This chapter contains sections titled: The Elusiveness of Fulfillment and Complete Resignation Nietzsche's “New Happiness” Notes References Further Reading.

After having held through much of his career the view that our senses and our intellect falsify the world, Nietzsche published in Twilight of the Idols the claim that the senses do not lie at all. A preparation for this apparent change of mind has often been seen in BGE 15, where Nietzsche seems to recommend “sensualism,” at least for scientists working on the physiology of the senses. I try to characterize in some detail what “sensualism” means by drawing on (...) contemporary discussions and suggest a clarifying reading of the argument in BGE 15. Nietzsche’s attitude towards sensualism, however, is ambivalent. It is a suitable view to hold for scientists engaged in accomplishing “coarse tasks.” But there is a nobler way of doing science, exemplified by Copernicus and Boscovich who “triumphed over the senses.” I explicate this more nuanced attitude towards sensualism and suggest that the senses do not lie insofar as they show us change, that is, temporal relations between events, while they do lie about the events themselves. This happens to be a view that the eminent physiologist of the senses, Helmholtz, had arrived at in 1867. (shrink)

As is well known, one of the central “existential” goals of Nietzsche’s philosophy was to combat the No-saying attitude to life,1 which he took to be an expression of what he variably called physiological exhaustion, decadence, or sickness.2 This No-saying—which he contrasted with his ideal of life affirmation 3—he supposed to lie at the core of various philosophical and religious views such as Christianity, Buddhism, and Schopenhauerian Pessimism. All, in one way or another, shared in his view that (...) element of the ascetic ideal that preaches that “life: it’s no good” or is a “wrong road”.Not less known is Nietzsche’s characteristic way of dealing with such value judgments... (shrink)

THIS paper consists essentially of three parts. The first part argues the case for construing Nietzsche's remarks about Übermenschlichkeit as endorsing some specific set of character traits, of "virtues" if you like. To be an Übermensch, on this reading, is to possess or exhibit certain traits of character, traits which in the typical case are associated with notions of self-overcoming, sublimation, creativity, and self-perfection. An Übermensch, construed in this way, expresses Nietzsche's vision of the human ideal, of what (...) human beings should or might be like. In this sense Nietzsche merely continues the ancient project of articulating the human ideal, the conception of human perfectibility. Although Nietzsche's answer may appear to be shockingly different, the project of articulating a human ideal is scarcely radical. The project qua project is no different than that of Plato or Aristotle, the Stoics, Spinoza or Kant. For Plato, the philosopher-king represents the ideal of human self-perfection; for Aristotle megalopsychic man conjoined with the life of contemplation; for the Stoics apatheia and right reason; for Spinoza the intellectual amor dei was a necessary and perhaps a sufficient condition for human liberation; for Kant, the genuinely moral person qualifies as the human ideal, the person whose actions are always and only governed by the categorical imperative, although Kant would probably have called such a will a "holy" will rather than a human one. (shrink)

In the present article, the author analyses the interpretation of the phenomenon of Christ by Dostoevsky and Nietzsche. The author uses comparative and hermeneutic methods of historical and philosophical research. Dostoevsky's Christ and Nietzsche's Jesus are interpreted as “conceptual characters” (G. Deleuze), occupying an important place in the philosophical constructions of both thinkers. Stating the epoch-making event of the “death of God” in European culture, they discover the origins of nihilism in Christianity itself and attempt (each in his own (...) way) to recreate the original, pristine Christianity. Reconstruction of the original image of Christ makes it possible to comprehend not only the historical destiny of Christianity and the European portion of humanity, but also the prospects for overcoming the crisis of European and Russian (in the case of Dostoevsky) self-consciousness. It is argued that both interpretations, although far from orthodox Christianity, play the role of a central link in the development of the philosophic thinking of the Russian writer and German philosopher from the critical deposition of European humanism and metaphysics to new projects of human existence in the world. The conceptual images of Dostoevsky's Christ and Nietzsche's Jesus personally embody the spiritual attitudes and models of life that are timeless in nature, and at the same time serve as an expression of the “fundamental metaphysical positions” (M. Heidegger) of existential thinkers. The assertion of the absolute genuineness and beauty of the moral ideal of Christ allows Dostoevsky to return transcendence to the godless world – to substantiate the neo-Christian version of metaphysics, the religious-existential ontology. The “Glad Tidings” of Jesus, his life and death, appear in Nietzsche’s works as a practical elimination of transcendence, the Platonic dualism of the “true” and “visible” worlds. The spiritual attitude of Jesus reveals a direct affinity to Nietzsche's anti-metaphysical “philosophy of becoming”. (shrink)

In On What Matters, Derek Parfit argues that Nietzsche does not disagree with central normative beliefs that ‘we’ hold. Such disagreement would threaten Parfit’s claim that normative beliefs are known by intuition. However, Nietzsche defends a conception of well-being that challenges Parfit’s normative claim that suffering is bad in itself for the sufferer. Nietzsche recognizes the phenomenon of ‘growth through suffering’ as essential to well-being. Hence, removal of all suffering would lead to diminished well-being. Parfit claims that if Nietzsche understood (...) normative concepts in Parfit’s objectivist sense, he would not disagree with the claim that suffering is bad in itself – that intrinsic facts about suffering count in favour of our not wanting it. I argue that Nietzsche would disagree. Suffering for Nietzsche is not merely instrumentally necessary for psychological growth, nor is it easy to construe it as something bad in itself that contributes value as part of a good whole. Suffering that can be given meaning through growth is something we have reason to want. Suffering that remains brute and uninterpreted is something we have reason not to want. But for Nietzsche, suffering as such has no invariant value across all contexts. (shrink)

Despite his opposition to Schopenhauerian pessimism, Nietzsche repeatedly characterizes himself as a pessimist of sorts. Here I attempt to take this assertion seriously and offer an interpretation of in what sense Nietzsche can be called a pessimist. I suggest that Nietzsche’s pessimism has to do not with life in general, but with life in its common form: such life is bad because it is characterized by meaningless suffering, and lacks aesthetic value. Against the Christian tradition, Nietzsche denies that there (...) is a value inherent to life itself, and thinks instead, that value must be achieved, but rarely is. This form of pessimism is rooted in Nietzsche’s engagement with the ancient Greeks, and bears important affinities to the thought of Burckhardt on Greek pessimism. (shrink)

In an essay on Nietzsche's view of morality written in 1891, Eduard von Hartmann suggested that Nietzsche's most important contribution to philosophy was in the sphere of ethics; at the same time, he drew attention to the affinity between Nietzsche's ideas and the philosophy of Max Stirner. Hartmann's remarks open up Nietzsche's philosophy to examination in terms of a radically materialist framework. Nietzsche sees the ethics of asceticism, and hence Christianity, as a consequence of metaphysical dualism (...) , a stance which enables him to advance a positive, because physiologically based, sexual ethics. His philosophy proposes a profound and instrinsic relationship between the sexual and the aesthetic. This article shows how an appreciation of the radical materialism advanced by Nietzsche serves as evidence of the relevance of his philosophy to contemporary concerns and debates in ethics, and explores Nietzsche's ethical programme to develop ‘a more Goethean attitude toward sensuality’. (shrink)

During his late period, Nietzsche is particularly concerned with the value that mankind attributes to truth. In dealing with that topic, Nietzsche is not primarly interested in the metaphysical disputes on truth, but rather in the effects that the "will to truth" has on the human being. In fact, he argues that the "faith in a value as such of truth" influenced Western culture and started the anthropological degeneration of the human type that characterizes European morality. To call into question (...) the value of truth is therefore necessary, if one wants to help mankind to find her way in the labyrinth of nihilism. -/- In this new addition to Nietzsche scholarship, Gori explores the origin and aim of the philosopher's late perspectival thought by merging the theoretical with the historical approach, with a special focus on the epistemological debate that influenced Nietzsche. As a result, the book provides a contextual reading of the issue that supports the idea that Nietzsche’s attitude in addressing the problem of truth is, in a broad sense, pragmatic. (shrink)

This chapter contains sections titled: Saying No Will‐to‐Life: Affirmation and Denial A Summary of Schopenhauer's Argument for the Denial of the Will Nietzsche's Projects The Schopenhauerian Basis to Nietzsche's Pessimism Diagnosing Nihilism Diagnosing Asceticism The Appeal of Nietzsche's Values Notes References Further Reading.

