The phenomenological vision, particularly, Husserl’s idea of critique as an infinite vocational theoria and Patočka’s as an enduring programme, view Platonic logic and Socratic act as the paradigms for a normative justification of the idea of universal science and philosophy. In light of that, the Thrasymachus-Socrates debate is interpreted as a case to testify the critical power of philosophy successfully exercised over sophistic tyrannical non-philosophy. This paper criticizes the phenomenological idealization of the Socratic victory as an ethico-teleologically anticipated success of (...) philosophy and rewrites the defeat of Thrasymachus as a political failure in warring with philosophy during which Thrasymachus questions the legitimacy of the act of philosophizing to decide its legitimacy and thereby exposes the politics played out in that act. (shrink)

The Nation of Islam (NOI) has intrigued American society since its inception in 1930. Historically, the religio-nationalist organization has been the object of admiration for its uncanny ability to reform the lives of downtrodden blacks. At the same time, the NOI has garnered condemnation for the controversial, racialized and divisive doctrine that it espouses. This condemnation has led to a dismissal of the NOI’s doctrine as reactionary, bigoted, and fanciful myth-making. In recent decades however, scholars have begun interrogating the doctrine (...) of the NOI. Rather than dismissing it, scholars in various fields have recognized the critical and phenomenological nature of its doctrine as it goes about the “mental, physical, and spiritual resurrection” of black Americans. In this article, I interrogate three of the most controversial claims of the NOI: The White man is the devil, the Black man is God, and its endorsement of the separation of Blacks into their own territory. Viewed through the lens of phenomenology, I submit that the NOI’s doctrine and actions should be viewed as the establishment of an emancipative and recuperative “Phenomenology of Blackness” that counters a lifeworld built upon the disembodiment and dehumanization of Black bodies. Reframing the NOI’s doctrine in this way positions it as a linguistic, religiously stylized, praxis-oriented critical hermeneutic phenomenology. (shrink)

The main goal of this paper is to show Nicholas de Cusa’s influence on the notion of Icon (icône) as counter-intentionality in Jean-Luc Marion’s phenomenology of givenness. In order to do this, first, we offer a study of the early conception of Icon in Marion, as it appears in L’Idole et la distance (1977) and Dieu sans l’être (1982), showing the passage from an early conception of the icon to its first phenomenological formulation. As we will see, in (...) this early period there is already an influence of the christian neoplatonic tradition (Dionysius the Areopagite). Secondly, we analyze the reception practiced by Marion of the Nicholas of Cusa’s thought. In this case, we indicate specifically how the Cusanian notion of eicona dei appears as a fundamental historical antecedent of the Icon as a saturated phenomenon, thus revealing the importance of Christian Neoplatonism in the phenomenology of givenness. (shrink)

The article raises the subject of intentionality of art in the light of transformations that counter-intentional phenomenology and non-intentional phenomenology have undergone. The changes to the way intentionality was understood substantially influenced aesthetic reflection and for that reason the starting point for the article is the analysis of Edmund Husserl’s intentional phenomenology followed by counter-intentional phenomenology of Jean-Luc Marion and non-intentional phenomenology of Michel Henry. Next, we will analyse how the ideas were absorbed (...) by the developing phenomenological reflection on art, which paradoxically resulted in counter-reduction of the world and existential opening to experiencing its contents thanks to art. At the same time, the changes in understanding intentionality opened new directions for research into the intentionality of art itself. Therefore, the article aims at pointing towards contemporary research areas for phenomenological aesthetics and also indicates major methodological problems related to counter-intentional and non-intentional research perspective. (shrink)

Unarguably, Jean-Luc Marion is the leading figure in French phenomenology as well as one of the proponents of the so-called “theological turn” in European philosophy. In this volume, Kevin Hart has assembled a stellar group of philosophers and theologians from the United States, Britain, France, and Australia to examine Marion's work—especially his later work—from a variety of perspectives. The resulting volume is an indispensable resource for scholars working at the intersection of philosophy and theology. “This is a ground-breaking book (...) by leading continental thinkers on one of the most pioneering and controversial voices to emerge in French thought in decades. This volume addresses the lynch-pin of Marion's thought—the point where philosophy and theology, gift and revelation, impossibility and grace, intersect in fascinating and arresting ways. Kevin Hart, as editor, assembles and conducts a magisterial intellectual orchestra.” —Richard Kearney, Boston College “The collective strength of these exceptionally high-quality essays is the authors’ diversity of reflection on the relation of phenomenology to theology. Readers new to Marion will find their way into the _corpus_ and those already familiar with Marion’s work will encounter stimulating interpretations, challenges, and defenses. Valuable, too, are Hart’s introduction to Marion as phenomenologist and Marion’s defense of the saturated phenomenon that bookend the volume.” —Merold Westphal, Fordham University “As a sophisticated engagement with the question of Marion’s relation to Christian theology specifically, and as a general response to Marion’s work as a whole, _Counter-Experiences_ is an undeniable success. The authors treat Marion’s texts carefully, bring impressive intellectual force to their task, and provide rich documentation in the strongest volume of work on Marion’s thought yet to appear in English.” —Jeffrey Bloechl, College of the Holy Cross. (shrink)

