This chapter contains sections titled: The School in the Garden Prehistory and the Rise of Cities The Locus Amoenus and the Origins of Agriculture Diogenes of Oinoanda and the Future Epicurean Golden Age Notes.

The legacy of Nisbett and Wilson’s classic article, Telling More Than We Can Know: Verbal Reports on Mental Processes , is mixed. It is perhaps the most cited article in the recent history of consciousness studies, yet no empirical research program currently exists that continues the work presented in the article. To remedy this, we have introduced an experimental paradigm we call choice blindness [Johansson, P., Hall, L., Sikström, S., & Olsson, A. . Failure to detect mismatches between (...) intention and outcome in a simple decision task. Science, 310, 116–119.]. In the choice blindness paradigm participants fail to notice mismatches between their intended choice and the outcome they are presented with, while nevertheless offering introspectively derived reasons for why they chose the way they did. In this article, we use word-frequency and latent semantic analysis to investigate a corpus of introspective reports collected within the choice blindness paradigm. We contrast the introspective reasons given in non-manipulated vs. manipulated trials, but find very few differences between these two groups of reports. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Social Evasion and Aristocratic Manners in Cicero’s De OratoreJon HallThe importance of Cicero’s De oratore as a source for Roman aristocratic manners has long been recognized. In particular, the participants in the dialogue have often been regarded as providing a model of the sophisticated ideal of humanitas and its associated qualities. 1 The aim of the present paper is likewise to examine Cicero’s portrayal of Roman manners, but from (...) a rather different point of view. The traditional emphasis on humanitas has one important shortcoming: it encourages us to view the characters as idealized, and consequently rather remote from the social realities of Cicero’s day. In what follows, I would like to suggest that De oratore, despite the element of idealization that is undeniably present, also depicts many of the practical problems of everyday aristocratic interaction with which Cicero himself was well acquainted. And, moreover, that in his depiction of these problems, Cicero successfully captures the real flavor of Roman manners. Such an approach to the work helps to shed light both on the intricacies of Roman behavior and on Cicero’s artistic achievement in the dialogue.The method adopted in the following discussion is a simple but hopefully enlightening one. We shall begin with Cicero’s portrayal of social manners in several scenes from De oratore itself, and then move on to consider how these fictional episodes compare with certain real-life situations that come to light in his correspondence. The similarities that arise will demonstrate that his literary portrayal in the dialogue is much more than an idealized fiction.The Theme of Evasion in De OratoreThe main focus of our discussion is the theme of evasion that runs throughout the first two books of De oratore. On repeated occasions L. Crassus is depicted as trying to sidestep the suggestion that he take part in a disputatio on the subject of oratory. The more his guests at Tusculum [End Page 95] urge him to speak, the more determinedly, it seems, he tries to evade the obligation. Indeed, there are some nine conversational exchanges where such attempts at evasion arise. On several occasions in Book 1 Scaevola, Sulpicius and Cotta have to cajole him to make some contribution (1.96–107, 1.133–34, 1.160–65, 1.205–7), while in Book 2 Antonius and Catulus repeatedly attempt the same task (2.13–27, 2.121–28, 2.233–34, 2.350–51, 2.361–67). 2This theme reveals much about Roman attitudes to the evasion and imposition of social obligations. The central place in Roman life of such obligations (or officia) has of course been much discussed, but surprisingly little has been said about how they were invoked or avoided. 3 The issue at stake in De oratore is hardly one of high ethical importance. Nevertheless, it involves complex social expectations. The great advantage of De oratore over non-dramatic treatises such as De officiis is that its depiction of Roman aristocrats in conversation offers direct evidence for the strategies that such men developed in order to ease the tensions that inevitably arise in social interaction.Before we explore this aspect of the theme, however, it is important to note that Cicero has several reasons for portraying Crassus as reluctant to take part in the discussion. One aim, as the most recent commentators astutely note, is to counteract the conventional Roman suspicion of philosophical debate. 4 Since such discourses were regarded as typically Greek, Crassus’ reluctance is intended to distinguish him from the more loquacious, tongue-wagging Greekling. There is a certain sleight of hand in all this, of course. Cicero ultimately intends for Crassus to embark in Book 3 upon an extensive and sophisticated analysis of oratorical style, including an emphatic plea for a synthesis of oratory and philosophy. But the character’s initial resistance goes some way to disarming the cultural prejudices of the Roman reader. In what seems to have been the Latin language’s first literary dialogue, Cicero wants to [End Page 96] suggest that Roman aristocrats do not engage in earnest theoretical discussion in the same way as the Greeks. 5Crassus’ evasion also functions as... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ethics and the Elderly: The Challenge of Long-Term Care by Sarah M. Moses, and: Loving Later Life: An Ethics of Aging by Frits de LangeDolores L. ChristieEthics and the Elderly: The Challenge of Long-Term Care Sarah M. Moses maryknoll, ny: orbis, 2015. 206 pp. $38.00Loving Later Life: An Ethics of Aging Frits de Lange grand rapids, mi: eerdmans, 2015. 169 pp. $19.00Today many women and men live beyond (...) the so-called third age of life and enter their eighties, the "fourth age," during which the toll of time and the growing incidence of life-limiting conditions wear down even the best-preserved of the human species. Debilitating disease and normal ebbing of human function become more concentrated in this demographic bubble. As people enter their eighties, their world tends to narrow both physically and mentally, creating a need for increasing care. Often the elderly are rendered passive and dependent, forced to cede both autonomy and dignity. They become objects with little voice, requiring greater care and increasing cash. Likewise, as the baby boom generation enters this group, those living in the fourth age make up an increasing percentage of the population. Additionally, modern models of care for the elderly, often based on efficiency and cost-effectiveness, tend to erode their human dignity. Together these factors demonstrate a growing moral problem.What to do? These two books provide valuable road maps for how to proceed. They detail the reality and moral urgency of the situation. Both offer principles from philosophical and religious traditions that outline a good moral model: one of care, compassion, dignity, and community. They draw insights from Augustine and Thomas Aquinas, Karl Barth, and Dietrich Bonhoeffer, among [End Page 214] others. Both reference the Western biblical tradition, which honors the elderly even in the face of their limitations.Although the authors offer wise and thoughtful suggestions to address this growing moral crisis, they approach the serious moral issue very differently. Sarah Moses outlines a compelling case for a new interventional model for elderly living. While her book plays some muted chords that hint at "dissertation," the melody it conveys is strikingly forte and well worth the read.She presents two concrete examples of what good interaction with the elderly might look like. One draws from the international intentional outreach and residential community (the Community of Sant'Egidio), the other is a brick-and-mortar model (the Green House Project). Using both biblical paradigms and church teaching over the centuries, Moses makes the case for treating all persons with dignity and promoting their involvement in decision making as much as possible. The scriptural message she highlights—both our duty to the elderly and the "disappointment and depression" (105) of growing old—is particularly compelling.In her examples of good long-term care, community development is important. In the Sant'Egidio model, volunteers share a common life "through gathering for prayer and various outreach services to the poor" (39). There is motivation to support elderly in their own homes, but the project promotes small, family-like resident facilities when this is not possible. The physical place is less emphasized than the relationship among various age and economic groups.The Green House Project is based in a new vision of homes for the challenged elderly. Results of the project show that not only did staff remain in their jobs longer (nursing home employment turnover is extensive) but visitation by family members increased. Even such a simple thing as a different physical model for the actual building—replacing long halls and routinization with a more home-like environment—has positive results.Moses calls on leadership in church and community to educate, to designate funds for elder care, and to look beyond the caring and the construction of good facilities. She notes how important it is to work politically to change attitudes and actions.She sees care for all dependent people as a responsibility of both the church community and society in general. This includes fostering awareness, encouraging ongoing participation of the elderly in life—including church life—and allocating public resources. Bottom line: she calls for smaller institutions, meaningful opportunities for the... (shrink)

Guillaume St-Laurent | : Dans ses récentes méditations philosophiques, Claude Romano soutient non seulement que la phénoménologie ne devrait plus être cartésienne, mais qu’elle ne peut plus l’être, car un doute universel serait lui-même foncièrement absurde du point de vue phénoménologique. L’objectif du présent essai est de contester qu’une telle réfutation phénoménologique du cartésianisme soit possible. En ce sens, nous soutiendrons que les arguments anti-sceptiques de Romano s’avèrent insuffisants parce que le doute hyperbolique est une possibilité de pensée qui, bien (...) que spéculative, demeure à la fois intelligible et plus radicale que toute description d’essence ou « réduction eidétique ». | : In his recent philosophical contributions, French phenomenologist Claude Romano maintained not only that phenomenology should not be Cartesian, but that it cannot be Cartesian because the very idea of a universal doubt would be utterly absurd from a phenomenological perspective. Our objective is to show that such a phenomenological refutation of Cartesianism is impossible. After reviewing the two main anti-skeptical arguments propounded by Romano, we will support a simple critical thesis : the hyperbolical doubt is an irreducible possibility of thought which, although “speculative,” remains nevertheless actual and more radical than any phenomenological description. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:On Dialogue: An Essay in Free ThoughtMichael L. HallOn Dialogue: An Essay in Free Thought, by Robert Grudin; ix & 228 pp. New York: Houghton Mifflin Company, 1996, $23.95.In the fifth chapter of his recent book Robert Grudin touched on a question that had been vexing me since I began reading On Dialogue: An Essay in Free Thought. There, amongst his ruminations on the “Social Channels of Free (...) Thought,” Grudin recalls a luncheon celebration for his first trade book during [End Page 181] which one of the executives asked him: “Where in the bookstore would you display this book for sale?” In the four years it had taken him to write the book, Grudin had not given that question a moment’s thought. But it startled him into the realization that books are commodities that must be marketed; as a result he found himself confronting a powerful truth, “that money, like water, flows in channels, and that projects that ignore these channels are likely to come up dry.” More to the point: “These market channels give the American book industry, and hence current American literature, their overall shape. They largely dictate what will be written and read and what will not” (pp. 82–83).Grudin had not only anticipated my question, his response was a practical demonstration of the need for dialogic thinking, for a greater array of choices, questions and answers. I had been looking at On Dialogue from a kind of market perspective, or worse, an academic market perspective. Was it philosophy? Was it literature? Was it both, or neither? I was following the same familiar channels, but Grudin was telling me, quite explicitly, that my approach was unnecessarily limiting. Were I to employ, instead, the method of Renaissance copia that Grudin recommends as a propaedeutic to dialogic thinking, I would quickly discover that On Dialogue is certainly philosophy, and literary criticism, and that it partakes of the history of ideas, dabbles in personal memoir, and takes up theories of interpretation, and education, and creative writing, as well as various forms of psychotherapy, journalism, political theory, and economics.Grudin is obviously at home in the realm of literary criticism. His deft uses of Shakespeare’s Hamlet and of Henry James’s Daisy Miller advance his discussion of dialogic thinking, while at the same time offering focused interpretations of these works. And his examination of the Renaissance rhetorical practice of copia provides a stunning example of the way Grudin grounds his presentations in history and makes connections to other disciplines, thus extending the reach of his arguments. For instance, his reading of Plato’s Parmenides as a “Dialogue of the One and the Many” transforms Plato from an advocate of dialectic to a practitioner of dialogue: “The deep message of Plato’s Parmenides is that wholeness and fragmentation—the One and the Many—are valuable only as joint parameters. They cannot be objects of choice, because they are the nature of choice: they establish the playing field on which choices can be made” (p. 191).If all this makes On Dialogue sound like a congeries, in some respects it is, except that the force of Grudin’s discussion of “dialogic thinking” carries through the entire book and makes the whole cohere in a way that satisfies even when some of the parts occasionally begin to bewilder. His title may call to mind the 1980s literary critical trend spun off by the English translation of Mikhail Bakhtin’s The Dialogic Imagination (1981), but Grudin’s notions about dialogue are grounded more in Plato, Martin Buber and Hans-Georg Gadamer than in Bakhtin. His sense of dialogue is personal and transformative as much [End Page 182] as it is critical and interpretive. In fact, Grudin’s subtitle is no throwaway. His dialogic demonstrations, as they find their literary form, are the offspring of Michel de Montaigne’s Essays, as well as being firmly grounded in the writing of other Renaissance humanists such as Erasmus and Rabelais. In a book as multifarious as this, there will be many interesting (and a few not so interesting) loose ends. Grudin acknowledges this in chapters that sometimes end with a... (shrink)

The focus of these remarks is on the impact that Personal Knowledge and Philosophical Investigations had in shaping Bill Poteat’s philosophical voice. Of the two works, I claim that, for good or ill, it was Personal Knowledge that had the more profound influence on Poteat. Of course, both sources had profound influence. What makes Personal Knowledge more profound is that his use of it, at least in those early years, was more indirect than his direct and (...) explicit use of Wittgenstein’s ideas. Following Bill’s lead, there is much that Polanyians can learn from Wittgenstein and vice versa. (shrink)

The Bishop of Questoriana has recently asked for a pontifical document ‘furnishing a doctrinal foundation of love and respect for life existing on the earth’. Mainstream moralists have urged, since the Axial Era, that it is human life that most demands love and respect. We realize and perfect our own humanity by recognizing humanity in every other, of whatever creed or race. Realizing that biological species are not natural kinds, more recent moralists have hoped to found moral decency either (...) on a respect for ‘rationality’ which excludes many of our conspecifics, or on simple loyalty to our immediate kin. Neither option is without its costs, and Catholic moralists in particular have often been suspicious of a morality that seems to lead to contempt for ordinary human life. Neither advocacy of ‘animal rights’ nor utilitarian calculation of animal pains and pleasures sit well with a traditional Catholic morality. Conversely, many of those who defend traditional practices such as hunting, farming or goading animals to fight, themselves suppose that ‘human’ and ‘animals’ may sometimes inhabit the same moral universe, that there are virtues that both may display in ‘noble action’. Developing this thought, it is possible to locate decency elsewhere than in an over-intellectual respect for ‘reason’. Decent treatment of animals (as of others) is that form of life which lets us live together ‘humanely’, in appreciation of the actual beings they are. Virtue, as Aristotle argued, lies less in acting nobly than in appreciating nobility. Those who claim to appreciate such nobility in beasts must learn to live humanely. (shrink)