Two representative and important works in one volume by one of the greatest German philosophers. The Birth of Tragedy (1872) was Nietzsche's first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and (...) it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others. The Case of Wagner (1888) was one Nietzsche's last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally. Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche's thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche's idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche's correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book. (shrink)

This article extends recent efforts to investigate Nietzsche through the lens of Bernard Williams and Williams through the lens of Nietzsche by focusing on their respective conceptions of, and attitudes toward, pessimism. Specifically, the article investigates whether Williams should be regarded as endorsing or manifesting tragic or Dionysian forms of pessimism, which Nietzsche valorizes under the term “pessimism of strength,” or whether he is better associated with the Schopenhauerian or romantic pessimism, or even the Socratic optimism, that Nietzsche rejects. (...) The answer is held to turn on the interpretation of Williams's obscure notion of “confidence.”. (shrink)

"Prefaces to Unwritten Works is a collection of five essays, prefaces to books that Nietzsche never went on to write. Nietzsche himself put these prefaces together in the form of a small leather-bound, handwritten book, and gave that book to Cosima Wagner as a Christmas present in 1872. The dedicatory letter indicates that Nietzsche sent this little book to Cosima "in heartfelt reverence and as an answer to verbal and epistolary questions." As such, this work is a window into (...) class='Hi'>Nietzsche's relations with the Wagners at the height of their association, but it is also a continuation of Nietzsche's radical confrontation with Greek antiquity that had begun with the then-recently published Birth of Tragedy. The Wagners read Nietzsche's book of prefaces on the evening of New Year's Day 1873, and Cosima records in her diary five days later that at night, "again" she reflected about the essence of art as a consequence of Nietzsche's work. A month later, Cosima sent Nietzsche a letter encouraging him to write at least two of the books promised by his prefaces." "Nietzsche did not go to write the books heralded by these prefaces, but the prefaces themselves provide substantial challenges of their own and intriguing clues as to the form and content of the books Nietzsche may have intended. Some of these prefaces are better known to students of Nietzsche than others and have attracted significant attention from scholars. The first essay is entitled On the Pathos of Truth, and it consider the relative value of truth and art for human life. The second essay, Thoughts on the Future of Our Educational Institutions, is the only preface in this collection regarding which Nietzsche did actually go on to write a book, albeit a book he did not publish (entitled On the Future of Our Educational Institutions, available from St. Augustine's Press). This essay is a revised version of the preface Nietzsche wrote for that book, and the changes Nietzsche made are indicative of the plans he had for an improved version. The topic of the essay is almost entirely the art of careful reading. The third essay is entitled The Greek State, and it treats of the relation of slavery to culture and of the genius to the state. This essay is also an interpretation of Plato's Republic, in which Nietzsche claims to reveal everything he has "divined of this secret writing." The fourth essay, The Relation of Schopenhauerian Philosophy to a German Culture, neither assumes that there is in fact, at present, a German Culture, nor hardly mentions Schopen-hauer at all, except to suggest that he is one about whom a culture could be built. The final essay is entitled Homer's Contest and is an exploration of the place of jealousy, strife, and agonistic competition in Greek culture."--BOOK JACKET. (shrink)

Despite his opposition to Schopenhauerian pessimism, Nietzsche repeatedly characterises himself as a pessimist of sorts. Here I attempt to take this assertion seriously and offer an interpretation of in what sense Nietzsche can be called a pessimist. I suggest that Nietzsche’s pessimism has to do not with life in general, but with life in its common form: such life is bad because it is characterised by meaningless suffering, and lacks aesthetic value. Against the Christian tradition, Nietzsche denies that there (...) is a value inherent to life itself, and thinks instead, that value must be achieved, but rarely is. This form of pessimism is rooted in Nietzsche’s engagement with the ancient Greeks, and bears important affinities to the thought of Burckhardt on Greek pessimism. (shrink)

Nietzsche wrote The Gay Science, which he later described as 'perhaps my most personal book', when he was at the height of his intellectual powers, and the reader will find in it an extensive and sophisticated treatment of the philosophical themes and views which were most central to Nietzsche's own thought and which have been most influential on later thinkers. These include the death of God, the problem of nihilism, the role of truth, falsity and the will-to-truth in human (...) life, the doctrine of the eternal recurrence, and the question of the proper attitude to adopt toward human suffering and toward human achievement. This volume presents the work in a new translation by Josefine Nauckhoff, with an introduction by Bernard Williams that elucidates the work's main themes and discusses their continuing philosophical importance. (shrink)

Against the background of a growing interest in Nietzsche’s moral philosophy, several articles have appeared in these pages in recent years dealing with his relation to environmental ethics. While there is much here that is helpful, these essays still fail to do full justice to Nietzsche’s understanding of optimal human relations to the natural world. The context of his life helps to highlight some ecological aspects to his thinking that tend to be overlooked. His ideas about the Overhuman in Thus (...) Spoke Zarathustra undermine the traditional anthropocentric attitude toward nature. By understanding Nietzsche’s idea of will to power primarily as interpretation, following his suggestion that we engage the world as a play of interpretive forces, and paying attention to the relevant parallels with Chinese Daoism and Mahaμyaμna Buddhism, it is clear that Nietzsche takes a salutary step beyond biocentrism to a Dionysian celebration of existence as a whole. (shrink)

This article examines various readings of Nietzsche’s Genealogy of Morality. It treats key issues regarding each of the book’s three essays. The first essay presents slave morality as arising out of ressentiment against masters; Nietzsche thinks that this resentful attitude or affect becomes ingrained and is inherited in later generations. The second essay centers on the phenomenon of “bad conscience.” Nietzsche treats this not just critically, but also as enabling the “artist’s cruelty” which makes possible a new kind of (...) human enhancement. The third essay is about the “ascetic idea,” a “will to transcend” certain essential features of life—such as appearance, change, even willing—from which life suffers. Although Nietzsche finds this ascetic ideal present in the “unconditional will to truth,” this by no means implies that Nietzsche abandons truth as an aim. These three stories should be viewed as “conjectures” and as examples of the kind of thinking needed to understand morality and values. (shrink)

The third and fourth parts sketch aspects and difficulties of such a philosophy. Part III is concerned with the overcoming of the metaphysical negativity inherent in the conception of phenomena as appearances. Nietzsche's use of the Dionysian "mask" in his later thought is examined with respect to precisely such an overcoming. The affirmative relation of mask and masked and the problem of philosophical unmasking as affirmation arise as elements unique to the latest phase of Nietzsche's thought and are (...) discussed in analyses of several of the Dionysus Dithyrambs as well as texts from Beyond Good and Evil and Twilight of the Idols. Part IV explores the philosophical affirmation contained within the exhibition of the mask as mask through unmasking. ;The appendices contain extended discussions of particular textual problems as well as translations of selected fragments--hitherto untranslated or only partially translated--from Nietzsche's notebooks in the last productive decade of his life. ;The following study is an attempt to arrive at an understanding of Nietzsche's thought in terms that are internal to that thought itself. The concept of "affirmation" was chosen as an appropriate one because of its central place in Nietzsche's description of his own thought in opposition to the nihilistic movement of previous philosophy. ;The first part of the dissertation is a detailed discussion of Schopenhauer's philosophy, a philosophy which culminates in the question of the "affirmation or negation of the will to life." In our exposition we are able to see not merely the connection of Schopenhauerian pessimism and philosophical nihilism, as understood by Nietzsche, but, as significantly, the way in which the philosophical tradition is positively present in this philosophy. The constructive nature of knowledge, the negative source of activity, the "identity" of art all lead to the final truth of the "nothing." The relation of Schopenhauer's apparently willful and arbitrary conceptions to the history of philosophy is emphasized throughout this first part which, despite this historical interest, attempts to arrive at an immanent understanding of this philosophy. ;The second part concerns itself with the Birth of Tragedy, but is as much an elaboration, extension and application of certain aspects of this book to other elements of Nietzsche's thought as it is an analysis of the book. The Birth of Tragedy's ambiguous connection with Schopenhauer is first discussed, particularly as concerns the central theme of "tragic affirmation" as affirmation of the totality. The ontological obscurities of the divine pair Apollo-Dionysus are discussed, and the "spirit of music" that generates tragedy, the Dionysian spirit of affirmation, is contrasted with the Platonic daimon of Eros. The problem of Dionysos mousikos as Dionysos philosophos emerges in this part. (shrink)