There is a long-standing tradition of questioning the viability and scientificity of first-person methods. Husserlian reflective methodology, in particular, has been challenged on the basis of its perceived inability to meet the standards of objectivity and reliability, leading to what has been called “phenomenological skepticism” ( Roy, 2007 ). In this article, I reassess this line of objection by outlining Daniel C. Dennett’s empirically driven skepticism and reconstructing his methodological arguments against Husserlian phenomenology. His ensuing phenomenological skepticism is divided (...) into strong skepticism and categorical and gradual versions of weak skepticism. Both strands of Dennett’s criticism are then countered by analyzing the key components of Husserl’s method of phenomenological reflection: epoché and transcendental reduction, intentional analysis, eidetic variation, and intersubjective validation. Laying out the basic features of phenomenological reflection serves two purposes. First, it undermines Dennett’s methodological arguments, which are based on the unfounded assumptions that Husserl is committed to introspection, methodological solipsism, the first-person-plural presumption, and the lone-wolf approach. Second, it shows how Husserl’s own methodology can alleviate the more justified empirical worries concerning overinterpretation, underdescription, and disagreement. Finally, I argue that gradual weak skepticism is the only plausible form of phenomenological skepticism and conclude that Husserlian methodology is well-equipped to combat it. (shrink)

This book looks at two ‘revolutions’ in philosophy – phenomenology and conceptual analysis which have been influential in sociology and psychology. It discusses humanistic psychiatry and sociological approaches to the specific area of mental illness, which counter the ultimately reductionist implications of Freudian psycho-analytic theory. The book, originally published in 1973, concludes by stating the broad underlying themes of the two forms of humanistic philosophy and indicating how they relate to the problems of theory and method in sociology.

Philosophy and Phenomenological Research, Volume 104, Issue 1, Page 250-255, January 2022.

The concept of counterspeech denotes a non-coercive and non-censoring method for reacting to harmful speech, with the aim of impeding or at least diminishing its damaging effects. Remarkable work is being done by researchers and activist groups on elaborating practical strategies of countering hate speech online. Though, research in moral and political philosophy exploring the effectivity of counterspeech and grounding the reasons for engaging in it still remains in its early stages. In the following paragraphs I will address recent contributions (...) which elaborate on the viability and normative aspects of counterspeech. Outlining their valuable insights, but also their failure to give due importance to the peculiarities of online speech dynamics, I will highlight relevant features on which future research about online harmful speech and counterspeech can build. (shrink)

In this article, the authors use the context of childbirth to consider the power that is endemic in certain forms of evidence within maternity care research. First, there is consideration of how the current evidence hierarchy and experimental‐based studies are the gold standard to determine and direct women's maternity experiences, although this can be at the detriment of care and irrespective of women's needs. This is followed by a critique of how the predominant means to assess women's experiences via satisfaction (...) surveys is of limited utility, offering impartial and restricted insights to assess the quality of care provision. A counter position of hermeneutic phenomenology as research method is then described. This approach offers an alternative perspective by penetrating the taken‐for‐granted ordinariness of an event (such as childbirth) to elicit rich emic meanings. Whilst all approaches to understanding maternity care have a place, depending on the question(s) being asked, the contribution of phenomenology is how it can uncover a depth of contextual understanding into what matters to women and to inform and transform care delivery. (shrink)

Why are the visual arts so important and what is it that makes their forms significant? Countering recent interpretations of meaning that understand visual artworks on the model of literary texts, Crowther formulates a theory of the visual arts based on what their creation achieves both cognitively and aesthetically. He develops a phenomenology that emphasizes how visual art gives unique aesthetic expression to factors that are basic to perception. At the same time, he shows how various artistic media embody (...) these factors in distinctive ways. Attentive to both the creation and reception of all major visual art forms, _Phenomenology of the Visual Arts_ also addresses complex idioms, including abstract, conceptual, and digital art. (shrink)

This article examines stasis in Chantal Akerman's cinema by means of a genealogical study into its minimalist origins in order to make visible its political operationality in her work and, by extension, its inherent political potential. Stasis is an aesthetic effect generated through the use of repetition, seriality, and duration in temporal media that proliferated in Minimalism across artforms and was taken up by Akerman during her séjour in New York in the early 1970s. The characteristic endless temporality created by (...) stasis in temporal media takes shape in Minimalism due in part to the movement's literalist, phenomenological orientation, which at one point caused Minimalist art to be regarded as nonideological – this while the static quality in Akerman's work appears to be constitutive of its political character. A study of her early films Hotel Monterey (1972) and Je tu il elle (1974), clearly influenced by the Minimalist scene she was immersed in, illustrates how stasis emerges analogously in Minimalist music, dance, and Akerman's cinema. Minimalism's paradigmatically phenomenological orientation and its intricate entwinement with stasis are examined in relation to Akerman's work to reveal their inherent potential for political operationality in art. (shrink)

In this paper, I investigate the experience of hope by focusing on experiences that seem to rival hope, namely, disappointment, desperation, panic, hopelessness, and despair. I explore these issues phenomenologically by examining five kinds of experiences that counter hope (or in some instances, seem to do so): first, by noting the cases in which hope simply is not operative, then by treating the significance of both desperation and pessimism, next by examining the experience of hopelessness, and finally, by treating (...) the experience of despair. Here despair is shown to constitute the most profound challenge to hope among these experiences and to be foundational for the others, even though it is disclosed ultimately as founded in hope. (shrink)

