Results for ' figure-ground reversal'

976 found
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  1.  30
    Figure-ground reversal as a function of visual satiation.Julian E. Hochberg - 1950 - Journal of Experimental Psychology 40 (5):682.
  2.  61
    Beyond Single‐Mindedness: A FigureGround Reversal for the Cognitive Sciences.Mark Dingemanse, Andreas Liesenfeld, Marlou Rasenberg, Saul Albert, Felix K. Ameka, Abeba Birhane, Dimitris Bolis, Justine Cassell, Rebecca Clift, Elena Cuffari, Hanne De Jaegher, Catarina Dutilh Novaes, N. J. Enfield, Riccardo Fusaroli, Eleni Gregoromichelaki, Edwin Hutchins, Ivana Konvalinka, Damian Milton, Joanna Rączaszek-Leonardi, Vasudevi Reddy, Federico Rossano, David Schlangen, Johanna Seibtbb, Elizabeth Stokoe, Lucy Suchman, Cordula Vesper, Thalia Wheatley & Martina Wiltschko - 2023 - Cognitive Science 47 (1):e13230.
    A fundamental fact about human minds is that they are never truly alone: all minds are steeped in situated interaction. That social interaction matters is recognized by any experimentalist who seeks to exclude its influence by studying individuals in isolation. On this view, interaction complicates cognition. Here, we explore the more radical stance that interaction co-constitutes cognition: that we benefit from looking beyond single minds toward cognition as a process involving interacting minds. All around the cognitive sciences, there are approaches (...)
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  3.  21
    Figure-Ground Duality in Humour: A Multi-Modal Perspective.Tony Veale - 2008 - Lodz Papers in Pragmatics 4 (1):63-81.
    Figure-Ground Duality in Humour: A Multi-Modal Perspective Creativity with words or pictures is not simply a matter of communicating a message, but of communicating it well, in a way that is effective, original and which defies convention. Effectiveness here pertains to the pragmatic goals of the communicator, and the extent to which these are achieved, while originality pertains to the manner in which the message is framed. Language, for instance, provides a wealth of conventions for framing a message; (...)
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  4.  18
    The region of the vision-field, within which arbitrary reversion of ambivalent figure-ground patterns is possible.Walter Ehrenstein - 1940 - Journal of Experimental Psychology 27 (6):699.
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  5.  50
    Reversing figure and ground in the rationality debate: An evolutionary perspective.W. Todd DeKay, Martie G. Haselton & Lee A. Kirkpatrick - 2000 - Behavioral and Brain Sciences 23 (5):670-671.
    A broad evolutionary perspective is essential to fully reverse figure and ground in the rationality debate. Humans' evolved psychological architecture was designed to produce inferences that were adaptive, not normatively logical. This perspective points to several predictable sources of errors in modern laboratory reasoning tasks, including inherent, systematic biases in information-processing systems explained by Error Management Theory.
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  6.  11
    Re-Drawing the Lines of Reality: The Ontography of Reversible Gestalts.Michael W. Stadler - 2019 - Zeitschrift für Medien- Und Kulturforschung 10 (1):161-175.
    The notion of ontography is characterizable as open-source, both due to its collaborative development, its heterogeneous backgrounds and its broad applicability. In my paper, I concretize these open-source aspects of ontography firstly by redefining it with reference to E. Winkler’s dialogue Die Erkundung der Linie and secondly by applying it to the Gestalttheoretical topics of figure-ground reversals and bidirectional part-whole relations.
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  7.  21
    The Spiral Structure of Marshall McLuhan’s Thinking.Izabella Pruska Oldenhof & Robert Logan - 2017 - Philosophies 2 (2):9.
    We examine the spiral structure of the thinking and the work of Marshall McLuhan, which we believe will provide a new way of viewing McLuhan’s work. In particular, we believe that the way he reversed figure and ground, reversed content and medium, reversed cause and effect, and the relationship he established between the content of a new medium and the older media it obsolesced all contain a spiral structure going back and forth in time. Finally, the time structure (...)
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  8.  26
    The Alphabet Effect Re-Visited, McLuhan Reversals and Complexity Theory.Robert Logan - 2017 - Philosophies 2 (1):2.