This chapter looks at Nietzsche's notion of the affirmation of life. It begins with the origins of the concept in Schopenhauer and in the Schopenhauerian philosophy known to Nietzsche. It then examines affirmation in three phases of Nietzsche's writing: early, middle and late. It relates affirmation to other key Nietzschean concepts like the Apollonian and the Dionysian, eternal recurrence, amor fati and will to power.

Play is typically associated with carefree or frivolous activity, yet Nietzsche makes surprising claims about the nature of play. He insists that playfulness is the appropriate attitude for addressing the challenges of human life, and he describes maturity as the ability to play seriously like children. To understand Nietzsche’s serious play, some have emphasized the affinity between play and fiction. Notably, Nadeem Hussain has offered a fictionalist interpretation, according to which nothing has value in itself and valuing resembles make-believe. (...) I hold that illusions and fictions misconstrue Nietzsche’s play and values. In this paper I argue that Nietzsche embraces play in the context of nihilism, which he considers the fundamental problem of modernity. Play ultimately proves central to Nietzsche’s strategy to avert nihilism. I explicate his comments on play, and I use the features of play to illuminate Nietzsche’s response to nihilism found in his enigmatic project of value creation. (shrink)

This article examines Schopenhauer’s influence on Nietzsche’s work. It considers how Nietzsche adopted some of his central ideas from Schopenhauer, how he exploited some of Schopenhauer’s positions to suit his own purposes, and how he developed some of his ideas as alternatives to Schopenhauerian positions. Nietzsche’s first published book, The Birth of Tragedy, is based on a Schopenhauerian metaphysical framework. Schopenhauer’s principle of individuation applicable to the world of representations is the key element in Nietzsche’s concept of the (...) Apollonian and Schopenhauer’s principle of the undifferentiated nature of ultimate reality of the will is the key element in Nietzsche’s concept of the Dionysian. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche’s Critiques: The Kantian Foundations of His ThoughtDaniel SchumanR. Kevin Hill. Nietzsche’s Critiques: The Kantian Foundations of His Thought. Oxford: Clarendon Press, 2003. Pp. xvi + 242. Cloth, $45.00.This important book presents a broad and systematic study of Kant's influence on Nietzsche. Hill contends that Nietzsche, throughout the course of his philosophical career, wrestled with fundamental ideas presented in all three of Kant's Critiques. In the preliminary chapter, (...) Hill chronicles Nietzsche's familiarity with Kant by briefly examining the nineteenth century interpretations of Kant that Nietzsche was known to have read, namely those of Kuno Fisher, Friedrich Lange, and Schopenhauer. Hill also details Nietzsche's references to Kant throughout the published and unpublished writings, even providing a table that lists the number of references to Kant in five-year increments from 1865 through 1889 (19). Whether or not one agrees with the arguments in the remainder of the book, this first chapter stands alone as a useful historical introduction and reference guide for anyone interested in Kant and Nietzsche in light of early Neo-Kantianism.Chapters 2 and 3 focus upon Nietzsche's early encounter with the Critique of Judgment. Hill offers an interpretation of the third Critique that focuses on the centrality of reflective judgment in that text. The author shows how both aesthetic and teleological judgments are reflective, as opposed to determinative, in the sense that they exemplify ways that the subject is driven to interpret or conceive of the world, e.g., "as if" it were designed (70). He argues that Kant's conception of reflective judgmenthad a significant influence upon Nietzsche's early views on teleology and aesthetics. Hill also proposes that Nietzsche's early published and unpublished writings, including the Birth of Tragedy, are more indebted to Kant's metaphysics and conception of the supersensible, than they are to Schopenhauer's metaphysics of the will. Though Nietzsche retained a conception of the noumenal, Hill argues that he rejected Schopenhauerian determinative judgments about noumena in favor of Kantian reflective judgments similar to those in the third Critique (94).Chapters 4, 5, and 6 of this book deal with Kant's influence on Nietzsche's mature critiques of metaphysics and epistemology. Hill contends that Nietzsche's naturalism and empiricism were a response to, and outgrowth of, a variety of specific metaphysical and epistemological claims made in the first Critique. For example, by focusing on space and time, he compares Kant's transcendental idealism with Nietzsche's naturalism. Hill shows that Nietzsche generally accepted Kant's contention that the spacio-temporal structure of the phenomenal or natural world is "mind-dependent" (127). However, he also proposes that because Nietzsche had access to more advanced empirical theories, he eventually came to the conclusion that Kant's rigid a priori, Euclidian characterization of the phenomenal stands as a "falsified" interpretation of nature (132, 191). Hill contends that while Nietzsche [End Page 503] accepts that nature is a product of the mind, he was also committed to the idea that there may be better or more accurate ways of characterizing nature. In this section of the book, Hill could have done more to clarify how, for Nietzsche, nature is both dependent upon the mind (what Hill labels "panpsychism"), yet still somehow "transcends us" (138). Nonetheless, one does gain from these chapters an appreciation of the influence that Kant's theoretical philosophy had on Nietzsche.The final chapter investigates the ways that the three essays of the Genealogy of Morals confront various aspects of Kant's practical philosophy (Hill does provide evidence that Nietzsche read the second Critique prior to writing the Genealogy [202]). Hill claims Nietzscheian genealogy is employed as an attack upon various aspects of Kant's rational conception of morality, including his dependence upon moral intuition (202, 205, 206). He also details Nietzsche's reaction against Kant's dependence upon the noumenal as the foundation for moral freedom and responsibility (219, 222-29). Nonetheless, Hill finds points of agreement between Kant and Nietzsche on morality. For instance, he argues that Kant and Nietzsche share somewhat similar conceptions of moral agency in the sense that Nietzsche "agrees with Kant's characterization... (shrink)

Nietzsche’s Birth of Tragedy overcomes the opposition between scientific optimism and Schopenhauerian pessimism with the image of a music-making Socrates, who symbolizes the aesthetic affirmation of life. This article shows how the aesthetic ideal is an illusion whose metaphysical solace undermines itself in being recognized as such, thereby ceasing to be comforting. While I agree with recent commentaries that contest the pervasive Schopenhauerian reading of The Birth, most of these commentaries still support the view that Nietzsche wishes to (...) communicate some fundamental truth about nature or meaning in life. By contrast, I argue that he treats any such truth as a cultural fiction that emerges from the poetic staging of reality, leaving us with a contradiction of appearances deprived of any intelligible ground. (shrink)

In the second of the UM, "On the Uses and Disadvantages of History for Life", Nietzsche delivers a rare and lengthy encomium to the traditional Platonic-Aristotelian virtue of justice. "In truth," he says, "no one has a greater claim to our veneration than he who possesses the drive to and strength for justice. For the highest and rarest virtues are united and concealed in justice as in an unfathomable ocean that receives streams and rivers from all sides and takes them (...) into itself".1 This claim seems to echo, or at least allude to, the thesis of Plato's Republic that justice is the virtue in which the other virtues are united, each in its proper place in the... (shrink)