Everyday teaching involves emotional and relational irrationalities, and these aspects of pedagogical sensitivity and sense are critical for beginning teachers as they develop their practice. The complex elements of what it means to teach are often impossible to grasp from an instrumental approach to teacher education, which emphasizes subject matter knowledge and practical behavioral know-how. Increased educational standardisation and a new teacher training paradigm in Sweden have resulted in positioning future teachers as responsible only for communicating official school knowledge and (...) assessing their learning process. This narrowed understanding of teachers’ practice requires another perspective of teaching to be articulated. This article explores the internships of beginning teachers from a phenomenological perspective, drawing on storytelling in teacher education as a way to reveal student teachers’ lived experiences. These beginning teachers are learning professional ways of being, which reveal the complexities of teaching, and their accounts have the potential to counter the dominance of neoliberalism in education. (shrink)

This paper asks how perception becomes racializing and seeks the means for its critical interruption. My aim is not only to understand the recalcitrant and limitative temporal structure of racializing habits of seeing, but also to uncover the possibilities within perception for a critical awareness and destabilization of this structure. Reading Henri Bergson and Maurice Merleau-Ponty in dialogue with Frantz Fanon, Iris Marion Young and race-critical feminism, I locate in hesitation the phenomenological moment where habits of seeing can be internally (...) fractured. Hesitation, I claim, makes visible the exclusionary logic of racializing and objectifying perception, countering its affective closure and opening it to critical transformation. (shrink)

Spinoza Contra Phenomenology fundamentally recasts the history of postwar French thought, typically presumed to have been driven by a critique of reason indebted to Nietzsche and Heidegger. Although the reception of phenomenology gave rise to many innovative developments in French philosophy, from existentialism to deconstruction, not everyone in France was pleased with this German import. This book recounts how a series of French philosophers used Spinoza to erect a bulwark against the nominally irrationalist tendencies of phenomenology. From (...) its beginnings in the interwar years, this rationalism would prove foundational for Althusser's rethinking of Marxism and Deleuze's ambitious metaphysics. There has been a renewed enthusiasm for Spinozism of late by those who see his work as a kind of neo-vitalism or philosophy of life and affect. Peden counters this trend by tracking a decisive and neglected aspect of Spinoza's philosophy—his rationalism—in a body of thought too often presumed to have rejected reason. In the process, he demonstrates that the virtues of Spinoza's rationalism have yet to be exhausted. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Phenomenology of Superstition or a Phenomenological Superstition?Elena Ibáñez-Guerra (bio)KeywordsBehaviorism, constructionism, intentionality, operant behaviorWhen the editors of Philosophy, Psychiatry, & Psychology asked me to make some brief comments on two articles for the special issue edited by Pérez-Álvarez and Sass, I was delighted to accept, thinking that the task would be a straightforward one, and that I could easily meet the agreed deadline. But nothing could be further (...) from the truth. The articles were of such density and their content of such profundity that it took months of interpretation and study, and of bringing my own knowledge up to date, before I was in a position to understand the concepts, adjust my beliefs, and make some comments. I could certainly have delivered some kind of eulogy about the brilliance of their content; I might have countered with my own article. However, what seemed most coherent to me was to meet their arguments head on and deal with what I consider to be their principal weaknesses, leaving the bouquets for the end.The articles set out, as I understand them and within the clinical context, to relate phenomenology, in its most traditional form, with the most current form of Skinnerian behaviorism, situating themselves in a contextualism that is, at the same time, close to and removed from the most radical type of social constructionism.But let us begin by looking more closely at “Phenomenology and Behaviorism.” It is novel for me, though Professor Pérez-Álvarez had already proposed it several years ago (Pérez-Álvarez 1992), to view operant behavior as intentionality, or at least as involving final causality according to the Aristotelian classification. It is a surprising contention, not least because, as I recall, Skinner lived in a time and a context (historical reason) in which the basic goal of psychology was to convert itself into a natural science, comparable in all respects to physics, which it took as a model, focusing therefore on efficient causality (also according to Aristotle’s terminology), so that behavior was considered as the immediate consequence of a stimulus, and the stimulus–response association became the cornerstone of the discipline. It is true that the operant behavior concept refers to the functional relationship between behavior and reinforcement, but it is no less true that Skinner’s definition of reinforcement is totally empirical—“all that which increases or decreases the probability”—meaning that reinforcement can be considered neither as a motive nor as a reason for behavior, unless it be in the eyes of the observer. [End Page 251]Furthermore, even though Yela (1987) refers to Ortega y Gasset’s formula “I am myself and my circumstances” as a Skinnerian approach, the truth is that Yela himself argues that it is precisely the self that constitutes personality, such that I have a personality because I am me, and not vice versa, as Skinner would appear to argue. In this regard, Ortega’s celebrated formula has generally been interpreted, from the most personalist perspectives, as “the circumstances are myself”—to highlight the denial of the psychological subject by radical behaviorism (Mischel’s [1968] criticism of the concept of personality is relevant here). On top of this, Skinner’s rejection of all that was not directly observable, or at least, that could not be operationalized, calls into question the admissibility of anything called final cause or intentionality of behavior. In his philosophy, all the indications are that contingencies are what determine behavior; and that there would be no room for a structural causality, as Althusser would argue, or of a reciprocal determinism, in Bandura’s terms, or even of an interaction between subject and environment, as modern interactionists would maintain. “I am myself and my circumstances” seems in Skinner to become “the circumstances are me”, and indeed, the reinforcement history – which in the article in question is considered as something akin to the Sartrian idea of “life project” – is for Skinner nothing more than a continuous association of events. In my view, Ortega’s perspectivism would perhaps be closer to the sociology of the American action theorists, Merton, Parsons, etc., than to Skinnerian behaviorism, since “action”—as the action theorists... (shrink)

