How is it possible, that after the exhilarating start of democratic transitions in the late 1980s and 1990s, today authoritarian–populist options seem to be emerging in many new, as well as old democracies? Why does populism, that in most of its historical varieties has been anti-institutional and anti-procedural, turn to constitution making and constitutional rhetorics as one of its main arenas of contestation? The answers to these questions are related. In the following, in the form of six theses, I start (...) with what I mean by ‘populism’. Next, I wish to point to the two deficits of liberal democracy that provides the context for the rise of populist politics. These deficits according to me have been intensified in many of the new democracies. I continue by stressing populisms own deficits as the reason for turning to the constituent power. I end with a consideration of what liberal democrats can do to address the causes of the populist temptation. (shrink)

The ontological turn in anthropological methodology, at least in its conceptualization-oriented formulation, aims to turn away from the concepts and objects found within one’s own social setting in order to turn to indigenous conceptualization processes and take a look at “the things (and persons) themselves.” This article aims to unpack what such constant reconceptualization amounts to, arguing that when modified to meet certain objections, the ontological turn could provide important ingredients for an alternative version of interpretive social science—one that wishes (...) to understand social phenomena as human kinds in the vein of Ian Hacking, Sally Haslanger and Ron Mallon. (shrink)

Includes bibliographical references and index.

This book focuses on Andrew Arato’s democratic theory and its relevance to contemporary issues such as processes of democratization, civil society, constitution-making, and the modern Executive. Andrew Arato is -both globally and disciplinarily- a prominent thinker in the fields of democratic theory, constitutional law, and comparative politics, influencing several generations of scholars. This is the first volume to systematically address his democratic theory. Including contributions from leading scholars such as Dick Howard, Ulrich Preuss, Hubertus Buchstein, Janos Kis, Uri (...) Ram, Leonardo Avritzer, Carlos de la Torre, and Nicolás Lynch, this book is organized around three major areas of Arato´s influence on contemporary political and social thought. The first section offers a comprehensive view of Arato’s scholarship from his early work on critical theory and Western Marxism to his current research on constitution-making and its application. The second section shifts its focus from the previous, comprehensive approach, to a much more specific one: Arato´s widespread influence on the study of civil society in democratization processes in Latin America. The third section includes a previously unpublished work, ‘A conceptual history of dictatorship (and its rivals,)’ one of the few systematic interrogations on the meaning of a political form of fundamental relevance in the contemporary world. Critical Theory and Democracy will be of interest to critical and social theorists, and all Arato scholars. (shrink)

Spurred by recent governmental transitions from dictatorships to democratic institutions, this highly original work argues that negotiated civil society-oriented transitions have an affinity for a distinctive method of constitution making— one that accomplishes the radical change of institutions through legal continuity. Arato presents a compelling argument that this is the preferred method for rapidly establishing viable democratic institutions, and he contrasts the negotiated model with radical revolutionary change. This exceptionally engaging work will be of interest to students and scholars (...) of comparative politics, constitutional law, and East European studies. (shrink)

