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  1. Nihilism: Schopenhauer, Nietzsche and Now.Peter Stewart-Kroeker - 2023 - Open Philosophy 6 (1):178-95.
    In this paper, I discuss how Nietzsche’s critique of nihilism concerns the complicity between Christian morality and modern atheism. I unpack in what sense Schopenhauer’s ascetic denial of the will signifies a return to nothingness, what he calls the nihil negativum. I argue that Nietzsche’s formulation of nihilism specifically targets Schopenhauer’s pessimism as the culmination of the Western metaphysical tradition, the crucial stage of its intellectual history in which the scientific pursuit of truth finally unveils the ascetic will to nothingness (...)
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  2. Dissonance and Illusion in Nietzsche's Early Tragic Philosophy.Peter Stewart-Kroeker - 2024 - Parrhesia (39):86-117.
    Nietzsche’s Birth of Tragedy overcomes the opposition between scientific optimism and Schopenhauerian pessimism with the image of a music-making Socrates, who symbolizes the aesthetic affirmation of life. This article shows how the aesthetic ideal is an illusion whose metaphysical solace undermines itself in being recognized as such, thereby ceasing to be comforting. While I agree with recent commentaries that contest the pervasive Schopenhauerian reading of The Birth, most of these commentaries still support the view that Nietzsche wishes to communicate some (...)
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    Nietzsche on Socrates, Jesus, and the Slave Revolt in Morality.Peter Stewart-Kroeker - 2024 - International Journal of Philosophy and Theology 85 (3-4):142-164.
    This article shows how the triumph of Socratic optimism in Nietzsche’s first book, The Birth of Tragedy, is due to a slave revolt in morality that promulgates a religious faith in the value of scientific truth. This early argument parallels his critique of the ascetic ideal that infects science in The Genealogy of Morality. I draw out the resemblance between Socrates’s martyrdom in The Birth and Jesus’s crucifixion in the Genealogy in order to illuminate how ritual human sacrifice mythically immortalizes (...)
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