The paper is a critical analysis of Paul Ricoeur’s philosophy of work as it is formulated in a number of essays from the 1950s and 60s. It begins with a reconstruction of the central theses advanced in ‘Travail et parole’ (1953) and related texts, where Ricoeur sought to outline a philosophical anthropology in which work is given its due. To give work its due, from an anthropological standpoint, is to see it as limited by counter-concept of language, according to (...) Ricoeur. The paper then argues that this way of understanding the anthropological significance of work is not only internally problematic, but at odds with phenomenological insights to be found elsewhere in Ricoeur’s oeuvre, particularly Le Volontaire et l’involontaire (1950). The final section of the paper makes some suggestions for how the phenomenological and anthropological poles of a philosophy of work might be better integrated, and the ‘nexus between speech and work’ better described. (shrink)

In “Is Justified True Belief, Knowledge?” Gettier shows us two counter examples of analyzing Knowledge, as “Justified True Belief” or “JTB”. Lots of scholars have reconstructed similar counter examples to JTB but we can see they follow a similar algorithm. Other scholars have tried to re-analyze knowledge by adding a fourth element to JTB and reformulating knowledge in a “JTB+X” formula and some replaced justification with another alternative component (Y) and proposed a “YTB” analysis of knowledge. In this (...) article I first overview Gettier’s problem and I show that we can construct a similar Gettier problem for each “JTB+X” or “YTB” formula. After that, I will focus on re-analyzing knowledge with a phenomenological attitude that can avoid Gettier’s problem. (shrink)

Hidden away in the remote corners of one of the largest parts of Husserl's Kˆrper, if we can use that word to translate Corpus, there is ein Leib , an animate body of text that reverberates not only with some of Husserl's other little known texts, but also with some of the most recent discoveries in neuroscience. These texts suggest a theory of intersubjectivity, or what psychologists term social cognition. Let me start with a proviso: whether Husserl ever fully settled (...) on this theory is completely open to interpretation. Accordingly, I will leave it to Husserlian scholars to determine whether this is a position that Husserl actually or ultimately embraces, either in the years 1906 through 1913 when he writes some of these texts, or later when he writes other related texts. The texts in question are from Husserl's early years and they are rather tentative and reactive in nature, since he was just beginning to think of these problems, and he was responding to proposals put forward by Lipps and Meinung. That's also why I claim that these texts suggest a theory of social cognition rather than anything like a pure phenomenology of intersubjectivity. Husserl was trying to work out ways to counter the theories of Lipps and Meinung, and his reflections, I think, should count as phenomenologically informed theory. (shrink)

I counter a tendency in critical phenomenology to read Frantz Fanon as derivative upon, indeed reducible to, other (European) phenomenologies, eliding the originality and contemporaneity of his method. I propose it is time to read phenomenology through Fanon, instead of centering analysis on his assumed debt to Maurice Merleau‐Ponty's body schema. Fanon reconfigures and ungrounds phenomenology in Peau noire, masques blancs (Black Skin, White Masks). I show how he creates his own method through an anticolonial (...) class='Hi'>phenomenology of touch and affect that breaks with the perceptual spectacle at the center of most phenomenologies before him. I read Fanon's “toucher du doigt”—in contrastive relation to Edmund Husserl's touch‐sensings—to define a phenomenology that dwells with colonial wounding and holds the memory of a “burning” colonial duration. This is to say that Fanon's phenomenology is not mere description; rather, Fanon invents a critical, distinctly temporal, and anticolonial method from the affective territory in which he has had to dwell. This method addresses the conditions of possibility for doing (critical) phenomenology. Fanonian phenomenology makes tangible the (de)structuring violence through which colonialism ontologizes itself, while providing tools to dwell with the wounding and critically mine it—to create possibilities for living otherwise than what colonialism makes of us. (shrink)

This paper takes up the problem of correlationism from a phenomenological perspective. Speculative realists, such as Quentin Meillassoux and Graham Harman, seek to establish new forms of Continental realism largely because, in their view, phenomenology cannot adequately account for the real. To counter these claims, I will use what I call a “critical phenomenological approach”, which critically delimits the real from the intentional relation, and thus makes possible a phenomenological theory of the real. This approach to realism establishes (...) not only that the real is independent from the intentional relation but also that the intentional relation itself is contingent with regard to the real. Furthermore, it also shows that the human being is exposed to the real in an originary way that calls into question the adequacy of Meillassoux’s and Harman’s forms of realism. (shrink)

In this article, we analyse the relation of philosophy and theology in the work of Jean‑Luc Marion in order to be able to see not only how the phenomenology of givenness can serve as a “new apologetics” for theology, but also how Marion’s phenomenology itself, in its historical development and in its core principle and method, is influenced and changed by theological phenomena. We present three ways of describing the relation, tension, mutual influence and separation of philosophy and (...) theology: firstly, in line with Pascal’s distinction between the orders of reason and of the heart; secondly, in phenomenology, in terms of indications to the effect that there can be a phenomenon of revelation in the mode of possibility that is distinguished from the phenomenon of Revelation in theology in the mode of historicity; and thirdly, by analogy with Christian apologetics. In particular, we analyse this third dimension, putting forward the thesis that Marion’s phenomenology itself has some characteristics of the Christian apologetics he describes. We try to demonstrate this interpretation of his phenomenology in its key dimensions, such as the counter-method and descriptions of the phenomena of love and revelation, which constitute the culmination of the phenomenology of givenness, although at the same time, as it were, its limit, crossing over into the theological order. (shrink)

