While it cannot be denied that the 16th-century Reformation, which challenged papal authority and questioned the Catholic Church’s ability to define Christian moral practice in a just manner, indeed came with deep and lasting political changes, it remained a male-dominated discourse. The Reformation was arguably patriarchal and points to a patriarchal culture of subordination and oppression of women that prevailed then and is still pertinent in the church and all spheres of society today. The absence of Elmina and the silenced (...) yet loud voices and cries from the female dungeons below a Dutch Reformed Church in the upper levels of the castle in the retelling of the narrative of the Reformation leaves much to be desired and has a bearing on how black women perceive the Reformation 500 years later. The article thus problematises the Reformation through the heuristic eyes of Elmina Castle in Ghana as the genesis of the ‘dungeoning’ of black women justified by faith. The article argues that black women are reformers from the dungeons following the historical experience of reformation and the Reformed faith as racist and sexist, among other ills experienced by blacks in the Global South, with black women literally kept in the dungeons below a Reformed Church building as they were in Elmina with a biblical inscription, Psalm 138, on the threshold of its main door. This article thus points to irreconcilable contradictions maintained by the Reformed faith that continues to bury black women in the ‘dungeons’ even today. The enfleshment of black bodies in the dungeons of the Elmina Castle underneath a Reformed Church building is seen as the historical and heuristic starting point of engaging Reformed faith from a womanist perspective. (shrink)

In ____Womanizing Nietzsche,__ Kelly Oliver uses an analysis of the position of woman in Nietzsche's texts to open onto the larger question of philosophy's relation to the feminine and the maternal. Offering readings from Nietzsche, Derrida, Irigaray, Kristeva, Freud and Lacan, Oliver builds an innovative foundation for an ontology of intersubjective relationships that suggests a new approach to ethics.

SCHOLARS OFTEN VIEW MARTIN LUTHER KING JR.'S CONTRIBUTIONS TO political theology in the context of his philosophy of nonviolence. Drawing on feminist and womanist thought, I reconstruct King's theopolitical practice to construe nonviolence more broadly as including any "agapic activity" that forms and sustains community. In doing so, I uncover in King's thought a conception of agape that resonates with feminist emphasis on the relational and community-oriented nature of love, and I draw on womanist thought to highlight the role of (...) creativity, not solely love or justice, to King's ethical thinking. Both emphases suggest a vision of churches as communities of creativity with community-creating practices at the heart of their political roles. (shrink)

What does woman mean? According to two competing views, it can be seen as a sex term or as a gender term. Recently, Jennifer Saul has put forward a contextualist view, according to which woman can have different meanings in different contexts. The main motivation for this view seems to involve moral and political considerations, namely, that this view can do justice to the claims of trans women. Unfortunately, Saul argues, on further reflection the contextualist view fails to do justice (...) to those moral and political claims that motivated the view in the first place. In this article I argue that there is a version of the contextualist view that can indeed capture those moral and political aims, and in addition, I use this case to illustrate an important and more general claim, namely, that moral and political considerations can be relevant to the descriptive project of finding out what certain politically significant terms actually mean. (shrink)

Thinking Woman examines the lives and ideas of women in the history of philosophy who wished to understand and advocate for themselves as women. The books is fitting both for undergraduate and graduate students in philosophy who are interested in the ontology and ethics of gender.

This chapter focuses on the golden era and proposes an exercise of creativity whereby we imagine Diana, the Amazon, becoming Wonder Woman in order to overthrow Man's World. Through Wonder Woman's story, we can build a feminist epic that depicts women who fight patriarchy. In the novel Lesbian Peoples: Material for a Dictionary, Wittig and Zeig describe the Amazons as the warriors thanks to whom we have been able to enter the Golden Age, an age without patriarchy or sex differences. (...) Diana, by becoming Wonder Woman and by fighting against heteropatriarchal injustice, leads the war toward the destruction of this dualistic division. The connection between Amazons and Guerrilleres, between two generations of fighters against patriarchy, aims to inspire our sorority and union in this fight against heteronormative, oppressive structures that affect us all, especially women and other subjects with alternative sexual and gender identities. (shrink)

