Phenomenology of the Visual Arts (Even the Frame)

Stanford University Press (2009)
  Copy   BIBTEX

Abstract

Why are the visual arts so important and what is it that makes their forms significant? Countering recent interpretations of meaning that understand visual artworks on the model of literary texts, Crowther formulates a theory of the visual arts based on what their creation achieves both cognitively and aesthetically. He develops a phenomenology that emphasizes how visual art gives unique aesthetic expression to factors that are basic to perception. At the same time, he shows how various artistic media embody these factors in distinctive ways. Attentive to both the creation and reception of all major visual art forms, _Phenomenology of the Visual Arts_ also addresses complex idioms, including abstract, conceptual, and digital art

Other Versions

No versions found

Links

PhilArchive



    Upload a copy of this work     Papers currently archived: 101,394

External links

Setup an account with your affiliations in order to access resources via your University's proxy server

Through your library

Analytics

Added to PP
2014-04-07

Downloads
29 (#776,330)

6 months
7 (#711,641)

Historical graph of downloads
How can I increase my downloads?

Citations of this work

Why Painting Matters: Some Phenomenological Approaches.Anthony Rudd - 2017 - Journal of Aesthetics and Phenomenology 4 (1):1-14.
Image Consciousness, Movement Consciousness.Jonathan Owen Clark - 2019 - Midwest Studies in Philosophy 44 (1):48-69.

Add more citations

References found in this work

No references found.

Add more references