The concept of a priori plays an important role in Kant’s entiree philosophy. However, Husserl often claimed that a genuine concept of a priori in the phenomenological sense was absent in Kant. Scheler criticized this concept of Kant just as Husserl did. All of Scheler’s ethical critiques of Kant, who is the major opponent to Scheler, are based on his critiques of Kant’s concept of a priori because, for Scheler, it is the largest absurdity of Kant’s theory that a priori (...) is equated to the formal. Scheler thus clearly delineated Kant’s transcendentalism, which seeks a priori in form. It seems that Scheler‘s comprehension and interpretation of a priori reversed Kant’s “Copernican revolution”, in contrast with which, Scheler carried ou a „Ptolemiac counter-revolution“. In fact, Scheler questioned Kant‘s transcendental-rational theory of the function of synthetic categories, which derived from the “Copernican revolution”. Nevertheless, Scheler did not want to defend the pre-Kant position, or Kant’s pre-critique period. He also did not mean simply to stress one side in Kant’s dualism, which was ignored by Kant. In fact, he wanted to question Kant’s metaphysical dualism itself. The eventual goal of his phenomenological philosophy is to reveal the uncritical presuppositions in Kant’s critical philosophy. (shrink)

Many of the experiments that produced the empirical basis of quantum mechanics relied on classical assumptions that contradicted quantum mechanics. Historically this did not cause practical problems, as classical mechanics was used mostly when it did not happen to diverge too much from quantum mechanics in the quantitative sense. That fortunate circumstances, however, did not alleviate the conceptual problems involved in understanding the classical experimental reasoning in quantum-mechanical terms. In general, this type of difficulty can be expected when a coherent (...) scientific tradition undergoes a theoretical upheaval. The problem may be circumvented through the use of phenomenological theory in experimentation during the period of theoretical instability. (shrink)

The article examines the question posed in the title, which implies the consideration of sculpture as a method of sense making by plastic means, revealing the truth of being in spatial form. The study of the phenomenological perspective of this method is built upon I. Kant’s conception of art as a free play of genius, based on reason. The apparent contradiction between the spontaneity of the subjective assumption of an image, which implies the impossibility of its being deduced, and its (...) rationality, assuming an extra-subjective universalism of meaning, is resolved based on the F. Schelling’s doctrine of creation as “a pure being who escapes to any thought” (unvordenkliche) act of the subject positing something in the conceptual horizon of the logical possibilities of its existence uncertainty. The act of vivid imagination and the coherent process of creating art work presupposes not only the subjective arbitrary will of the artist, but also the “intelligence of vision,” connecting the intentional act constituting the image and the counter-intentional act, in which the image created manifests its own teleology, clarifying and elaborating the author’s idea. The sculptor’s consciousness acts as a kind of tuning fork, capable of capturing the accuracy of the sound of the image, its harmony with aesthetic sensibility. At the same time, the expressiveness of the art work, its beauty is the non-verbal aspect of meaning, capable of signifying and expressing the author’s vision of the ideological depth of the chosen theme, which allows the sculptor to create original philosophical parables that heuristically complement verbal forms of thought. These provisions are considered in the context of the sculptural series “Masque Theatre” created by Alexander Apollonov, whose plastic images show various scenarios and complex drama of the relationship between the subject and his personal objectifications, manifested in masks-personalities. (shrink)

We are all, I take it, unshakably sure that we are each in a special position to report, or to know, or to witness or experience a set of something-or-others we may call, as neutrally as possible, elements of our own conscious experience. In short, we all believe in the doctrine of privileged access, however much we disagree or are uncertain about what we mean by privilege and access. Yet trying to make sense of this well-entrenched and highly intuitive doctrine (...) is a frustrating and tantalizing job, nor does denying the doctrine root and branch sit any more comfortably. There is a curious evanescence and incompleteness to philosophical accounts of privileged access, and I suspect the difficulty lies in the larger strategy philosophers have often quite reasonably adopted: they have set out to compose accounts of privileged access that are intuitive throughout, when in fact the only hope of giving any coherent account of any form of privileged access requires radical surgery on our intuitions, requires defending an initially counter-intuitive thesis. (shrink)