‘With woman’, ‘woman centred’ and ‘in partnership with women’ are new terms associated with midwifery care in Australia, and the underlying philosophy has emerged both as an antidote to the medicalisation of pregnancy and in a bid to reacquaint women with their natural capacity to give birth successfully and without intervention. A reorientation of midwifery services in the 1990s, a shift towards midwifery‐led care (MLC) and the subsequent introduction of direct entry midwifery programs all contributed to this new direction. Central (...) concepts are a focus on the childbearing woman and a valuing of women's experiences. While this philosophical re‐alignment has been applauded by many midwives in terms of maternal empowerment and improved autonomy for midwives, there are nonetheless some concerns that, with its emphasis on normality, midwifery‐led care is in danger of becoming an exclusionary model. Particular concerns include meeting the needs of a growing cohort of women, those with ‘high risk’ pregnancies, and the educational adequacy of direct entry midwifery programs. To date, there has been no thorough evaluation of this emerging midwifery philosophy in Australia. In order to open the debate, this paper aims to initiate a discussion of ‘with woman’ midwifery care as it applies to Australian practice. (shrink)

The woman who decided to die -- Like leaving a note -- The agents -- Unsuitable -- Nothing personal -- "He's had enough" -- Not more equal -- The last thing you can do for him -- The boy who was addicted to pain -- It seemed like a good idea.

The history of the Wonder Woman comic book character is full of events and personalities as dramatic as the tales detailed in the text. The origins and development of this iconic female superhero demonstrate how competing ideas of what womanhood meant were reflected in popular culture. In this essay, the focus is on a particular issue of the Wonder Woman comic book, with a story by writer and literary critic Samuel R. Delany in 1972. In this issue Wonder Woman takes (...) on the role of a women’s liberation activist in New York City. This chapter in Wonder Woman’s history is either unknown or dismissed as misguided by many fans past and present, but it provides an interesting insight into how American comic books responded to second-wave feminism and Gloria Steinem’s appropriation of the Wonder Woman image. (shrink)

Studys the philosophy of Aristotle, Plato, Descartes, Rousseau, Kant, Hume, Locke, and Hegel and examines their underlying assumptions about women.

It surely would lighten the tasks of feminism tremendously if we could cut to the quick of women's lives by focusing on some essential "woman- ness." However, though all women are women, no woman is only a woman. Those of us who have  ...

"Is Woman a Family-resemblance Category?" a paper delivered to the Philosophy Department of Duke University, April 1998.

"White Woman Feminist," keynote address, New Jersey Project Conference, Rutgers University, May 30, 1992.

This paper critically discusses an argument that is sometimes pressed into service in the ethical debate about the use of assisted reproduction. The argument runs roughly as follows: we should prevent women from using assisted reproduction techniques, because women who want to use the technology have been socially coerced into desiring children - and indeed have thereby been harmed by the patriarchal society in which they live. I call this the argument from coercion. Having clarified this argument, I conclude that (...) although it addresses important issues, it is highly problematic for the following reasons. First, if women are being coerced to desire to use AR, we should eradicate the coercive elements in pro-natalist ideology, not access to AR. Second, the argument seems to have the absurd implication that we should prevent all woman, whether fertile or not, to try to have children. Third, it seems probable that women's welfare will be greater if we let well informed and decision-competent women decide for themselves whether they want to use AR. (shrink)

This article establishes a dialogue between Virginie Despentes’s 2006 memoir-cum-manifesto, King Kong théorie and Jack Halberstam’s theorization of ‘shadow feminism’. For Halberstam, ‘not succeeding at womanhood can offer unexpected pleasures (…) Shadow feminisms take the form not of becoming, being, and doing but of shady, murky modes of undoing, un-becoming, and violating’. In King Kong théorie, I argue, Despentes embraces her failure to ‘become woman’, and her accounts of rape and rape fantasy present a refusal of mastery wherein the subject (...) might unravel, come undone. Through her use of the King Kong metaphor, Despentes connects ‘unbecoming woman’ to an unravelling of the human subject; King Kong figures in the text as a composite, cyborgian creature, with whom Despentes herself identifies. In King Kong théorie, then, Despentes adopts a shadowy, hybrid positionality, forging a textual space for all creatures who fail to be or become woman. (shrink)

A Woman of Valor: Jerusalem Ancient Near Eastern Studies in Honor of Joan Goodnick Westenholz. Edited by Wayne Horowitz, Uri Gabbay, and Filip Vukosavović. Biblioteca del Próximo Oriente Antiguo, vol. 8. Madrid: Consejo Superior de Investigaciones Cicientíficas, 2010. Pp. 214, illus. $45.

