This passage, which is in a way a digression from the main subject of the second book, arboriculture, and stands out from the rest of the poem, is one of the best known of the entire work, chiefly, it would seem, on account of its exquisite beauty, but partly also, no doubt, for the distinctly modern note it strikes; for it can justly be regarded as an early example of a national anthem. As a matter of fact, it has been (...) recognized as such from the dawn of the Renaissance, and Petrarch's famous Salue cara Deo tellus: sanctissima salue: was directly inspired by Vergil's Salue, magna parens frugum, Saturnia tellus, Magna uirum. (shrink)

The genesis of the Greek prose romance is still in large part shrouded in darkness, in spite of the researches of Erwin Rohde, one of the greatest scholars of the last generation. The reasons are evident; the material at our disposal is far too scanty, the loss of early specimens of this literary form is far too great to allow of a flawless reconstruction of the history of the Greek romance. The same lacunae have also prevented us from obtaining as (...) complete an insight into the sources of the extant romances as would be desirable. Rohde conjectured that the genre was the result of a skilful combination of mythological narrative and adventure novel; Warren thought that the Greek prose romance had about the same origin and took the same development as the old French prose romance—that is, it developed out of the epic. At all times scholars have been aware of the fact that the great role which love plays in the Greek romance has a parallel in the tragedies of Euripides, who may be considered the first tragic poet to introduce the love theme on the stage. But so far as I am aware, it has not been pointed out that Euripides was drawn upon for whole episodes in order to enrich the plot of the novel. Yet such seems to have been the case for one of the best-known passages of the Apollonius Romance, as I shall endeavour to show in the following pages. (shrink)

This study examines the impact of Fair Trade on the sustainability of coffee growing. To examine sustainability we use an ethnographic approach, interviewingproducers and their associated buyers working in Fair Trade organizations in Chiapas Mexico. We focus on social, economic and ecological dimensions of the producers’ and buyers’ experience.

This response raises two critical questions about Nico Stehr's article 'Knowledge, Markets and Biotechnology.' First, it examines his claim that in a 'knowledge society' consumers now base their decisions about purchases on more intangible criteria than a product's utility. We demonstrate that this is not unique to a 'knowledge society.' For more than a century Western consumers have been enmeshed in markets where advertisers aim to fashion consumer desires for products by employing strategies that appeal to anything but a product's (...) 'use value.' Second, we address Stehr's claim that in a market undergoing a process of 'moralization,' decisions about consumption occur in a context of epistemological uncertainty caused by proliferating and contradictory information. We propose that such a situation of radical uncertainty in decision-making is not unique to the marketplace, but reflects how most individuals must now relate to almost all scientific claims. The propagation of contested knowledges about any number of scientific truths - which are themselves largely unverifiable by laypeople - means that most individuals must rely on assorted social and cultural considerations when aligning themselves with any scientific knowledge. (shrink)

In this single industry study, the authors examine relationships between forest products companies in Maine and their stakeholders. The research question, why do firms work with stakeholders, is examined from both instrumental and normative perspectives. Specifically, it is hypothesized that stakeholder power and corporate social responsiveness affect the degree to which firms have working relationships with stakeholders. The study found support for the impact of the firm’s perception of stakeholder power on the strength of its relationships with stakeholders. Most notably, (...) it also found support for the firm’s corporate social responsiveness on the strength of its stakeholder relations, indicating that firms do work with stakeholders from both instrumental and normative bases. (shrink)

In 1924The Classical Quarterlypublished a note by Alexander Haggerty Krappe titled ‘Euripides’Alcmaeonand the Apollonius Romance’. Drawing attention to the obscure origins of the ancient Greek and Roman novels in general and pointing out the scholarly agreement on the role love plays in both the ancient novels and Euripidean tragedy, Krappe observed that ‘Euripides was drawn upon for whole episodes in order to enrich the plot of the [ancient] novel’. Krappe then goes on in his note to (...) attribute the plot of Euripides' lostAlcmaeonas a source of inspiration for one of the major episodes of theHistoria Apollonii Regis Tyri. Today, this reliance of the ancient novels on Euripides is generally recognized, but, curiously, Krappe, while identifying an episode from the lostAlcmaeon, failed to identify a clear plot-borrowing from another extant Euripidean play, theAlcestis. (shrink)

