Bloom masterfully captures the state-of-the-art in the study of lexical acquisition. He also exposes the extent of our ignorance about the learning of names for non-observables. HCLMW adopts an innatist position without adopting modularity of mind; however, it seems likely that modularity is needed to bridge the gap between object names and the rest of the lexicon.

Abstraction and generalization are two processes of reasoning that have a special role in the construction of scientific theories and models. They have been important parts of the scientific method ever since the nineteenth century. A philosophical and historical analysis of scientific practices shows how abstraction and generalization found their way into the theory of the logic of science of the nineteenth-century philosopher Charles S. Peirce. Our case studies include the scientific practices of Francis Galton and John Herschel, who introduced (...) composite photographs and graphical methods, respectively, as technologies of generalization and thereby influenced Peirce’s logic of abstraction. Herschel’s account of generalization is further supported by William Whewell, who was very influential on Peirce. By connecting Herschel’s scientific technology of abstraction to Peirce’s logical technology of abstraction—namely, diagrams—we highlight the role of judgments in scientific observation by hypostatic abstractions. We also relate Herschel’s discovery-driven logic of science and Peirce’s open-ended diagrammatic logic to the use of models in science. Ultimately, Peirce’s theory of abstraction is a case of showing how logic applies to reality. (shrink)

Several philosophers including Kripke have contended that fictional entities do exist as abstract objects, and fictional names refer to such abstract entities. Kripke and Thomasson compare fictional entities to existing social entities. Kripke also reflects on fictions inside fictions to support his view. Many philosophers appeal to the apparent fact that we quantify over fictional entities. Such arguments in favor of the existence of fictional entities are critically scrutinized. It is argued that they are much less compelling (...) than their proponents suggest and involve various obscurities. (shrink)

Wright claims that “the epistemology of good abstraction principles should be assimilated to that of basic principles of logical inference”. In this paper I follow Wright’s recommendation, but I consider a different epistemology of logic, namely anti-exceptionalism. Anti-exceptionalism’s main contention is that logic is not a priori, and that the choice between rival logics should be based on abductive criteria such as simplicity, adequacy to the data, strength, fruitfulness, and consistency. This paper’s goal is to lay down the foundations for (...) an application of the anti-exceptionalist methodology to abstraction principles. In Sect. 1 I outline my strategy. I show that anti-exceptionalism has a bearing on the so-called Bad Company problem (Sect. 2), and explore some versions of anti-exceptionalism about abstraction (Sect. 3). I then consider new criteria for choosing between rival abstraction principles, and, in particular, between consistent revisions of Frege’s Basic Law V (Sect. 4). I finally consider how the abstractionist can compare between competing criteria (Sect. 5), and argue that anti-exceptionalists should be pluralists about abstraction (Sect. 6). (shrink)

In Summa log., I, 5-8 and Quodlib., V, 10-11 Ockham formulates the semantic that lies behind the syntactical distinction between abstract and concrete names and describes the different modes of signification corresponding to them. Sometimes concrete and abstract names stand for different things. For example, 'whiteness' signifies a quality inhering in a subject, whereas 'white' signifies the subject exhibiting that quality and, obliquely, the quality itself. There is a temptation to conclude from such cases that all (...) abstract and concrete names function in the same way. This interpretation, however, seems to imply a 'Platonic' ontology by accepting the existence of universal forms in re. To avoid this conclusion, O. contends that, in the category of substance, abstract and concrete terms are synonymous and simply signify the same thing. Thus nothing is signified by the term ' man' which is not also signified by 'humanity' and vice versa. If we do not take into account that abstract terms may incorporate some syncategorematic elements not included in concrete terms, we must grant that the proposition „man is humanity” is literally true, and we have to reject propositions such as „humanity is in man” or „Socrates is man by his humanity”. For this individual cannot be understood as a bare substrate sustaining a universal essence. Nevertheless, even though this is true from a philosophical standpoint, secundum veritatem fidei it would be false to say that ' man' and ' humanity' are synonymous. As a matter of fact, in theological language these terms can stand for different things. Here a distinction is made between 'humanity' signifying human nature and 'man' which signifies the same nature but connotes also something about the sustenance of that nature. This distinction must be rejected in the case of Socrates. Here humanity coincides with man so that the proposition „Socrates is a substrate sustaining a human nature” is false. But the same proposition is true when it is said of the divine Person united with the human nature in Christ. It follows that O. accepts in theology a semantic distinction between abstract and concrete names and also the existence of an essence different from the subject, both of which he opposes from a philosophical standpoint. He schrinks from applying his original logical insights to the theological dogmas which are often formulated in terms that involve a realistic ontology of essences. But even when he limits the results of his semantic analysis to the realm of pure philosophy, it seems difficult to maintain the equivalence in signification of abstract and concrete names. (shrink)

Theories of explanation need to account for a puzzling feature of our explanatory practices: the fact that we prefer explanations that are relatively abstract but only moderately so. Contra Franklin-Hall ([2016]), I argue that the interventionist account of explanation provides a natural and elegant explanation of this fact. By striking the right balance between specificity and generality, moderately abstract explanations optimally subserve what interventionists regard as the goal of explanation, namely identifying possible interventions that would have changed the (...) explanandum. (shrink)

A number of philosophers have recently suggested that some abstract, plausibly non-causal and/or mathematical, explanations explain in a way that is radically dif- ferent from the way causal explanation explain. Namely, while causal explanations explain by providing information about causal dependence, allegedly some abstract explanations explain in a way tied to the independence of the explanandum from the microdetails, or causal laws, for example. We oppose this recent trend to regard abstractions as explanatory in some sui generis way, (...) and argue that a prominent ac- count of causal explanation can be naturally extended to capture explanations that radically abstract away from microphysical and causal-nomological details. To this end, we distinguish di erent senses in which an explanation can be more or less abstract, and analyse the connection between explanations’ abstractness and their explanatory power. According to our analysis abstract explanations have much in common with counterfactual causal explanations. (shrink)

The articles in this collection focus on philosophical approaches to proper names. The issues discussed include abstract names, empty names, naming and name-using practices, definite descriptions, individuals, reference, designation, sense and semantics. The contributions show the importance and lasting influence of theories proposed by John Stuart Mill, Gottlob Frege, Bertrand Russell, Donald Davidson, and Saul Kripke. Individual chapters assess traditional analyses and modern controversies, and contribute to the debate on proper names in contemporary philosophy of (...) language. (shrink)

This paper elaborates distinctions between a core and a periphery in the ontological and the conceptual domain associated with natural language. The ontological core-periphery distinction is essential for natural language ontology and is the basis for the central thesis of my 2013 book Abstract Objects and the Semantics of Natural Language, namely that natural language permits reference to abstract objects in its periphery, but not its core.

