Results for 'Venanzio Amoroso'

187 found
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  1.  9
    Ragione estetica ed ermeneutica del senso: studi in memoria di Leonardo Amoroso.Alberto L. Siani & Leonardo Amoroso (eds.) - 2022 - Pisa: Edizioni ETS.
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  2. Stirbt die Kunst im Erlebnis? : Heidegger und Hegel.Leonardo Amoroso - 2015 - In Klaus Vieweg, Francesca Iannelli & Federico Vercellone, Das Ende der Kunst als Anfang freier Kunst. Paderborn: Wilhelm Fink.
  3.  97
    Guerre e conflitti, etnie e nazioni.Venanzio Raspa - 2017 - Materialismo Storico 3 (2):282-304.
    The theses exposed by Alexius Meinong in two newspaper articles in 1873 are taken as the paradigm of a feeling that was common to young Austrian intelligentsia. Meinong upholds a conception of life as struggle and of history as a series of struggles among nations. In his view, the defence of the interests of a people is absolute and generates conflicts among nations that will increasingly dominate future scenarios. The concept of nation has an identification function inward and one of (...)
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  4.  23
    How occupational health care professionals experience evidence‐based guidelines in Finland: a qualitative study.Maritta Kinnunen-Amoroso - 2013 - Journal of Evaluation in Clinical Practice 19 (4):612-616.
  5.  17
    Der Begriff der Schönheit bei Christian von Ehrenfels.Venanzio Raspa - 2017 - In Jutta Valent & Ulf Höfer, Christian von Ehrenfels: Philosophie – Gestalttheorie – Kunst: Österreichische Ideengeschichte Im Fin de Siècle. De Gruyter. pp. 83-100.
    Der Aufsatz stellt Ehrenfels’ Schönheitsbegriff als den eigentlichen Gegenstand der Ästhetik dar. Gegen den ästhetischen Skeptizismus, nach dem wir die Schönheit Gegenständen zuschreiben, die sich sehr voneinander unterscheiden und nur den Namen „schön“ gemein haben, behauptet Ehrenfels, dass nicht die äußeren physischen Gegenstände schön sind, sondern die Phantasiegebilde, die von jenen hervorgerufen werden. Es gebe eine absolute Schönheit als „Einheit in der Mannigfaltigkeit“, die in jedem „wahrhaft schönen“ Gegenstand der Kunst oder der Natur enthalten sei und jedem Menschen „unbedingt wohlgefallen (...)
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  6. Interpretations.Venanzio Raspa - 2017 - In Thinking About Contradictions: The Imaginary Logic of Nikolai Aleksandrovich Vasil’ev. Cham, Switzerland: Springer Verlag.
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  7.  43
    Meinongian issues in contemporary Italian philosophy.Venanzio Raspa (ed.) - 2006 - Lancaster, LA: Ontos.
    The traditional and lively interest in Meinong's philosophy and related topics among Italian philosophers gives rise to this volume of MEINONG STUDIES.
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  8.  24
    Sul superamento dello psicologismo secondo Theodor Lipps: ovvero su contenuto e oggetto, psicologia e logica.Venanzio Raspa - 2002 - Discipline Filosofiche 12 (2):233-274.
    The paper discusses critically the evolution of Lipps's view on logic and psychology. According to Lipps, psychology is the fundamental science on which the other sciences are grounded, and "logic is a special discipline of psychology". Husserl criticizes such conception, which falls into a confusion of domains, and proposes the idea of a pure logic on the basis of the distinction between ideal and real. Lipps replies to Husserl maintaining that the overcoming of psychologism requires both a sharp separation of (...)
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  9. The Logic of Concepts.Venanzio Raspa - 2017 - In Thinking About Contradictions: The Imaginary Logic of Nikolai Aleksandrovich Vasil’ev. Cham, Switzerland: Springer Verlag.
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  10.  6
    Zur Textgestaltung.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 251-256.
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  11.  81
    Individui e continui.Venanzio Raspa - 2008 - Rivista di Estetica 39:189-214.
    Starting with the philosophical reflections of the Italian writer C. E. Gadda, the paper offers a criticism of the traditional concept of an individual as something which is determinate, separate and autonomous. Gadda argues that an individual should be understood as an element which is in a multiplicity of relations with the other elements of the system inside of which it exists. The idea is developed on the basis of Spinoza's 'Ethics', but it shares many affinities with Peirce's notions of (...)
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  12.  20
    Space, Movement, and the Mirror Neuron Theory. From Phenomenology to Neuroscience and Back.Prisca Amoroso - 2024 - Studia Phaenomenologica 24:127-143.
    In its first part, this paper is devoted to presenting Maurice Merleau-Ponty’s phenomenology of space through some of his texts. Between 1942’s The Structure of Behavior and the 1953 courses, Merleau-Ponty is refining a philosophy of movement, the most important concept of which is that of motor intentionality, which articulates the phenomenological theme of intentionality in relation to the problem of a subject’s understanding of observed movement. Movement is thus related to intersubjectivity and Einfühlung. Next, we present the general aspects (...)
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  13.  17
    Recensione di Gianluca De Fazio, Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty.Prisca Amoroso - 2023 - Chiasmi International 25:311-316.
    Gianluca De Fazio’s book Avversità e margini di gioco. Studio sulla soggettività in Merleau-Ponty presents precise and original research along several nodes of great importance in Merleau-Ponty’s philosophical production, such as subjectivity, expression, passivity, nature, history. By focusing on, without limiting himself to, the 1950’s period, the author declares that he aims at a denaturalization of nature and a dehistoricization of history: an overcoming of dichotomies which, though faithfully following the Merleau-Pontian path, does not fail to have a Deleuzian overtones. (...)
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  14. A philosophical method, barale, M. investigation on Kant.Leonardo Amoroso - 1991 - Filosofia 42 (3):413-437.
     
