Results for 'ethics-aesthetics'

970 found
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  1.  21
    An Overview of Charles Peirce on Ethics, Esthetics and the Normative Sciences.James Jakób Liszka - 2022 - Transactions of the Charles S. Peirce Society 58 (3):219-226.
    Abstract:In Charles Peirce on Ethics, Esthetics and the Normative Sciences, I argue that Peirce was motivated to develop a normative science of ethics because of his growing concern with the corruption of science in the Gilded Age, and the recognition that the pragmatic maxim entailed an amoral instrumentalism. Rather than taking a Kantian approach to resolve the latter issue, he adopts an Aristotelian one, engaging in a search for an ultimate end that could order all other ends. What (...)
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  2.  11
    Remarks on James Liszka's Charles Peirce on Ethics, Esthetics and the Normative Sciences.Aaron B. Wilson - 2022 - Transactions of the Charles S. Peirce Society 58 (3):243-252.
    Abstract:Peirce held a convergence theory of moral truth, as James Liszka persuasively argues in Charles Peirce on Ethics, Esthetics, and the Normative Sciences (2021). Here I emphasize: (1) that Peirce's convergence theory follows from the application of the maxim of pragmatism to the concept of moral goodness or rightness; (2) that in connection with Peirce's account of the ethical summum bonum, morally right action can be understood as action that conforms or contributes to the growth of concrete reasonableness; and (...)
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  3.  16
    Charles Peirce on Ethics, Esthetics and the Normative Sciences: Response to Commentators.James Jakób Liszka - 2022 - Transactions of the Charles S. Peirce Society 58 (3):253-264.
    Abstract:In my response to the commentators, I agree with Rosa Mayorga that Duns Scotus should be included as an important influence on Peirce's notion of agency, as well as his sense of the highest good. I explain, however, how Peirce's triadic view of agency is an improvement that relates to current debates between moral internalism and externalism. In response to Diana Heney, I defend Peirce's notion of evolutionary love as a form of intergenerational altruism, necessary to any community of inquiry. (...)
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  4.  15
    The Work of the Normative Sciences: On Liszka's Charles Peirce on Ethics, Esthetics and the Normative Sciences.Diana B. Heney - 2022 - Transactions of the Charles S. Peirce Society 58 (3):235-242.
    Abstract:This piece offers a reflection on James Liszka's book, Charles Peirece on Ethics, Esthetics, and the Normative Sciences. I consider Liszka's approach to Peirce's writings, especially the Minute Logic and "Evolutionary Love", and explore his extension of Peirce's ethical thought. I conclude that Liszka's work in this volume shows us what reasonableness as self-correction might require of us, and suggests ways in which we can take up the work of the normative sciences.
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  5.  34
    Virtue Ethics, Aesthetics, and Reflective Practices in Business.John Dobson - 2022 - Philosophy of Management 21 (4):493-505.
    This paper begins from the context of virtue ethics theory as applied to business ethics. We note that the concept of a practice therein lacks the full richness of the Aristotelian concept of virtue. In essence, when applied to business in the virtue ethics literature, the practice loses its reflective quality. It becomes beholden to, and irredeemably interdependent with, the economic institution (i.e., the for-profit firm) that houses the practice. Furthermore, the conventional practice of virtue ethics (...)
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  6. Ethics, aesthetics and the historical dimension of language.Hans-Georg Gadamer - 2022 - New York: Bloomsbury Academic. Edited by Arun Iyer & Pol Vandevelde.
    Ethics, Aesthetics and the Historical Dimension of Language collects together Gadamer's most important untranslated writings on ethics, aesthetics and language. With a substantial introduction by the editors exploring Gadamer's ethical project and providing an overview of his aesthetic work, this book collects Gadamer's writings on ancient ethics, including the moral philosophy of Aristotle, and on practical philosophy. In the final section, Gadamer's writings on art and language are collected, including his examination of poetry, opera and (...)
     