Cheerfulness or serenity (Heiterkeit) is one of the most important themes in Nietzsche’s philosophy. Throughout his writings, from first to last, he can be found wrestling with conceptions of cheerfulness and promoting a cheerful mode of philosophizing. Despite the importance and recurrence of the theme of cheerfulness in Nietzsche’s entire œuvre, there have been relatively few studies specifically devoted to it. An important debate on cheerfulness has recently taken place in the literature on Nietzsche between Robert Pippin and Lanier Anderson (...) and Rachel Cristy. Both sides of the debate have explored Nietzsche’s practice of cheerfulness in direct relation to Montaigne. According to Pippin, Nietzsche never succeeds in writing with the kind of cheerfulness of Montaigne. In contrast, Anderson and Cristy have contended that both Nietzsche and Montaigne conceive of cheerfulness as a complex, non-naïve spiritual state or attitude that is to be cultivated through the practice of philosophy as a way of life. According to Anderson and Cristy, this is a deep form of love of life that both Nietzsche and Montaigne practice and perhaps achieve at least in part by and through writing. In this essay, we aim to contribute to this debate by offering a threefold argument. First, we argue that Nietzsche conceives of cheerfulness not only as a psychological ideal, as a desirable state or attitude of the spirit, but also as an aesthetic ideal, as a desirable quality or style of thinking and writing (sections 1–2). Second, we argue that, in addition to Montaigne, Ralph Waldo Emerson is an equally important but neglected influence on Nietzsche’s conception and practice of cheerfulness (section 2). Third, by reconstructing Nietzsche’s self-presentation as a cheerful thinker and writer in the 1886 prefaces and in Ecce homo (1888), we conclude that it is possible to argue that starting from his middle writings Nietzsche thinks and writes cheerfully in some of his works, including a number of his most significant texts (section 3). (shrink)

Name der Zeitschrift: Nietzsche-Studien Jahrgang: 44 Heft: 1 Seiten: 267-290 In this paper, I examine the possibility of constructing an ontological phenomenology of love by tracing Nietzsche’s questioning about science. I examine how the evolution of Nietzsche’s thinking about science and his increasing suspicion towards it coincide with his interest for the question of love. Although the texts from the early and middle period praise science as an antidote to asceticism, the later texts associate the scientifi c spirit with asceticism. (...) I argue that this shift is motivated by Nietzsche’s realization that asceticism and science share the same fetish of facts. It is now for Nietzsche no longer a matter of proving the so-called facts of the backworlds to be wrong (something science is very capable of doing), but a matter of rejecting the very structure of thought that reduces a shapeless reality into a series of facts, subjects and objects. It is this second attitude that Nietzsche regards as the common core of science and asceticism. From this critique of science and its correlative critique of facts, Nietzsche begins searching for a counter-attitude able to perform the reduction of the factual attitude. This is the attitude he calls love. Although Nietzsche’s concept of love has oft en been elucidated in terms of its object or its subject, I argue that such interpretations precisely defeat Nietzsche’s point, which is to recover a ground that precedes the division of the world into subjects and objects. Love becomes the name of this intra-relationship of being, opening up to new perspectives on Nietzsche’s ontology of the will to power. (shrink)

The passages composed by Nietzsche around the time he spent at Sorrento reflect an engagement with the anarcho-utopian socialist milieu into which he had been introduced by Malwida von Meysenbug. The “Sorrentino politics” that appear in Human, All Too Human I and II and later works need to be understood in the context of an affirmative form of political thought that could remedy the pessimism and nihilism that he finds in the politics of all sides. Nietzsche argues that the monarchical (...) state, modern industrialism, and the restricted ownership of capital and property all undermine the goal of creating a life-affirming culture for Europe. He also provides a criticism of a utopian teleology of equality in the future – whether religious or socialist – that imposes an objective notion of purpose. Nietzsche rejects the Schopenhauerian pessimism of resignation while affirmatively engaging with the thought of Alexander Herzen and Guiseppe Mazzini. (shrink)

The way a society speaks about its different groups and sub-groups determines its general behavior toward them. Discriminated minorities oftentimes suffer from humiliating descriptions, and part of their project to change societal attitudes will evolve around the attempt to redescribe themselves in terms more acceptable to them. ;Advancing from these considerations, I examine the rhetoric of the emerging discourse of homosexuality between 1880 and 1920. During this time period the homosexual was invented as a new personality type, a being almost (...) totally determined in all of his expressions by his sexual desire. Different professions like law, medicine, sociology, psychiatry, literature, and philosophy attempted to define this novel species. And they all converged in one aspect, namely in their rhetorical attitude. The writings of people like Nietzsche, Krafft-Ebing, Proust, Symonds, Gide, and Mann share the common feature of diagnosing a vital and important difference between the homosexual person and her heterosexual fellow citizen. This rhetoric of emphasizing the dividing features between desires I call maximalism. The invention of the homosexual as a person occurred under the reign of maximalizing ways of writing. It was, however, widely disputed where exactly the relevant difference between homosexuals and heterosexuals was to be located, whether in anatomico-biological variations, in an overabundance or lack of masculine determinants, in psychological dispositions, or an exceeding portion of courage, intelligence, and creativity. Equally problematic was the valuation of this difference. But one thing was easily agreed upon: the description of the homosexual had to follow a maximalizing pattern. ;I trace this pattern from its first precursory appearance in the Marquis de Sade to its breakdown in the psychoanalytic texts by Sigmund Freud. The shattering of this mode of thinking, though, has not been final, since in some of the rhetoric of "Queer Studies" it has reemerged. Family resemblances often appear most striking when one looks back past the parents. Our contemporaries bear their grandparents' smile. (shrink)

On the basis of his metaphysics, Schopenhauer was led to advocate quietism and resignation as attitudes toward life. In the course of his career, Nietzsche reversed his estimation of Schopenhauer from initial agreement to final excoriation. In what follows, I examine and assess the grounds on which Nietzsche revised his opinion of Schopenhauer as educator of humanity. I argue that three fundamental issues divide Nietzsche and Schopenhauer. The first concerns the eliminability of human suffering. The second regards the value of (...) sympathy to those who feel rather than are recipients of this sentiment. The third is the value of cultivating indifference to the suffering of others. Schopenhauer considers suffering as inextricably bound up with human existence, whereas Nietzsche views suffering as a sign of weakness that is ultimately eliminable from human existence. Schopenhauer assumed that sympathy and compassion have a benign effect upon those who experience these emotions; Nietzsche maintains they have the opposite effect. Contra Nietzsche, Schopenhauer deplores the cultivation of indifference towards the suffering of others. I defend Schopenhauer against Nietzsche on all three issues, though I argue that Schopenhauer exaggerates the ubiquity of human suffering and hence the need and desirability of the cultivation of self-denial. (shrink)

In this paper, I directly oppose Nietzsche ’s endorsement of a morality of breeding to all forms of comparative, positive eugenics: the use of genetic selection to introduce positive improvement in individuals or the species, based on negatively or comparatively defined traits. I begin by explaining Nietzsche ’s contrast between two broad categories of morality: breeding and taming. I argue that the ethical dangers of positive eugenics are grounded in their status as forms of taming, which preserves positively evaluated character (...) traits and types through the active de-selection of negatively evaluated ones. The morality of taming is not a form of selection, but de-selection: the production of counter or anti-traits and types. Consequently, in its attempt to improve humanity, it tends necessarily toward violence as the elimination of de-selected forms of human life. In contrast, Nietzsche ’s morality of breeding selects traits and types by protecting them from de-selection—specifically, by attacking moral ideas, values, and practices designed to eliminate them. It tends not towards the destruction but preservation of types; its negativity targets not life but the ideas that disable, disempower, and eradicate forms of life. I argue, further, that the fundamental ethical difference between breeding and taming, and so between Nietzschean morality and eugenics, is found in their attitudes toward the natural world. The violence of eugenics as taming is grounded in its status as anti-natural, while Nietzsche ’s morality of breeding resists violence through its foundational affirmation of the conditions and limitations of the natural world: its resolute moral naturalism. Finally, I apply my interpretation of breeding and taming to two cases of comparative, positive eugenics: the historical case of racial eugenics and the so-called “designer baby” case in contemporary liberal eugenics. Nietzsche must condemn both as forms of the anti-natural morality of taming, to which the morality of breeding is diametrically opposed. (shrink)