Naming common odors is a surprisingly difficult task: Odors are frequently misnamed. Little is known about the linguistic properties of odor misnamings. We test whether odor misnamings of old adults carry information about olfactory perception and its connection to lexical-semantic processing. We analyze the olfactory–semantic content of odor source naming failures in a large sample of older adults in Sweden (n = 2479; age 58–100 years). We investigate whether linguistic factors and semantic proximity to the target odor name predict how (...) odors are misnamed, and how these factors relate to overall odor identification performance. We also explore the primary semantic dimensions along which misnamings are distributed. We find that odor misnamings consist of surprisingly many vague and unspecific terms, such as category names (e.g., fruit) or abstract or evaluative terms (e.g., sweet). Odor misnamings are often strongly associated with the correct name, capturing properties such as its category or other abstract features. People are also biased toward misnaming odors with high-frequency terms that are associated with olfaction or gustation. Linguistic properties of odor misnamings and their semantic proximity to the target odor name predict odor identification performance, suggesting that linguistic processing facilitates odor identification. Further, odor misnamings constitute an olfactory–semantic space that is similar to the olfactory vocabulary of English. This space is primarily differentiated along pleasantness, edibility, and concreteness dimensions. Odor naming failures thus contain plenty of information about semantic odor knowledge. (shrink)

It is widely thought that the acceptability of an abstraction principle is a feature of the cardinalities at which it is satisfiable. This view is called into question by a recent observation by Richard Heck. We show that a fix proposed by Heck fails but we analyze the interesting idea on which it is based, namely that an acceptable abstraction has to “generate” the objects that it requires. We also correct and complete the classification of proposed criteria for acceptable abstraction.

λ-calculi are of interest to logicians and computer scientists but have largely escaped philosophical commentary, perhaps because they appear narrowly technical or uncontroversial or both. I argue that even within logic λ-expressions need to be understood correctly, as functors signifying functions in intension within a categorical or typed language. λ-expressions are not names but pure viable binders generating functors, and as such they are of use in giving explicit definitions. But λ is applicable outside logic and computer science, anywhere (...) where the notions of complex whole, substitution, abstraction and structure make sense. To illustrate this, two domains are considered. One is somewhat frivolous: the study of flags; the other is very serious: manufacturing engineering. In each case we can employ λ-abstraction to describe substitutions within a structure, and in the latter case there is even a practical need for such a notation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:True Names: Vergil and the Alexandrian Tradition of Etymological WordplayPamela R. BleischJames J. O’Hara. True Names: Vergil and the Alexandrian Tradition of Etymological Wordplay. Ann Arbor: University of Michigan Press, 1996. xvii 1 320 pp. Cloth, $44.50, £35.This monograph provides a study and catalogue of Vergilian poetic etymological wordplay, defined by O’Hara as “explicit reference or implicit allusion to the etymology of one of the (...) words a poet is using. A poet may simply explain or allude to the derivation of a word or may suggest further that the derivation of the name is appropriate because it corresponds to some essential feature of the thing named, or gives the true explanation (etymos logos) of the thing” (3). O’Hara’s monograph includes an introductory essay of 163 pages: in part 1 he surveys etymological thinking and wordplay before Vergil, particularly, but not exclusively, the Alexandrian poets; in part 2 he analyzes the form and style of Vergilian wordplay; and in part 3 he examines how etymologizing furthers Vergil’s poetic goals, focusing on some of the prevailing imagery and themes of the Aeneid. The main portion of the monograph is a heavily annotated catalogue which presents and discusses all examples of etymological wordplay that O’Hara or any other scholar has found in Vergil’s Aeneid, Eclogues, and Georgics.O’Hara’s catalogue of Vergilian etymological wordplay is a gold mine of information and a welcome contribution to Vergilian studies. Bartelink’s Etymologisering bij Vergilius, published more than thirty years ago and never translated from the Dutch, had made Vergilian etymology a largely inaccessible topic. Organized by category and lacking indices locorum and verborum, Bartelink’s work did not readily lend itself to consultation. O’Hara’s monograph, with running commentary format, indexes, and cross-references, is easy to use. His catalogue is heavily annotated: each entry includes a quotation of the Vergilian etymologizing passage, discussion of the wordplay, passages from ancient grammarians or poets that explicitly mention the derivation, passages from elsewhere in Vergil or other poets which allude to the same or similar etymologies, [End Page 300] and, finally, up-to-date bibliographical references. As for dubious examples of etymologies, O’Hara tends to be much more inclusive and open-minded than Bartelink: “I place them in the catalogue, with question marks and often with discussion of the problem, in part because what looks implausible to me may look more plausible to another” (112 n. 367). He does not restrict his study to poetic etymology alone but includes “a slightly broader range of wordplay, both to be more useful and because strenuous efforts to distinguish or separate etymological wordplay from ‘related phenomena,’ are not worthwhile, and probably not true to the practice of the poets” (3). Thus he even includes anagrams (e.g., amor/Roma at Aeneid 4.347) in his catalogue, although he expresses reasonable doubts about their value as etymologies. The catalogue contains a wealth of material not found in Bartelink; see, for example, the discussion of Dictamnum, of mater Acidalia, and the section on wandering Dido and the planets. (This last is a must-read, and, to my mind, provides compelling evidence for Pöschl’s identification of Dido with the moon in Iopas’ song [Art of Vergil, Ann Arbor, 1966: 151–54]; and cf. Brown, HSCP 1989, 322–23).The monograph takes a descriptive rather than analytical approach and refrains from engaging in the debate over the determinacy or indeterminacy of meaning in Vergilian poetry; it may prove more accessible and timeless as a result. O’Hara is a reader’s writer: clear, concise, and helpful; his bibliography demonstrates his characteristic thorough research. The University of Michigan Press has done a beautiful job formatting a text fraught with pitfalls: extensive quotations in Latin and Greek featuring italics, boldface, and dotted underlining; plenteous and lengthy footnotes featuring all of the above. The very few errors I found did not detract from the authority or accessibility of the book; the volume does credit to both press and author.O’Hara’s introductory essay is intended as a preliminary to the catalogue, rather than as a full discussion of... (shrink)