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  7.  21
    Where There's a Will... There's a Choice: Comments on Liszka's Charles Peirce on Ethics, Esthetics and the Normative Sciences.Rosa Maria Mayorga - 2022 - Transactions of the Charles S. Peirce Society 58 (3):227-234.
    Abstract:The influence of John Duns Scotus' doctrine of the free will on Charles Peirce's normative theory is proposed in the context of commentaries on James J. Liszka's latest book on Peirce and the normative sciences.
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  8. Logic, Ethics, Aesthetics: Wittgenstein and the Transcendental.Kristin Boyce - 2017 - In Reshef Agam-Segal & Edmund Dain (eds.), Wittgenstein’s Moral Thought. New York: Routledge. pp. 133-151.
  9. Ethical Aesthetics: Schiller and Nietzsche as Critics of the Eighteenth Century.Adrian Del Caro - 1980 - The Germanic Review 55 (2):53-63.
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  10.  34
    Ethics, aesthetics, and moral imagination.Henk ten Have - 2023 - International Journal of Ethics Education 8 (2):245-247.
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  11.  42
    Ethics, Aesthetics, and Practical Philosophy.John Haldane - 2018 - The Monist 101 (1):1-8.
    The development of interest among academic philosophers in the aesthetics of everyday life is somewhat analogous to the broader development in moral philosophy of ‘applied’ or practical ethics. This fact is sometimes mentioned but rarely examined and it may be useful, therefore, to explore something of the course and causes of these two developments, in part better to understand them, but also to note blindspots and limitations in certain ways of thinking. In each case these limitations are related (...)
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  12.  11
    The posthuman condition: ethics, aesthetics and politics of biotechnological challenges.Kasper Lippert-Rasmussen, Mads Rosendahl Thomsen & Jacob Wamberg (eds.) - 2012 - [Aarhus, Denmark]: Aarhus University Press ;.
    If biotechnology can be used to "upgrade" humans physically and mentally, should it be done? And if so, to what extent? How will biotechnology affect societal cohesion, and can the development be controlled? Or is this a Pandora's box that should remain closed? These are just a few of the many questions that arise as a result of the increasing ability of technology to change biology and, eventually, transform human living conditions. This development has created a new horizon of a (...)
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  13.  9
    Ethics, aesthetics, and education: a Levinasian approach.Donald Blumenfeld-Jones - 2016 - New York, NY: Palgrave-Macmillan.
    This book explores Levinas’ phenomenology of ethical motivation. Levinas is grounded in “radical alterity”, the knowledge that ethics exists only when we are fully separate from someone else, allowing us to experience connection with one another. In this book, the author locates this ethics in embodiment, emotions, and imaginations and explores the intersection of aesthetics and education.
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  14.  38
    Ethics and esthetics on a biological basis.A. Bachem - 1958 - Philosophy of Science 25 (3):169-175.
    Most philosophical systems of ethics are based upon the reciprocity principle as expressed by the Golden Rule: “Do unto others as you would have them do unto you!” The same idea underlies Kant's categorical imperative: “Act always on such a maxim as thou canst at the same time will to be a universal law!” Here, the individual act is generalized into, and considered as the specific application of the general law of ethics.
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  15.  83
    Ethics, Aesthetics, and Artistic Ends.Jonathan Gilmore - 2011 - Journal of Value Inquiry 45 (2):203-214.
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  16.  30
    Some Relations between Ethics, Aesthetics and Politics in Contemporary Art in Times of Crisis.Maria Elena Ramos - 2019 - Dialogue and Universalism 29 (2):9-27.
    The inclusion of ethics and politics into artistic creation process is for many contemporary creators/artists an essential motivation while they consciously act in an aesthetic space polluted with the realities of a world in crisis. Art, which produces visible and sensible forms, can reveal aesthetic ideas and fundaments through aesthetic objects: drawing, video-installing or poem/poetry. And artists can make someone feel with their creations—whether these are beautiful, sublime, tragic, or ironic—ethical contentions violated by human action or the exertion/exercise of (...)
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  17.  35
    Ethics, Aesthetics, and the Beyond of Language.Robert Hughes - 2010 - State University of New York Press.
    Sleepy Hollow : fearful pleasures and the nightmare of history -- Lacan and the beyond of language : from art to ethics -- Brown's Wieland and the ethical circumscription of death -- Heideggerian ethics : the voice of art and the call to being -- Levinas: art and the transcendence of solitude -- Endings : ethics, enigma, and address in The marble faun -- Riven : Badiou's ethical subject and the event of art as trauma.
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  18.  10
    God, Morality, and Beauty: The Trinitarian Shape of Christian Ethics, Aesthetics, and the Problem of Evil.Randall B. Bush - 2019 - Lanham, MD: Fortress Academic.
    In God, Morality, and Beauty, Randall B. Bush argues that a Trinitarian vision of reality, combined with the disciplines of aesthetics and ethics, is the most satisfactory way to address questions pertaining to the philosophy of value that are currently being debated in the social sciences and humanities.
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  19.  30
    Housekeeping of feelings: On Heller’s ethical aesthetics.Liu Can - 2022 - Thesis Eleven 171 (1):47-57.
    This paper discusses Heller’s aesthetic ethics in her feeling theory. ‘Feeling’ is an aesthetic problem as well as an ethical problem. Heller discusses the important role of emotions in modern life. ‘Housekeeping of feelings’ is the key category of Heller’s ethical aesthetics, which is related to one’s self-realization. It is beneficial to the formation of individual value and helps to reconstruct an increasingly atomized community. The housekeeping of feelings is some kind of care, which is important both ethically (...)
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  20. On Taste as Ethical-aesthetic Notion in Kant.Hemmo Laiho - 2023 - 12Th Kant-Readings International Conference “Kant and the Ethics of Enlightenment: Historical Roots and Contemporary Relevance”.
    It may be that Kant’s inherently communal concept of taste is a morally laden notion that blurs the line between the good and the beautiful, on the one hand, and moral evaluation and aesthetic appreciation, on the other. In particular, it can be shown how, on Kant’s view, moralistic factors, such as considerations of social appropriateness, enter into estimations of aesthetic value. Moreover, Kant’s tendency to overlap taste and morals suggests an underlying assumption operative in Kant’s aesthetics. According to (...)
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  21.  7
    Bodies of evidence: ethics, aesthetics, and politics of movement.Gurur Ertem & Sandra Noeth (eds.) - 2018 - Vienna: Passagen Verlag.
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  22.  37
    The Art of Living with ICTs: The EthicsAesthetics of Vulnerability Coping and Its Implications for Understanding and Evaluating ICT Cultures.Mark Coeckelbergh - 2015 - Foundations of Science:1-10.
    This essay shows that a sharp distinction between ethics and aesthetics is unfruitful for thinking about how to live well with technologies, and in particular for understanding and evaluating how we cope with human existential vulnerability, which is crucially mediated by the development and use of technologies such as electronic ICTs. It is argued that vulnerability coping is a matter of ethics and art: it requires developing a kind of art and techne in the sense that it (...)
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  23. The Art in Ethics: Aesthetics, Objectivity, and Alterity in the Philosophy of Emmanuel Levinas.Edith Wyschogrod - 1995 - In Adriaan Theodoor Peperzak (ed.), Ethics as first philosophy: the significance of Emmanuel Levinas for philosophy, literature, and religion. New York: Routledge. pp. 137--50.
     