Referring to a past that never was, dij vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of dij vu. This provocative book offers a refreshing counterpoint to the clichid celebrations of cultural memory and forces (...) us do a double take on the sanctimonious warnings against forgetting so common in our time. Disturbances of cultural memory-screen memories, false recognitions, premonitions-disrupt the comfort zone of memorial culture: strictly speaking, dij vu is neither a failure of memory nor a form of forgetting. Krapp's analysis of such disturbances in literature, art, and mass media introduces, historicizes, and theorizes what it means to speak of an economy of attention or distraction. Reaching from the early psychoanalytic texts of Sigmund Freud to the plays of Heiner M]ller, this exploration of the effects of dij vu pivots around the work of Walter Benjamin and includes readings of kitsch and aura in Andy Warhol's work, of cinematic violence and certain exaggerated claims about shooting and cutting, of the memorial character of architecture, and of the high expectations raised by the Internet. Peter Krapp, lecturer in the Department of Cultural Studies and Comparative Literature at the University of Minnesota, coedited "Medium Cool," a special issue of the South Atlantic Quarterly on contemporary media theory. He has published in the fields of German studies, media studies, and literary theoryand, since 1995, has acted as editor of the Hydra Web site for theories of literature and media. (shrink)

Epistemology is a branch of philosophy that studies the origin, nature and limits of human knowledge. Contemporary epistemology is a theory of knowledge in terms of reasons, evidence, justification and explanation. This book shows how Anglo-American philosophers captivated by the power of modern science and concomitant advances in logic and mathematics mistook knowledge itself to be reducible to the propositions of science and logic. Ethics, along with metaphysics and religion, were cast off as mere expressions of sentiment at best, or (...) as utter nonsense at worst. Is science the only source of knowledge? Can ethics count as knowledge? Are there kinds of knowledge beyond epistemology? This book develops innovative answers to these and other related questions. (shrink)

The following conjecture is due to Shelah–Hasson: Any infinite strongly NIP field is either real closed, algebraically closed, or admits a non‐trivial definable henselian valuation, in the language of rings. We specialise this conjecture to ordered fields in the language of ordered rings, which leads towards a systematic study of the class of strongly NIP almost real closed fields. As a result, we obtain a complete characterisation of this class.

Considered one of the leading proponents of natural theology in the 20th century, E. L. Mascall (1905–1993) taught philosophy and theology at King’s College London for most of his career. Unlike many of his contemporaries, he insisted that classical theism, embodied in the writings of Augustine and Thomas Aquinas, could be successfully revived for a modern audience. Known for his vigorous defense of neo-Thomism, Mascall offered an unusual interpretation of The Five Ways. While modern scholastics typically read the proofs as (...) syllogistic exercises, Mascall maintained that God’s existence could not be deduced from premises, but must be grasped by means of a unique type of “metaphysical intuition” which he called “contuition.” In my paper, I will re-examine his position, explore his reasons for adopting it, and finally raise several questions concerning its significance for the history of neo-Thomism. (shrink)