    The alphabet effect that showed that codified law, alphabetic writing, monotheism, abstract science and deductive logic are interlinked, first proposed by McLuhan and Logan, is revisited. Marshall and Eric McLuhan’s insight that alphabetic writing led to the separation of figure and ground and their interplay, as well as the emergence of visual space, are reviewed and shown to be two additional effects of the alphabet. We then identify more additional new components of the alphabet effect by demonstrating that (...)
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  9.  58
    The "Figure" of God and the Limits to Liberalism: A Rereading of Locke's "Essay" and "Two Treatises".Vivienne Brown - 1999 - Journal of the History of Ideas 60 (1):83.
    In lieu of an abstract, here is a brief excerpt of the content:The “Figure” of God and the Limits to Liberalism: A Rereading of Locke’s Essay and Two TreatisesVivienne BrownI. A current interpretative issue in reading John Locke’s texts is the relationship between Locke’s theology and political philosophy. 1 Reacting against the secular interpretations of C. B. Macpherson and Leo Strauss, John Dunn argued that Locke’s theology was axiomatic for the political philosophy of the Two Treatises of Government in (...)
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  10.  70
    (1 other version)On simultaneous masking in the visual field.Giovanni Bruno Vicario - 2003 - Axiomathes 13 (3):399-432.
    The concept of simultaneous masking in visual field is discussed, in the light of classical examples, of the various kinds of the phenomenon, of a modal completion, of the figure/ground phenomenon, of ambiguous and reversible figures, of mimicry and camouflage and eventually of the complexity of the stimulus. There is some reference to masking in auditory field. The “reality” of the masked configuration is discussed, drawing the conclusion that it is perceptually unreal. The fact that the masking phenomenon (...)
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  11.  33
    Inconsistencies in Temporal Metaphors: Is Time a Phenomenon of the Third Kind?Jacek Tadeusz Waliński - 2020 - Studies in Logic, Grammar and Rhetoric 61 (1):163-181.
    This paper discusses the problem of inconsistencies in the metaphorical conceptualizations of time that involve motion within the framework of conceptual metaphor theory (CMT). It demonstrates that the TIME AS A PURSUER metaphor contrasts with the reverse variant TIME AS AN OBJECT OF PURSUIT, just as the MOVING TIME metaphor contrasts with the MOVING OBSERVER variant. Such metaphorical conceptualizations of time functioning as pairs of minimally differing variants based on Figure-Ground reversal are, strictly speaking, inconsistent with one (...)
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  12.  71
    The Flow of Meaning.Paul Stronge - 2012 - Process Studies 41 (1):42-63.
    This paper explores the topic of meaning and its relation to symbolism through a contrastive reading of Whitehead’s 1927 Barbour-Page Lectures alongside the contemporary anthropologist Roy Wagner’s Symbols that Stand for Themselves. Despite their adoption of different registers of inquiry, a complementary relation may be posited between the two approaches. In particular, Whitehead’s emphasis on the foundational nature of symbolic reference within experience and its extendedness beyond merely human contexts may be grafted productively onto Wagner’s discussion of the “orders of (...)
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  13. La relazione percettiva nella fenomenologia sperimentale.Floriana Ferro - 2021 - Aesthetica Preprint 117:57-71.
    The paper is focused on the concept of perceptual relation according to experimental phenomenology, belonging to Gestaltist and ecological traditions. First of all, it will be shown the meaning of “relation” in the perceptual domain, including a specific definition of object and subject. For this purpose, the paper will present the difference with the representationalist perspective, which challenges immediate experience and the perception of unified objects. Secondly, the concept of “perceptual relation” will be compared to the idea of Gestalttheorie’s “intrinsic (...)
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  14.  21
    Crosscultural dialogue, Merleau-Ponty's reversibility and its interpretation by means of yoga.A. Hrdinska - 2005 - Filozofia 60 (3):185-191.
    The aim of a comparison of two traditions is not an aim in itself. In the paper the,approximation" of two cultures has the role of a mirror of self-comprehension. Merleau-Ponty's intention to bring philosophy,down to earth" is implemented by the boundaries of ,,inner-outer" and crossing subjectivity and objectivity in the Cartesian paradigm. His phenomenology of the body is,understandable" or, better to say ,,elucidatory" through the term of pranayama - the yogic breath control. Emphasis on experiencing ,,movement in space" - dimensionality, (...)