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  24.  97
    The Art of Aidagara : Ethics, Aesthetics, and the Quest for an Ontology of Social Existence in Watsuji Tetsurō's Rinrigaku.James M. Shields - 2009 - Asian Philosophy 19 (3):265-283.
    This paper provides an analysis of the key term aidagara ('betweenness') in the philosophical ethics of Watsuji Tetsurō (1889-1960), in response to and in light of the recent movement in Japanese Buddhist studies known as 'Critical Buddhism'. The Critical Buddhist call for a turn away from 'topical' or intuitionist thinking and towards (properly Buddhist) 'critical' thinking, while problematic in its bipolarity, raises the important issue of the place of 'reason' vs 'intuition' in Japanese Buddhist ethics. In this paper, (...)
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  25. A Selected Bibliography on Values, Ethics and Esthetics, 1920-1958.Ethel M. Albert - 1960
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  26.  28
    Franz Brentano. Sources and Legacy / Intentionality and Philosophy of Mind / Metaphysics, Logic, Epistemology / Ethics, Aesthetics, Religion (Critical Assessments of Leading Philosophers).Mauro Antonelli & Federico Boccaccini (eds.) - 2018 - New York: Routledge.
    Franz Brentano was a leading philosopher and psychologist of the nineteenth century. Indeed, the impact of his scholarship was so great that he became synonymous with a school of thought and a new approach in scientific philosophy. The Brentano School stood against the Idealistic and post-Kantian German tradition and Brentano played a crucial role in the founding of Austrian philosophy. He had an enormous impact on the work of Husserl and Heidegger, as well as on Moore’s _Ethics_ and Stout and (...)
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  27.  83
    Affective responses, normative requirements, and ethical-aesthetic interaction.Steven A. Jauss - 2008 - Philosophia 36 (3):285-298.
    According to what Robert Stecker dubs the “ethical-aesthetic interaction” thesis, the ethical defects of a literary work can diminish its aesthetic value. Both the thesis and the only prominent argumentative strategy employed to support it the affective response argument have been hotly debated; however, Stecker has recently argued that the failure of the ARA does not undermine the thesis, since the argument “fails to indentify the main reason [the thesis] holds, when it in fact does.” I critically examine Stecker’s objection (...)
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  28.  70
    Hume on Ethics, Aesthetics, and the Difference it Makes.EImer H. Duncan - 1986 - Southwest Philosophy Review 3:60-69.
  29. Literature and moral understanding: a philosophical essay on ethics, aesthetics, education, and culture.Frank Palmer - 1992 - New York: Clarendon Press.
    Recent philosophical discussion about the relation between fiction and reality pays little attention to our moral involvement with literature. Frank Palmer's purpose is to investigate how our appreciation of literary works calls upon and develops our capacity for moral understanding. He explores a wide range of philosophical questions about the relation of art to morality, and challenges theories that he regards as incompatible with a humane view of literary art. Palmer considers, in particular, the extent to which the values and (...)
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  30. Levinas and Badiou on Ethics, Aesthetics and the Anticipation of the Unanticipatable.Anton Froeyman - forthcoming - International Journal of Computing Anticipatory Systems.
    In this paper, I will present what I take to be a standard view of morality, and I argue that this view amounts to a paradox: the moral event or moral concern, the source of morality, ultimately leads, through moral theory, to a denial of itself. I will show how Badiou and Levinas take a way out of this and in doing so deny the possibility of anticipating the moral. Furthermore, I claim that this anticipatory moment can be introduced back (...)
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  31.  80
    A Place in Space: Ethics, Aesthetics, and Watersheds.J. Baird Callicott - 1996 - Environmental Ethics 18 (3):321-326.
  32.  70
    Pleasure theory in ethics and esthetics.Lucius Garvin - 1942 - Journal of Philosophy 39 (3):57-63.
  33.  13
    Inventive Formation of Teachers in Between Ethical, Aesthetic and Political Weavings of Academic Writing.Rosimeri de Oliveira Dias - 2019 - Childhood and Philosophy 15:01-26.
    The purpose of this work is to think about the thematics of the inventive formation of teachers crossed by the aesthetic activity of self writing. Therefore, we echo the question made by Maurice Blanchot when we confront the language of research in education linked to the requirement for its discontinuity, so that the written word is plural and involved with the movement of an aesthetic experience: “How to write in such a way that the continuity of the movement of writing (...)
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  34. The Nature of Values: Ethics and Esthetics.John Somerville - 2005 - Nature, Society, and Thought 18 (1):161-192.
     