An exponential $\exp $ on an ordered field $$. The structure $$ is then called an ordered exponential field. A linearly ordered structure $$ is called o-minimal if every parametrically definable subset of M is a finite union of points and open intervals of M.The main subject of this thesis is the algebraic and model theoretic examination of o-minimal exponential fields $$ whose exponential satisfies the differential equation $\exp ' = \exp $ with initial condition $\exp = 1$. This study (...) is mainly motivated by the Transfer Conjecture, which states as follows:Any o-minimal exponential field $$ whose exponential satisfies the differential equation $\exp ' = \exp $ with initial condition $\exp =1$ is elementarily equivalent to $\mathbb {R}_{\exp }$.Here, $\mathbb {R}_{\exp }$ denotes the real exponential field $$, where $\exp $ denotes the standard exponential $x \mapsto \mathrm {e}^x$ on $\mathbb {R}$. Moreover, elementary equivalence means that any first-order sentence in the language $\mathcal {L}_{\exp } = \{+,-,\cdot,0,1, <,\exp \}$ holds for $$ if and only if it holds for $\mathbb {R}_{\exp }$.The Transfer Conjecture, and thus the study of o-minimal exponential fields, is of particular interest in the light of the decidability of $\mathbb {R}_{\exp }$. To the date, it is not known if $\mathbb {R}_{\exp }$ is decidable, i.e., whether there exists a procedure determining for a given first-order $\mathcal {L}_{\exp }$ -sentence whether it is true or false in $\mathbb {R}_{\exp }$. However, under the assumption of Schanuel’s Conjecture—a famous open conjecture from Transcendental Number Theory—a decision procedure for $\mathbb {R}_{\exp }$ exists. Also a positive answer to the Transfer Conjecture would result in the decidability of $\mathbb {R}_{\exp }$. Thus, we study o-minimal exponential fields with regard to the Transfer Conjecture, Schanuel’s Conjecture, and the decidability question of $\mathbb {R}_{\exp }$.Overall, we shed light on the valuation theoretic invariants of o-minimal exponential fields—the residue field and the value group—with additional induced structure. Moreover, we explore elementary substructures and extensions of o-minimal exponential fields to the maximal ends—the smallest elementary substructures being prime models and the maximal elementary extensions being contained in the surreal numbers. Further, we draw connections to models of Peano Arithmetic, integer parts, density in real closure, definable Henselian valuations, and strongly NIP ordered fields.Parts of this thesis were published in [2–5].Abstract prepared by Lothar Sebastian KrappE-mail: [email protected]: https://d-nb.info/1202012558/34. (shrink)

Kittler was among the first to invite Derrida to lectures in Germany, and to translate Derrida’s texts into German. Yet a cursory tally in his references does not always do justice to what Kittler’s media theory owes to deconstruction. Discourse Networks credits Derrida with a mere ‘rediscovery’ of grammatology, although Wellbery’s foreword labors mightily to identify the deconstructive traits in Kittler’s work. Gramophone, Film, Typewriter reduces The Post Card’s complex networks to an allegation that ‘voice remains the other of typescripts' (...) – as if Kittler had not in fact taken a much more subtle evaluation of hearing oneself speak from Derrida. What happens to the writability and citability of texts if they are sorted into such neat binary distinctions of logical or poetic orientation? What, to Kittler, is the quotability and readability of the body of work titled Derrida? (shrink)

Given a Henselian valuation, we study its definability (with and without parameters) by examining conditions on the value group. We show that any Henselian valuation whose value group is not closed in its divisible hull is definable in the language of rings, using one parameter. Thereby we strengthen known definability results. Moreover, we show that in this case, one parameter is optimal in the sense that one cannot obtain definability without parameters. To this end, we present a construction method for (...) a t-Henselian non-Henselian ordered field elementarily equivalent to a Henselian field with a specified value group. (shrink)

This paper examines some of the background social and institutional practices involved in the production of official statistics about crime and criminal justice. It documents how a host of micropolitical considerations impinge on what studies are conducted, which agencies control official data, and how measures are standardized. The communication of statistical facts is also shown to be influenced by a concern to prospectively manage the political symbolism of popular accounts about crime and criminal justice statistics.

The Great Dialogue of Nature and Space, a reprint edition of a work first published in 1970, is a set of readings in the philosophy of science collected after Simon’s untimely death in 1961. The ten essays comprising the volume include material from a number of sources: the first seven pieces are taken from a lecture course Simon delivered at the University of Chicago in 1960; the eighth and ninth articles appeared originally in European academic journals in the 1930s and (...) 1940s; and the final essay is an abridged version of the introductory chapter to Simon’s Prevoir et Savior. (shrink)