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  15.  61
    Laws of Media, Their Environments and Their Users: The Flip of the Artifact, Its Ground and Its Users.Zeynep Iseri & Robert Logan - 2016 - Philosophies 1 (2):153--161.
    Marshall McLuhan’s Laws of Media, which describe the evolution of artifacts in terms of enhancement, obsolescence, retrieval, and reversal are extended to create Laws of Media Environments and Laws of Media Users. It is shown that the environment or ground in which the figures of the artifacts in the LOM operate and the users of those artifacts undergo, respectively, a similar evolution of enhancement, obsolescence, retrieval, and reversal paralleling McLuhan’s original LOM.
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  16.  23
    Transposing Gestalt Phenomena from Visual Fields to Practical and Interactional Work: Garfinkel’s and Sacks’ Social Praxeology.Michael Eisenmann Lynch - 2022 - Philosophia Scientiae 26:95-122.
    In lectures and writings in the decades following the publication of Studies in Ethnomethodology [1967], Harold Garfinkel, the founder of ethnomethodology, developed what he called a “misreading” of the phenomenological writings of Aron Gurwitsch, Maurice Merleau-Ponty and others. Garfinkel’s “misreading” included a selective and creative treatment of themes that Gurwitsch drew from Gestalt psychology, such as figure-ground, Gestalt contexture, and the phenomenal field. Rather than identifying these themes with visual perception demonstrated with picture-puzzles (for example, of animals hidden (...)
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  17.  17
    Existential Biology: Kurt Goldstein's Functionalist Rendering of the Human Body.P. M. Whitehead - 2019 - Journal of Consciousness Studies 27 (1-2):206-224.
    The author clarifies the existential philosophy that is implicit in Kurt Goldstein's philosophy of organism (Goldstein, 1963; 1995). Situated in response to the growing trend that psychological phenomena are reducible to the nervous system, the author argues for the reverse: that the significance of nervous system activity can only be understood by viewing it as background to foreground performances. Like the organization of perception into meaningful figure-- ground Gestalts, the existential modes of embodiment, sociality, temporality, spatiality, and attunement (...)
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  18.  11
    Infant single words for dynamic events predict early verb meanings.Lorraine McCune & Ellen Herr-Israel - 2019 - Cognitive Linguistics 30 (4):629-653.
    Do children’s single words related to motion and change also encode aspects of environmental events highlighted by Talmy’s motion event analysis? If so, these meanings may predict children’s early verb meanings. Analyzing the kinds of meanings expressed in single “dynamic event words” through motion event semantics yields links between early true verbs in sentences and the semantics encoded in these single words. Dynamic event words reflect the sense of temporal and spatial reversibility established in the late sensorimotor period. We propose (...)
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  19.  27
    Field-ground reversal in islamic art as a model for confronting indeterminancy in theology.William M. Johnston - 2003 - Sophia 42 (1):31-46.
    Field-ground reversal underlies Islamic art's use of repeating geometric patterns or tessellations. Encounter with field-ground reversal suggests the notion of ‘oscillationism’ to mean willingness to oscillate between two equally plausible opposites rather than to affirm one or the other of them. This article explores oscillationism as a move for confronting theories of evil and for assessing the merits of foundationalism without succumbing to cognitive dissonance. The article goes on to examine F.D.E. Schleiermacher's suggestion of 1799 that (...)
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  20.  38
    Figure-ground dominance as a function of sector angle, brightness, hue, and orientation.Tadasu Oyama - 1960 - Journal of Experimental Psychology 60 (5):299.
  21.  39
    Figure-ground contrast and binocular rivalry.L. T. Alexander & P. D. Bricker - 1952 - Journal of Experimental Psychology 44 (6):452.
  22.  33
    Figure, Ground and the Notion of Equilibria in the Work of Gilbert Simondon and Gestalt theory.Jacqueline Bellon - 2019 - Gestalt Theory 41 (3):293-317.
    Summary Based on Clausius’ phrasing of a “transformational content” and the resulting 2nd law of thermodynamics, I demonstrated that Gilbert Simondon’s On the Mode of Existence of Technical Objects is historically situated at the threshold of understanding open systems thermodynamics and the related concepts of balance. Furthermore, I showed that Gestalt theory, as represented by Wolfgang Köhler, at least reproduced, if not partially anticipated or even prepared this development of 20th century thinking. Finally, I gave some short examples of how (...)
