Ana Escoto (El Salvador, 1984) es economista y doctora en Estudios de Población, radicada en la ciudad de México, donde se dedica a la investigación y la docencia. No obstante, su alma se encamina a la narrativa breve y a la poesía. Perteneció en 2006-2007 al taller literario La Casa del Escritor, dirigido por Rafael Menjívar Ochoa. En narrativa ha publicado el libro de cuentos cortos “Menguantes y Otras Creaturas” (Dirección de Publicaciones e Impresos, 2008), así como ha contribuido con (...) la antología “Memorias de la Casa – Narrativa” (Índole Editores, 2012), y con el proyecto de narrativa erótica “Cuerpos” (FyG Editores, 2015). También formó parte del proyecto bilingüe “Vanishing Points/Puntos de fuga” (Kalina, 2017) y ha participado en la antología internacional seleccionada por María Farazdel [Palitachi], “Voces de América Latina – Fictio – III” (Media Isla, 2016). Algunos de sus poemas han sido publicados en antologías en El Salvador como “Nuevas Voces Femeninas en El Salvador” (Universidad de El Salvador, 2009), “Memorias de la Casa – Poesía” (Índole Editores, 2010) y “Voces del Extremo” (2006) en Huelva, España, también está indizada en el “Segundo índice antológico de la poesía salvadoreña” (Vladimir Amaya, Índole Editores, 2014). En esta ocasión, la Revista Ístmica comparte dos cuentos de la autoría de Ana Escoto con nuestro público lector. (shrink)

L'oeuvre de Vladimir Jankélévitch mêle intimement philosophie et musique, régime de correspondance auquel le philosophe-musicien a toujours aimé se tenir. " La musique, rappelle-t-il, est un art temporel non point secondairement, comme la poésie, le roman ou le théâtre, mais essentiellement. " Son domaine est la " temporalité enchantée ", le mystère de l'instant, le charme de la nostalgie, du nocturne et des parfums de la nuit, du lointain, du silence surtout, puisque la musique, née du silence, y retourne. (...) Ce livre réunit des textes peu connus, inédits ou depuis longtemps inaccessibles. Comptes rendus de concerts et de festivals, évocations poétiques des musiciens chers à son coeur : les musiciens français, particulièrement Debussy, Ravel, Fauré ; les musiciens de l'Europe centrale, Chopin et Liszt, le rhapsode et baladin du monde européen, image même de notre modernité ; les génies de la musique russe, notamment Moussorgski et Rimski-Korsakov. Pour Vladimir Jankélévitch " on ne pense pas la musique ", mais on peut penser en musique, ou musicalement. Le lecteur retrouvera dans ces textes le bonheur de la mystérieuse connivence d'une pensée sur la musique qui donne à entendre musicalement. (shrink)

The keynote idea of the theses is contained in the author’s assumption that modern philosophy doesn’t meet its claiming pretensions: to be universal form of knowledge. First of all philosophy is connected not with knowledge but with ideas and secondly being authentic it “exists only in everyday life”.1 In orderthat philosophy could realize its innate essence corresponding conditions of social being should exist but they are still absent and therefore philosophy is absent as well. Its place is occupied by metaphysics (...) which is free movement of thinking that has no definiteness as the condition of being of any form of thought. That iswhy we watch crisis state of “philosophy” which becomes apparent in vagueness of its subject: “philosophy is not only one, there are many of them”. The author supposes that philosophy as the highest relation of mankind to objective reality is the only one. Philosophy lowered down from the heaven (Platon, Ciceron) in the field of human being must raise people not only to purity of thought, but mainly to purity of their activity both with each other and with nature. Then real interaction of men and nature will take place. This will be the beginning of spiritualization of the Universe. It may exist only under the conditions of social uniformity as historical form of Weltanschauung (world outlook) that removes religious form. Realization of its being supposes fundamental change of social life. It is necessary that private property should be replaced with social property in the sphere of social production. Only under these conditions philosophy may appear and exist as historical form of Weltanschauung. (shrink)