In this paper, we argue for the value of two complementary pedagogical tools for teaching moral emotions: (1) taxonomies and (2) normative case studies. The paper proceeds in four parts. Section One discusses our motivations for teaching moral emotions. Section Two introduces envy as the central example we use to demonstrate the value of developing a scaffolded approach to teaching moral emotions that moves from taxonomy to normative case studies. Specifically, we engage with Sara Protasi’s The Philosophy of Envy (2021). (...) We start by focusing on how an instructor could use Protasi’s taxonomy of envy effectively in the classroom. Then, Section Three engages with Rebecca M. Taylor’s recent work on normative case studies. We build on one of Protasi’s cases to demonstrate how instructors can design normative case studies to speak directly to the experiences of their students and we suggest a sample assignment. Finally, Section Four concludes by reinforcing the complementary relationship between taxonomies and normative case studies for teaching moral emotions. (shrink)

Some critics have not found this answer to be entirely satisfying, and in chapter 3, Lutz again defends MacIntyre against the charge of relativism. To this end, he distinguishes between the relativity that is a perduring “condition of human inquiry” and the philosophical doctrine of relativism, the dogmatic claim that “truth is relative to culture”. Lutz argues that MacIntyre adopts the former position and—unlike his critics—never equates or conflates the rationality of moral judgments with truth itself. Thus, while sensitive to (...) the constraints of relativity, MacIntyre insists that it is the “objectivity of the real” that remains “the telos of moral inquiry”. (shrink)

Background: The regulation of muscle force is a vital aspect of sensorimotor control, requiring intricate neural processes. While neural activity associated with upper extremity force control has been documented, extrapolation to lower extremity force control is limited. Knowledge of how the brain regulates force control for knee extension and flexion may provide insights as to how pathology or intervention impacts central control of movement.Objectives: To develop and implement a neuroimaging-compatible force control paradigm for knee extension and flexion.Methods: A magnetic resonance (...) imaging safe load cell was used in a customized apparatus to quantify force during neuroimaging. Visual biofeedback and a target sinusoidal wave that fluctuated between 0 and 5 N was provided via an MRI-safe virtual reality display. Fifteen right leg dominant female participants completed a knee extension and flexion force matching paradigm during neuroimaging. The force-matching error was calculated based on the difference between the visual target and actual performance. Brain activation patterns were calculated and associated with force-matching error and the difference between quadriceps and hamstring force-matching tasks were evaluated with a mixed-effects model.Results: Knee extension and flexion force-matching tasks increased BOLD signal among cerebellar, sensorimotor, and visual-processing regions. Increased knee extension force-matching error was associated with greater right frontal cortex and left parietal cortex activity and reduced left lingual gyrus activity. Increased knee flexion force-matching error was associated with reduced left frontal and right parietal region activity. Knee flexion force control increased bilateral premotor, secondary somatosensory, and right anterior temporal activity relative to knee extension. The force-matching error was not statistically different between tasks.Conclusion: Lower extremity force control results in unique activation strategies depending on if engaging knee extension or flexion, with knee flexion requiring increased neural activity for the same level of force and no difference in relative error. These fMRI compatible force control paradigms allow precise behavioral quantification of motor performance concurrent with brain activity for lower extremity sensorimotor function and may serve as a method for future research to investigate how pathologies affect lower extremity neuromuscular function. (shrink)

RESUMO Este artigo, um recorte de nossa dissertação de mestrado, tem como objetivo apresentar uma análise da peça A última gravação de Krapp, de Samuel Beckett, a partir de conceitos teóricos provenientes dos escritos do teórico da literatura russo Mikhail Bakhtin, tais como dialogismo, polifonia, cronotopo e grotesco. Com o intuito de problematizar a questão das vozes presentes na peça, de acordo com a estrutura dramatúrgica criada por Samuel Beckett, tais conceitos servirão de suporte para uma reflexão que busque compreender (...) a questão das relações existentes entre Krapp e suas alteridades; os jogos e conflitos desenvolvidos entre as diferentes consciências dos diferentes Krapps presentes no texto a partir da materialidade de suas gravações; a questão do espaço-tempo proposto por Beckett na peça; bem como a caracterização grotesca de Krapp e sua relação com a gênese do personagem, dentro do que denominamos, em nossa pesquisa, de poética do fracasso. Este trabalho foi originalmente apresentado como parte de nossa dissertação de mestrado1. ABSTRACT This article aims to present an analysis of Samuel Beckett’s Krapp’s Last Tape, based on theoretical concepts from the writings of Russian literature theorist Mikhail Bakhtin, such as dialogism, polyphony, chronotope and grotesque in order to investigate the voices present in the play, according to the dramaturgical structure created by Samuel Beckett. Such concepts will serve as a support for a reflection that seeks to understand the relations between Krapp and his alterities as well as the games and conflicts developed through the different selves of the different Krapps present in the text, sprung from the materiality of his recordings. It will focus on the space-time question proposed by Beckett in the play, as well as the grotesque characterization of Krapp and its relation to the genesis of the character, within what we call in our research of poetics of failure. This work was originally presented as part of our master’s thesis.1. (shrink)