The doctrine of abstract ideas contains Locke’s views on the nature of generality and how we think in general terms-the nature of universals, of general concepts, and how we classify. While Reid rejects abstract ideas, he accepts Locke’s insight that we have an ability to abstract. In this paper, I show how Reid preserves Locke’s insight, while providing a more versatile and forward-looking account of universals and concepts than Locke was able to give.Reid replaces abstract ideas (...) with what he calls “general conceptions.” But general conceptions are really three different things. First, they are universals---non-mental intrinsically general objects of acts of abstraction and conception. I show how Reid is able to make the claim that there are universals without being committed to holding that universals really exist. This claim, together with his type/token distinction, enables Reid to better explain how we have knowledge of attributes and use general terms meaningfully. The general features of our experience are not ideas and are not produced by the faculty of abstraction---but that faculty enables us to distinguish them.In the second sense, a general conception is an act of mind which takes universals as objects. Thinking in general tenns is not the manipulation of abstract ideas---it is engaging in acts of conceiving. Such acts are made possible by general conceptions in the third sense, namely, general concepts. While Reid does not distinguish this sense explicitly, I argue that he takes general concepts to be dispositions or abilities to distinguish general features of objects and to use the general terms of language as other users do. So rather than producing mental entities---abstract ideas---that act as standards to help us classify, abstraction makes possible the development of abilities to use general terms and classify objects. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Names Alive Are Like the Names in GravesBlack Life and Black Social Death in Terrance Hayes's American Sonnets for My Past and Future AssassinLee Spinks"After blackness was invented / people began seeing ghosts."1One of the most powerful and provoking responses to the political rise of Donald Trump appeared with the 2018 publication of Terrance Hayes's American Sonnets for My Past and Future Assassin. Hayes began (...) writing these poems straight after Trump's remarkable triumph in the 2016 presidential election, and they race to keep pace with the rapidly metastasizing effects of the Trump phenomenon, from his relentless radicalization of the modes and mores of political speech ("Newshounds ponder the tweets of a bullhorn"), his continuous assault on American democratic institutions, and his singular success in marshalling a newly cohesive political constituency seduced by the reactionary allure of resurgent white nationalism or what Hayes caustically calls "a mandate for whiteness, virility, sovereignty / stupidity" (AS: 38).2 As the phrase "mandate for whiteness" suggests, integral to the story of Trump's ascendancy in American Sonnets is another story, a story about race and social authority in the time of Black Lives Matter when blackness remains "the color of this country's current threat / advisory" (AS: 10). At home and abroad the appalling incandescence of Hayes's contemporary American political moment is reflected by the names of its black victims, names like Trayvon Martin, Michael Brown, Tamir Rice, and, perhaps most explosively of all, George Floyd, whose May 2020 police killing on a Minneapolis street reprised such a familiar configuration of racial power that Hayes had already glimpsed its spectral outline two years earlier: "A [End Page 60] brother has to know how to time travel & doctor / himself when a knee or shoe stalls against his neck" (AS: 77).3Without compromising the intensity of Hayes's focus on this contemporary social emergency, I want in what follows to expand our sense of the historical and metaphysical scene of his writing by reading it as an imaginative response to a larger and more fundamental question: What does it mean to live a black life in an antiblack world? I'm moved to do so by the double register of his writing vividly exemplified by the penultimate sonnet in the sequence which memorializes "All the black people I'm tired of losing / All the dead from parts of Florida, Ferguson / Brooklyn, Charleston, Cleveland, Chicago / Baltimore, where the names alive are / Like the names in graves" (AS: 81). What's remarkable, to my mind at least, about the phrase "the names alive are / like the names in graves" is its fusion of a directly contemporary perception of the precariousness of black existence within a culture of white supremacy (the perception that every black life could share the social fate of Tamir Rice at any particular moment) with an encompassing metaphysical vision of blackness as the embodiment of social death and the continuing afterlife of slavery. Paying close attention to several of Hayes's poems, I will trace this double register to explore a number of ideas central to his thinking in American Sonnets including the foundational role of antiblackness in organizing American reality for both black and white identities, the dialectical relationship between antiblackness and the libidinal economy of white supremacy, and the hope of imagining new possibilities of life capable of contesting the antiblack conditions of contemporary social existence.4 In doing so I will place particular emphasis on Hayes's development of a distinctively dialectical and dialogical style of poetic address that reimagines lyric subjectivity as a drama of racial becoming focused on the relationship between black social death and the culture of white supremacy.5Black Social Death and the Libidinal Economy of WhitenessBefore continuing let me briefly develop three ideas above which help shape my reading of American Sonnets: the social life of social death, the continuing afterlife of slavery, and what Hayes calls in my epigraph "the [End Page 61] invention of blackness." The first draws on the Afropessimist radicalization of Orlando Patterson's famous redescription of slavery as social death that sees the slave as a "social nonperson" whose relation to... (shrink)