The focus of these remarks is on the impact that Personal Knowledge and Philosophical Investigations had in shaping Bill Poteat’s philosophical voice. Of the two works, I claim that, for good or ill, it was Personal Knowledge that had the more profound influence on Poteat. Of course, both sources had profound influence. What makes Personal Knowledge more profound is that his use of it, at least in those early years, was more indirect than his direct and (...) explicit use of Wittgenstein’s ideas. Following Bill’s lead, there is much that Polanyians can learn from Wittgenstein and vice versa. (shrink)

Composed more than 2,000 years ago during a turbulent period of Chinese history, the Dao de jing set forth an alternative vision of reality in a world torn apart by violence and betrayal. Daoism, as this subtle but enduring philosophy came to be known, offers a comprehensive view of experience grounded in a full understanding of the wonders hidden in the ordinary. Now in this luminous new translation, based on the recently discovered ancient bamboo scrolls, China scholars Roger (...) T. Ames and David L. Hall bring the timeless wisdom of the Dao de jing into our contemporary world. Though attributed to Laozi, “the Old Master,” the Dao de jing is, in fact, of unknown authorship and may well have originated in an oral tradition four hundred years before the time of Christ. Eschewing philosophical dogma, the Dao de jing set forth a series of maxims that outlined a new perspective on reality and invited readers to embark on a regimen of self-cultivation. In the Daoist world view, each particular element in our experience sends out an endless series of ripples throughout the cosmos. The unstated goal of the Dao de jing is self-transformation–the attainment of personal excellence that flows from the world and back into it. Responding to the teachings of Confucius, the Dao de jing revitalizes moral behavior by recommending a spontaneity made possible by the cultivated “habits” of the individual. In this elegant volume, Ames and Hall feature the original Chinese texts of the Dao de jing and translate them into crisp, chiseled English that reads like poetry. Each of the eighty-one brief chapters is followed by clear, thought-provoking commentary exploring the layers of meaning in the text. The book’s extensive introduction is a model of accessible scholarship in which Ames and Hall consider the origin of the text, place the emergence of Daoist philosophy in its historical and political context, and outline its central tenets. The Dao de jing is a work of timeless wisdom and beauty, as vital today as it was in ancient China. This new version will stand as both a compelling introduction to the complexities of Daoist thought and as the classic modern English translation. (shrink)

Stefanie Buchenau | : Johann Georg Sulzer participe d’une tradition allemande et wolffienne qui conjugue réflexion épistémologique et esthétique. L’originalité de Sulzer au sein de cette tradition consiste à développer un nouveau modèle de la connaissance comme contemplation. Selon ce modèle spéculatif qui emprunte des éléments à l’esthétique de Du Bos, la distance et l’extériorité du spectateur par rapport à son objet est loin d’être le réquisit d’une bonne vision. Celle-ci dépend tout au contraire de l’appartenance du spectateur au monde (...) qu’il contemple, de sa réceptivité, de sa sensibilité et de son humanité. Car l’âme ne peut déployer son activité de pensée qu’à condition de s’attacher d’abord à son objet : un tel attachement est la condition de son détachement. La mise en place de ce nouveau modèle spéculatif répond à l’injonction de Mérian qui est de repenser la conscience ou l’aperception à partir d’un sentiment a posteriori. Car « l’oeil ne se voit pas voir », et l’aperception primitive, cet acte par lequel l’esprit se pense, lui échappe. Il éprouve néanmoins des sentiments — de plaisir et de déplaisir — qui le contraignent à faire retour sur lui-même et sur son état d’être affecté ; des sentiments dont Sulzer considère qu’ils ancrent sa connaissance dans la réalité et lui permettent de la rapporter à soi-même. C’est ainsi qu’au fil des mémoires académiques des années 1750 à 1770, Sulzer élabore une nouvelle conception tripartite des facultés, et une distinction entre domaines théorique et pratique qui marquera la philosophie de Kant. Ce débat au sein de l’Académie berlinoise au sujet de la connaissance de soi donne une nouvelle orientation anthropologique à la philosophie allemande de la seconde moitié du xviiie siècle. | : Johann Georg Sulzer belongs to a German and Wolffian tradition that closely associates theory of knowledge and aesthetics. Sulzer’s originality within this tradition consists in introducing a new model of contemplation. This model borrows elements from Du Bos and leads him to revise the traditional paradigms of cognition and self-cognition : more than the spectator’s distance and exteriority to her object, good vision requires her involvement and inclusion into the world she contemplates, that is her receptivity, sensibility and humanity. For her soul cannot unfold its activity unless it is attached to its object. Such attachment is the condition of its detachment. Sulzer elaborates his model of speculation in response to issues recently raised by his colleague Merian within the Berlin academy. Merian had emphasized the necessity to rethink consciousness or apperception on the basis of some posteriori feeling. For “the eye does not see itself seeing” and the primitive apperception, the act of thinking itself, necessarily escapes the soul’s aperception : it nonetheless has feelings — of pleasure and displeasure — which make the soul reflect on itself and its state of affection ; For Sulzer, these feelings are what grounds knowledge in reality and establishes a relation to the self. In his writings from the 1750’ies to the 1770’ies Sulzer develops these insights and elaborates a new division of faculties and of the theoretical vs. practical that will shape Kant’s psychology and philosophy. This debate within the Berlin academy confers a new anthropological orientation to the German philosophy of the second 18th century. (shrink)

The focus of these remarks is on the impact that Personal Knowledge and Philosophical Investigations had in shaping Bill Poteat’s philosophical voice. Of the two works, I claim that, for good or ill, it was Personal Knowledge that had the more profound influence on Poteat. Of course, both sources had profound influence. What makes Personal Knowledge more profound is that his use of it, at least in those early years, was more indirect than his direct and (...) explicit use of Wittgenstein’s ideas. Following Bill’s lead, there is much thatPolanyians can learn from Wittgenstein and vice versa. (shrink)

The focus of these remarks is on the impact that Personal Knowledge and Philosophical Investigations had in shaping Bill Poteat’s philosophical voice. Of the two works, I claim that, for good or ill, it was Personal Knowledge that had the more profound influence on Poteat. Of course, both sources had profound influence. What makes Personal Knowledge more profound is that his use of it, at least in those early years, was more indirect than his direct and (...) explicit use of Wittgenstein’s ideas. Following Bill’s lead, there is much that Polanyians can learn from Wittgenstein and vice versa. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Virgil and the ModernsMichael L. HallVirgil and the Moderns, by Theodore Ziolkowski; xv & 274 pp. Princeton: Princeton University Press, 1993, $35.00.Theodore Ziolkowski’s Virgil and the Moderns is a wonderful book. Everyone interested in modern literature and the western cultural heritage should read it. Ziolkowski does much more than tell us about Virgil and his influence on modern authors and readers; he traces the Latin poet’s (...) appeal from the nineteenth century forward, focusing on different national trends and responses to the Roman past. His book is a veritable education in modern literature and cultural history.In the introductory chapter Ziolkowski situates Virgil in the twentieth century, with references to the Virgilian epigraph on the title page of Freud’s The Interpretation of Dreams (1900) and the Virgilian motto to the first volume of Toynbee’s A Study of History (1934). Ziolkowski concentrates attention, in fact, on the appeal to Roman history in many early twentieth-century historians, and he explores the various European and American reactions to the bimillennial celebrations in 1930 of Virgil’s birth. Like the Bible, the Roman past seems to speak directly to a great variety of points of view: “Roman history, properly comprehended in its broad outlines, is and remains the best teacher not only for today, but indeed for all times”; thus opined the author of Mein Kampf.Ziolkowski’s second chapter, “The Ideological Lives,” begins by observing that “every biography is ideological” and quoting Duane Reed Stuart’s comment that “Every age has tended to fashion a Virgil after its own image.” Ziolkowski tests this proposition against the many “modern” biographies of Virgil that appeared in the nineteenth and twentieth centuries, especially during the bimillennial celebrations. In Italy he finds Virgil described as “a Latin nationalist with conservative messages for the present on government and agriculture”; in France he discovers “a protofascist emerging from the bohemian life of the rive gauche of ancient Rome”; in Germany he encounters “an agrarian anima naturaliter christiana destined to become Father of the West in opposition to the rise of Nazism”; and in Latin America he sees that Virgil has become “an apostle of peace among the pagans with the providential mission to serve the generations as a pedagogue for Christ.”In the five chapters that follow, Ziolkowski shows that these various versions of Virgil’s life and influence resulted in a similar diversity of literary manifestations. In Europe, each country found a Virgil suited to its own preoccupations and prejudices. A rich and indeed overwhelming curriculum in modern literature could be constructed from the authors and texts Ziolkowski discusses in these brief surveys of works influenced by Virgil’s poetry. But although he is a deft literary critic, Ziolkowski goes further, to trace biographical and cultural influences. We discover, for example, that Gide was obsessed with the Eclogues, that it was the Georgics that Mr. Carmichael “liked to lie awake a little reading” in Woolf’s To the Lighthouse, and that Joe Paterno’s first and most enduring hero [End Page 175] was Virgil’s Aeneas, “to whom he was introduced by his high school Latin teacher at Brooklyn Prep.”I confess that my favorite parts of the book were the chapters on Virgil in Britain and the “New World.” I thought I was a pretty good student of the classics and of British and American literature, but I am ashamed to admit how much I learned from Ziolkowski’s discussions of Virgil’s influence on Virginia Woolf, T. S. Eliot, and Cyril Connolly, on Willa Cather and Robert Frost, on Archibald MacLeish, Allen Tate, and Robert Lowell. Ziolkowski is a treasure, and he has given us a rare treat in this very thoughtful study of the way our cultural inheritance is passed on and reaffirmed. As he himself remarks in the book’s final sentences on the ties that bind us to Virgil and our common past: “This reaffirmation, attained at the cost of great spiritual engagement by our intellectual predecessors, we neglect today at our peril.”Michael L. HallAlexandria, VirginiaCopyright © 1995 The Johns Hopkins University Press... (shrink)

The demon is, in the thinker,s words, "supremely powerful and clever", and it is only the combination of these two traits with the demon's incessant deception that empowers Descartes to stage the radical doubt that will terminate in his attempted proofs of God and the material world. The reason the demon is necessary is that the thinker cannot prove that it would be wrong for God to allow us to be deceived occasionally. Thus, Descartes needed, methodologically and rhetorically, something (...) class='Hi'>more than just an imperfect God or a lack of God altogether; he needed a being with exactly as much power as God but without God's goodness. In short, one should utilize philosophy for the everyday analogue to lucid dreaming. For those unfamiliar with the phenomenon, lucid dreaming involves training oneself, by a simple concentration exercise performed before falling asleep, to be able to become conscious of being in a dream while still in it and without thereby ending it. (shrink)

Si loin que l’on puisse mener la description des comportements religieux des humains, l’analyse des comment et leurs attitudes ne répond pas toujours à la question du pourquoi. C’est dans ce double contexte pluraliste que se pose la question du juste sens à donner au concept de religion. Car l’expérience quotidienne des médias, comme de la lecture d’ouvrages philosophiques, apologétiques, théologiques et autres, révèle que des mots comme religion, divin, sacré, sont lestés de sens multiples et souvent contradictoires. Il paraît (...) donc indispensable de préciser les notions que nous utilisons dans l’analyse du fait religieux, et de prendre en compte le lieu où se situe le discours : histoire, sociologie, philosophie, théologie. Car plus les voies sont multiples pour appréhender le religieux, plus il faut préciser les mots et la chose : toutes exigences auxquelles se soumet Michel Meslin.As far back as we can take the description of the religious behavior of human beings, the analysis of the how and their attitudes does not always answer the question of why. It is in this twofold context that the question arises of the exact meaning to be given to the concept of religion. The daily experience of the media, as well as the reading of philosophical, apologetic, theological, and others works, reveal that words like religion, divine, and sacred, are weighed down by multiple and often contradictory meanings. Thus, it appears indispensable to specify the notions that we use in the analysis of the religious fact, and to take into consideration where the discourse is situated: history, sociology, philosophy, or theology. The more ways there are to grasp the religious phenomenon, the more precise we must be in the words we use about it, requirements with which Michel Meslin has rigorously complied. (shrink)