Feminist peace theories that find hope for peace in the ideal of the caretaking woman are grounded in patriarchal gender distinctions, fail to challenge adequately the patriarchal dualism that constitutes the self by devaluing the other, and the practice of caretaking about which they speak may be easily co-opted into the service of war. Feminist peace theory should address the devaluation of "others," in order to undermine this justification and motivation for war.

I offer here an analysis of contemporary foundation garments while exploring the ways in which these garments encourage, reinforce and protect normative femininity. In examining the performatives of contemporary normative, ideal femininity as they perpetuate inhibited intentionality, ambiguous transcendence, and discontinuous unity, I look to the possibility for subversive performativity vis-à-vis the strengths of women in order to proliferate categories of gender and to potentially displace current notions of what it means to become woman.

Wonder Woman and her fellow Amazons serve the full Greek pantheon, worshipping Aphrodite and Athena in particular. But Wonder Woman's realm is also home to Roman gods, African and Egyptian gods, and the new gods including Darkseid, Highfather, Orion, and Metron. Wonder Woman speaks to loyalty, integrity, and honor. She speaks to the best in people, as they relate to each other and care for one another. These values can be enough to keep people going, this orientation is what they (...) seek, and this is what they can know, what they understand to be true. Perhaps if they are seeking a god in order to find their place, they might look to Wonder Woman and her Amazonian virtues. They could do worse than submit to the loving authority of Princess Diana, god of war. (shrink)

The overall aim of this article is to explore the analytical potential and normative value of Helga M. Hernes' concept about woman-friendly welfare states in analysis of Scandinavian countries. The first part discusses the underlying theoretical, political and normative assumptions about gender equality and social justice related to dimensions such as redistribution, recognition and representation. The second part addresses the analytical potential of the concepts for understanding gender equality developments in Scandinavia. The focus is on three themes related to the (...) desirability, feasibility, and theoretical strength of the Scandinavian welfare and gender equality model and the underlying normative, empirical and theoretical premises. The analysis deals with debates about the public—private split in relation to woman-friendly policies, focusing on parental leave, childcare, and age restrictions in marriages involving foreigners. State feminism is explored in relation to women's political participation and representation and women's ability to influence gender equality policies. Furthermore, national variations in views about state feminism are identified. Finally, the article addresses the role of woman-friendly policies in debates about responses of Western welfare states to globalization, ageing and multiculturalism. (shrink)

RESUMEN Se hace un breve recuento sobre la mujer en la filosofia y la crítica a la visión patriarcal predominante en la filosofía, en particular se resalta a la filósofa María Zambrano como filósofa del siglo XX y su pensamiento político, como un giro en la mirada de lo que hasta el momento se ha destacado en su obra. Se desarrolla el contenido a partir de una introducción y cuatro apartados, en los que se aborda una reflexión sobre el género (...) como constructo cultural, cargado de sentidos de lo masculino y femenino, y se plantea asimismo la relación con el lugar de la mujer en la filosofía. Luego se centra la exposición en María Zambrano y su filosofía, en la búsqueda de la comprensión de su pensamiento, sosteniendo la importancia que tiene el reconocimiento de su vida y obra a partir de su contexto histórico. En las conclusiones se muestran los matices en la filosofía zambraniana, la multiplicidad de lecturas e interpretaciones que pueden hacerse de la misma. ABSTRACT This paper presents a brief historical account of woman in philosophy and the critique to the patriarchal vision predominant in philosophy. Maria Zambrano is highlighted as a twentieth-century philosopher as well as her political thought, marking a change of direction in the look at what so far has been highlighted in her work. The content, an introduction and four sections, addresses gender as a cultural construct plenty of masculine and feminine meanings and its relationship to women's role in philosophy. Then, the paper focuses on Maria Zambrano and her philosophy, looking for understanding her thought, keeping in mind the importance of recognizing her life and work from its historical context. In the conclusions the nuances in the Zambranian philosophy and the multiplicity of readings and interpretations that can be made of it are shown. (shrink)