This Ph.D. thesis is, in large part, a deepening of my M. A. dissertation, entitled: "Différance Beyond Phenomenological Reduction (Epoché)?" - an edited version of which was published in The Warwick Journal of Philosophy, Vol. 2, Issue 2, 1989. The M. A. dissertation explores the development of the various phases of the movement of epoché in Edmund Husserl's phenomenology and its relevance for Jacques Derrida's project of deconstruction. The analyses not only attend to the need for an effective propaedeutic (...) to an understanding of phenomenology as method, they also serve to demystify the logics of Derridean non-teleological strategy by explaining the sense of such a manoeuvre - as a kind of maieutic response to the Husserlian project - which operates within the horizon of a radical epoché. According to this orientation, Derrida's deconstruction of phenomenology is permitted to open itself up to a phenomenology of deconstruction. This doctoral thesis develops these analyses and utilizes a form of critique that points the way to the possibility of a phenomenological-deconstruction of the limits of Derrida's project of deconstruction through the themes of epoché, play, dialogue, spacing, and temporalization. In order to trace the resources from which he draws throughout the early development of deconstruction, this study confines itself to a discussion on the texts published between 1962 and 1968. This subjection of deconstruction to a historical de-sedimentation of its motivational, methodological, theoretical, and strategic moments, involves a certain kind of transformational return to the spacing between phenomenology and deconstruction that urgently puts into question the alleged supercession of phenomenology by deconstruction. The expression of such a 'beyond' is already deeply sedimented in contemporary deconstructive writing to the point at which it is now rarely even noticed, let alone thematized and brought into question. This conviction (regarding the transgression of phenomenology by deconstruction) traces itself out in the form of an attitude to reading which is, in fact and in principle, counter to D6rrida's own call for care. The meaning and limits of the very terms, transgression, beyond, supercession, etc., must be continually subjected to deconstruction. The notions of play, dissemination and supplementarity - with the concomitant sense of transformational repetition that defines them - do not function as a mere excuse for lack of scholarly rigour. Deconstruction is a movement of critical return, which must insert itself (with a sense of irony) within the margins and intersections of that which gives itself up to this practice of textual unbuilding. The strategy of play encourages the structural matrix of that with which it is engaged to turn in upon itself, exposing its limits and fissures in a kind of textual analogue to a psychoanalysis. To be sure, this does involve a certain kind of violence -a violation of the ( system's' own sense of propriety (what is proper [propre] and closest to itself) -but in no sense is this an anarchical celebration of pure destruction. We speak rather of irony, parody, satire, metaphor, double-reading and other tactical devices, which permit a reorganization of the deconstructed's (textual analysand's) self-relation and the possibility of playful speculation. Such play demands care and vigilance in regard to the appropriation of the logics of the system with which it is in a relation of negotiation. In order to play well, one must learn the game-rules. (shrink)

This chapter argues that Hegel is a major (albeit unrecognized) epistemologist: Hegel’s Introduction provides the key to his phenomenological method by showing that the Pyrrhonian Dilemma of the Criterion refutes traditional coherentist and foundationalist theories of justification. Hegel then solves this Dilemma by analyzing the possibility of constructive self- and mutual criticism. ‘Sense Certainty’ provides a sound internal critique of ‘knowledge by acquaintance’, thus undermining a key tenet of Concept Empiricism, a view Hegel further undermines by showing that a series (...) of non-logical a priori concepts must be used to identify any particular object of experience. Most importantly, Hegel justifies a semantics of singular cognitive reference with important anti-skeptical implications. ‘Perception’ extends Hegel’s criticism Concept Empiricism by exposing the inadequacy of Modern theories of perception (and also sense data theories) which lack a tenable concept of the identity of perceptible things. Hegel demonstrates that this concept is a priori and integrates two counterposed sub-concepts, ‘unity’ and ‘plurality’. Hegel’s examination of this concept reveals his clear awareness of what is now called the ‘binding problem’ in neurophysiology of perception, a problem only very recently noticed by epistemologists. ‘Force and Understanding’ exposes a fatal equivocation in the traditional concept of substance which thwarts our understanding of force and causal interaction. Hegel’s disambiguation of that concept enables us to comprehend how relations can be essential to physical particulars. Hegel contends that Newtonian universal gravitation shows that gravitational relations are essential to physical particulars, and he criticizes a series of attempts—including the infamous ‘inverted world’—to avoid this conclusion. Hegel’s cognitive semantics supports Newton’s Fourth Rule of philosophizing, which rejects mere logical possibilities as counter-examples to empirical hypotheses. This is an important anti-Cartesian, also anti-empiricist, insight. Finally, Hegel’s cognitive semantics reveals a previously unnoticed link between Pyrrhonian and Cartesian skepticism and empiricist anti-realism about causality within philosophy of science: all three appeal to premises, hypotheses, or counter-examples which, as mere logical possibilities, lack in principle fully determinate, cognitively legitimate meaning. ‘Consciousness’ thus establishes basic principles and features of human cognition to which Hegel returns throughout the Phenomenology. The chapter concludes by summarizing Hegel’s over-arching epistemological analysis in the Phenomenology. (shrink)

In reading Father Dumitru Stăniloae, it is obvious that love and divine-human communion have a prominent role in his theology. This text aims to approach this topic from a phenomenological point of view: it analyzes the implicit reductions working in Stăniloae’s texts, the presence of the intentionality, the role of the ego and its limits, as well as the problem of the reciprocity of love. We will try to argue not only that there are phenomenological influences in Stăniloae’s understanding of (...) love, but also that such a topic requires a phenomenology that synthesizes the phenomenology of the world and the phenomenology of life. Because love, in its perfection, is a gift of the Holy Spirit, both types of phenomenology must be complemented with a dialogical and paradoxical one, a theo-phenomenology of love, where the Given can be invisible, living, eternally saturated, and never reducible to an object or to a concept. Keywords: Dumitru Stăniloae, Jean-Luc Marion, love, erotic reduction, theological counter-reduction, reciprocity of love, spiritual life, phenomenology. (shrink)

The non-transitivity of the relation looks the same as has been used to argue that the relation has the same phenomenal character as is non-transitive—a result that jeopardizes certain theories of consciousness. In this paper, I argue against this conclusion while granting the premise by dissociating lookings and phenomenology; an idea that some might find counter-intuitive. However, such an intuition is left unsupported once phenomenology and cognitive access are distinguished from each other; a distinction that is conceptually (...) and empirically grounded. (shrink)