Miroir, miroir de mes désirsAu seuil de la réversibilité, la libido ardente des imagesEn parcourant les perspectives de Lacan, Merleau-Ponty et Deleuze, je me propose de montrer comment l’image – une image dont le rôle, depuis Platon, a été réduit par la métaphysique occidentale à celui de simple copie – rend possible une pensée nouvelle non dualiste, une pensée ouverte par le désir, c’est-à-dire par ce qui dépasse tout dualisme simpliste et qui trouve dans l’image sa voie privilégiée.L’image du (...) miroir – considérée par le platonisme comme le simulacre par excellence, comme l’emblème de la copie déformante et trompeuse d’un modèle originaire harmonieux – donne à voir bien plus qu’elle ne nous montre : comme Lacan le remarquait dans son célèbre essai de 1949, devant le miroir, nous nous découvrons, comme les enfants, sujets du monde, mais aussi, inévitablement, sujets au monde. Le «je» – dont nous sommes in-formés par l’image du miroir – s’abîme, par cette même image, dans les l’inquiétante étrangété de l’autre, et par suite dans les gorges insondables de son désir. Si l’image du miroir nous permet d’embrasser la totalité de notre corps et d’apprécier en un regard notre statut de sujet, ce regard nous est toutefois restitué – aveugle et insistant – sous la forme d’un objet partiel qui nous interpelle comme sujets désubjectivés, comme sujets castrés, ou encore comme simples « taches » dans lapeinture du monde. L’image fixée par l’enfant dans le miroir fonde, paradoxalement, l’idée traditionnelle du sujet comme pôle dynamique de la relation je-monde. Comme le remarque Slavoj Žižek, en commentant Lacan, la capacité dynamique du sujet se fonde en somme sur une fixation excessive de l’image du sujet lui-même, fixation qui trouve son origine absente dans le regard entendu comme objet a, c’est-à-dire comme point aveugle de la conscience, lieu d’acquisition et de perte qui, par la castration du sujet, ouvre la plaie libidineuse et pulsionnelle de l’inconscient et renverse par là le désir de l’homme en désir de l’autre, comme le rappelle une célèbre formule de Lacan.Longtemps considérées comme porteuses d’illusions, comme l’illusion en tant que telle, les images nous montrent en fait la vérité de cette illusion : le monde est déformation et réversibilité, et nous-mêmes, prétendus sujets faisant face à son tableau inerte, n’en sommes que des taches. Au cours des mêmes années durant lesquelles Lacan élabore une théorie du regard, Merleau-Ponty, son interlocuteur direct – qui se réfère lui aussi au comportement de l’enfant devant le miroir – réfléchit sur la question du « en-être », c’est-à-dire de la réversibilité de la chair, ce tissu de différences qui nous constitue – les animaux et les choses – comme autant de plis d’un horizon commun. Pour Merleau-Ponty comme pour Lacan, dans une telle perspective, le sujet ne se défi nit pas positivement, mais comme écart par rapport à lui-même, comme coupure dans la peau de la conscience, comme plaie ouverte sur l’inconscient et sur le désir qui en jaillit abondamment. Ainsi, voir dans le miroir que, comme disait le poète, « je est un autre », implique que l’image soit libérée de son statut dévalorisant de « seconde chose » hérité du platonisme. Cela inaugure, en fait, une pensée sans dualisme. Gilles Deleuze travaillera lui aussi dans ce sens, lorsqu’il théorisera un renversement du platonisme à partir des images, dans son essai de 1966 Renverser le platonisme.Historiquement, le commencement de la philosophie a coïncidé avec la recherche d’une origine, d’une archè. Mais un monde où les relations nées du désir tracent des itinéraires imprévisibles, où le je et l’autre ne se distinguent plus, où sujet et objet ne connaissent plus de frontière, où la copie cesse de présupposer le modèle, un monde ainsi fait, a-t-il encore une origine accessible? Confronté à cette question essentielle, Merleau-Ponty théorisera – une fois encore à partir de la vision –, au lieu d’une origine en soi préétablie, un originaire en perpétuelle explosion. De son côté, Deleuze élaborera quelque chose d’analogue, à partir de la réflexion sur le cinéma qui l’occupera dans les années 1980 : il « encapsulera » les extases temporelles dans une image-miroir, une concrétion cristalline à plusieurs facettes où le monde se différencie sans cesse, dans un éternel retour.Mirror, Mirror of my DesiresOn the Threshold of Reversibility, the libidic Passion of ImagesIn a journey through the perspectives of Lacan, Merleau-Ponty and Deleuze, I shall show how images – the images that from Plato on have been relegated by Western metaphysics to the role of mere copies – allow us to trace the direction of a new and non-dualistic thought, a direction opened up by desire, that is to say, by something exceeding any simplistic dualism and fi nding precisely in images its privileged channel.The specular image – conceived by Platonism as the simulacrum par excellence, as the emblem of the deforming, deceiving copy of a harmonious preliminarymodel – makes us see more than it actually shows: as Lacan remarked in a renowned essay published in 1949, since childhood, in front of the mirror, we discover ourselves as subjects of the world, but also – and inevitably – as subjected to the world. The ego – of which we are in-formed by the specular image – is turned, through that very image, into the obscure, uncanny chasm of the other, and, consequently, in the unfathomable vortex of the other’s desire. Indeed, if in the mirror we can embrace the whole of our body and catch with a single gaze its status of subject, by the mirror that very gaze is however returned – blind and insistent – as a partial object summoning us as desubjectivized subjects, as castrated subjects, namely, as mere “stains” in the picture of the world. Quite paradoxically, the image fixed by the child in the mirror founds the traditional idea of the subject conceived as the dinamic pole of the relation between the ego and the world. In short, as Slavoj Žižek remarks commenting on Lacan, the dinamic capability of the subject is grounded on an excessive fixation of the image of the subject itself, fixation which finds its absent origin in the gaze meant as object a, namely, meant as that blind point of consciousness, that point of acquisition and loss which, by castrating the subject, opens the acies of the libidically throbbing wound of the unconscious and turns, to borrow a renowed Lacanian expression, man’s desire into the other’s desire.For long considered to herald illusions, images show us the truth of illusion itself: the world is deformation and reversibility and we – presumed subjects in front of its inert picture – are, on the contrary, its “stains.” In the same years in which Lacan was elaborating a theory of gaze, Merleau-Ponty, who was then a direct interlocutor of his, was articulating – by referring, as Lacan did, to the child’s behaviour in front of the mirror – a series of important reflections over the problem of the en-être, that is to say, over the problem of the reversibility of flesh, i. e., that differential fabric constituting us – animals and things – as variegated gatherings of a common horizon. For Merleau-Ponty, as well as for Lacan, according to such a perspective, the subject, far from being defined in a positive way, is defined by a gap in relation with its own self, that is to say, by a cut in the skin of consciousness, by a wound opening to the unconscious and to the desire spurting abundantly from the subconscious.To see in the mirror that, as the poet said, “I am an Other,” is to free images from the status of “second things” with which Platonism had dismissed them; it is, in other words, to inaugurate a non-dualistic thought. For his part, Deleuze will also engage in the same direction by theorizing a reversing of Platonism from the very standpoint of images in his 1966 essay Renverser le platonisme.The beginning of philosophy has historically matched with the search for an origin, namely, an arké. But in a world in which the relations inaugurated by desire trace unpredictable itineraries, in a world in which the ego and the other can no longer be distinguished, in a world in which the subject and the object know no more boundary lines, in a world in which model and copy cease to exist as the presupposition of one another, in such a world, I said, is it still possible to find an origin? By measuring himself with such a crucial question, Merleau-Ponty will theorize – once again from the standpoint of vision – an “originating in perennial explosion” instead of a narrow, pregiven origin. For his part, Deleuze will elaborate something similar in his reflection on cinema, which will keep him busy in the first half of the eighties, by capsulating the temporal dimensions in a mirror-image, i. e., a crystalline concretion in whose facets the world perennially becomes in an eternal differential return. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:IMMEDIACY AND MEDIATION IN AQUINAS: Introduction "IN I SENT.," Q. 1, A. 5 DOUGLAS c. HALI, Louvain Universtiy Belgium ] ] HE PURPOSE of the present essay is to provide an nalysis of the dialectically related notions of " immediacy " and "med:ia1tion" in Question I, Art~cle 5 of Aquinas' Commentary on the Sentences. "Immediacy" here refers to the non-mediated " light of inspiration " which Aquinas proposes as (...) a principle for theology; while " mediation " refers to the problem of interpretation via,sensible signs in an historical community. It is proposed that there are dialectical tensions unresolved by Aquinas, and usually overlooked by commentators and interpreters.1 1 The most extensive analysis published to date of the theological methodology of Aquinas in this Commentary is by M. Corbin, Le chemin de la theologie chez Thomas d'Aquin (Paris: Beauchesne, 1974). For his analysis of the text in question see pp. 273-290. The present essay seeks precisely to be even more "hegelian" and more "barthian" than Corbin, and to provide some documentation for the validity of,such an interpretation of Aquinas. For a further methodological discussion, see my "Participated Trinitarian Relations : Dialectics of Method, Understanding, and Mystery in the Theology of Thomas Aquinas" (Leuven: S.T.D. dissertation, the Faculty of Theology, 1987). For basic points in the literature see P. Mandonnet, "Chronologie sommaire de la vie et des ecrits de saint Thomas," Revue des sciences philosophiques et theologiques 9 (1920), 142·152; G. Rossi, "L'autografo di S. Tommaso del Commento al III libro delle Sentenze," Divus Thomas Oommentarium de philosophia et theologia 35 (1932), 532-585; A. Hayen, "S. Thomas a-t-il edite deux fois son Commentaire sure le livre des Sentences," Recherches de theologie ancienne et medievale 9 (1937), 219-236. See also the review of this by A. Donclaine, in Bulletin thomiste 6 (1940), 100-108. P. Vanier, "Theologie trinitaire chez S. Thomas d'Aquin. Evolution du concept d'action notionelle," Publications de l'Institut d'etudes medievales 13 (1953), p. 124. 31 DOUGLAS C. BALL The "Prologue" to the Commentary The " Prologue " of Aquinas' Commentary consists of two parts, as did that of Albert the Great, and as was the custom of the time. The first part takes its point of departure from a biblical text, which is then interpreted in accord with the na- >bure of theology and the project of commentary on the four hooks of the Sentences. The theme of Aquinas' biblical meditation is not scientia hut sapientia. The second part of Aquinas' "Pmlogue " consists, as did Albert's, of a question on the status and method of theology. This Question 1 is of particular importance in that it clearly states that sacred doctrine is not principally to he considered soientia. After the biblical reflection-mediation, Aquinas presents an introductory question on the status and method of sacra doctrina in a more "scholastic" manner, specifying five articles that will be addressed: 1) its necessity; 9l) supposing that it exists, whether it is one or many; 3) if it is one, whether it is practical or speculative, and if it is speculative, whether it is wisdom, science, or understanding; 4) its subject; 5) its mode.2 For a critique of this position see the review of Vanier by J. Hamer in Bulletin thomiste 9 (1954-1956), 596-601. See also E. Gilson, The Christian Philosophy of St. Thomas.Aquinas (New York, 1956); M. D. Chenu, Toward Understanding St. Thomas (Chicago: Henry Regnery Company, 1964); J. Weisheipl, "The Meaning of 'Sacra Doctrina'," The Thomist 38 (1974), 64-67; B. Mondin, St. Thomas.Aquinas' Philosophy in the Oommentary to the Sentences (The Hague: Martinus Nijhoff, 1975). Good arguments on the dating and circumstances of the work are to be found in J. Weishepil, Friar Thomas d'.A.quino: His Life, Thought, and Work (Garden City: Doubleday, 1974). 2Aquinas, Soriptum Super Libros Sententiarum, vol. 1, ed. Mandonnet (Paris: Lethielleux, 1929), q. 1 (p. 6). [It should be noted that there is as yet no critical edition of this work. All references here will be to this edition, which at least provides a basic text, which is fundamentally a reprint of the Vives edition, and thus differs at times... (shrink)

Pourquoi avons-nous mis l’accent sur la pratique réflexive de façon si abusive dans la formation initiale des enseignants? Sur quoi nous appuyons-nous pour avoir la certitude que de développer la réflexivité permet l’amélioration de la qualité des enseignants que nous préparons? Quelle qu’en soit sa forme, la pratique réflexive, ne doit pas être une fin en soi: elle est un moyen qui permet d’atteindre une finalité qu’est l’enseignement, voire, une finalité de développement des apprentissages des élèves. Dans cet article, nous (...) explorons la réflexivité à partir de plusieurs angles d’entrée, y compris nos expériences personnelles en tant que formateur d’enseignants travaillant avec des personnes qui se préparent à devenir des enseignants de physique. La question posée dans le titre exprime notre crainte quant à la finalité de la formation des enseignants que les formateurs d’enseignants attribuent parfois à la pratique réflexive; ce qui, à notre avis, peut faire plus de mal que de bien dans la formation des enseignants, avant l’emploi. Nous nous attarderons d’abord sur la différence entre les pratiques de formation des enseignants avant et après l’arrivée du terme pratique réflexive. Nous examinerons ensuite les travaux de Schön (1983) à travers cinq articles sur la réflexivité en formation des enseignants. Il ne s’agit pas d’une revue de la littérature systématique, mais cet effort démontre comment presque tous les articles sur la pratique réflexive semble être dictés par les intérêts personnels de ses auteurs respectifs. Nous poursuivront avec des interprétations et des illustrations et terminerons par cinq généralisations au sujet des pratiques de formation des enseignants qui indiquent qu’un travail colossal reste à faire afin que les références à la réflexivité fassent in fine plus de bien que de mal dans les programmes de formation des enseignants. (shrink)