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  35. Roger D. Gallie, Thomas Reid: Ethics, Aesthetics and the Anatomy of the Self Reviewed by.Dabney Townsend - 2000 - Philosophy in Review 20 (1):29-31.
     
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  36. Looking and Seeing: Ethics, Aesthetics, and Wittgenstein's Political Thought.R. Shannon Duval - 1995 - Dissertation, The Pennsylvania State University
    My dissertation is a study of the relationships among aesthetics, ethics and politics in the philosophy of Ludwig Wittgenstein. In this project I use primary texts, records of conversations, and correspondence to describe Wittgenstein's "moral perfectionism." I then consider what place there might be for political action within his conception of the good life. The aim of the dissertation is twofold. First, it is an analysis of Wittgenstein's ethical thought and the continuity it provides between his early and (...)
     
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  37. (1 other version)On the Ethics of Imagination and Ethical-Aesthetic Value Interaction in Fiction.Adriana Clavel-Vazquez - forthcoming - Ergo.
    Advocates of interactionism in the ethical criticism of art argue that ethical value impacts aesthetic value. The debate is concerned with “the intrinsic question”: the question of whether ethical flaws/merits in artworks’ manifested attitudes affect their aesthetic value (Gaut 2007: 9). This paper argues that the assumption that artworks have intrinsic ethical value is problematic at least in regards to a significant subset of works: fictional artworks. I argue that, insofar as their ethical value emerges only from attitudes attributable to (...)
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  38.  22
    Dental Ethics at Chairside: Professional Principles and Practical Applications.David T. Ozar & David J. Sokol - 1994 - Mosby Elsevier Health Science.
    Case presentations, esthetics, insurance considerations, communicable diseases, referral questions, dental phobia, and legal concerns all play a role in doctor-patient relationships. These topics, and many others, are the subject of this one-of-a-kind resource, designed to show dental students and practitioners how to approach patient relationships.
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  39.  50
    Macor, Laura A. (ed.). Reading Schiller: Ethics, Aesthetics, and Religion.María Luciana Cadahia - 2014 - Ideas Y Valores 63 (154):299-301.
    Macor, Laura A. (ed.). Reading Schiller: Ethics, Aesthetics, and Religion, Philosophical Readings 5. 2013.
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  40.  31
    In the aftermath of art: ethics, aesthetics, politics.Donald Preziosi - 2006 - New York: Routledge. Edited by Johanne Lamoureux.
    By juxtaposing issues and problems, Donald Preziosi's latest collection of essays, In the Aftermath of Art , opens up multiple interpretive possibilities by bringing to the surface hidden resonances in the implications of each text. In re-reading his own writings, Preziosi opens up alternatives within contemporary discourses on art history and visual culture. A critical commentary by critic, historian, and theorist Johanne Lamoureux complements the author's own introduction, mirroring the multiple interpretations within the essays themselves.
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  41. Tracking shots are a question of morality' : ethics, aesthetics, documentary.Libby Saxton - 2010 - In Lisa Downing (ed.), Film and ethics: foreclosed encounters. New York: Routledge.
     