O objetivo deste texto é o de abordar a singularidade daquilo que o pensador Félix Guattari chamou de “paradigma estético”. Por vezes também chamado de paradigma ético-estético ou político-estético, este paradigma tem a pretensão de funcionar como uma proposição, mais que uma proposta, para suscitar nas mais diversas áreas, campos e práticas a problemática da criação ética e da recriação política, ambas, indissociáveis. Assim, cabe investigar o que se entende por “estética”, o que é a arte e quem é o (...) artista deste paradigma. Quais são as motivações, as paisagens e as condições das questões que levaram Guattari a formular esta ideia de um paradigma capaz, a partir da arte, passando pela ética, instaurar um novo modo de pensar a política e de pensar politicamente. (shrink)

This paper is devoted to fill the gap in studying logics for biprobability structures. We introduce the logic equation image with two conditional expectation operators and prove the completeness theorem. © 2011 WILEY-VCH Verlag GmbH & Co. KGaA, Weinheim.

Rafe McGregor's Narrative Justice provides a powerful argument for the merit of an education by and through aesthetics as a way of challenging criminal inhumanity. As a work at the intersection of critical criminology and philosophy, it is a challenging and thoughtful articulation of the criminological imagination.1 Ultimately, McGregor's argument highlights the possibility of a political education through aesthetic engagement. The exemplary narratives that McGregor uses are varied and richly evocative. My commentary on the book is in keeping with this (...) spirit and suggests an exemplary narrative of my own as a way of both complementing McGregor's book and outlining its merits, as well as proposing a future line of... (shrink)

During the late Soviet era, science fiction was one of the first zones of its ideological cosmos, registering the exhaustion of the communist utopia precisely within the literary genre aimed at its representation. In this article I consider the history of the “editing to death” of the Strugatsky brothers’ short novel Roadside Picnic as a representative case of the anti-utopian “uneasiness in civilization” of late actually existing socialism. Simultaneously with the censorship taming of the uneasiness, the Strugatsky’s science fiction dystopia (...) underwent a radical interpretation in Andrei Tarkovsky’s film adaptation Stalker as a Hegelian “good music with text”. In comparison to the censored edition, which is barely a timid emendation, ultimately yearning modestly for a good life during the most consumeristic and moderately repressive years of Soviet power, Tarkovsky’s aesthetically singular re-reading is truly a “Zone” of editing to death. (shrink)

Trata-se de analisar os usos da racionalidade mimética em Jacques Lacan e Theodor Adorno, isto a fim de mostrar como, nos dois casos, encontramos uma estratégia de reflexão sobre a mimesis que a eleva à condição de elemento fundamental para uma teoria do reconhecimento que não se esgote na temática da intersubjetividade. Neste sentido, este estudo insere-se em uma pesquisa mais ampla a respeito dos modos de aproximação entre psicanálise lacaniana e Escola de Frankfurt no que diz respeito ao problema (...) dos destinos da categoria de sujeito e dos processos de reconhecimento. (shrink)

Representative models are considered parts of real scientific theories.

We study the problem of finding a basis for all rules admissible in the intuitionistic propositional logic IPC. The main result is Theorem 3.1 which gives a basis consisting of all rules in semi-reduced form satisfying certain specific additional requirements. Using developed technique we also find a basis for rules admissible in the logic of excluded middle law KC.

This article aims to discuss the aesthetic autonomy as a model for social emancipation. It starts from the contemporary challenges for the defense of aesthetic autonomy, using autonomy for criticizing discourses that seems to sustain a possible conciliation between life and art that not take into account the problems resulting from the connection between culture and capitalistic production.

Reproductive biotechnologies, also known as assisted reproductive technologies (ART), have undergone significant development over time, reaching a remarkable level of evolution in the 20th century. Currently, several biotechnologies stand out, among which Artificial Insemination (AI), widely spread globally, Embryo Production (EP) both in vivo and in vitro for embryo transfer, Intracytoplasmic Sperm Injection (ICSI), sexing, among other innovations. In Vitro Production (IVP) of embryos has emerged as the biotechnology that has experienced the greatest development and evolution in recent decades, covering (...) various fields such as research in assisted human reproduction, obtaining transgenic animals for biomedicine, preservation of endangered species and conservation of animals of high genetic value. This research aims to analyze the relevance of IVP, as well as the fundamental elements that make up this complex process. IVP of embryos involves several stages, from oocyte procurement, oocyte selection and in vitro maturation, sperm preparation, in vitro fertilization, to the culture of the resulting zygotes to blastocysts. These blastocysts, once transferable to recipients, culminate in the birth of a new being. However, this process has both advantages and disadvantages, which motivates continuous innovation in the field. (shrink)