In New Essays on Human Understanding, book II, chapter xxi Leibniz presents an interesting picture of the human mind as not only populated by perceptions, volitions and appetitions, but also by endeavours. The endeavours in question can be divided to entelechy and effort; Leibniz calls entelechy as primitive active forces and efforts as derivative forces. The entelechy, understood as primitive active force is to be equated with a substantial form, as Leibniz says: “When an entelechy – i.e. a primary or (...) substantial endeavour – is accompanied by perception, it is a soul” (NE II, xxi, §1; RB, 170). What about efforts, then? One is certainly the will. In NE, II, xxi, §5 Leibniz argues that volition is the effort (conatus) to move towards what one finds good and away from what one finds bad and that this endeavor arises from the perceptions we are aware of. As an endeavour results in action unless it is prevented, from will (which is always directed to the good) and power together follows action. However, this is not so simple. Leibniz argues that there is also a second class of efforts: “There are other efforts, arising from insensible perceptions, which we are not aware of; I prefer to call these ‘appetitions’ rather than volitions” (NE II, xxi, §5; RB, 173). Although there are appetitions of which one can be aware, usually these appetitions arise from the insensible petite perceptions and are consequently affecting us subconsciously. Now, although all minute perceptions are confused perceptions, they are always related to pleasure and displeasure and also to perfection and imperfection. From this follows that there can be different efforts present in the soul at the same time: the will which is directed to apperceived good and several separate appetitions which lead to different goals, both to those which bring about perfection and pleasure of the mind (joy) and those which bring about displeasure and imperfection (sorrow). These efforts are not only in conflict with each other but may also be in conflict with entelechy. A typical case is perceiving a sensual pleasure. Our entelechy which is always directed to final causes (perfection) may be in conflict with several different appetitions which are related in different ways to the sensual pleasure in question. If our understanding is developed enough, our will resists the temptation posed by the pleasure (agreeing with entelechy), but if the temptation is too strong, the appetitions outweigh the will and the resulting action bring about imperfection and sorrow as it is related to imperfection. In this paper I will argue that deliberation in the human soul is a battle of different endeavors described above: the entelechy in the soul strives according to its law-of-the-series towards its telos (perfection) and the will accompanies it by being automatically directed to the good. This thrust towards the apparent good is aided or hindered by the appetitions which can be thought as derivative forces in the Leibnizian dynamics. Depending on whether the predominant appetitions are related to good or bad desires, the deliberation succeeds or fails in achieving the real good which is the goal of human deliberation. The successs can be facilitated beforehand by developing our understanding so that we are less easily swept away by the derivative forces (NE II, xxi, §19). A central role in this task is played by strong willing. As Martha Bolton has noted in her recent paper, an essential feature of the basic, standing endeavors is that they are continuous – although the power balance in the soul changes from moment to moment, something lingers from our previous volitions. That is why Leibniz argues that we pave way for the future deliberations by our previous voluntary actions (NE II, xxi, §23). In contrast, the appetitions are temporary, fliegende Gedanken as Leibniz says in NE II, xxi, §12. Therefore there is a constant, always changing power balance between two kinds of endeavors in the soul: primitive active force versus derivative forces. I will argue that the behavior of the forces in the soul can be understood with a vectorial model which is related to Leibniz’s early ideas of calculus of variations and which was anticipated by Arnauld and Nicole’s Port-Royal Logic. The central idea in the model is that the options are in tension towards each other and the ratio between them at each moment determines the consequent outcome. The proper relationship between the endeavors is not a simple balance, two options which exhaust each other, but a case where different efforts complement each other: “Since the final result is determined by how things weigh against one another, I should think it could happen that he most pressing disquiet did not prevail; for even If it prevailed over each of the contrary endeavours taken singly, it may be outweighed by all of them together.” Leibniz continues : “Everything which then impinges on us weighs in the balance and contributes to determining a resultant direction, almost as in mechanics” (NE II, xxi, §40; RB, 193). The different endeavors can be understood as vectors leading to different directions and the end result is a certain direction that deliberation takes. The dynamical tension between the different endeavors presents a situation where everything affects everything and the following direction, the resulting volition follows more or less automatically. In Theodicy, §325 Leibniz describes the deliberation as follows: “One might, instead of the balance, compare the soul with a force that puts forth an effort on various sides simultaneously, but which acts only at the spot where action is easiest or there is least resistance” (Huggard, 322) This kind of dynamical tension can be understood in terms of the calculus of variations where there are several possible variations available but where the dynamics of the situation results in the decision taking the “easiest” route which is more or less objectively good depending on the level of the deliberator’s understanding. In his comments to Bayle’s note L of “Rorarius” Leibniz says: “The soul, even though it has no parts, has within it, because of the multitude of representations of external things, or rather because of the representation of the universe lodged within it by the creator, a great number, or rather an infinite number, of variations (Woolhouse & Francks (ed.), ‘New System’ and Associated Texts, 101). This kind of deliberation is comparable to God’s choice of the best world with the difference that God’s understanding is infinite which again results in the fact that the choice is the best possible. Whereas in nature the easiest route taken is always optimal as nature is God’s creation, in men the goodness or badness of men’s actions is dependent on their state of wisdom, that is, how developed their understanding is. The more wise men are, the more metaphysical goodness or perfection follows from their actions. (shrink)

The logistic function now constitutes the most widely used model for there presentation of growth kinetics of the continuous monotonous type in biological systems (populations, organisms, organs, ...). This ubiquity led to consider logistics from a phenomenological rather than mechanistic viewpoint. Whence the question : can logistics be given an interpretation, a signification which confers the rank of an "explicative" model to it? This Note presents some critical comments on the relationships between logistics and three types of biological systems (...) : population demography, environmental resources, autocatalyzed reactions. The so-called functional (in the mathematical meaning) interpretation, which is then discussed, is based upon a variational principle : the occurrence of a minimum of a function associated with the logistic law. Its present limitation to the only simple logistics of Verhulst and the difficulties of its expression in biological terms are then pointed out. (shrink)

Jacques Maritain's concern for the intellect and everything it implies is evident everywhere in his work from the very outset It would be presumptuous and in any case impossible to sketch in one short talk even an outline of such a fundamental theme of his thought or indeed of philosophy. Still, it has become probably more vital today than ever before to awake to what intellect means. This brief paper attempts merely to indicate a few questions worth pursuing (...) anew in the spirit both of Maritain and the chief sources of his thought on the matter. The questions include the following. Why invariably link together human dignity and intellect, as our tradition, no less theological than philosophical, undoubtedly seems to? Objections to this are, prima facie, rather obvious: an excessive cult of rationality; an implicit neglect of other, far more important, values; apparent scorn for the ignorant or the uninstructed; most plainly, forgetting love and the human heart. We face again the question: whence the dignity of intellect? What light can we expect the neurosciences and similar disciplies to shed on the nature of the mind? Are reason and intellect quite the same thing? What is intellectualknow ledge; its relation to existence and the existent; its relation to beauty and to the transcendentals; and its role in creativity? In a word, how is one to interpret Augustine's Intellectum vero valdeama? Or to face the greatest interpretive challenge of all, the famous saying of StJohn of the Cross: "One thought alone of man is worth more than the entire world; hence God alone is worthy of it"? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Richard Shusterman T. S. ELIOT ON READING: PLEASURE, GAMES, AND WISDOM Eliot frequently speaks of poetry as essentially a game or amusement whose first and foremost function is to give pleasure. "The poet," says Eliot, "would like to be something of a popular entertainer... would like to convey die pleasures ofpoetry.... As things are, and as fundamentally they must always be, poetry is not a career but a mug's (...) game" (TUPTUC, p. 154). ' Surely much ofthe point and appeal ofthese remarks is their deflationary contrast to the overlofty claims made for poetry since romanticism, claims which continue to be heard in Arnold's ideas of poetry as criticism of life and surrogate of religion and which extend to modernism with Richards's claim that "poetry is capable of saving us." In mordant debunking of the poet's putative status as world legislator, prophet, and savior, Eliot says he would be pleased to secure for the poet "a part to play in society as worthy as that of the music hall comedian." But Eliot's idea of poetry as an amusement or game is much more than an ironic rhetorical ploy against romantic attitudes. It contains a positive and complex view of what poetry is and how it satisfies. Eliot wants to remind us of "that simple truth that literature is primarily literature, a means of refined and intellectual pleasure."2 However, he also realizes that this truth is really not all that simple to understand or elucidate properly; for it does not mean (though it might seem to suggest ) that literature is a mere means to obtain some external end of pleasure. Nor does it mean that in aiming essentially at pleasure, literature is confined to satisfying our sensual or emotional faculties, and is 2 Philosophy and Literature therefore not significandy connected with improving thought or communicating wisdom, for the pleasure is described as intellectual pleasure. Because of the likely misunderstandings that it is apt to provoke, Eliot's claim that literature is a refined game, that "poetry is a superior amusement," is not confidendy offered as an adequately "true definition, but because if you call it something else, you are likely to call it something still more false" (SW, p. ix). But what substance or value is there in Eliot's preferred view? The idea of poetry as a superior game or amusement is developed in many ways throughout the Eliot critical corpus. We cannot consider them all, but the first we should consider concerns the character of pleasure or enjoyment derived from poetry. If poetry is a refined game, and since games are activities, the pleasure (enjoyment) of poetry would be that ofan activity rather than that ofa pleasant sensation. Eliot's idea of poetic pleasure is thus fundamentally Aristotelian.3 Such pleasure is not a separate sensation or pleasant feeling external to and identifiable apart from the game played, but rather represents the attendant zest or satisfaction with which the game is played or the activity pursued. For Aristotle, "pleasure completes the activity" by the dual and reciprocal action of making it more rewarding and thus promoting it. Our pleasure intensifies our interest in the activity which makes us better pursue it, while displeasure conversely impedes it, as does submitting to the alien pleasures from other activities. If the pleasures of different activities can conflict and impede their respective activities, then these pleasures must be distinguishable and are so in terms of the activities to which they attend. Our enjoyment of an activity thus logically depends on the constitutive structure of that activity and is inseparable from it. We therefore distinguish the pleasures of different games by the different game-activities to which they are bound. One may enjoy tennis, cricket, and football and perhaps feel similar pleasurable sensations from each. But the enjoyment of each game is clearly distinguishable and understood not in terms of these sensations but in terms of the different activities which constitute the formal object or ground of that pleasure. Different games or, more generally, different activities are differendy enjoyable, and each has what Aristotle calls its own "proper pleasure." One could not get the pleasure of playing tennis from playing... (shrink)

The ‘Principal Principle’ states, roughly, that one's subjective probability for a proposition should conform to one's beliefs about that proposition's objective chance of coming true. David Lewis has argued (i) that this principle provides the defining role for chance; (ii) that it conflicts with his reductionist thesis of Humean supervenience, and so must be replaced by an amended version that avoids the conflict; hence (iii) that nothing perfectly deserves the name ‘chance’, although something can come close enough by playing the (...) role picked out by the amended principle. We show that in fact there must be ‘chances’ that perfectly play what Lewis takes to be the defining role. But this is not the happy conclusion it might seem, since these ‘chances’ behave too strangely to deserve the name. The lesson is simple: much more than the Principal Principle—more to the point, much more than the connection between chance and credence—informs our understanding of objective chance. 1 Introduction 2 Preliminaries 3 Undermining futures and the New Principle 4 The Old Principle rescued? 5 The New Bug 6 Conclusion. (shrink)

Time and philosophical fashion have not been kind to hedonism. After flourishing for three centuries or so in its native empiricist habitat, it has latterly all but disappeared from the scene. Does it now merit even passing attention, for other than nostalgic purposes? Like endangered species, discredited ideas do sometimes manage to make a comeback. Is hedonism due for a revival of this sort? Perhaps it is overly optimistic to think that it could ever flourish again in its original (...) form; the evolutionary changes which have rendered the philosophical environment hostile to the classical specimens of the theory are doubtless irreversible. None the less, it is still possible that certain features of the classical view can, and should, be recuperated—like bits of DNA which could contribute to the emergence of new and more robust species. So let us ask ourselves: what is living and what is dead in traditional hedonism? (shrink)