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  23.  81
    The figure-ground model for the explanation of the determination of indexical reference.Lawrence D. Roberts - 1986 - Synthese 68 (3):441 - 486.
  24. Color and figure-ground: From signals to qualia.Birgitta Dresp-Langley & Adam Reeves (eds.) - 2014 - Routledge.
    The laws which predict how the perceptual quality of figure-ground can be extracted from the most elementary visual signals were discovered by the Gestaltists, and form an essential part of their movement (see especially Metzger, 1930, and Wertheimer, 1923 translated and re-edited by Lothar Spillmann, 2009 and 2012, respectively). Distinguishing figure from ground is a prerequisite for perception of both form and space (the relative positions, trajectories, and distances of objects in the visual field. The human (...)
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  25.  51
    Figureground organization and the emergence of proto-objects in the visual cortex.Rüdiger von der Heydt - 2015 - Frontiers in Psychology 6.
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  26.  30
    The influence of figure-ground relationships in binocular rivalry.Lawrence T. Alexander - 1951 - Journal of Experimental Psychology 41 (5):376.
  27.  43
    The Figure-Ground Phenomenon in Experimental and Phenomenological Psychology.V. J. McGill - 1970 - Philosophy and Phenomenological Research 31 (2):301-301.
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  28.  26
    Brightness contrast as a function of figure-ground relations.Stanley Coren - 1969 - Journal of Experimental Psychology 80 (3p1):517.
  29.  35
    Effect of training on figure-ground organization.Henry G. Cornwell - 1964 - Journal of Experimental Psychology 68 (1):108.
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  30. Effects of saturation and contrast polarity on the figure-ground organization of color on gray.Birgitta Dresp-Langley & Adam Reeves - 2014 - Frontiers in Psychology 5:1-9.
    Poorly saturated colors are closer to a pure grey than strongly saturated ones and, therefore, appear less “colorful”. Color saturation is effectively manipulated in the visual arts for balancing conflicting sensations and moods and for inducing the perception of relative distance in the pictorial plane. While perceptual science has proven quite clearly that the luminance contrast of any hue acts as a self-sufficient cue to relative depth in visual images, the role of color saturation in such figure-ground organization (...)
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  31.  38
    (1 other version)Training on Movement Figure-Ground Discrimination Remediates Low-Level Visual Timing Deficits in the Dorsal Stream, Improving High-Level Cognitive Functioning, Including Attention, Reading Fluency, and Working Memory.Teri Lawton & John Shelley-Tremblay - 2017 - Frontiers in Human Neuroscience 11.
  32.  18
    Vergence eye movements during figure-ground perception.Maria Solé Puig, August Romeo & Hans Supèr - 2021 - Consciousness and Cognition 92 (C):103138.
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  33.  25
    The role of punishment in figure-ground reorganization.G. L. Mangan - 1959 - Journal of Experimental Psychology 58 (5):369.
  34.  27
    The figure-ground phenomenon in experimental and phenomenological psychology.Jan C. Bouman - 1968 - Solna,: Seelig.
  35. The effect of figure-ground segregation on visual search and implicit learning.E. Kim, J. Lee & W. Jung - 1996 - In Enrique Villanueva (ed.), Perception. Ridgeview Pub. Co. pp. 137-137.
  36.  42
    Cortical Dynamics of Figure-Ground Separation in Response to 2D Pictures and 3D Scenes: How V2 Combines Border Ownership, Stereoscopic Cues, and Gestalt Grouping Rules. [REVIEW]Stephen Grossberg - 2015 - Frontiers in Psychology 6.
  37.  13
    Metaphor and figure-ground relationship: comparisons from poetry, music, and the visual arts.Jeroen Vandaele & Geert Brône - 2009 - In Jeroen Vandaele & Geert Brône (eds.), Cognitive Poetics: Goals, Gains and Gaps. Mouton de Gruyter.
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  38.  49
    The role of autism in a visual figure-ground relationship.R. Schafer & G. Murphy - 1943 - Journal of Experimental Psychology 32 (4):335.
  39.  21
    The initial identification of figure-ground relationships: Contributions from shape recognition processes.Mary A. Peterson & Bradley S. Gibson - 1991 - Bulletin of the Psychonomic Society 29 (2):199-202.
