - 2022 - New York: Astra House.
    Farah Nayeri addresses the difficult questions plaguing the art world, from the bad habits of Old Masters, to the current grappling with identity politics. For centuries, art censorship has been a top-down phenomenon--kings, popes, and one-party states decided what was considered obscene, blasphemous, or politically deviant in art. Today, censorship can also happen from the bottom-up, thanks to calls to action from organizers and social media campaigns. Artists and artworks are routinely taken to task for their insensitivity. In this new (...)
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  40.  73
    Le corps dans la philosophie et l'art.Arthur Coleman Danto - 2006 - Cités 26 (2):129-144.
    « ... sans le sentiment de l’organe corporel, la vie serait la simple conscience de son existence, mais ne serait pas le sentiment du bien-être ou du malaise, c’est-à-dire le sentiment de la stimulation ou de l’inhibition des forces vitales. En effet, l’esprit n’est en lui-même que vie dans le rapport avec son corps. »Il m’est arrivé deux fois qu’un point de philosophie..
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  41.  28
    The intimate universal: the hidden porosity among religion, art, philosophy, and politics.William Desmond - 2016 - New York: Columbia University Press.
    William Desmond sees religion, art, philosophy, and politics as essential and distinctive modes of human practice, manifestations of an intimate universality that illuminates individual and social being. By observing their permeable relations, Desmond captures notes of a clandestine conversation that transforms ontology.
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  42. Gérard Genette: la philosophie de l'art comme «pratique désespérée».Pierre-Henry Frangne - 2011 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 4 (1).
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  43.  15
    Nauchno-tekhnologicheskie transformat︠s︡ii v sovremennom obshchestve: nravstvenno-filosofskoe osmyslenie i osobennosti pravovogo regulirovanii︠a︡: sbornik nauchnykh trudov.V. M. Artëmov & O. I︠U︡ Rybakov (eds.) - 2019 - Moskva: Prospekt.
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  44.  70
    Acta Pauli et Petri Apocrypha y Patrística griega.José Antonio Artés Hernández - 2004 - Augustinianum 44 (2):321-336.
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  45. The Ethics of Narrative Art: philosophy in schools, compassion and learning from stories.Laura D’Olimpio & Andrew Peterson - 2018 - Journal of Philosophy in Schools 5 (1):92-110.
    Following neo-Aristotelians Alasdair MacIntyre and Martha Nussbaum, we claim that humans are story-telling animals who learn from the stories of diverse others. Moral agents use rational emotions, such as compassion which is our focus here, to imaginatively reconstruct others’ thoughts, feelings and goals. In turn, this imaginative reconstruction plays a crucial role in deliberating and discerning how to act. A body of literature has developed in support of the role narrative artworks (i.e. novels and films) can play in allowing us (...)
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  46.  8
    Marxisme et philosophie de l'art.Jean-Marc Lachaud - 1985 - Paris: Editions Anthropos.
  47.  86
    (1 other version)Relationscapes: Movement, Art, Philosophy.Erin Manning - 2009 - MIT Press.
    Prelude -- What moves as a body returns as a movement of thought -- Introduction: Events of relation : concepts in the making -- Incipient action : the dance of the not-yet -- The elasticity of the almost -- A mover's guide to standing still -- Taking the next step -- Dancing the technogenetic body -- Perceptions in folding -- Grace taking form : Marey's movement machines -- Animation's dance -- From biopolitics to the biogram, or, how Leni Riefenstahl moves (...)
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  48.  10
    De l’articulation entre art et philosophie : l’exemple des personnages conceptuels de Gilles Deleuze à Marilyn Manson.Armand Dirand - 2012 - Philosophique 15:147-163.
    Comment une oeuvre esthétique peut-elle être en même temps philosophique, et inversement? Question classique à laquelle cet article se propose de répondre par une interprétation de trois albums du shock-rocker Marilyn Manson à la lumière de la notion deleuzienne de personnage conceptuel. Il s'agira ainsi de mettre au jour par l'exemple les conditions d'une rencontre improbable entre pensée artistique et pensée philosophique.
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  49.  13
    Art et philosophie chez Fichte.Ives Radrizzani - 2014 - Fichte-Studien 41:177-187.
  50.  14
    Stephen Snyder, End-of-Art Philosophy in Hegel, Nietzsche and Danto.Šárka Lojdová - 2020 - Estetika: The European Journal of Aesthetics 56 (2):263.
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