The paper aims at critical reconsideration of a motif popular in Indian literary, ritual, and pictorial traditions – a tree goddess (yakṣī, vṛkṣakā) or a woman embracing a tree (śālabhañjīkā, dohada), which points to a close and intimate bond between women and trees. At the outset, I present the most important phases of the evolution of this popular motif from the ancient times to present days. Then two essential characteristics of nature recognized in Indian visual arts, literature, religions and philosophy (...) will be distinguished: (1) a dynamic, creative, self-sufficient and inexhaustible power, and (2) a passive, merely reproductive or vegetative, and dependent field of potentiality. The paper is to demonstrate the interdependence of the popular concepts of nature identified with femininity, and their iconic representations circulating for centuries in Indian culture, with a specific line of argument repeatedly used in social practices and public debates. While doing so, I consider the semiotic function of a cultural topos which proves to be an effective instrument for construing and supporting the gender roles and gender identities. As a modern example illustrating vitality and persuasive power of the motif of yakṣī and śālabhañjīkā, I refer to the Chipko Movement, a group of rural women based in the Garhwal Himalayas (state Uttarakhand), who fought against the mass cut of trees in the 1970s. They were involved in the wide-spread environmental campaign which significantly affected the ecological policy of the local and state authorities. Thus, a traditional motif of the visual arts has been revived and re-elaborated by the activists of this ecofeminist movement through converting the symbolic potential of yakṣī/śālabhañjīkā into social and political power. (shrink)

Drawing on previous work, I argue that a family resemblance account of the concept woman has several beneficial consequences. Namely, it promotes hermeneutical justice, and, in time, it may serve to change the prototypes and stereotypes people tend unreflectively to associate with woman. I claim that only at that point will full hermeneutical justice be achieved. To this end, I propose a reconceptualization of the notion of hermeneutical injustice, first presented by Fricker (2007). First, I present the family resemblance account (...) of woman. Accordingly, that concept isn’t identified by a set of necessary and (jointly) sufficient conditions, but, roughly, by different criteria. Second, I show how concepts, prototypes and stereotypes relate to one another and how they may contribute to hermeneutical injustice. Finally, I show how the proposed account of woman may in time foster a change in the associated prototype and stereotypes, which will ameliorate societies by doing more justice to the lived experience of trans women – that is, by promoting full hermeneutical justice. (shrink)

Feminist peace theories that find hope for peace in the ideal of the caretaking woman are grounded in patriarchal gender distinctions, fail to challenge adequately the patriarchal dualism that constitutes the self by devaluing the other, and the practice of caretaking about which they speak may be easily co-opted into the service of war. Feminist peace theory should address the devaluation of "others," in order to undermine this justification and motivation for war.

From the perspective of meta-analysis done in a qualitative structure, the study puts forward an inventory of the communist regime studies in the following ways: 1. The re-evaluation of the social ideology-propaganda-practice relationship of the equality between sexes in the communist regime. 2. The contextualization and the evolution of the social representations of a woman's role. 3. The effects of some political decisions, which can count as aggressiveness of a state towards its citizens (770/1966 Decree).

Monograph on the historical evolution of women's rights from 1902 to 1978 - describes various campaigns for achieving civil rights for women, rights for political participation, equal opportunities for the woman worker, etc., and considers the contributions made to the emancipation of women by the international alliance of women (interest group), the League of Nations, the UN (role of UN) and other international organizations, the international women's year, etc. ILO mentioned. Bibliography pp. 312 to 314, chronology of major events and (...) photographs. (shrink)

This article revisits Irigaray's theory of sexual difference in the light of more contemporary developments in terms of nomadic becomings and non-unitary subjectivity, especially in Deleuze. It defends the notion of embodied materiality on philosophical grounds, by linking it to the issues of power, access, hegemony and exclusion, which are central to post-structuralism. Through a detailed analysis of the sexual politics of difference feminism, the author argues for a non-reactive redefinition of the feminine as a project of becoming, and connects (...) it firmly to feminist discussions about gender and queer theory. (shrink)