BackgroundWith the emergence of Brain Computer Interfaces, clinicians have been facing a new group of patients with severe acquired brain injury who are unable to show any behavioral sign of consciousness but respond to active neuroimaging or electrophysiological paradigms. However, even though well documented, there is still no consensus regarding the nomenclature for this clinical entity.ObjectivesThis systematic review aims to 1) identify the terms used to indicate the presence of this entity through the years, and 2) promote an informed discussion (...) regarding the rationale for these names and the best candidates to name this fascinating disorder.MethodsThe Disorders of Consciousness Special Interest Group of the International Brain Injury Association launched a search on Pubmed and Google scholar following PRISMA guidelines to collect peer-reviewed articles and reviews on human adults published in English between 2006 and 2021.ResultsThe search launched in January 2021 identified 4,089 potentially relevant titles. After screening, 1,126 abstracts were found relevant. Finally, 161 manuscripts were included in our analyses. Only 58% of the manuscripts used a specific name to discuss this clinical entity, among which 32% used several names interchangeably throughout the text. We found 25 different names given to this entity. The five following names were the ones the most frequently used: covert awareness, cognitive motor dissociation, functional locked-in, non-behavioral MCS and higher-order cortex motor dissociation.ConclusionSince 2006, there has been no agreement regarding the taxonomy to use for unresponsive patients who are able to respond to active neuroimaging or electrophysiological paradigms. Developing a standard taxonomy is an important goal for future research studies and clinical translation. We recommend a Delphi study in order to build such a consensus. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Secret Name, or the Secret of a NameAlison SuenIn HumAnimal: Race, Law, Language, Kalpana Seshadri carefully examines the secret of silence, the nonsovereign power of silence. She wants to conceive of silence as neither repressive nor transcendent; that is, on the one hand, she wants to resist the temptation to restore silence to speech, but on the other she also wants to resist the temptation to posit silence (...) in opposition to speech, as something above and beyond language. Rather, she wants to think of silence as "an empty space where the regulatory power of discourse is nullified" (Seshadri 2012, 35).Seshadri powerfully illustrates silence as an "empty space" that invalidates the power of speech through her provocative reading of Charles Chesnutt's story "Dumb Witness." In this story, about a mute slave who holds a secret, silence becomes a most unexpected secret weapon. The slave is mute because her master's nephew has brutally cut off her tongue. The irony of this story is that the nephew realized, only after cutting off her tongue, that the slave is the only person entrusted with the secret of the will—the will that the nephew needs in order to claim his right to his uncle's property, which would include the slave woman. As the story goes, the slave woman refuses to disclose the secret until after the nephew is dead. Her refusal is made possible by the wound of her tongue, by the brutal punishment inflicted by the nephew. As Seshadri points out, the secret of the slave woman's silence exceeds her knowledge of the will. This is the case because the slave woman's silence is not a simple silence, but rather "a capability of silence, which manifests as a withholding" (Seshadri 2012, 107). Indeed, it is through her silence that the law is rendered unenforceable. It is through her silence that the nephew failed to properly own her. [End Page 182]In Seshadri's reading, the silence of the slave woman is not a deprivation of speech, but rather a capability to withhold, a silent treatment designed to punish. I am fascinated by this notion of silence as an active resistance—a subversive power that confounds the law. Nonetheless, what is the political efficacy of this silence? Specifically, what can we do with this nonsovereign power, a power that seems contingent and conditional? After all, even if the slave woman was able to use her silence to outsmart her (would-be) master, at the end of the day she is still missing her tongue, and her nonsovereign "power" over the nephew may simply be a consolation prize.I am equally fascinated by the idea that silence is a "capability." Recasting silence as a kind of "capability" is noteworthy in light of contemporary debates on animal ethics, which often revolve around the kind of capacities that animals have. As is well known, Peter Singer, following Bentham, makes the capacity to suffer the ticket to the moral community, while for Tom Regan, one needs the capacity to experience life in order to become a moral patient. In other words, recasting silence as a capability actually conforms to, rather than challenges, a typical strategy in animal rights discourses.What is at stake in this story is also the power of the secret. In her chapter on literature and the secret, Seshadri articulates different ways the secret manifests itself in literature. She writes, "literature is allied to the secret because it emerges from what is suspended (for example, meaning, truth, the word, a determinate context) and therefore can only be read and interpreted as a sign" (Seshadri 2012, 46–47). Literature always harbors secrecies because its interpretation is never exhaustive. In this sense, language itself is also secretive because meaning is necessarily excessive of the sign. In a paradoxical way, every time we speak, we are necessarily withholding.I will say more about secrets and silence as a mode of resistance in the context of animal advocacy at the end of my commentary. For now, I want to turn to Seshadri's excellent discussion on "naming" and hospitality. Specifically, I want to connect it to questions of secrecy and resistance... (shrink)

This paper is focused on the abstractist theory of fictional discourse, namely, the semantic theory according to which fictional names refer to abstract entities. Two semantic problems that arise in relation to that position are analysed: the first is the problem of accounting for the intuitive truth of typically fictive uses of statements containing fictional names; the second is the one of explaining some problematic metafictive uses, in particular, the use of intuitively true negative existentials.Este artículo se (...) ocupa de la teoría abstracta del discurso de ficción, a saber, la teoría semántica según la cual los nombres de ficción refieren a entidades abstractas. Se analizan dos problemas semánticos que surgen en relación con esta posición: el primero es el problema de dar cuenta de la verdad intuitiva de usos típicamente fictivos de enunciados que contienen nombres de ficción; el segundo es el de explicar algunos usos metafictivos problemáticos, en particular el uso de existenciales negativos intuitivamente verdaderos. (shrink)

The article is devoted to the well-known dispute between R. Carnap and W.V.O. Quine on the meaning of statements with names of abstractions, which also revealed their disagreements on the more general question of the nature of the dependence of ontology on the choice of language of knowledge. According to Quine, the choice of language carries with it certain ontological commitments – judgments of existence that must be true for anyone who appropriately uses the language in question. The language (...) of abstractions (using appropriate names and indications) is widely used not only in philosophy and everyday communication, but also in the sciences, including natural sciences. The names of abstractions (or, alternatively, quantification by corresponding entities) cannot be completely excluded from science, as Carnap, in particular, points out. He also considers it wrong to attribute to a scientist with empiricist views the belief in the existence of something that he, as an empiricist, is not ready to consider existing. In his view, the choice of language (framework) does not carry any ontological obligations: it determines what should be the correct answer to the so-called internal questions of the theory but does not affect metaphysical questions. Carnap interprets meaningful statements about abstractions as analytical truths, while Quine believes that most references to abstractions are removable from the language of science, and those that are not removable create additional ontological obligations, which, however, for some reason say nothing about reality itself. But why this is so, if the theory implicating them claims to describe reality, is not clear. This debate about the role of judgments about abstractions in scientific knowledge gave rise to a whole branch of metaphysical and ontological research, best known as metaontology. The main parties in this dispute are realists, who interpret irreducible abstractions as part of reality and denotations of certain names, and anti-realists, who, as a rule, deny the connection of statements with such names with reality, treating them as pseudo-statements or something similar. The solution to the problem, which is proposed in this article, consists in abandoning the belief, widespread both in philosophy and in everyday thought, which can be generally called “The theory of reference” and which consists in the fact that the contribution of names and certain other types of expressions to communication is their denotations. If we assume that names have no denotations at all and their semantic contribution to statements is only their senses or something similar, then the names of abstractions in this respect will be no different from other types of names. In this case, it would be no need to either assume that they designate some “Platonic” entities in order for some statements with them being true, nor interpret these judgments as pseudo-statements or as truths of some special kind that are not related to reality. The interpretation of statements with such names and their evaluation will not pose any special problem for the empiricist with this approach. (shrink)