Cognitive science is transforming our understanding of the mind. New discoveries are changing how we comprehend not just language, but thought itself. Yet, surprisingly little of the new learning has penetrated discussions and analysis of the most important social institution affecting our lives-the law. Drawing on work in philosophy, psychology, anthropology, linguistics, and literary theory, Steven L. Winter has created nothing less than a tour de force of interdisciplinary analysis. A Clearing in the Forest rests on the simple (...) notion that the better we understand the workings of the mind, the better we will understand all its products-especially law. Legal studies today focus on analytic skills and grand normative theories. But, to understand how real-world, legal actors reason and decide, we need a different set of tools. Cognitive science provides those tools, opening a window on the imaginative, yet orderly mental processes that animate thinking and decisionmaking among lawyers, judges, and lay persons alike. Recent findings about how humans actually categorize and reason make it possible to explain legal reasoning in new, more cogent, more productive ways. A Clearing in the Forest is a compelling meditation on both how the law works and what it all means. In uncovering the irrepressibly imaginative, creative quality of human reason, Winter shows how what we are learning about the mind changes not only our understanding of law, but ultimately of ourselves. He charts a unique course to understanding the world we inhabit, showing us the way to the clearing in the forest. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist Resources for Womanist ReflectionMelanie L. HarrisA Buddhist understanding of unconditional love in dialogue with Christian social ethics addresses the utter disappointment in humanity when racism is exposed. This focus offers us yet another way into the dialogue of engaged Buddhism and Christian liberation theologies, and directly points to Buddhism as a resource for thinking about and healing from racism and other forms of oppression. My presentation today is (...) descriptive in nature, and as a Womanist scholar, I will lean toward the constructive—but I will leave room for our collective and communal discussion to help show us the signs of what a new vision of justice might look like as we learn to live together on planet Earth.womanist theology and the hard work of loveMuch of my work as a Womanist scholar and much of the field grounds itself inside of the nitty-gritty wrestling moments with Christian norms and concepts that disregard analysis that honors the complex subjectivities of women, including issues of race, class, gender, and sexual justice. Taking the call for social justice and the everyday lives and experiences of African and African American women seriously, Womanist theology and ethics are in fact forms of liberation theology. What makes Womanist perspectives unique is that they challenge Christian thought and all religious thinking to more fully engage the principles of love and justice. In the case of Christianity, Womanist scholars demand that those walking in the faith “practice what they preach” and respond to some of the following questions:• How are women of color treated in your religious tradition? Is gender equity normative in your tradition?• What is life-affirming in your religious tradition that honors the unique theological perspectives and voices of women of color?• How are women’s bodies honored, their sexualities spoken about, and their bodily choices and reproductive rights discussed?• How are women of color’s racial and ethnic identities and complex subjectivities honored by or embody the “touch of Jesus” or the “healing gaze of the Buddha” or the “prayers of Muhammad” or “the breath of Krishna”?• What are women of color’s unique perspectives on Earth justice? [End Page 107]• Finally, how are the stories of women of color whose bodies have been historically ravaged by rape and violence finding solidarity with stories of environmental degradation in which the sister/mother body of Earth suffers similar disembodiment and oppression?Looking into the hearts of Christian, Buddhist, and other religious perspectives and traditions Womanism offers a lens through which to examine understandings of God and the divine differently. It honors the perspectives of women of color, whose voices have been historically marginalized in normative religious thought and who have often experienced being dehumanized in society. In spite of this, many women who identify with the term “Womanist” have found faith, religious value, and restoration through an emphasis on divine embodiment, self-worth, and self-love.Over the course of the first and second waves of Womanism, scholars have raised important questions of how communal love points toward a moral imperative for Earth justice. However, more recently, third-wave Womanist activists and scholars are focusing on Earth justice and other social justice issues from a religiously pluralistic perspective. Third-wave Womanist scholars like myself have taken the term beyond the halls of Union “into the streets” as activists, have witnessed Womanist ideas transformed into political activism, and have experienced Womanist solidarity with women across various global contexts. Many of us are returning “home” to the conversation wiser and are more courageous than ever before and expanding the discourse by engaging religious pluralism, interfaith dialogue, and interreligious realities in hopes of finding new ways to confront multilayered oppressions.1buddhist resources for womanist reflectionIn 2009, Charles Hallisey of Harvard Divinity School and I received a grant from the Center for the Study of World Religions at Harvard to do something imaginative and creative. We invited several renowned Womanist and Buddhist scholars to Harvard to read Buddhist texts together in community and discuss whether there was anything inherent in both traditions that would expand Buddhist studies and broaden inter-religious dialogue in Womanist thought.There were some theoretical challenges and... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Little Eternities: Henry James’s Horatian Sense of Time KATHLEEN RILEY Summer’s lease hath all too short a date. —Shakespeare, Sonnet 18 On a visit to Bodiam Castle in Sussex in 1908, Henry James remarked to Edith Wharton: “Summer afternoon—summer afternoon; to me those have always been the two most beautiful words in the English language.”1 The potency of those two words derives from their immediate evocation of an arrested (...) moment between the day’s halcyon perfection and its imminent dying fall. Small wonder that those same words were later used to mythologize an Edenic Edwardian England poised on the brink of war, to preserve in aspic the fancy of a gilded innocence and order, and the promise of “blue remembered hills,”2 careless of the teeming, tumultuous reality of an England already in the shadow of the Tree of Knowledge. James’s masterpiece of 1881, The Portrait of a Lady, begins with a luxuriously redolent depiction of a summer afternoon, of the hours before dusk that constitute a pleasurable little eternity, of the languorous rhythms and rituals of what Disraeli called “the sustained splendour of [a] stately life.”3 Under certain circumstances there are few hours in life more agreeable than the hour dedicated to the ceremony known as afternoon tea. There are circumstances in which, whether you partake of the tea or not—some people of course never do,—the situation is in itself delightful. Those that I have in mind in beginning to unfold this simple history offered an admirable setting to an innocent pastime. The implements of the little feast had been disposed upon the lawn of an old English country-house, in what I should arion 27.1 spring/summer 2019 call the perfect middle of a splendid summer afternoon. Part of the afternoon had waned, but much of it was left, and what was left was of the finest and rarest quality. Real dusk would not arrive for many hours; but the flood of summer light had begun to ebb, the air had grown mellow, the shadows were long upon the smooth, dense turf. They lengthened slowly, however, and the scene expressed that sense of leisure still to come which is perhaps the chief source of one’s enjoyment of such a scene at such an hour. From five o’clock to eight is on certain occasions a little eternity; but on such an occasion as this the interval could be only an eternity of pleasure.4 This passage, it strikes me, is essentially Horatian in its Epicurean delight in the passing moment. For the Augustan poet Horace, this delight, which is intrinsically elegiac, is expressed in the sympotic pleasures of wine and friendship, in the freedom aestivam sermone benigno tendere noctem (“to prolong the summer night with genial conversation,” Epistles i.5.11). For Henry James, it rests in “the ceremony known as afternoon tea,” in the lengthening shadows on an English lawn by “the reedy, silvery Thames” (PL 32). In both cases the evanescence of these simple pleasures is deeply felt and pleasure itself heightened by an undertone of melancholy, by a nostalgic apprehension of the present. LOCI AMOENI in his review of Augustus J. C. Hare’s Days near Rome (1875), Henry James commented: “The smallest pretext for quoting from Horace—the most quotable of the ancients— should always be cultivated.”5 His own facility for quoting from Horace was evident from his earliest published works, and belied an “extraordinarily haphazard and promiscuous” education shuttling, at his father’s restless instigation, between New England, Britain and Continental Europe.6 James’s biographer, Leon Edel, recorded the family legend that William James (Henry’s Irish grandfather), “who was eighteen in 1789, when he set foot in the New World, 22 little eternities brought with him a ‘very small sum of money,’ a Latin grammar and a desire to visit the fresh battlefields of the Revolutionary War.”7 Young Henry’s instruction in Latin grammar seems to have begun in the Old World, under a private tutor in London in 1855, a Scotsman named Robert Thomson who later ran a small school in Edinburgh attended by Robert Louis Stevenson. It... (shrink)

The aim of this study was to determine the opinions of private medical practitioners in Bloemfontein, South Africa, regarding euthanasia of terminally ill patients. This descriptive study was performed amongst a simple random sample of 100 of 230 private medical practitioners in Bloemfontein. Information was obtained through anonymous self-administered questionnaires. Written informed consent was obtained. 68 of the doctors selected completed the questionnaire. Only three refused participation because they were opposed to euthanasia. Respondents were mainly male (74.2%), married (91.9%) (...) and Afrikaans-speaking (91.9%). More were specialists (53.2%) than general practitioners (46.8%). A smaller percentage (35.5%) would never consider euthanasia for themselves compared to for their patients (46.8%). The decision should be made by the patient (50%), the patient’s doctor with two colleagues (46.8%), close family (45.2%) or a special committee of specialists in ethics and medicine (37.1%). The majority (46.9%) indicated that euthanasia should be performed by an independent doctor trained in euthanasia, followed by the patient’s doctor (30.7%). Notification should mainly be given to a special committee (49.9%). Only 9.8% felt that no notification was necessary. There was strong opposition to prescribing of medication to let the patient die. Withdrawal of essential medical treatment to speed up death was the most acceptable method. Although the responding group was fairly homogeneous, responses varied widely, indicating the complexity of opinions. (shrink)

Traditionally, pleasure has been understood in three different ways: as a simple feeling or phenomenological quality, as a behavioral disposition, and as an evaluation. While versions of these accounts – and combinations of two of them – have been attributed to Kant, I argue that Kant successfully combines all three. Pleasure, on this view, is an evaluation of an object’s agreement with a particular subject’s ability or intention to act. Because it refers to a particular subject, it has a (...) subjective felt character, and because it is about agreement with an ability or intention to act, it disposes one to action. In addition to being philosophically compelling, this reading incorporates Kant’s disparate characterizations of pleasure. (shrink)

berkley's pathogen model of sex differences in pain is inconsistent with women outliving men by several years. The vagina is far more resistant to pathogens than is the rectum. Vaginal stimulation produces intense analgesia in rats and humans. Possible evolutionary and cardiovascular factors are also noted.

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 124.3 (2003) 325-327 [Access article in PDF] Introduction John F. Donahue The present special issue of the American Journal of Philology takes as its focus dining in the Roman world. It grew out of the APA/AIA Joint Panel on that subject, which was part of the annual meeting held in Philadelphia in 2002. The topic is both timely and engaging. Indeed, owing largely to its (...) perishability, its diversity, and the ease with which it can be manipulated for any number of social or political ends, food has proven to be an especially amenable topic for scholarly analysis of all sorts.The articles gathered in this special issue further illuminate the nature and function of this elemental yet highly complex social practice, offering a variety of approaches—historical, sociological, literary, cultural, and material—to food and dining in the Roman world.In the first article, "The Way We Used to Eat: Diet, Community, and History at Rome," Nicholas Purcell shows clearly that food and dining can be profitably approached from a cultural perspective. Here, Purcell explores Roman self-consciousness about nutrition and the way in which diet (and implicitly agriculture) were transformed into a narration of historical change. The process is evident in the "comestible historiography" of the elder Pliny, in which the simple foods associated with earlier Roman history provide insight into the ways in which the Romans thought about time and change by focusing on food. Especially influential in this type of approach was Varro and, before him, Dicaearchus. Thus for the Romans, food played a notable role in the relationship of the present to various pasts; in the process it becomes an important marker in helping us to map the intellectual and cultural history of the Republican period.Turning to Roman literature, John Wilkins, in "Land and Sea: Italy and the Mediterranean in the Roman Discourse of Dining," reminds us that Roman dining was linked both to the ideology of the early Imperial period and to the mythography of the agricultural base of Republican politics. The result is a body of texts that moralize against luxury and excess, however much this viewpoint may be at odds with actual Roman practice. In a refreshing departure from the Latin texts that typically treat these themes, the author points to the Greek writers of the second [End Page 325] century C.E., namely, Athenaeus and Galen. Both were interested in eating and dining, but from a much broader perspective than the moralizing approach typical of so much of Roman dining literature.While approaches of this sort help to illuminate both the universality of the dining experience and its uniquely Roman aspects, the sharing of food also intersects in interesting ways with gender and the body. Matthew Roller, in his article "Horizontal Women: Posture and Sex in the Roman Convivium," examines literary texts, Roman urban funerary monuments, and Campanian wall painting in order to understand more completely the complexities of female posture at Roman convivia. On a historical level such evidence argues for women assuming a reclining posture; on an ideological level, the reclining woman symbolizes many of the same things that a reclining posture symbolizes for men—otium, privilege, and pleasure. Even so, the matter of female sexual propriety is never far below the surface, especially in the non-literary sources.John Donahue, in "Toward a Typology of Roman Public Feasting," examines public banqueting during the Principate against the background of modern typologies of commensality in order to understand not only the form but also the deeper social function of public dining. Donahue assembles a wide cross section of Roman testimonia and weaves them into a coherent (if imperfect) framework of festal typologies, while employing a cross-cultural and interdisciplinary approach, in this instance from French sociology. The Roman evidence is categorized into useful typologies, which, in turn, enrich our understanding of public dining and its place in Roman daily life.Not to be overlooked within the Roman festal landscape were servants, the "human props" of the elite-sponsored banquet, as John D'Arms appropriately characterized them. 1 Here, in the final entry, Katherine M.D. Dunbabin... (shrink)

Kleinschmidt's definition of the “Weltformenkreis” as the smallest systematical unit of affinity removes any danger of obliterating the type and at the same time opens a way for judging the superior taxonomic groups on principle differently from the subspecies of a “Formenkreis”.It is demonstrated that the characters of geographical subspecies are characters of apparent shaping, those of the species however are characters of construction and qualitative and autonomic ones. It is the type differentiating in quality that justifies the definition of (...) species. As the characters of type do not necessarily appear gradual and quantitative, but are qualitative, the types cannot be derived from one another, unless they are conceived by the common superordinate idea of the superior systematical category next in order.The distinct division of species is opposed to the hypothetical continuity of the pedigree, which cannot be explained by a consanguinity nor by an affinity based on reproduction. The pedigree, however, is an expression of the spiritual order of nature, in which the types appear as units hierarchically graduated and determined by entelechy, not by dead matter.Within the systematical units there is a creative evolution, steadily pursuing its aim and leading from the primitive stage to the differentiated one, beginning with a juvenile phase, which is followed by orthogenetic maturity and, finally, by the aged stage with its “detypification”. The adaptation to the environment may be also proved for the primitive forms and is an organic part of the whole design of the world for them as well as for the specialized and differentiated forms. — The formation of new types cannot be explained in a merely mechanical way; everywhere, even in the gens and genoms, we state ingenious modifications, which do not only bring about a reaction of a single modification to the whole, but operate from the whole. Since the origin of man, since the tertiary formation, the creation of species has completely ceased. There are only alterations of subspecific character.After a digressive treatise on the fundamental difference of man and animal in order to explain the type the superior systematical categories are characterized as spiritual realities. It is especially for the “genus” that a revision is necessary. The reality of the common origin of certain species within the genus is not based on reproduction , but on the superior totality comprising the species. Individuals can be conceived by the character of the species, species by the character of genus only. This is an evidence for the methodicalness of creative nature. It excludes any evolution of the genus “from bottom to top”, which is irregular, accidental or immediately formed by environment. From this we derive the comprehensive right of a natural system which now is more than mere classification.Kleinschmidt qui donne une définition du „Weltformenkreis” comme la plus petite unité d'affinité systématique, déjoue le danger d'oblitérer le type et offre, en même temps, la possibilité de juger les groupes taxonomiques supérieurs par principe différemment de la souspèce d'un „Formenkreis”.Nous démontrons que les caractères des souspèces géographiques sont des caractères du façonnement extérieur, tandis que ceux de l'espèce sont des caractères de la construction d'une manière qualitative et autonome. Le type différent en qualité justifie seulement la définition de l'espèce. Comme les caractères du type n'apparaissent pas nécessairement graduels et quantitatifs, mais sont au contraire, qualitatifs, les types ne se dérivent pas l'un de l'autre, à moins qu'ils ne soient compris par la commune idée supérieure du plus sublime groupe systématique.La division distincte des espèces s'oppose à la continuité hypothétique de la généalogie, qui ne s'explique pas par une consanguinité ni par une affinité se fondant sur la reproduction, mais qui est plutôt une expression du régime spirituel de la nature, dans lequel les types se présentent comme des unités rangées hiérarchiquement et réglées par l'entéléchie et non par la matière.Dans les unités systématiques il y a une évolution créatrice qui tend continuellement à son but et mène de la phase primitive à la phase différentiée commençant par un état juvénile, qui est succédé par la maturité orthogénétique et enfin par l'âge avec sa „détypification”. L'adaptation au milieu est démontrée pour les formes primitives et représente un élément organique du grand projet mondial pour elles aussi bien que pour les formes spécialisées et différentiées. — La formation de types nouveaux ne s'explique pas seulement d'une manière mécanique; partout, même dans les „genes” et les „genomes”, nous observons des transformations ingénieuses, qui ne sont pas seulement une réaction d'une modification particulière à l'ensemble, mais un effet de l'ensemble. Depuis l'origine de l'homme, depuis la période tertiaire la formation d'espèces est complètement finie. À présent il n'y a plus que des variations d'un caractère souspécifique. Après un traité digressif sur la différence essentielle de l'homme et de l'animal pour expliquer le type les groupes systématiques supérieurs sont caractérisés comme des réalités spirituelles. C'est surtout pour le genre qu'une révision est nécessaire. La réalité de la racine commune de certaines espèces dans le genre ne se fonde pas sur la reproduction , mais sur la totalité supérieure qui implique toutes les espèces. Des individus sont compris par le caractère d'espèce, des espèces seulement par le caractère de genre. C'est une preuve de la méthode de la nature créatrice. Elle exclut une évolution de genre „du bas en haut”, qui est irrégulière, faite par hasard ou formée directement par le milieu. De là nous dérivons le droit compréhensible d'un système naturel, qui est désormais plus qu'une simple classification. (shrink)