This special issue reconsiders the contributions that phenomenology can make to the development and practice of a clinicat science of psychology. In it, we suggest that earlier attempts to apply phenomenological principles were influenced heavily by psychoanalysis, with few, if any, alternative versions of a "depth" psychology available on which to draw in reframing the nature of psychopathology and its treatment. We suggest that this lingering presence of psychoanalysis runs counter to the founding principles of phenomenological method and (...) offer a few examples of a constructive alternative grounded in Husserl's transcendental phenomenology. Borrowing from Mohanty, we offer this approach as a respectful-as opposed to suspicious-phenomenology, and begin to outline ways in which a transcendental ly-grounded psychology reconceptualizes both clinical research and practice, from the initial intake interview and interpretation of interview data to the aims and strategies of psychological interventions. (shrink)

This paper starts from the contention that Pierre Hadot’s unusually divided reception reflects the different dimensions of Hadot’s own scholarly profile. Hadot’s largely favourable reception amongst historians of ideas responds to the philological dimension of his work, but misses the implicit normativity involved in his recovery of the sense of ancient philosophy as a way of life. Analytic critics have registered but contested this normativity in ways that arguably also misrepresent his work. This paper contends that both receptions of Hadot (...) have missed what can be called Hadot’s unique philosophical problematic: uncovering through the ancient sources a kind of phenomenology of how a person would perceive and evaluate the world who had, counter-factually, attained a wholly enlightened, wholly “sage” mode of living. This phenomenology of sagesse, which is predicated on a metaphysical agnosticism, proves closer to the last Foucault than Hadot sometimes suggested: albeit embodying an aesthetics of “the whole,” over against Foucault’s aesthetics of existence. (shrink)

In this paper I investigate the representation of self-consciousness in the still life tradition in the Netherlands around the time of Descartes’ residence there. I treat the paintings of this tradition as both a phenomenological resource and as a phenomenological undertaking in their own right. I begin with an introductory overview of the still life tradition, with particular attention to semiotic structures characteristic of the vanitas still life. I then focus my analysis on the representation of self-consciousness in this tradition, (...) identifying both a Cartesian mode of representation of self-consciousness but also a counter trend. (shrink)

This paper inquires into the necessity and limits of what Edmund Husserl calls a “pure” phenomenological psychology. It argues that there may be merit to this notion as a kind of philosophical psychology, the notion of purity in clinical psychology would unnecessarily limit the kinds of factors that the psychologist must take into account in understanding and treating most of the psychological conditions the therapist faces. The paper suggests that phenomenological psychology nonetheless has value in providing a counter-balance to (...) naturalistically inclined psychology that for its part neglects the meaning of various life events for the agent and can serve as means of critical reflection on the operative concepts guiding psychological practice. It can also help correct a deterministic tendency in modern psychology that does not take seriously enough human beings’ capacity for self-reflection and for self-responsibility that can often serve as key elements in psychological therapy and healing. (shrink)

This essay explores the practical significance of Michel Henry’s “material phenomenology.” Commencing with an exposition of his most basic philosophical intuition, i.e., his insight that transcendental affectivity is the primordial mode of revelation of our selfhood, the essay then brings to light how this intuition also establishes our relation to both the world and others. Animated by a radical form of the phenomenological reduction, Henry’s material phenomenology brackets the exterior world in a bid to reach the concrete interior (...) transcendental experience at the base of all exteriority. The essay argues that this “counter reduction,” designed as a practical orientation to the world, suspends all traditional parameters of onto(theo)logical individuation in order to rethink subjectivity in terms of its transcendental corporeality, i.e., in terms of the invisible display of “affective flesh.” The development of this “metaphysics of the individual” anchors his “practical philosophy” as he developed it—under shifting accents—throughout his oeuvre. In particular, the essay brings into focus Henry’s reflections on modernity, the industry of mass culture and their “barbaric” movements. The essay briefly puts these cultural and political areas of Henry’s of thinking into contact with his late “theological turn,” i.e., his Christological account of Life and the (inter)subjective self-realization to which it gives rise. (shrink)

Obesity has been pointed out as one of the main current health risks leading to calls for a so-called “war on obesity”. As we show in this paper, activities that attempt to counter obesity by persuading people to adjust a specific behavior often employ a pedagogy of regret and disgust. Nowadays, however, public healthcare campaigns that aim to tackle obesity have often replaced or augmented the explicit negative depictions of obesity and/or excessive food intake with the positive promotion of (...) healthy food items. In this paper, we draw on a phenomenological perspective on disgust to highlight that food-related disgust is connected to the character and behavior of a perceived individual even in the context of promoting healthy food items. We argue that the focus on “making the healthy food choice the easy choice” might be an important step towards the de-stigmatization of people that are affected by obesity. However, so we suggest, this focus threatens to bring back an image of individuals affected by obesity as disgusting “through the backdoor”. It does so not by portraying bodies with overweight as disgusting, but instead by implying that lifestyle choices, character and habits of people that are affected by obesity are markers of a lack of control. We argue that the close relationship between disgust and the perception of self-control in the context of obesity should be taken into consideration in the context of assessing the implications of new health promotion strategies to minimize the risk of stigmatizing people. (shrink)

For two and a half months in 1928, the Japanese philosopher Shûzô Kuki had weekly talks with a young French student of philosophy—Jean-Paul Sartre. In 1928, Kuki had just come to Paris after having studied with Heidegger and Husserl. Freshly ac­quainted with the new phenomenology, Kuki in­troduced Sartre to this emerging movement in philosophy. In a well-researched introductory essay, Stephen Light details the eight years Kuki spent in Europe in the 1920s, a period during which Kuki came to know (...) Henri Bergson, Heinrich Rickert, and Emile Brehier, as well as Husserl and Heidegger. Light includes translations of two of Kuki’s essays on time and often of his short essays on matters Japanese, culminating in the insightful “General Characteristics of French Philosophy.” None of the Kuki essays were previously available in English. The final section of the book is a facsimile of the never before published notebook Kuki used during his discussions with Sartre. (shrink)