This paper outlines a framework for the abstract investigation of the concept of canonicity of names and of naming systems. Degrees of canonicity of names and of naming systems are distinguished. The structure of the degrees is investigated, and a notion of relative canonicity is defined. The notions of canonicity are formally expressed within a Carnapian system of second-order modal logic.

objects are standardly taken to be causally inert, but this claim is rarely explicitly argued for. In the context of his platonism about musical works, in order for musical works to be audible, Julian Dodd argues that abstracta are causally efficacious in virtue of their concrete tokens participating in events. I attempt to provide a principled argument for the causal inertness of abstracta by first rejecting Dodd’s arguments from events, and then extending and generalizing the causal exclusion argument to the (...) abstract/concrete distinction. For reasons of parsimony, if concrete tokens or instantiations of abstract objects account for all causal work, then there is no reason to attribute causal efficacy to abstracta, and thus reason to maintain their causal inertness. I then consider how one of the main arguments against causal exclusion, namely Stephen Yablo’s notion of “proportionality”, could be modified to support the causal efficacy of abstracta. I argue that from a few simple premises Yablo’s account in fact supports their causal inertness. Having a principled reason for the causal inertness of abstracta appears to entail that the musical platonist must admit that we never literally hear the musical work, but only its performances. I sketch a solution to this problem available to Dodd, so that the musical platonist can maintain that musical works are abstract objects and are causally inert while retaining their audibility. (shrink)

This lecture-form essay examines various orders of relation between visual art and writing focusing on Adorno’s propositions about art as écriture. Following introductory remarks concerning Adorno’s relation to recent and contemporary Conceptual, activist and multi-media practices and his brief descriptions of the “virtuoso” work of Pablo Picasso, it addresses the relational nexus between art and history mediated by names and titles (looking to the work of the German artist who christened himself Andy Hope 1930), the operations of methexis and (...) Sprachcharakter, realism and abstraction, and ideas, both analagous and discontinuous, in the thinking Jacques Derrida and Jean-François Lyotard, each convened under the auspices of Adorno’s somewhat ahistorical understanding of écriture. The creatively elastic notion of écriture suggests that the defining quality of art as enigma is best comprehended “from the perspective of language.”. (shrink)

Analytic philosophers have traditionally held the proper sense of language to be determined in large part by precise descriptions substituted for the vague words and phrases of ordinary usage. These descriptions are usually conceived as lists of abstract attributes. These attributes, it is often assumed, are synthesized by the mind on the occasion of its contact with particular objects. And, once synthesized, they are held to function as the criteria by which the facts of our ordinary experience are recognized (...) and classified in language. Aspects of this attributive theory go back to Locke, if not to Aristotle, but its classic expression is probably Russell’s theory of definite descriptions. Since the tendency of this theory is to substitute everywhere complex expressions for simpler ones, the simplest parts of speech, i.e., names, are driven to the vanishing point. It is well known, for example, that Russell considered ordinary names such as ’socrates’ to be abbreviations for descriptions and not really names at all; the only terms of ordinary language he considered to be true names are terms such as ‘this’ and ‘that'. (shrink)

This article tackles two issues: the nature of law's judgment and what, if anything, might be said in its favour. As to the first issue, the article reminds lawyers of the obvious, namely, that law's judgment is abstract, elucidating both what this entails and why it may be thought problematic. The main burden of the article is to consider what might be said in favour of law's abstract judgment. Only one family of arguments, part of a wider but (...) still not all-encompassing class, are considered here: arguments from the rule of law ideal. Three different arguments from the rule of law are examined, the conclusion being that two of three cannot provide unproblematic and unambiguous support for law's abstract judgment. (shrink)

According to a simple similarity theory of representation, x represents y because x and y share some properties. In Meaning and Mental Representation, Robert Cummins rejects this account for representations that play a role in cognition because, among other things, a similarity theory of representation precludes a satisfactory account of an essential cognitive task, namely abstraction. Intelligent beings have representations of classes and properties, and we need an account for such representations. Cummins argues that a causal covariance theory of representation, (...) even a very simple version of it, is superior to a similarity theory because causal covariance at least makes abstraction possible. I want to argue that this is not so. Covariance theories of representation do not achieve abstraction. (shrink)

This paper defends a version of the realist view that fictional characters exist. It argues for an instance of abstract realist views, according to which fictional characters are roles, constituted by sets of properties. It is argued that fictional names denote individual concepts, functions from worlds to individuals. It is shown that a dynamic framework for understanding the evolution of discourse information can be used to understand how roles are created and develop along with story content. Taking fictional (...) names to denote individual concepts provides accounts of a number of uses of fictional names. These include non-fictional uses, fictional uses, metafictional uses, interfictional uses, counterfictional uses, and negative existentials. It is argued that this account is not open to objections that have been raised in the literature. (shrink)

We present the first effectively presentable fully abstract model for Starkʼs Reduced ML, a call-by-value higher-order programming language featuring integer-valued references. The model is constructed using techniques of nominal game semantics. Its distinctive feature is the presence of carefully restricted information about the store in plays, combined with conditions concerning the participantsʼ ability to distinguish reference names. We show how it leads to an explicit characterization of program equivalence.