Regulations affect every aspect of our lives. Compliance with the regulations impacts citizens and businesses similarly: they have to find their rights and obligations in the complex legal environment. The situation is more complex when languages and time versions of regulations should be considered. To propose a solution to these demands, we present a semantic enrichment approach which aims at (1) decreasing the ambiguousness of legal texts, (2) increasing the probability of finding the relevant legal materials, and (3) utilizing the (...) application of legal reasoners. Our approach is also implemented both as a service for citizens and businesses and as a modeling environment for legal drafters. To evaluate the usefulness of the approach, a case study was carried out in a large organization and applied to corporate regulations and Hungarian laws. The results suggest this approach can support the previous aims. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Transcendence of WordsAkos Krassoy (bio)Levinas’s central contribution to aesthetics and the philosophy of art is his well-known and provocative attempt to ethicize art. Yet, there is hardly any certainty regarding the nature of this ethicization. As far as the realization of Levinas’s program is concerned, readers usually remember its harmful effects.1 On the other hand, there are equally appreciative tones in his reading of art. It might be (...) more correct to say that the derogatory side is part of a fundamentally ambiguous attitude. It is almost as if Levinas’s radical ethical thinking, the job of which is to tackle totalizing Western thought, should speak in two voices when it comes to the aesthetic and the arts.Most of the commentaries run into, and then set out to resolve this weird situation marked by pejoration and ambiguity in one way or another. This is no easy task to accomplish; there is surely no single way out of this labyrinth. An element of irony is definitely required on the side of the interpreter. Arguably, my text may be no exception in the long line of attempts. In the following, I shall try my hand at these complexities and, similarly to other readers, deal with the contradictory remarks and implied but underdeveloped ideas by putting them into a meaningful framework. Like others before me, I shall do my best to provide a narrative as coherent as possible in which the letter [End Page 1] and the spirit of Levinas are followed and the relevant (phenomenological) aesthetic context is taken into account. In my case, this will mean siding with those interpreters who see a fixed set of problems dominating — that is, a single consistent path winding — in Levinas’s difficult itinerary. In more concrete terms, I shall join the camp of those who show sensitivity to the introduction of the critical act and argue that the shortcomings of the aesthetic are, to some extent, reversed in its recontextualization in human communication.2 Yet, unlike these authors who touch upon the issue of criticism to varying degrees, I shall concentrate fully on placing critical activity in the center of Levinas’s aesthetic thought and thus treating art as an important segment of ethical signification. My focus will be on the reintegration of the disengaged image into reality; I shall try to determine what this development in art implies in Levinas’s ethical phenomenological project. Concerning the particular course of my text, I shall concentrate mostly on the issue of ambiguity and, gradually working my way through it, deal with pejoration at the same time. I shall first analyze what is at stake in this ambiguousness, then attempt to establish its governing logic, only to prepare the ground on which criticism as a way out of the maze can be seen in its entirety.A Real Headache: AmbiguousnessAnyone interested in Levinas’s aesthetic thought arrives at a truly interesting but nebulous field. By nebulousness I primarily mean the overly ambiguous character of Levinas’s position. What Levinas has to say is indeed quite difficult to pin down or, at least, it is highly equivocal: the noise of critique is balanced by the sound of quiet but all the more patent affirmation. In every phase of his thinking there is a suspicion felt toward artistic expression, which may on occasion reach the level of derogation; all this is nevertheless accompanied by clear-cut support. This can be sensed in chance remarks, such as, in “Reality and Its Shadow” — the essay mostly responsible for the bad reputation of [End Page 2] Levinas in aesthetics — where Levinas discusses the plasticity of literary works and mentions a “particularly admirable page” in Proust’s The Captive (RS 10). In spite of the anti-aesthetic logic and philistine-like rhetoric of the essay, the art-loving character of the author — who is beyond a doubt an affectionate reader — is revealed for a second.Remarks like this are quite suggestive with respect to Levinas’s appraisal of the arts—as are many other details of Levinas’s work. Of all these, his apparent knowledge and use of artworks in his... (shrink)

A collection of provocative, in-depth debates between Jurgen Habermas and a wide range of his critics relating to the philosopher's contribution to legal and democratic theory as published in his book BETWEEN FACTS AND NORMS. Essential reading for philosophers, legal scholars, and political and social theorists concerned with understanding the work of one of the leading philosophers of our age.

Martin Paleček and Mark Risjord have recently put forward a critical evaluation of the ontological turn in anthropological theory. According to this philosophically informed theory of ethnographic practice, certain insights of twentieth-century analytic philosophy should play a part in the methodological debates concerning anthropological fieldwork: most importantly, the denial of representationalism and the acceptance of the extended mind thesis. In this paper, I will attempt to evaluate the advantages and potential drawbacks of ontological anthropology—arguing that to become a true alternative (...) to current social scientific thinking about methodology, it has to meet certain philosophical objections. (shrink)

It is hypothesised that threatening stimuli are detected better due to their salience or physical properties. However, these stimuli are typically embedded in a rich context, motivating the question whether threat detection is facilitated via learning of contexts in which threat stimuli appear. To address this question, we presented threatening face targets in new or old spatial configurations consisting of schematic faces and found that detection of threatening targets was faster in old configurations. This indicates that individuals are able to (...) learn regularities within visual contexts and use this contextual information to guide detection of threatening targets. Next, we presented threatening and non-threatening face targets embedded in new or old spatial configurations. Detection of threatening targets was facilitated in old configurations, and this effect was reversed for non-threatening targets. Present findings show that detection of threatening targets is driven not only by stimulus properties as theorised traditionally but also by learning of contexts in which threatening stimuli appear. Further, results show that context learning for threatening targets obstructs context learning for non-threatening targets. Overall, in addition to typically emphasised bottom-up factors, our findings highlight the importance of top-down factors such as context and learning in detection of salient, threatening stimuli. (shrink)

In his highly influential book (The Idea of a Social Science and its Relation to Philosophy, first published in 1958), Peter Winch introduces an alternative concept of interpretive social science, in which the focus is shifted from the actors’ subjective motives to the common elements found in every understandable action: language-games and rule-following. This Wittgensteinian, linguistic version of interpretive social science has had its vast array of critics throughout the years: according to some of them, it neglects the practical side (...) of sociology; while others claim that it fails properly to answer the questions raised by the translation from one language-game to another, or that it renders critical social theory impossible. In my article, I try to reflect critically upon these critiques themselves, showing that the Winchian theory does not overlook the practice in understanding the different forms of life; that with slight modifications it is able to cope with the problem of translation, and that it does not aspire to be the critical theory that many of its critics would like it to be. (shrink)