Cheerfulness or serenity is one of the most important themes in Nietzsche’s philosophy. Throughout his writings, from first to last, he can be found wrestling with conceptions of cheerfulness and promoting a cheerful mode of philosophizing. Despite the importance and recurrence of the theme of cheerfulness in Nietzsche’s entire œuvre, there have been relatively few studies specifically devoted to it. An important debate on cheerfulness has recently taken place in the literature on Nietzsche between Robert Pippin and Lanier Anderson and (...) Rachel Cristy. Both sides of the debate have explored Nietzsche’s practice of cheerfulness in direct relation to Montaigne. According to Pippin, Nietzsche never succeeds in writing with the kind of cheerfulness of Montaigne. In contrast, Anderson and Cristy have contended that both Nietzsche and Montaigne conceive of cheerfulness as a complex, non-naïve spiritual state or attitude that is to be cultivated through the practice of philosophy as a way of life. According to Anderson and Cristy, this is a deep form of love of life that both Nietzsche and Montaigne practice and perhaps achieve at least in part by and through writing. In this essay, we aim to contribute to this debate by offering a threefold argument. First, we argue that Nietzsche conceives of cheerfulness not only as a psychological ideal, as a desirable state or attitude of the spirit, but also as an aesthetic ideal, as a desirable quality or style of thinking and writing. Second, we argue that, in addition to Montaigne, Ralph Waldo Emerson is an equally important but neglected influence on Nietzsche’s conception and practice of cheerfulness. Third, by reconstructing Nietzsche’s self-presentation as a cheerful thinker and writer in the 1886 prefaces and in Ecce homo, we conclude that it is possible to argue that starting from his middle writings Nietzsche thinks and writes cheerfully in some of his works, including a number of his most significant texts. (shrink)

Nietzsche, the Godfather of Fascism? What can Nietzsche have in common with this murderous ideology? Frequently described as the "radical aristocrat" of the spirit, Nietzsche abhorred mass culture and strove to cultivate an Übermensch endowed with exceptional mental qualities. What can such a thinker have in common with the fascistic manipulation of the masses for chauvinistic goals that crushed the autonomy of the individual? The question that lies at the heart of this collection is how Nietzsche came to acquire the (...) deadly "honor" of being considered the philosopher of the Third Reich and whether such claims had any justification. Does it make any sense to hold him in some way responsible for the horrors of Auschwitz? The editors present a range of views that attempt to do justice to the ambiguity and richness of Nietzsche's thought. First-rate contributions by a variety of distinguished philosophers and historians explore in depth Nietzsche's attitudes toward Jews, Judaism, Christianity, anti-Semitism, and National Socialism. They interrogate Nietzsche's writings for fascist and anti-Semitic proclivities and consider how they were read by fascists who claimed Nietzsche as their intellectual godfather. There is much that is disturbingly antiegalitarian and antidemocratic in Nietzsche, and his writings on Jews are open to differing interpretations. Yet his emphasis on individualism and contempt for German nationalism and anti-Semitism put him at stark odds with Nazi ideology. The Nietzsche that emerges here is a tragic prophet of the spiritual vacuum that produced the twentieth century's totalitarian movements, the thinker who best diagnosed the pathologies of fin-de-siècle European culture. Nietzsche dared to look into the abyss of modern nihilism. This book tells us what he found. The contributors are Menahem Brinker, Daniel W. Conway, Stanley Corngold, Kurt Rudolf Fischer, Jacob Golomb, Robert C. Holub, Berel Lang, Wolfgang Müller-Lauter, Alexander Nehamas, David Ohana, Roderick Stackelberg, Mario Sznajder, Geoffrey Waite, Robert S. Wistrich, and Yirmiyahu Yovel. (shrink)

Between his calling into question, on the one hand, the apparently unquestionable value of compassion itself, and his refusal, on the other hand, to concede that suffering is unconditionally bad, Nietzsche has been understood by many as expressing a callous indifference, or worse, to most human suffering. This article aims to show that this interpretation relies on an oversimplified characterization of the relevant moral emotions. Compassion (or pity, either of which word can be used to translate the German das Mitleid) (...) is ‘a polyphonous being’, as Nietzsche insists in Daybreak (1881). A closer look at some key passages in Nietzsche’s text, and some help from Greek thinkers Nietzsche points us toward, will demonstrate that this term has meanings that have been lost to us. Recovering those meanings will shed light both on Nietzsche’s critique of compassion (or pity) and on his own attitude toward suffering. (shrink)

This paper is about the effects on people''s lives of their attitudes towards time and their own embodiment. People commonly see time as biform; there is the time of bodily life and the eternal time which transcends mortal life. This division is deeply implicated in the dualistic values that pervade western thought. So, when Nietzsche substitutes a monist notion of time, he profoundly unsettles our cherished values (which, of course, are gendered). Nietzsche''s major thrust, I argue, is to elucidate and (...) advocate the more appropriate values that emerge when human existence is understood as entirely earthborn.I use two contrasting literary characters to show concretely how people''s lives and relationships are affected negatively or positively according to the temporal perspectives they adopt (and thus the significance they give to their corporeality). I explain how acceptance of human finitude enables a fruitful and rewarding life, while its refusal is life-diminishing. This also makes conceivable a realm beyond gender. (shrink)

The focus of this essay is to display and to work within the congruent levels of discourse at play in Nietzsche's text, with particular reference to the trope ''woman." Derrida's treatment of Nietzsche produced in Eperons: Les Styles de Nietzsche provides the medium, the universe of discourse if you will, for reading Nietzsche's deployment of "woman" in his writings. Derrida is a prop that sets up the discourse in the following fashion: Nietzsche's metaphor of the vita femina (...) is comprehended in light of and integrated with Derrida's conception o/la femme-verite . The desire of this reading is to question the following: the ideal or idol of feminism and antifeminism, i.e., the image, the figure of woman as such, woman engenderedthrough the idiom of what should be the case or the condition of woman as a human being; and the presumptuous attitude of the feminist and/or anti-feminist, scholar or priest, that a particular discourse, her/his discourse, is of any interest or pertinence to women or woman. (shrink)

The essay draws attention to some of the different uses made of Schopenhauer throughout Nietzsche's writings. Different roles for Schopenhauer coexist at all stages of Nietzsche's writing. He functions as an exemplar for European culture, but at the same time Nietzsche can find serious fault with his philosophical doctrines, as he does in early unpublished notes. In later writings Schopenhauer is assigned the role of Nietzsche's antipode, but even then Schopenhauer is paid the compliment of being (...) class='Hi'>Nietzsche's great and only teacher. The essay includes a commentary on Genealogy III:12 in which Nietzsche's conception of 'perspectival knowledge' is anti-Schopenhauerian, but can only be seen for what it is once an underlying Schopenhauerian structure is made explicit. (shrink)

In this essay I look at The Birth of Tragedy in order to explore two related issues. First, beginning with Nietzsche’s own later critical look back at the book, I argue that in lamenting both the influence of Schopenhauer, and the inclusion of an extended discussion of contemporary German culture, Nietzsche underplayed the interdependence of these elements and his analysis of tragedy and its significance in the book. Second, I argue that to understand Nietzsche's Schopenhauerian concept of tragedy (...) we may begin from the perspective of the term's common usage, attending to phenomena often labelled tragic, and glimpsing what holds sway just beneath their surfaces. Ultimately, although Nietzsche's expressed understanding of tragedy in these early years drew heavily on Schopenhauerian pessimism, it nevertheless exceeded that influence. (shrink)