Anti-reductionists hold that special science explanations of some phenomena are objectively better than physical explanations of those phenomena. Prominent defenses of this claim appeal to the multiple realizability of special science properties. I argue that special science explanations can be shown to be better, in one respect, than physical explanations in a way that does not depend on multiple realizability. Namely, I discuss a way in which a special science explanation may be more abstract than a competing physical explanation, (...) even if it is not multiply realizable, and I argue that this kind of abstraction can be used to support the idea that that special science explanation omits explanatorily irrelevant detail. (shrink)

Abstract -/- In this paper, I shall deal with quasi-(proper) names, that is expressions like ‘Mum’, ‘Dad’, ‘Grandpa’, ‘Grandma’ in English or ‘Papà’, ‘Mamma’, ‘Nonna’, ‘Nonno’ in Italian. I shall use examples both from English and Italian. Quasi-names are directly referential like proper names, even if they apparently exhibit some conceptual materials, which, however, are not active and are inert. They can be used as vocatives or as arguments of verbs. I called terms like ‘Mum’, ‘Dad’ (...) ‘quasi-names’ because they have certain characteristics of names (but they could also be called ‘indexical names’). They confer significance to an individual. Quasi-names are indexical, although the word ‘I’ does not appear in the proposition expressed. (shrink)

This paper contains a joint study of two sentential logics that combine a many-valued character, namely tetravalence, with a modal character; one of them is normal and the other one quasinormal. The method is to study their algebraic counterparts and their abstract models with the tools of Abstract Algebraic Logic, and particularly with those of Brown and Suszko's theory of abstract logics as recently developed by Font and Jansana in their "A General Algebraic Semantics for Sentential Logics". (...) The logics studied here arise from the algebraic and lattice-theoretical properties we review of Tetravalent Modal Algebras, a class of algebras studied mainly by Loureiro, and also by Figallo, Landini and Ziliani, at the suggestion of the late Antonio Monteiro. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Titles, Labels, and Names:A House of MirrorsGreg Petersen (bio)An EducationAmong the harshest critiques ever received during my doctoral coursework came from a professor who was noticeably perturbed that I had researched and written a paper on an artwork without considering the title in the interpretation and analysis of the work. The professor insisted that the title is necessary to understand the piece. As a diligent student, the (...) lesson was learned, and the following semester I wrote a different paper for a different professor including the title as part of the interpretation and analysis. The professor's response asserted that the sections of the paper discussing the title should be deleted to improve the paper because a title is a name only—a linguistic referent to speak and write about the work that has no other relationship to the work. The discussions that followed with the two professors evolved into a permanent interest in the relationship between appellations and the works they represent. The debate of whether titles are or are not important is not a two-sided argument but rather a maze. This article is not a specialized theoretical argument but an explication of this maze of disjointed relationships among images, their appellations, and the theories espoused by various artists, art critics, art historians, and philosophers. Nevertheless, the clearest exits from the maze are found by treating the appellations as literature and applying literary theory to them.Between Text and ImageMuch of the world we live in is visual and linguistic in nature: visual to the extent that seeing is associated with knowing, and linguistic to the extent that we can communicate through the use of words and letters. For thousands [End Page 29] of years there has been a close relationship between images and language. Both are commonly represented through the use of pigments on a two-dimensional surface. While we know of no literary relationships in early paintings, it is extremely rare today to find paintings without a literary appellation attached. Today we study paintings through words, but only on the most elementary levels do we study words through paintings. It appears that literate cultures give dominance to textual symbols over those in paintings, while illiterate cultures reverse these relationships. The problem is that words have culturally agreed upon meanings, often more so than visual images. We read and listen and then write and speak about those things we have read and heard. Historically, it may be that the relationship between language and images has reversed itself, and perhaps even reverses itself in our own educational process as we begin teaching children letters and words through the use of pictures. After all, which came first: image or language?There has been little written on the use of word associations with iconographic images during the Middle Ages. Nevertheless, it is clear that identification characteristics other than linguistic ones existed. Hazard Adams is one of the few to raise this issue in his essay on titles: "Before I turn to literary titles it might be well to ask whether... I am correct in assuming that there has never been a nonverbal title of a literary work or of anything else for that matter, the word-objects relation of a title being irreversible. There are certainly nonverbal labels like coats of arms and crowns that imply title in a related sense."1 It may be true that titles are typically thought of as word associations identifying objects, but it may also be possible that medieval imagery was at least as communicatively accurate as our present textual system. For example, a man with arrows fixed in his flesh would still be recognized by a medieval illiterate as St. Sebastian, yet most of the depictions of this Catholic saint are simply titled St. Sebastian. Would hanging the text St. Sebastian next to these depictions have created more meaning or a deeper understanding to a medieval Catholic? Often sacred personages and other important visual images have their own identifying characteristics that make a correlative text unnecessary. These identifying characteristics, to those familiar with them, remain very effective nonverbal symbols that conjure the stories they represent.Furthermore, during the medieval... (shrink)

In 1870 Jordan proved that the composition factors of two composition series of a group are the same. Almost 20 years later Hölder (1889) was able to extend this result by showing that the factor groups, which are quotient groups corresponding to the composition factors, are isomorphic. This result, nowadays called the Jordan-Hölder Theorem, is one of the fundamental theorems in the theory of groups. The fact that Jordan, who was working in the framework of substitution groups, was able to (...) prove only a part of this theorem is often used to emphasize the importance and even the necessity of the abstract conception of groups, which was employed by Hölder. However, as a little-known paper from 1873 reveals, Jordan had all the necessary ingredients to prove the Jordan-Hölder Theorem at his disposal (namely, composition series, quotient groups, and isomorphisms), and he also noted a connection between composition factors and corresponding quotient groups. Thus, I argue that the answer to the question posed in the title is “Yes.” It was not the lack of the abstract notion of groups which prevented Jordan from proving the Jordan-Hölder Theorem, but the fact that he did not ask the right research question that would have led him to this result. In addition, I suggest some reasons why this has been overlooked in the historiography of algebra, and I argue that, by hiding computational and cognitive complexities, abstraction has important pragmatic advantages. (shrink)