Commissioned by the Haggerty Museum of Art at Marquette University to create an artwork reflecting on the importance of freshwater, Milwaukee-based photographer Kevin J. Miyazaki embarked on a two-week, 1,800-mile drive around Lake Michigan. He traveled its perimeter, through Wisconsin, Illinois, Indiana, and Michigan, to produce what he calls “a contemporary portrait of Lake Michigan.” Miyazaki set up his portable studio on beaches, in parks, on boat docks, and in backyards, photographing those he met along the way. From residents, (...) environmental scientists, and artists to a Native American water rights advocate, surfers, and commercial fishermen, Lake Michigan holds a powerful place in the life of each. Many shared their thoughts with him on why this body of water is important to all. Miyazaki also photographed the water as he went, creating waterscapes of the ever-changing lake affected by weather and time. Perimeter gathers these images together, creating a diverse portrait of both people and a place, encapsulating Lake Michigan’s significance to those who are drawn to it. (shrink)

Catalog of an exhibition at the Patrick and Beatrice Haggerty Museum of Art, April 19-July 28, 1996.

Introduction by Ralph McInerny The essays in this volume, indebted in great part to Jacques Maritain and to other Neo-Thomists, represent a contribution to an understanding of beauty and the arts within the Aristotelian-Thomistic tradition. As such they constitute a different voice in present-day discussions on beauty and aesthetics, a voice which nonetheless shares with many of its contemporaries concern over questions such as the relationship between beauty and morality, public funding of the arts and their educational role, objective and (...) universal standards of what is beautiful. In the tradition in which the contributors of this volume reflect, beauty manifests itself in the order of the universe, an order that provides human reason with a window onto the transcendent. For Aristotle and Aquinas the natural order grounds both art and morality, and yet it is this very order which has been called into question by modern science and philosophy. Instead of pointing us to a suprahuman order, the beautiful then points to the order of human freedom and creativity. Reflection on the beautiful since the modern philosopher Immanuel Kant has thus often taken a subjectivistic turn. Because of the importance of beauty and art in human existence, in man's education and life as a moral and political being, an alternative should be sought to any reduction of the beautiful to a purely subjective experience or cultural construct. The Aristotelian-Thomistic tradition, in dialogue with modern and contemporary conceptions of the beautiful, provides us with just that alternative, and thus the essays herein represent a decisive step in the "journey for Thomistic aesthetics." THE CONTRIBUTORS: In addition to the editor, the contributors to the volume are: Brian J. Braman, Matthew Cuddeback, Christopher M. Cullen, S.J., Patrick Downey, Desmond J. FitzGerald, Donald Haggerty, Wayne H. Harter, Jeanne M. Heffernan, Thomas S. Hibbs, Gregory J. Kerr, Joseph W. Koterski, S.J., Daniel McInerny, Ralph McInerny, James P. Mesa, John F. Morris, Ralph Nelson, Katherine Anne Osenga, Carrie Rehak, Stephen Schloesser, S.J., Francis Slade, John G. Trapani, Jr., and Henk E. S. Woldring. ABOUT THE EDITOR: Alice Ramos is associate professor of philosophy at St. John's University. (shrink)