The paper explores Gernot Böhme’s attempt to transform the concept of atmosphere into an aesthetical concept of the natural environment and follows his effort to outline a phenomenology of the weather based on this aesthetics. Böhme’s original project, prompted by a growing environmental concern, was to develop new forms of knowledge of nature to counter what he considered detrimental consequences of a one-sided rationalistic-scientific view of nature. Inspired by Hermann Schmitz’s phenomenology of the body and emotional atmospheres, (...) Böhme developed his aesthetics to be a general theory of sensation and a phenomenology of the environment. His weather phenomenology is yet only a sketch, but, in light of imminent climatic changes, it might prove a sketch worth considering. (shrink)

The attempt to appropriate Heidegger’s thinking in order to found environmental ethics continues to pose challenges both for understanding the premise of an ethic, and, conversely, for unfolding the importance of his thought in the effort to displace the anthropocentric focus of modern philosophy. These challenges must be taken up on a methodological as well as a thematic level, in order to show how a claim of being can implicate a reciprocal guidance pertaining to our treatment of the earth, nature, (...) and animals. An appeal to the ethos of situated dwelling is not sufficient to ground a transhuman ethic; rather, a precursory step must be taken to uncover a common space of embodiment, thereby marking a jointure whereby habitats fostering the potential for animals to “flourish” can be cultivated in concert with our own capacity to dwell. When viewed through this prism of our “incarnality,” the stewardship that we practice in dwelling on the earth can also “formally indicate” a sense of proportionality, e.g., a “measure,” counter balancing the interests of animals with humans. Conversely, the search for a trans-human ethic calls for a further transformation of phenomenology through its interface with hermeneutics. (shrink)

Clinicians and cognitive scientists typically conceive of delusions as doxastic—they view delusions as beliefs. But some philosophers have countered with anti-doxastic objections: delusions cannot be beliefs because they fail the necessary conditions of belief. A common response involves meeting these objections on their own terms by accepting necessary conditions on belief but trying to blunt their force. I take a different approach by invoking a cognitive-phenomenal view of belief and jettisoning the rational/behavioural conditions. On this view, the anti-doxastic claims can (...) be rejected outright, and doxasticism can be defended. I call this the cognitive phenomenological defence of doxasticism. (shrink)

In one way or another, the other plays an important role in educational settings. Over the last few decades, the recourse to philosophical phenomenology has proved to be helpful for the discussion of this topic. Coming from this thematic direction, this article focuses on the other in its constitutive function for the construction of identity. Both within the phenomenologist Bernhard Waldenfels’ theory of responsivity as well as in the pedagogue Wilfried Lippitz’ theory of alterity, the other is a structural (...) part of the self. It will be shown that within these theories the possible dangers of an encounter with the other cannot be addressed in an adequate way. However, this is especially important in educational contexts. Therefore, with regard to the philosophies of Jean‐Paul Sartre and Simone de Beauvoir, I would like to present two additional phenomenological approaches from which the pedagogical discussion can benefit. Both Sartre and Beauvoir put great focus on possible obstacles regarding the en‐ counter with the other. Whereas Sartre identifies negativity as an essential part of human existence, Beauvoir enriches these thoughts with an ethical component. Against the background of these philosophies, the other comes into view as a possible source of both objectification and empowerment. Lastly, the article shows that an implementation of these considerations in teacher training can lead to a deeper understanding of the constitution of identity and the inherent possibilities of any interaction with the other. (shrink)

It is a common claim that one concept of time, tenseless theory, is in greater conflict with how the world seems to us than the competing theories of tense theory and presentism. This paper offers at least one counter-example to that claim. Here, it is argued that tenseless theory fares better than its competitors in capturing the phenomenology in particular cases of perception. These cases are where the visual phenomenology is of events occurring together which must be (...) occurring at different times. The commitments of matching such phenomenology in one’s ontology undermine tense theory and presentism and support tenseless theory. (shrink)

The following text is the first ever translation into English of a writing by German phenomenologist Hermann Schmitz (*1928). In it, Schmitz outlines and defends a non-mentalistic view of emotions as phenomena in interpersonal space in conjunction with a theory of the felt body’s constitutive involvement in human experience. In the first part of the text, Schmitz gives an overview covering some central pieces of his theory as developed, for the most part, in his massive System of Philosophy, published in (...) German in a series of volumes between 1964 and 1980. Schmitz’s System is centred on the claim that the contemporary view of the human subject is the result of a consequential historical process: A reductionist and ‘introjectionist’ objectification of lived experience culminating in the ‘invention’ of the mind (or ‘soul’) as a private, inner realm of subjective experience and in a corresponding ‘grinding down’ of the world of lived experienced to a meagre, value-neutral ‘objective reality’. To counter this intellectualist trend, Schmitz puts to use his approach to phenomenology with the aim of regaining a sensibility for the nuanced realities of lived experience—hoping to make up for what was lost during the development of Western intellectual culture. Since both this text and the overall style of Schmitz’s philosophising are in several ways unusual for a contemporary readership, a brief introduction is provided by philosophers Jan Slaby and Rudolf Owen Müllan, the latter of whom translated Schmitz’s text into English. The introduction emphasises aspects of Schmitz’s philosophy that are likely to be of relevance to contemporary scholars of phenomenological philosophy and to its potential applications in science and society. (shrink)