Abstract:This paper sheds light on the relation of mutual exclusion and implication that binds Derridean ethics with the figure of God. In rupture with existing scholarship that categorizes Derridean ethics as either radically atheistic or dialectically pertaining to the Judeo-Christian moral order, I put forward the argument that Derrida’s ethical thinking is best considered outside of the dialectics of a/theism. I demonstrate that, far from plainly disproving or falling within the bounds of existing religious discourses, Derrida inaugurates a new (...) way of relating to the absolute – whether it be named God, the infinitely other, or justice – beyond nihilism and idealism, atheism and theism, or more precisely between the two, in a space Derrida refers to as the space of spectrality. I thereby hope to finally do justice to the subtlety of Derridean ethics and foster the recognition that, twenty years after Derrida’s death, his ghosts can be of use in tackling some of the greatest ethical and political challenges of the twenty-first century, including the pursuit of peaceful pluralism in the context of rampant violence carried out in the name of God. (shrink)

Abstract. On the Direct Reference thesis, proper names are what I call ‘genuine terms’, terms whose sole semantic contributions to the propositions expressed by their use are the terms’ semantic referents. But unless qualified, this thesis implies the false consequence that sentences containing names that fail to refer can never express true or false propositions. (Consider ‘The ancient Greeks worshipped Zeus’, for instance.) I suggest that while names are typically and fundamentally used as genuine terms, there (...) is a small class of names, which I call ‘descriptive names’, whose reference is fixed by commonly associated definite descriptions, and I also suggest that there is an idiom of natural language on which such names can be used as abbreviated definite descriptions in a limited set of sentential contexts, including (1) positive and negative existentials, (2) cognitive ascriptions, and (3) uses of names to talk about myth. Uses of empty descriptive names in such contexts can then be either true or false. Relying on Gregory Currie’s theory of truth in fiction, I also propose an idiom on which fictional names can be used as short for a certain type of description in talk about fiction. Along the way, I provide arguments that names are used as short for descriptions in substantive existential statements as well as in both metamythic and metafictive contexts. I also discuss and criticize alternative views of these matters, including the views of David Braun, Saul Kripke, Peter van Inwagen, and others. (shrink)

Prepositions name spatial relationships. But they are also used to convey abstract, non-spatial relationships —raising the question of how the abstract uses relate to the concrete spatial uses. Despite considerable success in delineating these relationships, no general account exists for the two most frequently extended prepositions: in and on. We test the proposal that what is preserved in abstract uses of these prepositions is the relative degree of control between the located object and the reference object. Across (...) four experiments, we find a continuum of greater figure control for on and greater ground control for in. These findings bear on accounts of semantic structure and language change, as well as on second language instruction. (shrink)

The prevailing approach to the problem of the ontological status of mathematical entities such as numbers and sets is to ask in what sense it is legitimate to ascribe a reference to abstract singular terms; those expressions of our language which, taken at face value, denote abstract objects. On the basis of this approach, neo‐Fregean Abstractionists such as Hale and Wright have argued that abstract singular terms may be taken to effect genuine reference towards objects, whereas nominalists (...) such as Field have asserted that these apparent ontological commitments should not be taken at face value. In this article I argue for an intermediate position which upholds the legitimacy of ascribing a reference to abstract singular terms in an attenuated sense relative to the more robust ascription of reference applicable to names denoting concrete entities. In so doing I seek to clear up some confusions regarding the ramifications of such a thin notion of reference for ontological claims about mathematical objects. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"Divine Person" as Analogous NameDylan SchraderThe position of St. Thomas Aquinas and the Thomistic school that human beings cannot name God and creatures univocally is well-known.1 This includes the term "person," which is predicated of the Trinity, of angels, and of human beings truly but analogically. In contrast, it might seem that, when speaking of the Father, Son, and Holy Spirit in respect of one another, "divine person" (...) must be univocal.2 [End Page 217]The seventeenth-century Discalced Carmelites of Salamanca (the Salmanticenses) thought otherwise. They argued that the ratio3 of "divine person" is common to the Father, Son, and Holy Spirit not univocally, but analogically, and that this follows from established Thomistic principles.4 Their position makes for an interesting case study in religious language, as the Salmanticenses apply a highly developed material logic to the central mystery of Christian faith.Words, Concepts, and ThingsIn On Interpretation (Peri hermeneias), Aristotle explains that words immediately signify concepts and, by means of concepts, things.5 This so-called "semantic triangle" makes it easy to misunderstand univocity and analogy if we do not first determine how a particular thinker conceives of the relationship among words, concepts, and things. To discern how the Salmanticenses understood this relationship, it is most helpful to look to their counterparts, the Discalced Carmelites at neighboring Alcalá de Henares outside Madrid, commonly called the Complutenses.6 The Complutenses' Artium cursus [End Page 218] serves as philosophical handmaid to the Salmanticenses' Cursus theologicus, and is therefore essential for correctly interpreting the latter's claims about grammar, logic, and metaphysics.7To begin with the verbal element, this is how the Complutenses, following a fairly typical account, explain the difference between a vocal sound, a name, and a term: A vocal sound (vox) is speech considered simply as an audible phenomenon, the pure sound wave. A name (nomen) is a vocal sound that signifies something. A term (terminus) is a name insofar as it serves as one end of a proposition.8 Terms may be purely mental (as when a proposition is conceived of in the mind alone), or they may be spoken or written.Names and terms are useful precisely because they signify. The Complutenses define "signifying" (significare) as "representing to the knowing power something other than [the signifier] itself."9 A name or term points beyond itself so that something else can become known to the mind through that name or term.When it comes to spoken (or written) terms, a term is "common" (communis) if it signifies more than one thing. Common terms may be "non-transcendent" (non transcendens) or "transcendent" (transcendens). Common terms are non-transcendent if they are predicated of certain things (such as "man" or "animal"). They are transcendent if they are predicated of all things. Six terms are usually acknowledged to be transcendent: "being" (ens); "thing" (res); "true" (verum); "good" (bonum); "something" (aliquid); and "one" (unum).10 [End Page 219]Here it is necessary to distinguish first and second "intention" (intentio).11 The Carmelites take "first intention" properly to be the act whereby the intellect knows things in accord with what is in them as realities.12 This act of the intellect is the "formal first intention," while the thing known is the "objective first intention." A name signifying a thing in this way is a "name of first intention."But the intellect can also attend to those things not in accord with what is in them from their own perspective as realities, but instead with reference to their character as acted upon by the intellect itself. This act is called "second intention."13 An example of first intention is the intellect's knowing that "man is an animal," whereas an example of second intention is its knowing that "'animal' is a genus."The Complutenses stress that first and second intention are, properly speaking, acts of the intellect—distinct ways of attending to what it knows—even though logicians often use "first intention" and "second intention" as shorthand to refer to the objects of these acts.14 In fact, because objective second intentions (the objects of the intellect's second-intentional acts) are beings of reason... (shrink)