This article examines the limitations associated with Irigaray’s concept of a culture of difference. I suggest that her concept of sexual difference depends upon a conservative fiction of sameness. I argue that a fiction of phallic sameness underpins her evangelical championing of difference, and that such a fiction retains a conservative blindness to the complexities of contemporary social relations and erases the positive effects oppositional discourses have had on the culture of modernity. I question the debt Irigaray disavows to other (...) non-difference feminism, her insistence that woman are radically marginalized and suggest that her culture of difference is prescriptive and normative. Egalitarian feminism, understood as a postmodern project, is far more strategic, insofar as it offers a multiply-situated analysis of the relationship between women and power within modernity. I replace Irigaray’s negative image of the egalitarian feminist as an unnatural woman with the figure of the cyborg who embraces ontological impurity and strategically works within culture. (shrink)

Like Socrates, Aspasia did not leave any writings. We know about her from secondary sources. In this paper, I will show a number of things in the reports of what Aspasia said and did that are philosophically interesting, especially in what they show about dealing with various kinds of crises, from marital to political ones. First, I will argue for the most probable reconstruction of her life. Second, I will elucidate what kind of method Aspasia employed when considering marital issues. (...) Third, I will endeavor to prove that Plato’s representation of Aspasia was not a mockery, as some authors argue. Furthermore, the most significant philosophical points of Aspasia’s Funeral Speech will be highlighted and assessed. Eventually, I will attempt to figure out what Plato’s reasons might have been to ascribe this speech to a woman. (shrink)

Much due criticism has been directed at Levinas's images of the feminine and “the Woman” in Time and the Other and Totality and Infinity, but less attention has been paid to the metaphor of maternity and the maternal body that Levinas employs in Otherwise Than Being. This metaphor should be of interest, however, because here we find an instance in which Levinas uses a female image without in any way seeming to exclude women from full ethical selfhood.In the first three (...) sections of this paper I explain how maternity functions in Otherwise Than Being. I argue that maternity is used as an image of the vulnerability or passive sensibility that characterizes the relation with the Other, as well as a metaphor for Levinas's account of ethical responsibility as substitution. In the final section of the paper, I defend the claim that Levinas's maternal metaphors are not disparaging to real, empirical women. I also discuss a remaining worry that feminists may have about the metaphor: namely, that it characterizes pregnancy and motherhood in ways that challenge some pro-choice assumptions. (shrink)

Nietzsche and Heidegger both challenge the metaphysical conception of the cosmos based on the principles of reason. They argue that the unspeakable, material and non-rational should be imbued with a renewed significance. In so doing, they make it possible to grant the ‘feminine’, which had been traditionally associated with these realms, philosophical importance. However, as Irigaray points out, woman is not an interlocutor in their philosophical dialogues but rather a silent foil against whom masculine self-creation takes place. Furthermore, if woman (...) is associated too closely with the mysterious powers of the cosmos, she is denied a voice and the overestimation of her powers leads to her dehumanization. She is thus stripped of the agency that makes her a human subject. Key Words: critique of metaphysics • feminism • Heidegger • Irigaray • Nietzsche. (shrink)

Detailing the logic of Clausewitz’s depiction of war as the violent pursuit of the politics of submission, I read the recent protests in Iran as a feminist revolt against Iran’s fundamentalist Islamic war on women. This war is institutionalized in the war-like violence of veiling, gender apartheid, and marriage and family law. Rebelling under the slogan “Woman, Life, Freedom” the people of Iran tie the destiny of women to the destiny of all. The government has crushed the uprising. It has (...) not quelled the protestors’ demands. Signs of resistance continue as the rebellion inhales the hope of a time to come of freedom. (shrink)

This is a timely re-appraisal of feminist political thinkers and their male contemporaries, providing a re-evaluation of feminist humanism.