ABSTRACTThis essay explores D’Annunzio’s reception of Nietzsche—particularly his sociopolitical theory and idea of the Übermensch—as dramatized in his novel Le Vergini delle rocce. D’Annunzio’s attitude towards Nietzsche was complicated and contradictory, varying from fascination and rivalry to rejection and negation: rather than a philosopher or master, he saw Nietzsche as a poet and soulmate. Like many writers and artists of fin-de-siècle Europe, D’Annunzio too was attracted by Nietzsche’s elitist social theory and Übermensch, of which he presents his own version (...) especially in Maidens of the Rocks. In the novel, the young aristocrat Claudio Cantelmo aspires to overcome himself. However, the fact that Cantelmo fails to achieve his dream of fathering a New King of Rome, reveals D’Annunzio’s deep skepticism about contemporary Italy as well as his own “decadent” soul. (shrink)

ABSTRACTWhile the Apollonian and Dionysian in Nietzsche’s Birth of Tragedy are often understood as a rehashing of Schopenhauerian metaphysics, recent accounts have shown that his use of these concepts is at odds with such a metaphysics, interpreting them instead as myths. I follow this insight that Nietzsche is engaging in mythmaking in BT, but I argue that proponents of this view have missed an important dimension of that mythmaking: that Nietzsche presents multiple narratives of Apollo and Dionysus from different (...) perspectives, each of which offers different senses of tragic affirmation. This perspectival feature of BT sheds light on the more formal ‘perspectivism’ articulated in the Third Essay of On the Genealogy of Morals, as Nietzsche uses perspective in both cases to generate an epistemic alternative to the life-denying features of modern science. Thus, the metaphysical discussions of the early Nietzsche are inseparable from the development of a stylistic practice that constitutes a radical rejection of metaphysics for the later Nietzsche, and this style is part of a project of generating a more life-affirming approach to knowledge. (shrink)

If the bindingness of morality was to rest on something as ‘subjective’ as the non-cognitivist says it does, the grouse goes, and morality itself would come down crashing. Nothing less than an ‘objective’ source of normativity, it is supposed, could hold morality in orbit. Some of these worries automatically morph into worries about the projectivist model of normativity of law as well: one which understands the authority or normativity of law in terms of subjective attitudes taken towards the law. As (...) well as the stock worries about non-cognitivism, there are some additional ones that the projectivist model brings in its wake that it cannot account for the ‘uniform’ bindingness of law and that a subjective source of normativity of law based on mental states is unintelligible. This essay makes the case for acquitting the projectivist model of normativity of law from the above charges. But the route to that necessarily leads through first acquitt... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Willing and Nothingness: Schopenhauer as Nietzsche's EducatorDaniel SchumanChristopher Janaway, Editor. Willing and Nothingness: Schopenhauer as Nietzsche's Educator. New York: Oxford University Press, 1999. Pp. 293. Cloth, $65.00.Considering how many English language studies of Nietzsche's thought exist, it is quite remarkable that more has not been written on the question of the influence that Arthur Schopenhauer, his self-described "educator," had on his philosophy. The essays in (...) this important volume go a long way toward filling this vacancy in Nietzsche (and Schopenhauer) scholarship. Christopher Janaway has assembled an impressive group of articles that, taken together, effectively reveal the complexity and depth of Nietzsche's Schopenhauerian inheritance. This collection is both focused and comprehensive. These essays deal with almost all of the major points of agreement and contention between these two philosophers without exaggerating the influence of Schopenhauer on Nietzsche.In his introduction and contributing essay, Janaway highlights some of the general ways in which Schopenhauer exerted an influence on Nietzsche throughout his philosophical development. Janaway argues that despite Nietzsche's steadfast rejection of Schopenhauer's metaphysics there are important ways in which he remained indebted to his mentor even in his later works. For instance, though Schopenhauer embraces the mystical ideal of freeing the intellect from the will, it is his view that in the phenomenal realm the intellect is essentially an instrument of the will. According to Janaway, this claim that the intellect must be "rooted in a living, striving entity" had a profound [End Page 133] influence on Nietzsche's later thought, especially on his 'perspectivism' (35). The second essay in this volume, contributed by Maudemarie Clark, makes the similar claim that Nietzsche's ideas regarding truth and knowledge are grounded in the naturalistic conception of intellect he inherited from Schopenhauer. Clark claims Schopenhauer's philosophy, once divested of its more extreme metaphysical aspects, can be understood as a form of empiricism in which all knowing is "rooted in affect" (74). This is an idea that Clark also takes to be at the heart of Nietzsche's perspectivism.Other essays deal with two issues that were of primary importance to both Schopenhauer and Nietzsche: aesthetics and morality. Ivan Soll compares their respective aesthetic theories and argues that their views regarding the significance of art are not as dissimilar as Nietzsche himself claimed. They both see art "through the lens of life" and as a way of responding to the suffering that characterizes human existence. However, whereas Schopenhauer sees art as a means of denying the will to life, Nietzsche sees it as means of affirming life in the face of suffering. Like Soll, David Cartwright argues that Nietzsche embraces Schopenhauer's stance on the pervasiveness of suffering in human life. From this standpoint he examines both Nietzsche's criticisms and appropriation of certain elements of Schopenhauer's moral philosophy. Cartwright cleverly argues that Nietzsche's scathing critique of Schopenhauer's asceticism and morality of Mitleid actuallyrelies upon Schopenhauer's methodology and incorporates elements of his pessimism.Pessimism is dealt with in more detail in the essays by Kathleen Higgins and David Berman. Higgins claims that Schopenhauer's and Nietzsche's basic conceptions of will are actually quite similar. Both philosophers understand and interpret life in fundamentally voluntaristic terms. However, the two philosophers part ways when it comes to how will is characterized. Schopenhauer's pessimism and Nietzsche's relative optimism, Higgins claims, spring more from a difference in the temperament of the two thinkers, rather than a difference in their conceptions of will. In his essay, David Berman reinforces Higgins' view that Schopenhauer and Nietzsche share the same basic understanding of will even though their evaluations of it differ. However, Berman claims that Nietzsche came to see Schopenhauer as a closet epistemological optimist whose purported pessimism was "being used to protect and insulate him from the world's pain" (190). It is Berman's view that Nietzsche's self-proclaimed recognition of Schopenhauer's pessimism as a kind of "self-deceived" optimism actually cleared the way for Nietzsche to develop his philosophy of power and life affirmation. Whereas Schopenhauer retreats into the false comfort of resignation and denial, Nietzsche's... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Schopenhauer's Pessimism and the Unconditioned Good MARK MIGOTTI SCHOPENHAUERTOOK PESSIMISMtO be a profound doctrine that had long been accepted by the majority of humanity, albeit usually in the allegorical form given to it by one or another religious creed. Accordingly, he credited himself, not with the discovery of pessimism, but with the provision of a satisfactory philosophical exposition and defense of its claims. It was, he contended, only within (...) the context of his philosophy, animated by the "single thought" that "the world is the self-knowledge of the will,"' that the ultimate significance of pessimism and the arguments demonstrating its inescapability can be brought to light. If, nevertheless, he sometimes appears to protest too much, to defend pessimism as if it were a striking and novel affair, he would have attributed this to the fact that he was, unfortunately, writing in the midst of one of the most naively optimistic cultures known to world history. 2 The philosophical reception of Schopenhauer's pessimism since the publication of The World as Will and Representation in 1818 would, one suspects, have been taken by him as further evidence of modern Western philosophy's optimistic somnambulance. For while other, comparably fundamental aspects of his thought--for example, his theories of action, of the self, and his criticisms of Kant--have received a welcome amount of fruitful, critical attention, his I would like to thank John Atwell, David Schmidtz, Susan Haack, Rudolf Makkreel and, especially,two anonymous referees, for prompting me to make substantial improvements to an earlier draft of this paper. ' Arthur Schopenhauer, Der handschrifllicher Nachlass 1, ed. Arthur Hiibscher (Frankfurt-amMain : Kramer, 1967),462; Manuscript Remains 1, trans. E. F.J. Payne(NewYork: Berg Publishing, 1988), 512. 'See, for example, Arthur Schopenhauer, D/e Welt als Wille und VorsteUung II. In Arthur Schopenhauer. Ziircher Ausgabe, ed. Arthur Hiibscher et. al. (Zurich: DiogenesVerlag, 1977),w 4:721, 732-33; The World as Will and Representation II, trans. E. F. J. Payne(New York: Dover Press, 1969),615, 625-26. Future references to this work willbe made within the text, by the abbreviation WW followed by section number, German edition volume and page number and English translation page number. [643] 644 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER ~995 pessimism has not. Amongst enthusiastic followers it has sometimes been swallowed more or less whole, but from more independent-minded readers it has generally met with disdainful mockery or well-intentioned neglect.3 The aim of this paper is to help rectify' this imbalance. In the first of its four sections, I present an account of Schopenhauerian pessimism that can claim a good measure of textual support, and the essential features of which are found often enough in the secondary literature to warrant calling it the mainstream interpretation.4 In section 2 I show that, as critics have charged, the arguments for pessimism on this interpretation suffer from a pair of fatal ambiguities, and in section 3 I sketch an alternative argument for pessimism, one not so obviously open to the sort of knock-down refutation to which the first argument succumbs. In the paper's final section l explore further the philosophical consequences of this alternative argument for pessimism. 3Gyorg'yLukacs, "Schopenhauer," chapter ~,section 4 of The Destruction of Reason, trans. Peter Palmer (London: Merlin Press, 1979), 19~-243, isthe locusclassicusof an attitude of superior scorn. Bryan Magee, The Philosophy of Schopenhauer (Oxford: "the Clarendon Press, 1983), z3-14, D. W. Hamlyn, Schopentmuer (London: Routledge, z98o), *43, Michael Fox, "Schopenhauer on Death, Suicide, and Renunciation." in Schopenhauer: His Philosophical Achievement, ed. Michael Fox (Totowa, NJ: Barnes and Noble Books, 198o), ]47-7o, and David Cartwrigh*, "Schopenhauer on Suffering, Death, Guilt, and the Consolation of Metaphysics,"in Schopenhauer: New Essays in Hotwr ofHis 2ooth Birthday, ed. Eric yon der Luft (Lewiston,NY: Edwin Mellen Press, t988), 66, all incline to the viewthat it was temperament, not argument, that drove Schopenhauer to pessimism, while Patrick Gardiner, Schopenhatwr (London: Penguin Books, ]963), does not discuss pessimism by name. Not even Nietzsche, the deepest and most astute of Schopenhauer'scritics,can resistbarbs of the following sort: "Schopenhauer, although a pessimist, in ]act played the flute... (shrink)