Frege suggests that criteria of identity should play a central role in the explanation of reference, especially to abstract objects. This paper develops a precise model of how we can come to refer to a particular kind of abstract object, namely, abstract letter types. It is argued that the resulting abstract referents are ‘metaphysically lightweight’.

In his well-known essay “Who Thinksly?” Hegel argues that abstraction is in fact the sign of nonphilosophical thought.1 Despite the common misconception, only philosophical thought is truly concrete. In fact, thought itself, according to Hegel, is the movement from the abstract to the concrete. For philosophers this is an intuitively appealing idea insofar as it rescues philosophy from a charge leveled against it since Thales, namely, that philosophy is more concerned about abstract ideas than concrete reality. Within this (...) context it is difficult to know what to do with Deleuze’s championing of concepts such as “abstract machine” and his criticisms of some ideas as “not abstract enough.” The crucial... (shrink)

The aim of this paper is to understand why empiricist philosophers of language did not try to refute the Leibniz-Beauzée argument, which questioned the genetical priority of proper names. It is shown that, within the semantic theory which underlies the empiricist doctrine, one may assume that all general terms derive from particular names, while conceding that every proper name can be etymologically traced back to the ancestor of a common noun.

One of the most typical epistemological mechanisms of the European thought is passing from many to one. This mechanism has two main roots: the first has to do with religious thinking and the second has to do with logical and philosophical thinking. I shall try to argue that these two roots strengthen one and the same thing, namely, the theoretical condition of hospitality itself.

Structuralism has recently moved center stage in philosophy of mathematics. One of the issues discussed is the underlying logic of mathematical structuralism. In this paper, I want to look at the dual question, namely the underlying structures of logic. Indeed, from a mathematical structuralist standpoint, it makes perfect sense to try to identify the abstract structures underlying logic. We claim that one answer to this question is provided by categorical logic. In fact, we claim that the latter can be (...) seen—and probably should be seen—as being a structuralist approach to logic and it is from this angle that categorical logic is best understood. (shrink)

Abstract In this paper I criticise a recent account of fictional discourse proposed by Nathan Salmon. Salmon invokes abstract artifacts as the referents of fictional names in both object- and meta-fictional discourse alike. He then invokes a theory of pretence to forge the requisite connection between object-fictional sentences and meta-fictional sentences, in virtue of which the latter can be assigned appropriate truth-values. I argue that Salmon's account of pretence renders his appeal to abstract artifacts as the (...) referents of fictional names in object-fictional discourse explanatorily redundant. I further argue that his account is therefore no improvement over those he criticises, thus leaving his own account unmotivated. (shrink)

Many recent writers in the philosophy of mathematics have put great weight on the relative categoricity of the traditional axiomatizations of our foundational theories of arithmetic and set theory. Another great enterprise in contemporary philosophy of mathematics has been Wright's and Hale's project of founding mathematics on abstraction principles. In earlier work, it was noted that one traditional abstraction principle, namely Hume's Principle, had a certain relative categoricity property, which here we term natural relative categoricity. In this paper, we show (...) that most other abstraction principles are not naturally relatively categorical, so that there is in fact a large amount of incompatibility between these two recent trends in contemporary philosophy of mathematics. To better understand the precise demands of relative categoricity in the context of abstraction principles, we compare and contrast these constraints to stability-like acceptability criteria on abstraction principles, the Tarski-Sher logicality requirements on abstraction principles studied by Antonelli and Fine, and supervaluational ideas coming out of Hodes' work. (shrink)

The spiritus asper as used by Frege in a letter to Russell from 1904 bears resemblance to Church’s lambda. It is natural to ask how they relate to each other. An alternative approach to functional abstraction developed by Per Martin-Löf some thirty years ago allows us to describe the relationship precisely. Frege’s spiritus asper provides a way of restructuring a unary function name in Frege’s sense such that the argument place indicator occurs all the way to the right. Martin-Löf’s alternative (...) approach shows that this is only half of what lambda does. The other half is the deletion of the argument place indicator, resulting in what Frege would have called an isolated function name. (shrink)

Name der Zeitschrift: Semiotica - Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique Jahrgang: 2013 Heft: 197 Seiten: 65-77.

What can philosophy bring to the reading of Beckett? Combining intertextual analysis with a ‘schizoanalytic genealogy’ derived from the authors of L’Anti-Œdipe, Garin Dowd’s Abstract Machines: Samuel Beckett and Philosophy after Deleuze and Guattari offers an innovative response to this much debated question. The author focuses on zones of encounter and thresholds of engagement between Beckett’s writing and a range of philosophers (among them Spinoza, Leibniz and Kant) and philosophical concepts. Beckett’s writing impacts in a variety of ways on (...) Deleuze and Guattari’s thought, and, in particular, resonates with Deleuze’s contributions to the history of philosophy (in books such as Le Pli: Leibniz et le baroque), and his ‘critical and clinical’ approach to literature. Furthermore, the books co-written with Guattari, concerned as they are with the ‘molecularization’ of the discipline of philosophy in the name of ‘thinking otherwise’, reveal themselves in a new light when explored in conjunction with Beckett’s œuvre. With its arresting perspectives on a wide range of Beckett’s works, Abstract Machines will appeal to academics and postgraduate students interested in the philosophical aspects of his writing. Its engagement with alternative contributions to the question of Beckett and philosophy, including that of Alain Badiou, renders it a timely and provocative intervention in contemporary debates on the relationship between literature and philosophy, both within the field of Beckett studies and beyond. (shrink)