The objective of this article is to analyze the production of the subject Woman by reviewing some practices, discourses, and technologies promoted by the state, the church, and elites. It is important to emphasize that in most research about women or femininity, female subjectivity appears tightly linked to sexual difference. However, in this work I want to show that the notion of Woman is co-determined by race and class. The experience characteristic of such representation was possible only for a small (...) group of white and bourgeois women. Others—Indian, black, and mestiza “women”—could hardly account for a social experience comparable to the Western narrative about woman. Nevertheless, processes of homogenization allow these others to be classified and disciplined according to the gender norm, yet without altering the prejudices and inequalities produced by the prevailing racist and classist system, which implies the production of other female subjectivities, of other “women.”. (shrink)

In this paper I argue that the idea ‘becoming-woman’ is an attempt to transform embodied experience but, because it is unable to concern itself with mechanisms, structures and processes of sexual differentiation, fails in this task. In the first section I elaborate the relationship between becoming-woman and Deleuze's ‘superior’ or ‘transcendental’ empiricism and suggest that problems can be traced back to an underlying Humean empiricism. Along with Hume, Deleuze, it seems, presumes a bundle model of the object which dissolves things (...) into episodic objects of perception and leaves the subject unable to distinguish between fanciful objects, erroneous perception and any other thing. The empiricist ontology thus has consequences for epistemology and leaves us unable to question the conservative tendencies of common sense. As an alternative to transcendental empiricism, the second section considers how transcendental realism, with its ontological commitment to the mind-independent character of things, may provide a more fruitful and productive line of enquiry. Given that there is such a choice, in the third section I speculate as to the specific desires that drive such philosophical abstraction; abstraction which culminates in the non sex-specific figure becoming-woman whilst disguising the mind-independent character of the mechanisms, structures and objects that affect the subject. So I conclude that, despite all appearances of radicalism, the philosophical model ‘becoming-woman’ – aligned as it is with schizo-processes and the philosophical loss of mind-independent things – is more of the same and sexual difference remains a hidden term. Due to this, I believe that feminists should view it with suspicion. (shrink)

This chapter is unique for several reasons. First, it brings together two unlikely authors, a PhD ethicist and her 15‐year‐old high‐school daughter, whose diverse interests include thinking about depictions of female characters in graphic novels. Second, it compares two unlikely DC female characters, Wonder Woman (the Amazonian princess heroine who protects innocent citizens from evil) and Harley Quinn (the ever‐evolving anti‐hero who vacillates between being an outright villain to being merely window dressing for her boyfriend, the Joker). The conclusion of (...) the chapter is unlikely, too: neither Wonder Woman nor Harley Quinn can ultimately succeed in their roles as moral hero and immoral anti‐hero when their popularity depends upon them being depicted as sexual objects. The chapter uses Aristotle's ethics to show that it isn't Wonder Woman's virtue that is thwarted, but her phronesis. Harley's antiheroism is similarly in jeopardy, since phronesis helps any person set and meet goals. (shrink)

This paper concentrates upon particular artworks from Irish women artists. It demonstrates that there are certain themes which recur in their artwork. These include dislocation, particularities about place and contestation around language, all of which are rooted in the lived experience of being Irish, being female and being an artist. At the same time the paper provides readings of this artwork which demonstrate that these experiences are diverse, and that the areas of representation within which the artists are working are (...) socially produced constructs. There is therefore no romantic essentialist category of ‘Irish woman artist’, but rather the richly interplaying histories, readings and contexts of Irish/woman/artwork. (shrink)

In this book, Mary Townsend proposes that, contrary to the current scholarship on Plato's Republic, Socrates does not in fact set out to prove the weakness of women. Rather, she argues that close attention to the drama of the Republic reveals that Plato dramatizes the reluctance of men to allow women into the public sphere and offers a deeply aporetic vision of women’s nature and political position—a vision full of concern not only for the human community, but for the desires (...) of women themselves. (shrink)

This article explores the connection among woman, sex, and finitude. In stuying finitude, the argument follows the articulation of finitude with woman. In a first part, it discusses three “women” writers—Virginia Woolf, Simone De Beauvoir, and Hélène Cixous—to establish their thoughts on woman in terms of finitude. The three of them are identified as women and yet they problematized what to be a woman is. In tracing their thoughts on finitude and woman, sexual difference –the body as enjoying emerges as (...) an issue. Thus, in a second part, it discusses two seemingly opposed positions—Lacanian psychoanalysis, with Joan Copjec, and deconstruction, with Derrida—to think further about the question of woman, sexual difference, the “two,” and finitude. This study compares the Lacanian feminine side with the movement of deconstruction and establishes the necessity of thinking a “two” beyond the binary of phallogocentrism. My thesis is that thinking finitude with woman leads us to a non-oppositional two that correlates with sexual difference. The Lacanian feminine side, and Derrida’s deconstruction aim to think these two logics, delineating two sides: a male one (comparable with phallogocentrism) and a feminine side (comparable with the movement of deconstruction). If the male side considers finitude (death) as the limit of life, the feminine side opens to death and life, and the in-finitude of the undetermined and undecidable. In thinking finitude with woman, the knowledge of what to be a woman is, becomes undetermined and undecidable. (shrink)