I show that Frege's statement (In the Epilogue to his Grundgesetze der Arithmetic v. II) of a way to avoid Russell's paradox is defective, in that he presents two different methods as if they were one. One of these "ways out" is notably more plausible than the other, and is almost surely what Frege really intended. The well-known arguments of Lesniewski, Geach, and Quine that Frege's revision of his system is inadequate to avoid paradox are not affected by (...) the ambiguity of Frede's statement. But a rectnt argument by Linsky and Schumm (Analysis 82 (1971-72), 5-7), intended as a very simple derivation of a contradiction within Frege's revised system, is valid only for the less plausible of the two versions of Frege's way out, and thus is not an effective attack on the revision that Frege intended to make. (shrink)

Objectives: The aim of this study is to find and compare the current situation between common people and healthcare providers’ preferences for a good death in the context of Chinese culture. Methods: A cross-sectional anonymous questionnaire survey covering 190 ordinary Chinese people and 323 healthcare providers was conducted. An inventory of the good death was translated and the subjects were surveyed about their attitude toward it. Ethical considerations: Permission to conduct the study was granted by department chiefs, nurse managers and (...) the participants themselves. The participants were informed that they took part on a voluntary and anonymous basis, that they could withdraw at any time, that they had the right to ignore questions they did not wish to answer, and that whatever they chose to do would not jeopardize their employment conditions. Results: The attributes that were perceived as important by major respondents for a good death were maintaining hope and pleasure, good relationship with medical staff, good relationship with family, independence, environment comfort, being respected as an individual, preparation for death, physical and psychological comfort, dying in a favorite place, and not being a burden to others. And some relatively less important characteristics were life completion, receiving enough treatment, natural death, controlling over the future, unawareness of death, pride and beauty, feeling that one’s life is worth living, and religious and spiritual comfort. We also found that healthcare providers were more likely than general out-patients to perceive “physical and psychological comfort,” “dying in a favorite place,” “good relationship with medical staff,” and “natural death” as important for a good death. Conclusion: This study offers healthcare providers in China a fundamental understanding of the normal expectations of the general public for a good death. It is believed that these findings in our study are valuable to improve palliative care in China. We compared the attitudes of Chinese and Westerners and found some differences, which suggested that cultural difference should be an important consideration to achieve a good death in China. We also found that healthcare providers see good death differently from general public, indicating that the criteria for good death warrant further study. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Causality of Prayer and the Execution of Predestination in Thomas AquinasStephen L. BrockIntroduction: The Question of the Reasonableness of Petitionary PrayerIn a lucid and witty essay published in 1945, C. S. Lewis addressed a common objection to the practice of petitionary prayer.1 This practice is not confined to Christianity, of course, but at least in relation to the Christian conception of the deity, it can seem to make (...) little sense. The problem is simple. If God is all-wise and all-good, what is the point of asking him for things? He is already perfectly aware of our true needs, and he already wants to provide for them. Many of our requests are ignorant and misguided, and the others, it seems, will be at best superfluous. Nevertheless, as Lewis observes, petitionary prayer is part of the whole Christian tradition. Jesus himself practiced it, urged his followers to do so, and taught them how. Lewis wanted to explain that the real purpose of the practice is not to inform God of our needs or to twist his arm. Rather, petitionary prayer functions as a kind of cause, a way of bringing things about. It does so by divine institution and as a kind of share in God's own causality. And so understood, it makes perfect sense. I think Lewis is right about this.Another matter, however, is Lewis's particular way of conceiving the causality of petitionary prayer, especially as to its relation to God's own causality and care for the world. I grant that his conception is quite [End Page 15] straightforward and clear, and that it even has a strong initial plausibility. Indeed, I suspect that it gives voice to the way in which many thoughtful people who pray for things conceive of what they are doing. This is why, even though it is not the main focus of the present essay, I think that it serves as a good way of entering to the topic. But I do hope to show that it contains some serious problems.In what follows, I shall first set out Lewis's answer to the question of the reasonableness of petitionary prayer. Then I shall raise one of the problems that I think it faces. This has to do with another attribute that has traditionally been ascribed to the Christian God; namely, omniscience, the knowledge of all things, including all temporal events, past, present, and future. In the essay on prayer, Lewis does not address this problem. But from things that he says elsewhere about temporal events and how God knows them, I think we can gather how he would have solved it.Rather than evaluating this solution myself, I shall turn next to another twentieth-century British thinker, the philosopher Peter Geach. Although Geach agrees with Lewis in ascribing a causal function to petitionary prayer, Geach's way of understanding temporal events and God's knowledge of them contrasts sharply with Lewis's. In fact, Geach argues—I think persuasively—that a position like Lewis's actually ends up making petitionary prayer unable to function as a cause, and therefore renders it pointless. At the same time, however, Geach's own account of how petitionary prayer fits into God's overall plan has something very important in common with Lewis's. And in my opinion, what they have in common is very problematic.This will bring me to my main theme, which is Thomas Aquinas's view of the matter. Like Lewis and Geach, Thomas does regard petitionary prayer as a divinely instituted way of causing things. On their temporal status, his position is similar to Geach's. But on how prayer and its effects fall under God's providential plan, Thomas differs greatly from both authors. I find his account far more satisfactory. Unfortunately, it is also considerably more complicated and philosophically challenging, and my presentation of it will have to be correspondingly longer.The distinctive features of Thomas's view mostly pertain to the metaphysics of divine transcendence. My main task will be to show how, in his account, the full determinacy of God's eternal plan, including that part of it called... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Implicit Soul of Charlie Kaufman's AdaptationDavid L. SmithI don't know what else there is to write about other than being human, or, more specifically, being this human. I have no alternative. Everything is about that, right? Unless it's about flowers.—Charlie Kaufman 1There are some things that cannot be observed directly, even in principle: a single quark, the present moment, ones own eye. What Richard Rodriquez calls (...) the "one subject" of literature—"What it feels like to be alive" 2 —is perhaps another one of those things. A writer struggles to be true to something central about life—to catch it on the fly, to get it right. Some have reified this "something" as "the soul" or "the human spirit." Today, though, we mainly rely on placeholders: "it," for example, as in "do you get it?" or "what's it all about?"—a usage that flirts with the vanishing "it" of "it is raining," implying a source or substance behind phenomena in which we do not really believe but without which we cannot do justice to experience. In any case, the writer's attempt to represent this elusive heart of things is typically frustrated, done in by the slipperiness of words, the cludginess of the conventions of communication, and the waywardness of the imagination. Writing inevitably falls short of its deepest aims.Nevertheless, there is something deviously affirmative in this state of affairs. For if life is a thing that refuses to be observed, then isn't the very failure of literature, if consciously acknowledged, a way of staying true to it? Isn't the writer's disappointment an especially telling feature of "what it feels like to be alive?" Emerson, more clearly than most, understood how this trick is turned: "We grant that human life is [End Page 424] mean; but how did we find out that it was mean? What is the ground of this uneasiness of ours; of this old discontent? What is the universal sense of want and ignorance, but the fine innuendo by which the soul makes its enormous claim?" 3 As noted above, "the soul" is a disposable term here. If you prefer, say simply "the human," "life," or "it." The point, in any case, is that the elusive subject which cannot be stated or represented directly may nevertheless be implied. If the human cannot be caught in a formula, it may be embodied or enacted in the ongoing work of creation.Charlie Kaufman's Adaptation is both an argument for and an example of this implicit realization of the human in art. Many viewers and even reviewers might see it as a poor candidate for humanistic interpretation along these lines. Most, in fact, have seen the film as little more than a clever postmodern puzzle-box, albeit one with great acting, deft direction, and a generous sense of humor. Its theme, after all, is the representation of representation. A book is being rewritten or adapted to become the film we are watching. The subject of that film is its own author's struggle to create it. The film further calls attention to its own artificiality by changing the rules of representation on us midway through. Its tone, style, and basic genre conventions shift when the author/protagonist begins to rethink his original purposes, undermining the credibility of all representational schemes in the process. Adaptation, in short, seems to be what the graduate-educated a decade ago might have felt comfortable calling "an endless play of simulacra," a text absorbed in its own textuality, a snake that eats its own tail. 4All of this is true enough, but it is not the whole story. The point of Adaptation, I will argue, is not simply the pleasure it takes in playing with issues of representation, but its clear sense of the human issues at stake in that play. Adaptation, that is, is not only about the way words tend to float free of the world. Rather, it is also a demonstration of the way a writer's basic goal can survive the wreck of her intentions, or the way that failed attempts to be true to life... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:248 HISTORY OF PHILOSOPHY be taken from a philosophical point of view. Since it is not certain whether the author of the Prolegomena was or was not a Christian (p. xlix), "god" should not be capitalized, and the translation of T&~ia 5~l~ttovo'f~l~taTa as "God's creation" at IV. 15. 6 is actually misleading. Moreover, for no apparent reason, 0~oX07tz6gis translated as "metaphysical" in the first four chapters, but as "theological" (...) thereafter. Inaccuracies are very few indeed. "Ungrateful" is peculiar for o~5~5t• at I. 2. 25, and so is "adapted state" for ~to~tTe[a~ ~no~ae0g at I. 5.35; X. 26. 38, 40, and 44; at II. 10. 11, there is no need to translate o~Te&0t~6)g bu~yovxctL as "they do not aim at accurate expression," and on p. 32, line 1, "as yet" is not in the Greek of the Prolegomena, although it should have been, if the Anonymous had quoted correctly from Plato, Phaedrus 229 E. But this is trifling criticism of a work which leaves nothing to be desired in any other respect, and which displays the same high qualities of scholarship which we have come to expect of the author on the basis of his earlier achievements. MARTIN OSTWALI) Swarthmore College The Fountain of Life (Fons Vitae). By Solomon ibn Gabirol (Avicebron). Specially abridged edition, translated from the Latin by Harry E. Wedeck, with an Introduction by Theodore E. James. (New York: Philosophical Library, 1962. Unpaged introduction, 133 pp. $4.75.) The romance of the nineteenth-century discovery, by Salomon Munk, that "Avicebron's" Fons Vitae, a major source of neoplatonic thought in the thirteenth and fourteenth centuries, was actually the work of the eleventhcentury Hispano-Jewish poet, Solomon ibn Gabirol, and has often been retold. It is, indeed, a remarkable story. Perhaps its most noteworthy feature is that it reveals how closely alike Muslim, Jewish, and Christian philosophers were; by implication, then, it indicates that theological considerations were of less importance in medieval philosophy than is suggested by most historical accounts. Although the story of The Fountain of Lqe has now become an oft-told tale, the work itself has never been available in English dress. The present edition remedies this situation in part. It presents Tract III of the original text, a section dealing with the existence of simple spiritual substances. Harry Wedeck's translation is lucid and readable. Theodore E. James's introduction is useful for the beginning student but too elementary to be of much use to a more advanced reader. It is good that there is now this much to recommend to our students; we may hope that the day will come when BOOK REVIEWS 249 larger sections of the work will be translated-preferably not from the Latin, but from the Arabic original. JOSEPHL. B~u Columbia University Commentary on the Metaphysics of Aristotle. By St. Thomas Aquinas. Trans. by John P. Rowan. (Chicago, Illinois: Henry Regnery Company, 1961. Pp. xxiii + 955.2 vols., boxed, $25.00.) Generally speaking, the two Summae of St. Thomas, long available in English translation, contain all that is most personal and most profound in his philosophical thought. Nonetheless, it is quite impossible to get a fully adequate conception of St. Thomas' place in the history of western thought from a consideration of his theological writings alone. Hence, by translating St. Thomas' Commentary on the Metaphysics of Aristotle into English, Professor J. P. Rowan has provided the non-Latin reading student of the history of philosophy an invaluable service. For it is in his r61e as Aristotelian commentator that we see St. Thomas creating for the Schoolmen a version of Aristotle which served to render the Stagirite's thought into terms which became fundamental to the philosophical defense of Christianity. Further, by keeping in mind the fully-developed notions of St. Thomas on the existence of God and the nature of being as these are given us to understand in the Summae, the reader becomes better enabled, by a critical reading of Thomas' Commentary, to grasp the sense in which the Saint's theological writings are said by his enthusiasts to represent a "completing" and "perfecting" of... (shrink)