  40.  21
    Moving Figures and Grounds in music description.Phillip Wadley, Thora Tenbrink & Alan Wallington - 2024 - Cognitive Linguistics 35 (1):109-141.
    This paper is a systematic investigation of motion expressions in programmatic music description. To address issues with defining the Source MOTION and the Target MUSIC, we utilize Gestalt models (Figure-Ground and Source-Path-Goal) while also critically examining the ontological complexity of the Target MUSIC. We also investigate music motion descriptions considering the role of the describer’s perspective and communicative goals. As previous research has demonstrated, an attentional Goal-bias is common in physical motion description, yet this has been found also (...)
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  41. Emerging Faces: The Figure-Ground Relation from Renaissance Painting to Deepfakes.Maria Giulia Dondero - 2024 - In Massimo Leone (ed.), The hybrid face: paradoxes of the visage in the digital era. New York, NY: Routledge/Taylor & Francis Group.
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  42.  20
    Cortical dynamics of three-dimensional figureground perception of two-dimensional pictures.Stephen Grossberg - 1997 - Psychological Review 104 (3):618-658.
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  43.  21
    Improving Dorsal Stream Function in Dyslexics by Training Figure/Ground Motion Discrimination Improves Attention, Reading Fluency, and Working Memory.Teri Lawton - 2016 - Frontiers in Human Neuroscience 10.
  44.  40
    A threshold difference produced by a figure-ground dichotomy.Bernard Weitzman - 1963 - Journal of Experimental Psychology 66 (2):201.
  45.  37
    Prior experience as a determinant of figure-ground organization.Henry G. Cornwell - 1963 - Journal of Experimental Psychology 65 (2):156.
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  46.  35
    A re-examination of the effect of monetary reward and punishment on figure-ground perception.Irvin Rock & Frederick S. Fleck - 1950 - Journal of Experimental Psychology 40 (6):766.
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  47.  51
    Charles Lamb: Professor of indifference.Tim Milnes - 2004 - Philosophy and Literature 28 (2):324-341.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 28.2 (2004) 324-341 [Access article in PDF] Charles Lamb: Professor of Indifference Tim Milnes University of Edinburgh Nothing puzzles me more than time and space, and yet nothing puzzles me less, for I never think about them.1 I The name of Charles Lamb—essayist, poet, and notorious punster—does not loom large in studies of the philosophy of the English Romantics. The reasons for this initially unsurprising fact (...)
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  48.  42
    Reading a standing wave: Figure-ground-alternation masking of primes in evaluative priming.Christina Bermeitinger, Michael Kuhlmann & Dirk Wentura - 2012 - Consciousness and Cognition 21 (3):1109-1121.
    We propose a new masking technique for masking word stimuli. Drawing on the phenomena of metacontrast and paracontrast, we alternately presented two prime displays of the same word with the background color in one display matching the font color in the other display and vice versa. The sequence of twenty alterations was sandwich-masked by structure masks. Using this masking technique, we conducted evaluative priming experiments with positive and negative target and prime words. Significant priming effects were found – for primes (...)
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  49.  30
    National myth in German drama of the 1830-1870s.M. K. Menshchikova - 2016 - Liberal Arts in Russia 5 (1):52.
    In the article three tragedies: ‘The Battle of Arminius‘ by Christian Dietrich Grabbe, ‘Nibelungs‘ by Friedrich Hebbel, ‘The Ring of the Nibelung‘ by Richard Wagner are considered. The aim of this paper is to investigate how history reception and mythological material correlates with the idea of national identity. The comparative-historical, typological and historical-genetic methods are applied in this publication. The genres of historical, philosophical and mythological tragedy became the most popular genres in the socio-political conditions in the 30s of the (...)
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  50.  19
    Battlefield Triage.Christopher Bobier & Daniel Hurst - 2024 - Voices in Bioethics 10.
    Photo ID 222412412 © US Navy Medicine | Dreamstime.com ABSTRACT In a non-military setting, the answer is clear: it would be unethical to treat someone based on non-medical considerations such as nationality. We argue that Battlefield Triage is a moral tragedy, meaning that it is a situation in which there is no morally blameless decision and that the demands of justice cannot be satisfied. INTRODUCTION Medical resources in an austere environment without quick recourse for resupply or casualty evacuation are often (...)
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