It is in the formal procedures and their rigorous logic, not in any contingent eventuality in Beckett’s life or acts, humanly fascinating as they may be, that we must look for the political, ethical, and even aesthetic implications of his oeuvre. Politics is above all the domain of expression and of representation, undergirded alike by the notion of an integral voice that gives utterance (outerance) to an inward essence, whether conceived as interest or identity. Neither what he experienced nor what (...) he expresses gives us a way into the political and ethical implications of Beckett’s forms. Beckett takes the famous “formality” of bourgeois freedoms at their word, evacuating both freedom and duty of any content and reducing progress and development to the single, recurring word “on.” Likewise, the bodiless voice that imprints Beckett’s plays from Krapp on is not the guarantor of the fullness of the subject in its Mundigkeit, finding authentic expression of its inner essence in its utterance, but the manifestation of the lacuna inscribed by the “suffering of being” in the state-oriented formation of an ethical-political subject through aesthetic culture. The little syllable “on” that echoes though his work from Godot to Worstward Ho, which could be mistaken for a categorical imperative, nonetheless does not interpellate its auditor as ethical Subject; rather, it insists on bringing the subject face to face with its own thingliness, a thing for the thing that is this unowned voice buzzing in the ear. (shrink)

I have conducted a similar investigation on a text by a different author. The results of this investigation, which was performed on a text passage of 100,000 letters, are presented in the following tables from which one can see how and to what extent the limit theorems of the calculus of probability actually become evident.

‘Torture porn’ films centre on themes of abduction, imprisonment and suffering. Within the subgenre, protagonists are typically placed under relentless surveillance by their captors. CCTV features in more than 45 contemporary torture-themed films (including Captivity, Hunger, and Torture Room). Security cameras signify a bridging point between the captors’ ability to observe and to control their prey. Founded on power-imbalance, torture porn’s prison-spaces are panoptical. Despite failing to encapsulate contemporary surveillance’s complexities (see Haggerty, 2011), the panopticon remains a dominant paradigm (...) within surveillance studies because it captures essential truths about the psychologies of self-governance and interdependency. This chapter will use torture porn’s panoptical spaces and captor-captive relationships as a springboard into examining those broader philosophical issues regarding selfhood. In the torture-space, cameras signify the control to which captives must submit. Since they are threatened with death, the surveillance dynamic appears to entirely subjugate these prisoners. However, the captive must undertake some agency in the oppression. Much of the captor’s implied threat is enacted by the captives, who brutalise one another to save themselves. The captor’s apparent omniscience is translated into omnipotence only because the captives forsake self-control – opting to engage in violent, contra-social behaviours – out of fear. Thus, it is implied that self-ownership is the bedrock of stable, interdependent sociality. To inspire horror, the opposite is depicted: fractured groups comprised of paranoid, self-invested individuals. By submitting to external pressure, these “weak” individuals empower their tormentor. Captives are not only encouraged to enact their own suppression, but also to internalise culpability for the suffering they undergo. Despite being threatened with erasure, torture porn’s protagonists are spotlighted in these films. Abductees dominate the screen-time, and their suffering drives the narrative forward. Torturers are often motivated solely by their victims’ agony. In many cases, torture is designed specifically for each hyper-individualised captive. These forms of emphasis imply that captives are the stimulus for their own victimisation. The captor’s exaggerated interest in the prisoners is perversely flattering: captives are implied to be worthy of the captor’s maniacal attention, which is reified by the CCTV cameras. In torture porn’s scenarios, it is not immediately clear who has greater control over the individual: the captor or the captive themselves. By dissecting how self-preservation, self-governance, and self-centredness manifest in torture porn, this chapter seeks to examine the dialectical qualities of liberty, interdependency and autonomy. (shrink)

We investigate to what extent theorems about quantum mechanical or classical entropy can be generalized to functionals of the type ρ→Tr f(ρ), or ψ→∫f(ψ)dμ, respectively, wheref is an arbitrary concave function.

Presentation of the thesis that Kumāril Bhaṭṭa and Dharmakīrti, 7th cent., Sanskrit philosophers, were Assamese by birth, contrary to the traditional belief that they are from South India.