The dating of the beginning of the Third Sacred War. The interpretation of the Delphic accounts revisited. The chronology proposed by CID II for the Third Sacred War is not as assured as may appear at first sight. One must keep in mind that the reconstructions proposed there constitute no more than one possibility among others. The numbering of the pylées provides an excellent example : J. Bousquet connects it to the levying of the phocidian fine in the (...) period after the Peace of Philokrates, but other readings remain possible, even preferable. Moreover, the dating of the occupation of the sanctuary to the end of the archonship of Herakleios is based on the testimony of Pausanias, on this point very much subject to caution, as well as a very slanted reading of CID II 10 and CID II 31. Only the absence of a reunion of the college under Aristoxenos in the autumn appears to constitute a certain indicator of the phocidian occupation of the sanctuary. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Buddhist-Christian Studies 23 (2003) 147-148 [Access article in PDF] Buddhists and Christians: Praying for Peace in the World Archbishop Michael L. Fitzgerald Pontifical Council for Interreligious Dialogue Dear Buddhist Friends:As the new president of the Pontifical Council for Interreligious Dialogue, the office of His Holiness the Pope for relations with people of different religious traditions, I wish to greet you and send this congratulatory message on the occasion of (...) the feast of Vesakh. This gesture of friendship, initiated in 1995 by my predecessor Cardinal Francis Arinze, has almost become a tradition. I wish to continue this good tradition and express my hearty congratulations to each and every one of you.In this message, I would like to invite you, my dear Buddhist friends, to join in prayer for the cause of peace in the world. Observing the current international situation, we cannot but be aware of the acuteness of the question of peace in our world. Since the beginning of this new millennium, marked by the dramatic events of September 11, 2001, we witness every day fresh scenes of bloodshed, violence, confrontation, and crisis in almost all parts of the world. In the midst of this grave situation, we cannot lead our lives without committing ourselves to advancing the cause of peace in the world.We Christians and Buddhists are convinced that the origin of all conflict is ultimately located in human hearts characterized by selfish desire, specifically by desire for power, domination, and wealth, often at the expense of others. It is also our common conviction that peace must inhabit people's hearts before it can become a social reality. For us, therefore, the most fundamental and efficient way to advance peace is to do our best to see that the deep-rooted selfishness of human hearts is overcome, so that people may be transformed into true artisans of peace.Pope John Paul II has proclaimed the year from October 2002 to October 2003 the Year of the Rosary of the Virgin Mary. He has earnestly encouraged the frequent recitation of the Rosary in order to pray for peace in the world. His wish to revive the practice of the Rosary is closely connected with the present historical circumstances, which need more than ever-constant supplication for the great gift of peace.My Buddhist friends, is it not a wonderful coincidence that you also have a lengthy tradition of using the Mala for prayer? The Rosary for Catholics and the [End Page 147] Mala for Buddhists are simple yet profound and meaningful prayer, despite essential differences in their form and content, based on our distinct doctrines and practices. For Catholics, the Rosary represents a most effective means of fostering contemplation of Jesus Christ. For Buddhists, the Mala is used to overcome the 108 Sinful Desires in order to reach the state of Nirvana. By virtue of their meditative character, these two prayers have in common a calming effect on those who pray them; they lead them to experience and to work for peace, and they produce fruits of love. For Catholics, the repetition and meditation of the holy names of the Persons of the Blessed Trinity and the Virgin Mary in the recitation of the Rosary makes us more willing to assimilate their love and compassion for others, especially for the poor and afflicted. In your Buddhist tradition, praying the Mala helps one to become a peacemaker.Dear Buddhist friends, these are the thoughts I wish to share with you this year. I am convinced that by persevering in prayer we will contribute to advancing peace in the world both now and in the future. May this peace be with you and your families on the feast of Vesakh and at all times.Archbishop Michael L. Fitzgerald, President © by Michael L. Fitzgerald. Reprinted by permission.... (shrink)

The greatest intensity of “live” life is captured from as close as possible in order to be borne as far as possible away. Jacques Derrida. Echographies of Television . Rainer Ganahl has made a study of studying. As part of his extensive autobiographical art practice, he documents and presents many of the ambitious educational activities he undertakes. For example, he has been videotaping hundreds of hours of solitary study that show him struggling to learn Chinese, Arabic and a host of (...) other languages. The stacked boxes of tapes are then presented like minimalist monoliths, dense archives of effort. About fifteen years ago, Ganahl began photographing the lectures that he attends. At the time, he hadn’t seen anyone else doing it, so besides his spare selection of images of the speaker and the audience, much of the time the lectures would just pass into memory, undocumented, or recorded in writing alone. Since then, he has felt the transition to digital cause a significant shift in his process. At the same time, he has seen the habit become ubiquitous as others photograph, record, and videotape the lectures all around him. In keeping with the theme of this inaugural issue of continent. , can we propose each small grouping of photographs that result an isthmus stretching between two disparate bodies of mind? The first being the body of the lecture as spelled out in the title of each work – the experience of the event in all its constituent parts. The second is the body of the recipient, the listener, in this case an artist, who plays a minimal role just beyond the prescripted behavior of sitting and listening. He uses a gesture of documentation to draw a line between himself and the event, creating an artwork. Františka + Tim Gilman: As we mentioned before, the theme of the magazine for this issue is "isthmus." It seems like a very good way into your work, and it leads us to ask what connection you see between your photographs of the lecture and the lecture itself? Rainer Ganahl: The relationship is of course a concrete, pictorial one, or if you want a mimetic one but also an abstract one because the photographs carry the title of the lecture, the names of the lecturers, the site, the institution and the time of the lecture. Photos are fixed moments of time and can reproduce images displayed and reproduce visuals presented at a moment but they don’t come with time based recordings that video or sound takes are offering. What remains of a lecture is usually just the memory, some notes and all the announcements of it. In my case I end up with a visual product I declare as my artwork. It might not differ from any snapshot taken by any other student or member of the audience but I do this in a semi-systematic way with certain rules and procedures I have set up. While I am at a lecture I am mainly focusing on the lecture itself. Last night I went to one of Slavoj Žižek which demanded quite some concentration. I even was asking him a question at the end. I took photos as well but still didn’t lose track of the lecture. I didn’t walk around, I was not preoccupied by where I was sitting and what light I was having like some of the other photographing and filming people in the room who came and left, moved around and tried to capture him from this and that angle, from close and far. I just sat there and concentrated on the lecture and yet managed to take about 30 or so images of him, the public around me and of the film clips he presented. Once the lecture is over the story changes: it all becomes a question of the images, their selection, their visual qualities, their labeling and archiving. The function of the images also change: not only do they stand for an intellectual event in a row of lectures that become part of my intellectual history within many possible such histories but they also have to function as art, something not everybody else with images of lecturers demands of their images. This is my specific claim as an artist to impose them as artworks. And as with all artistic propositions the offer can be accepted or rejected. I basically spend my life trying to do exactly that: making what I declare as art, offering something to anybody interested in it as my art, an offer that is not and will never be accepted as such by all people. F+T: What are your criteria for selection, i.e. how do you choose which lectures to photograph, by lecturer, by topic, or do you photograph any and every lecture you can? RG: As everything in my life, I go by my interest which is the result of many factors. If I am aware of a lecturer, read his books or appreciate his works my interest of attending his much higher than if I am not aware of it. I usually don’t go to lecturers simply based on their subjects—something that can happen of course, if the subject, the title of the lecture is promising or at the heart of my interest. Sometimes I also wait for years to get a change to photograph certain people but I do that in a very low-level “keep your ears up” mentality and not in a systematic scanning of all channels and possibilities. I do not go into philosophy departments and photograph everybody teaching there. I go with the flow—and unfortunately a great deal of great talks I also miss because I hear too late of them. Often, I also stumble into them by traveling, by getting emails from friends and by simply being in the right spot at the right time. Somehow you could look at my lecture par cours as some kind of loose intellectual flâneurism . If you know of interesting lectures and events, please, let me know. F+T: Is your selection of images more of a production or post-production method? That is, do you take a lot of photos and select only a few images from each lecture, or do you take them very selectively? Do you have a particular methodology for the selection of images? RG: This all changed a bit with the arrival of digital photography. In the beginning I had to pay a lot of money for film developing. Hence, I was taking either one role - 36 images - or half a role - 13 images - depending on who talked and whether they projected images. With the unlimited capacity of digital imaging I easily end up between 30 and 150 images of one event still depending of whether images are presented or not. In the first years of that project when I wasn’t fully aware yet of what I was doing, I printed at least 2 images of any lecture and sometimes three or even four, a choice that was also constrained by costs. But again, since I have a web site and since images can easily be selected and presented on my web site without generating remarkable costs I have now more and more pain to reduce them to less than ten or eight images for an event. Now, before I have them printed which really is expensive, I can present them already as artwork on my web site without any immediate costs. Thus the economic factor is at the end of the chain which enables me to be more ‘generous’ and include more images. Over the last years I have been mostly selecting at least four photographs for a lecture unit but recently also as many as ten. But so far only one set above four images has been actually printed and sold. What might sound even more shocking is the likely fact that if a curator or a collector demands me to reduce the number of images due to costs, I might compromise at this current stage if the images have not been yet printed or published outside my own web site. This means that to a certain degree any selection that has only seen publication on my web site and not yet been produced runs the risk to change in numbers of images included. Needless to say, I am the last one that finally makes a decision and I do honor all given earlier decision if those were final. F+T: How do you feel the act of photographing the lecture affects your reception of the contents of the lecture? And your recollection afterwards, do you remember the lecture more having photographed it, or just having sat and listened? RG: As mentioned above, I get very little distraction from photographing since I can multitask well and do not obsess about the quality of the image: I photograph from where I am and listen with my ears and not my eyes. I am not sure whether the images serve as a mnemonic devise to the content of the lecture if there are no images involved but they at least remind me that the lecture existed, the title of the lecture and the name of the people and institutions involved. The titles of the hundreds of lectures I took during the past 15 years can also be read as an essay of theoretical life in that period. This will be come more and more visible as time passes by. These images age much better than I do. F+T: You mentioned at the outset of our discussions that you started this practice some time ago and have seen the practice of photographing lecturers become more commonplace. Why do you think that this shift has taken place? RG: The answer is very simple. Photographing is now free of any charge and hence omnipresent. You buy a phone or any other personal digital assistant and it has a camera integrated in it whether you want it or not. There is no need to develop images and there is no hassle to keep images, to distribute images, to organize images and save them. It is all virtual, not creating any costs and doesn’t require any efforts. You don’t spend twenty dollars for photo-developing anymore, you don’t need to walk anymore to your pharmacy or your photo shop to drop off and return to pick up and pay. You don’t need to go to the post office to send somebody a picture. You have a program like Photoshop already built into your camera. Photographing is now a thing for everybody—with functioning cameras made for two year olds. It is technically now nearly impossible to make bad images. The image quality is virtually guaranteed by cheap, high performing, mini-computers packed into miniscule cameras. With all these technological changes, we are undergoing now a cultural paradigm shift that includes permanent recording (not only still image taking) of everything. I wonder even whether babies are just born to be photographed—at least a process where the first photograph is right there. What is interesting now, is how the law is trying to catch up. I am experiencing and expecting more restrictions on photographing and recording—something already in place in many museums and in certain galleries—as the recording devices become more and more invisible and undetectable. It is an interesting cat and mouse play and will end up with some of us that are photographing the world around us in court. The world has become very transparent and everybody is contributing to it with social networking technologies—like twitter and Facebook—that are designed to monitor and communicate every step we make in our lives. F+T: Why did you start the practice? As a way to remember, or to capture the experience of the lecture and the environment there? RG: A couple of years earlier I started to photograph my own reading seminars as part of my art work with results that surprised me positively. I really liked these images of students and people discussing heavy non-fiction with me. The reading seminars justified this kind of pictorialism. Then in 1995 I had the chance to attend an entire seminar by Edward Said entitled “The Representation of Intellectuals at Columbia University,” which really gave me the idea to start this series. Why not also photograph these lectures I visit all the time since this really is a way of representing intellectuals? F+T: The constellation of images and the title seem like a kind of portrait, do you agree? If so, is it a portrait of the speaker, of yourself, or of the event? RG: Well, to follow up on the previous question the lectures are more than just portraits of lecturers since I include not only the speakers but also the audience, an audience that is not named or specifically highlighted as is the speaker. So if we stick with the metaphor of the portrait we would have to extend it also to the environment, the class room, the lecture hall, the arrangements of seats or benches, tables, lecture stands and other stuff typically seen on my images. Often the walls are decorated or even tagged with graffiti or posters and other stuff. There is a big difference between a small seminar room at the English Department of Columbia University, full with books and cabinets and a lecture room at a Paris or Frankfurt university that accommodates 50 to 150 people. We should, maybe, also distinguish between lectures that are one time events—mostly open to the public, free of charge or paid—and events that are weekly, closed to the public and held mostly in universities that can cost fortunes or be paid by the State as it is still predominantly the case in continental Europe. All this, of course, is not necessarily announced in the title of the lecture and is subject to information that isn’t visible on the images. To a certain degree we see also portraits of a general privilege when it comes to the public of certain institutions that are highly selective and extremely costly without forgetting that most of the lectures are dealing with theory, art, philosophy and other highbrow subjects. In general, I would say we see very little if we don’t know already what’s going on, who the lecturer, the institutions, the context are in which we subsequently can zoom into variants like sexual, racial, or age-related make-up without ignoring clothing fashions, hair styling, body mannerisms, gadgets and stuff. F+T: Do you see a relation between this body of work and your other work, for example your language studies? RG: Everything I do is “unfortunately” related. I say unfortunately because this makes my work not so easy to grasp. The relationship to the language studies is relatively clear since both are originally grounded in the domain of education and knowledge production. Nearly all my work comes across that nexus where knowledge and power are addressed. I was at one point wondering what the relationship was to some of my earlier indexical work where I was happy alone with footnotes from books painted on the walls: I came to understand that both are just different manifestations of knowledge and information. F+T: Do you foresee continuing the series indefinitely, or is there an end to it? RG: I think that I will continue this series indefinitely or to be more precise, as long as I go listen to lectures and want to learn something which brings me to your previous question: What do the reading seminars, language studies, historical research and lecture hopping have in common: I learn something. Further Reading Rainer Ganahl’s website William Kaizen. “ Vulgar Politics .” art&education . April 2009. Web. Smith, Roberta. “ Rainer Ganahl: ‘Language of Emigration & Pictures of Emigration .’” New York Times April 23 2010. Web. (shrink)