Desde una perspectiva sociocrítica, este artículo aborda la relación entre literatura, historia y sociedad con el interés de realizar un acercamiento al fenómeno del sicariato en Colombia a partir de la novela La virgen de los sicarios de Fernando Vallejo. Para ello, se realizan tres grandes acápites. Primero, una perspectiva general del fenómeno conocido como “La violencia” en Colombia; segundo, una explicación breve del concepto de sociocrítica como método de estudio; y, tercero, un análisis de la novela.

The article is devoted to the scientific legacy of Aleksandr Mykolayovich Myklashevskyi, an outstanding Ukrainian economist and historian of economic science, and presents a retrospective analysis of Myklashevskyi’s scientific legacy, viewed in the light of modern science.

Este livro é o resultado do II Encontro Nacional de Pesquisadores em Filosofia e Psicanálise, realizado em 2006 na Universidade de São Paulo, e reúne vários pesquisadores em torno de três temas - a filosofia após Freud, os problemas ...

Trata-se de discutir a maneira com que as representações do corpo no cinema de David Cronenberg indicam uma dissociação importante entre gozo e prazer. Tal dissociação deve ser avaliada em sua dimensão propriamente política, abrindo com isso outra dimensão para aquilo que normalmente entendemos por “crítica do fetichismo”.

Trata-se de abordar o problema da teoria hegeliana da linguagem a partir do ponto onde pragmática e ontologia se articulam. Isto exige uma reflexão sobre a maneira com que Hegel organiza as dinâmicas da pragmática da linguagem levando em conta os modos de manifestação de uma negação ontológica no interior do campo de experiências lingüísticas da consciência.

As Dag Normann has recently shown, the fully abstract model for PCF of hereditarily-sequential functionals is not ω-complete . This is also applicable to a potentially wider class of models such as the recently constructed by the author fully abstract model for PCF+=PCF+pif . Here we will present an outline of a general approach to this kind of ‘natural’ domains which, although being non-dcpos, allow considering ‘naturally’ continuous functions . There is also an appropriate version of ‘naturally’ algebraic and ‘naturally’ (...) bounded complete ‘natural’ domains which serves as the non-dcpo analogue of the well-known concept of Scott domains, or equivalently, the complete f-spaces of Ershov. It is shown that this special version of ‘natural’ domains, if considered under ‘natural’ Scott topology, exactly corresponds to the class of f-spaces, not necessarily complete. (shrink)

Pourquoi la mort de quelqu'un est-elle toujours une sorte de scandale? Pourquoi cet événement si normal éveille-t-il chez ceux qui en sont les témoins autant de curiosité et d'horreur? Depuis qu'il y a des hommes, comment le mortel n'est-il pas habitué à ce phénomène naturel et pourtant toujours accidentel? Pourquoi est-il étonné chaque fois qu'un vivant disparaît, comme si cela arrivait chaque fois pour la première fois? Telles sont les questions que pose ce livre sur la mort. Dans chacun de (...) ses ouvrages, Vladimir Jankélévitch a essayé de saisir le cas limite, l'expérience aiguë : à son point de tangence avec ces frontières, l'homme se situe à la pointe de l'humain, là où le mystère, l'ineffable, le "je ne sais quoi", ouvrent le passage de l'être au néant, ou de l'être à l'absolument-autre. Il s'attache ici à analyser un événement considéré dans sa banalité et dans son étrangeté à la fois, dans son anomalie normale, son tragique familier, bref, dans sa contradiction. "Si la mort n'est pensable ni avant, ni pendant, ni après, écrit Jankélévitch, quand pourrons-nous la penser?". Et il entreprend cette tâche périlleuse : conter l'inénarrable, décrire l'indescriptible. (shrink)