To date authors are unsure about Nietzsche's self-critical attitude regarding his Thus Spoke Zarathustra. While few doubt that the narrative reaches a dramatic climax at the end of its third part, the largely satirical fourth part invites to take this climax cum grano salis. I provide an interpretation of the dramatic structure of Thus Spoke Zarathustra by focusing on the tragic nature of Nietzsche's ideal of the Übermensch and the comical relief provided by part four. Accordingly, the (...) completion at the end of part three is relegated to a noble lie to assuage the tragic nature of Zarathustra's ideal. (shrink)

There are numerous traces of Nietzsche's influence in Wang Guowei's "On the Dream of the Red Chamber" even though there is not a single mention of Nietzsche's name in that seminal essay. Nietzschean thought looms large where Wang openly disagrees with or quietly departs from the views of Schopenhauer and, to a lesser extent, those of Kant and Aristotle. His questioning of Schopenhauer's "no-life-ism" harks back to Nietzsche's challenge to Schopenhauer's life-negating ethics. His portrayal of Bao Yu (...) reveals three distinctive character traits of the Nietzschean overman. In particular, the praise of Bao Yu's rebellious character reveals Wang's preference for the iconoclastic Nietzschean overman over the passive Schopenhauerian saint. A strong influence of Nietzsche's views of tragedy may also be observed in Wang's discussion of the tragic form. His modification of Aristotle's catharsis seems to have been made in the spirit of Nietzsche's criticism of its "pathological discharge." His stress on the ultimate salvational function of the Dream strongly reminds us of what Nietzsche has said about the life-saving role of the Dionysian tragedy in the Birth. Finally, in his conditional endorsement of "live-life-ism" we can see a thinly disguised repudiation of the extreme Darwinian tendency he mistakenly reads into Nietzsche's works. It should not be surprising that there are so many echoes of Nietzschean thought in "On the Dream." While writing this essay Wang was deeply occupied with the study of Nietzsche's aesthetic and ethical theories through comparisons with Schopenhauer's. If this influence of Nietzsche can be established on the basis of the evidence given above, there is then a need to reassess Nietzschean thought as a catalyst more important than hitherto thought for the rethinking of traditional Chinese literary and cultural traditions--a broad twentieth-century critical and intellectual trend initiated by none other than Wang's "On the Dream.". (shrink)

Nietzsche’s endorsement of a “morality of breeding” or “cultivation” (Züchtung), which he opposes to the morality of “taming” or “domestication” (Zähmen), invites worry that his philosophy may be compatible with ethically dangerous forms of eugenics and, consequently, with the historically associated, abhorrent practices of discrimination, racism, and genocide (TI, “Improvers” 5). While there is a general, if not absolute, consensus that Nietzsche does not actively endorse discrimination or violence, the failure to clearly exclude such egregious views would be sufficient reason (...) to dismiss any positive contribution Nietzsche might make to ethical philosophy. In this paper, I directly oppose Nietzsche’s endorsement of a morality of breeding to all forms of comparative, positive eugenics: the use of genetic selection to introduce positive improvement in individuals or the species, based on negatively or comparatively defined traits. This category includes social Darwinist theories common in the United States and the United Kingdom in the early twentieth century, the racial eugenic theories of National Socialism, and contemporary “liberal,” non-coercive eugenics. I begin by explaining Nietzsche’s contrast between two broad categories of morality: breeding and taming. I argue that the ethical dangers of positive eugenics are grounded in their status as forms of taming, which preserves positively evaluated character traits and types through the active de-selection of negatively evaluated ones. The morality of taming is not a form of selection, but de-selection: the production of counter or anti-traits and types. Consequently, in its attempt to improve humanity, it tends necessarily toward violence as the elimination of de-selected forms of human life. In contrast, Nietzsche’s morality of breeding selects traits and types by protecting them from de-selection—specifically, by attacking moral ideas, values, and practices designed to eliminate them. It tends not towards the destruction but preservation of types; its negativity targets not life but the ideas that disable, disempower, and eradicate forms of life. I argue, further, that the fundamental ethical difference between breeding and taming, and so between Nietzschean morality and eugenics, is found in their attitudes toward the natural world. The violence of eugenics as taming is grounded in its status as anti-natural, while Nietzsche’s morality of breeding resists violence through its foundational affirmation of the conditions and limitations of the natural world: its resolute moral naturalism. Finally, I apply my interpretation of breeding and taming to two cases of comparative, positive eugenics: the historical case of racial eugenics and the so-called “designer baby” case in contemporary liberal eugenics. Nietzsche must condemn both as forms of the anti-natural morality of taming, to which the morality of breeding is diametrically opposed. (shrink)