BackgroundResearchers are working to identify dynamic factors involved in the shift from behavioral initiation to maintenance—factors which may depend on behavioral complexity. We test hypotheses regarding changes in factors involved in behavioral initiation and maintenance and their relationships to behavioral frequency over time, for a simple vs. complex behavior.MethodsData are secondary analyses from a larger RCT, in which young adult women, new to both behaviors, were randomly assigned to take daily calcium or to go for a daily, brisk walk, (...) for 4-weeks. Factors were measured weekly. Multi-level modeling evaluated their change over time. Bivariate correlations and multiple regression determined the relationships between factors and the subsequent-week behavioral frequency.FindingResults were partly in-line with expectations, in that individuals’ intentions and self-efficacy predicted initial behavioral engagement for both behaviors, and habit strength increased for both behaviors, becoming a significant predictor of behavioral frequency in later weeks of the study in some analyses. However, results depended on whether the outcome was self-reported or objectively measured and whether analyses were bivariate or multivariate.DiscussionThe factors theorized to play a role in behavioral maintenance started to develop, but only habit strength predicted behavioral frequency by study-end, for both behaviors. Differences in initiation and maintenance between behaviors of differing complexity may not be as stark as theorized, but longer follow-up times are required to evaluate maintenance factors. (shrink)

In Ruling Majorities and Reasoning Pluralities, Professor Saul Levmore explores the “division of labor” between the various thresholds of agreement required for collective action—supermajority, simple majority, or plurality rule. His particular emphasis is on the choice between the last two options. To improve our understanding of this choice in various settings, Professor Levmore considers the relationship between two well-known contributions to the study of group decisionmaking, namely, the Condorcet Jury Theorem and the Condorcet Criterion, which have not generally been (...) treated together. This essay explores the relationship between these two insights in the context of judicial decisionmaking. Counterintuitively, the essay demonstrates that while the Condorcet Criterion continues to hold great promise as a tool of decision in en banc appellate courts, the Condorcet Jury Theorem is most appealing in judicial contexts that appear less collegial and thus less like a jury. In contexts in which jurists engage in deliberation and in which they anticipate that their outputs will have precedential effect, the Jury Theorem has little if any role to play. In contrast, the Theorem might prove more useful in evaluating low-level judicial outputs or decisions that otherwise are not expected to be treated as precedent. Thus, common law trial court decisions and civil law court decisions are more likely to be useful benchmarks in a Condorcet Jury Theorem analysis. It is because such courts do not anticipate that their decisions will have the force of precedent that they are more likely to be derived from governing legal texts, and thus more prone to characterizations of accuracy, than are judicial outputs that are driven by policy concerns and are generated with the understanding that they will be treated as precedent. (shrink)

In this paper, we investigate the Precautionary Principle (PP) in action. Precaution is a fairly new concept in environmental policy. It emerged back in the 1960s but did not consolidate until the 1980s, as it formed part of the major changes taking place in environmental policies at that time. The PP is examined in three contexts. Firstly, we look at the meaning of the concept and how it is disseminated through the media and public discourses to the political arenas of (...) Denmark. Then we examine how the idea is adopted to the political level. Thirdly, we look briefly at the first Danish translation of the principle into a practical context, which includes translations into concrete scientific practices. It is concluded that if the PP shall be more than a simple “idea” or a frequently used “term,” emphasis must be put on the transformation of the concept into concrete practices, like e.g., the alternative testing regimes that we show in the case of plant growth-retarding pesticides presented in this paper. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Minds, Memes, and MultiplesStephen R. L. Clark (bio)AbstractMultiple Personality Disorder is sometimes interpreted as evidence for a radically pluralistic theory of the human mind, judged to be at odds with an older, monistic theory. Older philosophy, on the contrary, suggests that the mind is both plural (in its sub-systems or personalities) and unitary (in that there is only one light over all those lesser parts). Talk of gods and (...) demons has been a way of arranging elements of human mind and motivation. The one light, or center, is something which requires mental discipline to discover rather than being immediately obvious. This indeed is what even Descartes (sometimes blamed for introducing the notion of a simple, transparent self) really intended. Discovering or uncovering the Self is a psychotherapeutic as well as a philosophical imperative.Keywordsconsciousness, gods, Multiple Personality Disorder, passivity, thought alienationMultiple Personality 1The phenomena popularly identified as evidence of “multiple personality disorder” are strangely attractive. The stories suggest that those who provide, who are, the evidence for this disorder are usually in acute distress, but those who wish to believe in it find the idea almost exhilarating. Most of us would rather wish to think that we had undeveloped possibilities, that it would be exciting to be a married academic today, a celibate bus-driver tomorrow and a teenage hooligan on Sundays. The impulse to put aside our duties, or our habits, can be a powerful one, and only the sober thought that we would not, after all, succeed in keeping our lives separate keeps us single. The notion that there are people who take the risk, that our bodies could house a multitude, is one we would wish to believe. At the same time, we wish to remember that such divisions bring their own problems, and as easily suspect that those who apparently succeed in dividing themselves up must have suffered serious trauma in the past, and be plagued by missed appointments and self-hatred in the present. Some of us believe that “multiple personality” reveals a truth about us all, that none of us is actually the simple, heroic self that we pretend: “the self” is only an occasionally concordant swarm of impulses, easily divided. Others of us suspect that it is a wish to avoid responsibility, and guilt, that causes some of us to pretend not to be the selves that actually we are (see Rycroft 1987).On earlier occasions (notably Clark 1991b), I have myself expressed some doubt about reports of Multiple Personality Disorder, and suggested that they should be seen as fictions or dramatic representations (whether by the patient or the reporter) which should not be judged as “true” or “false,” but rather as “interesting” or “pernicious.” Stephen Braude, in a recent excellent book, seems at first to side with the true believers: it is absurd, he suggests, not to believe the many reports of fugue, discordance and fully developed multiples (Braude 1991; see also Wilkes 1984, [End Page 21] Brennan 1990). Maybe a few such reports are over-credulous: it would not be surprising that the occasional clever criminal successfully pretended not to know what an alien other did with his body. But there are, he says, too many independent records to disbelieve, and not only the distant stories of Miss Beauchamp (Prince 1908) or Eve (Thigpen & Cleckley 1954, 1957). Since the 1970s the number of reported cases has been rising again. It may be that some, many, or all the cases are artifacts, in the sense that the doctor’s expectations helped to produce or develop the varied personalities: “when a client walks into the therapist’s office and sits down, the expectation framework of the therapist immediately comes into play” (Crabtree 1985, 211; see also Hawthorn 1983). But the evidence is also compatible with the thought that psychotherapeutic fashion now allows the therapist to notice, rather than invent, the phenomena. Multiples often wish to conceal their condition, it is said, and only observers alerted to the possibility will notice them. Conscious or half-conscious role-playing, which would perhaps be less philosophically interesting, cannot explain more than a few of the cruder cases.In short... (shrink)

In this follow up to The Eudemian Ethics of Aristotle, Peter L. P. Simpson centers his attention on the basics of Aristotelian moral doctrine as found in the Great Ethics: the definition of happiness, the nature and kind of the virtues, pleasure, and friendship. This work's authenticity is disputed, but Simpson argues that all the evidence favors it. Unlike the Nicomachean and Eudemian Ethics, Aristotle wrote the Great Ethics for a popular audience. It gives us insight less into Aristotle the (...) theoretician than into Aristotle the pedagogue. For this reason, the Great Ethics has distinct advantages as an introduction to Aristotelian ethical thinking: it is simpler and clearer in its argumentation, matters such as the intellectual virtues are made suitably secondary to the practical focus, the moral virtues come through with a pleasing directness, and the work's syllogistic formalism gives it a transparency and accessibility that the other Ethics typically lack. Arius' Epitome, which relies heavily on this work, helps confirm its value and authenticity. Because the Great Ethics is generally neglected by scholars, less has been done to clear up its obscurities or to expose its structure. But to ignore it is to lose another and more instructive way of approaching and appreciating Aristotle's teaching. The translation is prefaced by an analytic outline of the whole, and the several sections of it are prefaced by brief summaries. The commentary supplies fuller descriptions and analyses, sorting out puzzles, removing misunderstandings, and resolving doubts of meaning and intention. This book is a fresh rendition of the work of the preeminent philosopher of all time. (shrink)

In a study of the kin investment of aunts and uncles we show that the laterality effect expected as a result of paternity uncertainty is statistically reliable but somewhat smaller than the sex effect. Matrilateral aunts invest significantly more than patrilateral aunts, and the same is true for uncles. Regardless of laterality, however, aunts invest significantly more than uncles. Multivariate controls show that the matrilateral bias is fully independent of any age or distance confounds that (...) might result from sex differences in age at marriage or dispersal. We discuss our results in relation to recent findings on the kin investment of grandparents (Euler and Weitzel 1996). In addition, we propose a simple method for estimating the level of paternity uncertainty from kin investment data; application of this method to our data on aunts and uncles suggests that between 13% and 20% of children are not the offspring of their putative father. Our parallel analyses of Euler and Weitzel’s (1996) data on grandparental investment suggest a similar estimate, that paternity uncertainty lies between 9% and 17%. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 39.1 (2006) 72-84 [Access article in PDF] "The Limbo of Ethical Simulacra": A Reply to Ron Greene Dana L. Cloud Department of Communication Studies University of Texas, Austin Steve Macek Department of Speech Communication North Central College James Arnt Aune Department of Communication Texas A&M University In two recent articles, "Another Materialist Rhetoric," and "Rhetoric and Capitalism" (1998, 2004), Ronald Walter Greene pays considerable attention to (...) Marxist rhetorical theory, especially the work of Dana L. Cloud (1994, 2001a, 2001b, 2002) and James Arnt Aune (1994, 2001). These essays usefully point up what is at stake in the debate between poststructuralist theory and Marxism: whether an instrumental, class-based, socialist critical and political project is still feasible and necessary in today's world. Rejecting both Aune's Marxist-humanist approach and Cloud's more economic vision of agency, Greene claims that the changing character of global capitalism and recognition of the "constitutive power" of discourse render rhetorical criticism and practical politics on a Marxist basis untenable. Although we appreciate Greene's engagement with Marxism, we contend that the arguments sketched out in his essays are theoretically and politically flawed.First, Greene's criticisms are directed against a crude caricature of Marxist epistemology that obscures the complexity of theories of representation and ideology in the historical materialist tradition. Second, underwriting Greene's entire project are confused, and in some cases demonstrably false, assessments of the nature and historical trajectory of world capitalism and of the current prospects for class-based social movements. Finally, Greene endorses something like a democratic project but offers no normative criteria for such a project beyond the immanence of always-already present communicative agency and the excesses of joy afforded (to some) by the capitalist system. We will examine each of these shortcomings in turn. [End Page 72] Real Lies: The Complexity of Marxist Epistemology Greene and other poststructuralists charge Marxist theorists in the field of rhetorical studies with holding a dubious representational theory of truth.1 In contrast, Greene embraces a critical approach that examines "how rhetorical practices create the conditions of possibility for a governing apparatus to judge and program reality" and that views "what is in the true" as rhetorically produced (1998, 22). At odds with Greene's approach, Marxists claim that, in a range of ways, ideological discourses reflect, distort, and/or negotiate with the objective social realities, interests, and lived experiences of contending classes in capitalist society. Moreover, we believe that—by means of interpretive, historical, and empirical research—Marxist scholars and activists may develop fuller and more accurate theoretical "representations" of such realities and interests and of the various ways they shape our lives and our political struggles.2This is not to say, however, that the process is simple or mechanistic. Marxist critical practice retains the evaluative power of realism without laying claim to absolute or unmediated empirical knowledge; moreover, we do not believe that ideas are mechanistically generated epiphenomena of economic motive. Discourses, as any communication scholar would agree and as Greene points out, do have effects or "effectivities." Yet anyone interested in a normative political project (which Greene wishes to escape, a point to which we shall return) must recognize the possibility of falsehood. However, as Raymond Geuss (1981) argues, falsehood is not only a matter of empirical misrepresentation. In addition to epistemic falsehood, ideological discourses may exhibit both functional falsehood (referring to how even plausible ideas can bolster oppressive power) and genetic falsehood (ideas promulgated by those with ulterior motives, or intentional mystification).Similarly, analytic Marxist Jon Elster (1985) offers a view of ideology that regards discourses as more than simple epiphenomena of economic situations and struggles.3 Elster describes three overlapping forms of ideological production: the interest-based dissemination of distorted ideas, the failure of social imagination associated with widespread support for the capitalist system and U.S. imperialism, and the psychological comfort of palliative discourses such as religion and patriotism.4 Understanding how widespread adherence to common-sense ideas is accomplished is a project central to... (shrink)