ABSTRACTIn earlier work we showed that individuals learn the spatial regularities within contexts and use this knowledge to guide detection of threatening targets embedded in these contexts. While it is highly adaptive for humans to use contextual learning to detect threats, it is equally adaptive for individuals to flexibly readjust behaviour when contexts once associated with threatening stimuli begin to be associated with benign stimuli, and vice versa. Here, we presented face targets varying in salience in new or old spatial (...) configurations and changed the target salience halfway through the experiment to examine if contextual learning changes with the change in target salience. Detection of threatening targets was faster in old than new configurations and this learning persisted even after the target changed to non-threatening. However, the same pattern was not seen when the targets changed from non-threatening... (shrink)

The literary relations between the Harlem Renaissance and the Negritude Movement have, we believe, been sufficiently documented. It has been demonstrated that Senghor, Damas and Césaire avidly perused the pages of Crisis, Opportunity and Garvey's Negro World—Journals in which Langston Hughes, Claude Mckay, Countee Cullen and Jean Tommer—the poets of the Harlem Renaissance, first had their poems published. It is equally literary history now, that some of the poems of the Afro-American writers were reprinted in such Parisian Black-oriented journals and (...) little magazines as Les Continents, La Dépêche Africaine, Le Cri des Nègres, La Revue du Monde Noir and Légitime Défense. In this dissemination of ideas across the Atlantic, Paulette Nardal, Edward A. Jones, Louis T. Achille and Mercer Cook played the important role of literary intermediaries through their translations. (shrink)

Blood libels are narratives about Jews and Christians, featuring an accusation that a child or a woman had been kidnapped and assaulted due to religious or economic goals. Blood libel-like narratives, however, are not only found in Judeo-Christian history; they appear in many cultures. Using the framework of Cultural Attraction Theory, the paper considers their evolution, and identifies testable factors of attraction. The paper makes two claims regarding the morphology and the function of these ancient tales. Firstly, narratives about outgroups (...) tend to evolve towards the shape of a blood libel, as it taps into an optimum number of universal cognitive preferences. The correspondence with the evolved features of the mind contributes to the success of the narrative in different cultures and time periods. Secondly, these narratives function as coalition signals. Upon calling ingroup members into action against an outgroup, the blood libel unifies audiences before engaging in exclusionary action. (shrink)

People seem to differ in their visual search performance involving emotionally expressive faces when these expressions are seen on faces of others close to their age compared to faces of non-peers, known as the own-age bias. This study sought to compare search advantages in angry and happy faces detected on faces of adults and children on a pool of children and adults. The goals of this study were to examine the developmental trajectory of expression recognition and examine the development of (...) an OAB. Participants were asked to find a target face displaying an emotional expression among eight neutral faces. Results showed that children and adults found happy faces significantly faster than angry and fearful faces regardless of it being present on the faces of peers or non-peers. Adults responded faster to the faces of peers regardless of the expression. Furthermore, while children detected angry faces significantly faster compared to fearful ones, we found no such difference in adults. In contrast, adults detected all expressions significantly faster when they appeared on the faces of other adults compared to the faces of children. In sum, we found evidence for development in detecting facial expressions and also an age-dependent increase in OAB. We suggest that the happy face could have an advantage in visual processing due to its importance in social situations and its overall higher frequency compared to other emotional expressions. Although we only found some evidence on the OAB, using peer or non-peer faces should be a theoretical consideration of future research because the same emotion displayed on non-peers’ compared to peers’ faces may have different implications and meanings to the perceiver. (shrink)

Relations between literature and phenomenology vary greatly from proximity to distance depending on whether writers or philosophers give the definition. Writers in favour of the mission of phenomenology and phenomenologist relying on the visional power of literary examples can equally have a high regard for the other discipline thereby, nonetheless, preserving the demarcation. In the following, I will try to investigate these connections by debating the viewpoints of authors showing visible signs of appreciation on both sides. My examples are meant (...) to be emblematic in as much as they are to represent a general trend in their field and serve as spokespersons of important stances in relation to the other genre. (shrink)

In ‘Reality and Its Shadow’, Levinas dismisses knowledge as a whole from art. This has deep implications for the ethical. The aesthetic event has nothing to do with the ethical event – art does not seem to hold a place for ethical knowledge. This situation is problematic with respect to the conflicting phenomenological evidence as well as with respect to Levinas himself, who occasionally relies on works of art in his ethical phenomenological analyses. My article aims to fill in the (...) blank spaces by finding a place for the ethical in Levinas’s model of ethical signification in art. To start with, I elaborate on the notion of ethical experience by way of László Tengelyi’s work on time-art and his conversation with Levinas. Next, I turn to Levinas’s portrayal of the insomnia of art, where the traces of such an experience can be located in the ebb and flow of consciousness, in the vicinity of the anonymous event, and on the way to the critical articulation of this event. In the second part of the article, I try to capitalize on this genetic model of ethical knowledge with reference to the faces of art. I attempt to show how in the in-depth experience provided by film faces come alive and signify. Rather than tying them in with the sublime, I argue for a limited yet undeniable presence of exteriority in the faces of the movie. (shrink)