Nietzsche’s attitude toward science is ambivalent: he remarks approvingly on its rigorous methodology and adventurous spirit, but also points out its limitations and rebukes scientists for encroaching onto philosophers’ territory. What does Nietzsche think is science’s proper role and relationship with philosophy? I argue that, according to Nietzsche, philosophy should set goals for science. Philosophers’ distinctive task is to ‘create values’, which involves two steps: (1) envisaging ideals for human life, and (2) turning those ideals into prescriptions for behaviour (...) and societal organization. To accomplish step (2), philosophers should delegate scientists to investigate what moral rules and social arrangements have best advanced this ideal in the past or might in the future. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Books ReceivedThe Ahmadis: Community, Gender, and Politics in a Muslim Society. By Antonio Gualtieri. Montreal and Kingston: McGill-Queen's University Press, 2004. Pp. xvi + 192. Hardcover $65.00. Paper Cdn $24.95 / U.S. $19.95.American Knees. By Shawn Wong. Seattle and London: University of Washington Press, 2005. Pp. xxi + 229. Paper $14.95.The Art of Worldly Wisdom. By Baltasar Gracian and translated by Joseph Jacobs. Mineola, NY: Dover Publications, 2005. Pp. (...) xiii + 114. Paper $5.95.Bashō's Journey: The Literary Prose of Matsuo Bashō. Translated by David Landis Barnhill. Albany: State University of New York Press, 2005. Pp. xvii + 191. Hardcover $59.50. Paper $17.95.Bringing the Gods to Mind: Mantra and Ritual in Early Indian Sacrifice. By Laurie L. Patton. Berkeley: University of California Press, 2005. Pp. xv + 289. Hardcover $49.95/£32.50.Buddhist Inclusivism: Attitudes Towards Religious Others. By Kristin Beise Kiblinger. Burlington, VT: Ashgate Publishing Company, 2005. Pp. viii + 145. Hardcover $89.95.A Chinese Ethics for the New Century: The Ch'ien Mu Lectures in History and Culture, and Other Essays on Science and Confucian Ethics. By Donald J. Munro. Hong Kong: Chinese University Press, 2005. Pp. xlv + 158. Hardcover $33.00.Chinese Theories of Reading and Writing: A Route to Hermeneutics and Open Poetics. By Ming Dong Gu. Albany: State University of New York Press, 2005. Pp. xiv + 334. Hardcover $85.00.A Dictionary of Cantonese Slang: The Language of Hong Kong Movies, Street Gangs, and City Life. By Christopher Hutton and Kingsley Bolton. Honolulu: University of Hawai'i Press, 2005. Pp. xxiv + 492. Paper $28.00.Ghazālī and the Poetics of Imagination. By Ebrahim Moosa. Chapel Hill and London: University of North Carolina Press, 2005. Pp. xiii + 349. Hardcover $59.95. Paper $22.50.Going Forth: Visions of Buddhist Vinaya. Edited by William M. Bodiford. Honolulu: University of Hawai'i Press, 2005. Pp. x + 317. Hardcover $48.00.The Harem: Inside the Grand Seraglio of the Turkish Sultans. By N. M. Penzer. Mineola, NY: Dover Publications, 2005. Pp. 277. Paper $14.95.Ideals of the East: The Spirit of Japanese Art. By Kakuzo Okakura. Mineola, NY: Dover Publications, 2005. Pp. xiv + 106. Paper $5.95. [End Page 365]An Illustrated Chinese Materia Medica. By Jing-Nuan Wu. New York: Oxford University Press, 2005. Pp. 706. Price not given.Jews and Arabs: A Concise History of Their Social and Cultural Relations. By S. D. Goitein. Mineola, NY: Dover Publications, 2005. Pp. xv + 263. Paper $12.95.The Logic of Nothingness: A Study of Nishida Kitarō. By Robert J. J. Wargo. Honolulu: University of Hawai'i Press, 2005. Pp xi + 241. Paper $25.00.The Moral and Political Thought of Mahatma Gandhi. By Raghavan N. Iyer. New Delhi: Oxford University Press, 2000. Pp. xiii + 449. Paper Rs 520.00.Nietzsche's Epic of the Soul: Thus Spoke Zarathustra. By T. K. Seung. Lanham, MD: Lexington Books, 2005. Pp. xxviii + 370. Hardcover $83.00. Paper $27.95.Of Guilds, Companies, Corporations, and Governance: A Conceptual Sketch. By Leonardo R. Silos. Makati City, Philippines: Asian Institute of Management, 2005. Pp. xvi + 238. Price not given.The Path to Rome. By Hilaire Belloc. Mineola, NY: Dover Publications, 2005. Pp. ix + 251. Paper $12.95.The Philosophy of the Bhagavadgātā : A Study based on the Evaluation of the Commentaries of Śamkara, Rāmānuja and Madhva. By S. M. Srinivasa Chari. New Delhi: Munshiram Manoharlal Publishers, 2005. Pp. xxvi + 294. Hardcover Rs 575.00.The Philosophy of Rabindranath Tagore. By Kalyan Sen Gupta. Burlington, VT: Ash-gate Publishing Company, 2005. Pp. ix + 103. Hardcover $79.95.The Pristine Dao: Metaphysics in Early Daoist Discourse. By Thomas Michael. Albany: State University of New York Press, 2005. Pp. xi + 170. Hardcover $60.00. Paper $21.95.Three Mountains and Seven Rivers: Prof. Musashi Tachikawa's Felicitation Volume. Edited by Shoun Hino and Toshihiro Wada. Delhi: Motilal Banarsidass Publishers. 2004. Pp. xx + 903. Hardcover Rs. 1800.The Unity of Mystical Traditions: The Transformation of Consciousness in Tibetan and German Mysticism. By Randall Studstill. Leiden and Boston: Brill, 2005. Pp. xii + 304. Hardcover @89/$127.00.Writing the World: On Globalization. Edited by David... (shrink)

This paper examines Nietzsche's attitude to the empirical by concentrating on his concept of Empfindung (sensation, perception, feeling). In Section 1, five distinctive features of his use of 'Empfindung' are described in relation to the philosophical tradition and some of his sources in 19 th Century physiology. All five features, I argue, point to Nietzsche's philosophical concern to stake out the limits of 'Empfindung' as an aspect of human finitude. In Section 2, my attention turns from the (...) term 'Empfindung' to Nietzsche's actual argumentation. The bewildering variety of perspectives and arguments concerning 'Empfindung' in his writings are broken down into three basic types of argument or discourse with radically different, incompatible presuppositions: a critical, epistemological discourse serving anti-metaphysical ends; a quasiscientific discourse serving critical-epistemological ends; and a quasi-ontological discourse of life that looks to explain the results of Nietzsche's critical epistemology. The value of this 'contradictory' practice, I contend, is twofold: Nietzsche makes epistemology fruitful for the philosophical problem of life; at the same time he offers a performative critique of epistemology by the manner in which he exceeds it. South African Journal of Philosophy Vol. 25(2) 2006: 146-158. (shrink)

Nietzsche’s views regarding suicide are usually interpreted as a response to Christian, Kantian, and Schopenhauerian ethics. Here, they are defended on the basis of his notion of life as an aesthetic phenomenon in order to provide extramoral responses to such challenges as the following: a) whether the self can deliver the right kind of judgment regarding her life, b) how suicide can be considered an empowerment of the will, and c) whether suicide can be considered an exercise of freedom (...) by the subject who thereby cancels the very grounds and means for will and action. Reconstructed as a response to Hegel’s argument against suicide on the grounds that one is not the master of oneself and that one therefore lacks the proper means to judge one’s life, Nietzsche’s position provides the epistemic footing to ground an alternate notion of self-mastery as well as the necessary insight regarding one’s life. It is shown that this reading of Nietzsche’s argument is in alignment with his non-dualism and expressivist views regarding agency. Finally, a response is formulated to the socially-grounded arguments prohibiting suicide on the basis of this reading of Nietzsche’s position. (shrink)