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  42.  14
    Between Ethics and Aesthetics: Crossing the Boundaries.Dorota Glowacka & Stephen Boos (eds.) - 2002 - State University of New York Press.
    Rethinks the existing definitions of aesthetics and ethics and the relations between them.
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  43. Ethics and Aesthetics in European Modernist Literature: From the Sublime to the Uncanny.David Ellison - 2001 - Cambridge University Press.
    David Ellison's book is an investigation into the historical origins and textual practice of European literary Modernism. Ellison's study traces the origins of Modernism to the emergence of early German Romanticism from the philosophy of Immanuel Kant, and emphasizes how the passage from Romanticism to Modernism can be followed in the gradual transition from the sublime to the uncanny. Arguing that what we call High Modernism cannot be reduced to a religion of beauty, an experimentation with narrative form, or even (...)
     
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  44.  97
    Aesthetic Value, Ethics and Climate Change.Emily Brady - 2014 - Environmental Values 23 (5):551-570.
    Philosophical discussions of climate change have mainly conceived of it as a moral or ethical problem, but climate change also raises new challenges for aesthetics. In this paper I show that, in particular, climate change (1) raises difficult questions about the status of aesthetic judgments about the future, or ‘future aesthetics’; and (2) puts into relief some challenging issues at the intersection of aesthetics and ethics. I maintain that we can rely on aesthetic predictions to enable (...)
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  45. Merit, aesthetic and ethical.Marcia Muelder Eaton - 2001 - New York: Oxford University Press.
    To "look good" and to "be good" have traditionally been considered two very different notions. Indeed, philosophers have seen aesthetic and ethical values as fundamentally separate. Now, at the crossroads of a new wave of aesthetic theory, Marcia Muelder Eaton introduces this groundbreaking work, in which a bold new concept of merit where being good and looking good are integrated into one.
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  46.  40
    Everyday Aesthetic Practices, Ethics and Tact.Ossi Naukkarinen - 2014 - Aisthesis: Pratiche, Linguaggi E Saperi Dell’Estetico 7 (1):23-44.
    The essay addresses the issue of the relationships between everyday aesthetics and ethics from the point of view of tact. Tact is understood as an attitude towards behavior that guides action and thinking, and combines aesthetics with ethics. Tact and tactlessness may manifest themselves in action and speech but also in objects produced and used. I will argue that although tact is often pursued, tactful behavior will necessarily result in conflicting situations in which one is only (...)
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  47.  56
    The Ethical Dimensions of Aesthetic Engagement.Yuriko Saito - 2017 - Espes 6 (2):19-29.
    This paper explores the ethical dimensions of aesthetic engagement, the central theme of Arnold Berleant’s aesthetics. His recent works on social aesthetics and negative aesthetics explicitly argue for the inseparability of aesthetics from the rest of life, in particular ethical concerns. Aesthetic engagement requires overcoming the subject-object divide and adopting an attitude of open-mindedness, responsiveness, reciprocity, and collaboration, as well as the willingness and readiness to expose negative aesthetics for what it is. These requirements characterize (...)
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  48. 156 part one: The multidisciplinary context of environmental ethics.Marcia Muelder Eaton, Robert Elliot, Gerry Ellis, Karen Kane & Natural Aesthetics - 2003 - Environmental Ethics: Divergence and Convergence 35 (4):155.
     
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  49.  18
    Ethics and Aesthetics: Essays in Indian Literature.Seema Malik & Seema Kashyap (eds.) - 2010 - Creative Books.
    Papers presented at the Seminar on Ethics and Aesthetics in Indian Literary Practices, held at Udaipur in Rajasthan, India in 2009; organized by Department of English, Mohanlal Sukhadia University, Udaipur, India.
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  50.  82
    Thirteen ways of looking at the ethics-aesthetics parallelism.Eddy M. Zemach - 1971 - Journal of Aesthetics and Art Criticism 29 (3):391-398.
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