The need for the political empowerment of women, and the role played by the media in both promoting and hindering it are well-known problems. A new opportunity to consider these problems as regards the Italian case was afforded by the 1999 presidential election. During that selection process, the proposal to appoint a woman as head of the nation was, for the first time, brought into the arena for debate. Neither of the two women who were candidates – European Commissioner Emma (...) Bonino and Minister of the Interior Rosa Russo Jervolino – were elected. Using the `public arenas model' and the concept of `framing', the article explores the rise and fall of the two female candidatures by highlighting the limits in the social construction of the women's agenda. Considered from this point of view, the campaign offers an interesting case study in order to better understand the mechanisms of gender exclusion. (shrink)

Women's alienation seems to cling to their bodies like destiny. But what is a woman? An absurd question if ever there was one, since a man's virility seems so self‐evident that it would never occur to him to wonder what makes him a man. As a man, he is both the positive and the neuter term representing all humanity, while doubt is permitted in the case of woman, the negative pole whose elusive “femininity” we continue to pursue. In fact, the (...) problem comes from elsewhere because “Only the mediation of another can constitute an individual as an Other.” But what is the Other? This is a question we have not gotten beyond. The absolute Other might be the Black woman encountered in Africa, whom Simone de Beauvoir mentions in Letters to Nelson Algren. (shrink)

Preventing sexual and gender-based violence—and mitigating its devastating impacts on individuals and societies—is a central challenge of public health. A Woman in Berlin is 34-year-old journalist Marta Hillers’s first-hand account of life during the 1945 Red Army occupation of Berlin at the conclusion of World War II, when Russian soldiers collectively raped 2 million German civilians. Reflecting upon Hillers’s testimony, I argue that historical narratives about large-scale acts of sexual and gender-based violence deserve a more central place in public health (...) discourse. I also question how the ethical challenges of memorializing and studying mass crimes might inform future public health efforts to advance gender equity and mitigate sexual violence globally. (shrink)

This article examines the recent introduction of forced ultrasound-beforeabortion measures in select U.S. states as an intervention of gendered biopower. These measures are drafted based on model legislation entitled the Woman’s Right to Know Act. Such legislation exploits a discourse of women’s health, but invests in fetal “life” by regulating the behavior of pregnant women so as to promote the carrying of pregnancies to term; the legislation also represents childbirth and motherhood as in the interest of women’s health. Ultimately, I (...) contend that Right to Know measures give the state permission to override the choices, rights, and interests of the population of pregnant women as a whole in an attempt to “protect” and optimize a supposedly vulnerable fetal population. (shrink)

The experience of looking at a tilted penny involves a “phenomenological doubleness” in that it simultaneously seems to be of something circular and of something elliptical. In this paper, I investigate the phenomenological doubleness of this experience by comparing it to another case of phenomenological doubleness––the phenomenological doubleness of seeing an object in a painting. I begin by pointing out some striking similarities between the phenomenological characters of these two experiences. I then argue that these phenomenological characters have a common (...) explanation. More specifically, I argue that the psychological mechanism that explains the phenomenological doubleness of the experience of seeing an object in a painting can be extended to also explain the phenomenological doubleness of the experience of seeing a tilted penny. (shrink)

Inuit artists espouse aesthetic values which are indicative of the degree of their involvement with the western art world and of the non-artistic cultural values which they wish to convey and perpetuate in their own communities. It is in this latter expression that Inuit aesthetics may be studied as a conveyor of Inuit rather than non-Inuit culture. In this paper, the statements made by Inuit woman artists from the Keewatin district are analysed with reference to the values associated with contemporary (...) mainstream fine art and the artists' own assertions regarding the importance of non-artistic values in the art-making process. (shrink)