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  15.  4
    Lo estético en el arte, el diseño y la vida cotidiana.Nicolás Amoroso, Olivia Fragoso Susunaga & Alejandra Olvera Rabadán (eds.) - 2021 - Ciudad de México: Universidad Autónoma Metropolitana, Azcapotzalco.
    The origin of this volume arises from the working meetings between the members of the Grupo de Investigaci ón Arte of the Department of Environment of the Divisi ón de Ciencias y Artes para el Diseño (CyAD) of the Universidad Autónoma Metropolitana (UAM, Unidad Azcapotzalco) with professors of the Academic Body of Performing Arts of the Popular Faculty of Fine Arts of the Universidad Michoacana de San Nicolás de Hidalgo. After a series of working meetings, the proposal arose to work (...)
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  16. Metodo e discorso, cammino e linguaggio.L. Amoroso - 1995 - Filosofia 46 (3):171-184.
  17.  19
    Primat der ästhetischen Vernunft?Leonardo Amoroso - 2013 - In Stefano Bacin, Alfredo Ferrarin, Claudio La Rocca & Margit Ruffing, Kant und die Philosophie in weltbürgerlicher Absicht. Akten des XI. Internationalen Kant-Kongresses. Boston: de Gruyter. pp. 3-12.
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  18.  18
    Through the Looking Glass: Discovering the Cosmology of Mind, with Implications for Medicine, Psychology and Spirituality.Richard L. Amoroso - 2012 - In Ingrid Fredriksson, Aspects of consciousness: essays on physics, death and the mind. Jefferson, N.C.: McFarland & Co.. pp. 147.
  19.  14
    Responsibility.Cynthia Amoroso - 2017 - New York, NY: AV2 by Weigl. Edited by Emma Thompson.
    Responsibility is a duty or a job. If you are responsible for something, it means no one else will do it for you."--Back cover.
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  20.  67
    Descrizione e critica del mondo sociale: due compiti della Documentalità.Venanzio Raspa - 2012 - Rivista di Estetica 50:143-162.
    The paper examines the constitutive rule of the Documentality (object = written act), its explanatory power, and the role that writing and relations play in it. The social object is explained as a hybrid object, of higher order, consisting of heterogeneous parts; its identity is determined, amongst other things, by the relations it entertains with other entities. In the second part, after criticizing Searle’s notion of collective intentionality, which fails to explain conflict situations, the article focuses on some political implications (...)
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  21.  14
    1. Kapitel: Unterschiede der Urteile nach dem Urteilsakt.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 84-91.
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  22.  10
    Meinong on Emotional Truth.Venanzio Raspa - 2019 - In Arnaud Dewalque & Venanzio Raspa, Psychological Themes in the School of Alexius Meinong. De Gruyter. pp. 145-160.
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  23.  7
    Personenverzeichnis.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 267-268.
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  24.  9
    § 2.Wert der Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 13-17.
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  25.  10
    Zu Verhältnißen von Urteilen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 239-239.
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  26.  16
    Vorwort.Venanzio Raspa - 2016 - In Alexius Meinong, Kazimierz Twardowski & Venanzio Raspa, Alexius Meinong und Kazimierz Twardowski, Der Briefwechsel. Berlin / Boston: De Gruyter.
  27.  9
    Pensiero terrestre e spazio di gioco: l'orizzonte ecologico dell'esperienza a partire da Merleau-Ponty.Prisca Amoroso - 2019 - Milano: Mimesis.
  28.  7
    Schiller e la parabola dell'estetica.Leonardo Amoroso - 2014 - Pisa: Edizioni ETS.
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  29.  16
    Litteratur zur Logik.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 240-240.
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  30. Meinong Studien IV / Meinong Studies IV. The Aesthetics of the Graz School.Venanzio Raspa (ed.) - 2010 - Heusenstamm: Ontos.
     
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  31.  7
    Schrifttypen, Zeichen, Abkürzungen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 257-258.
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  32.  11
    § 8. Vorstellungen – Namen, Urteile – Aussagen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 31-34.
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  33. Łukasiewicz on the Principle of Contradiction.Venanzio Raspa - 1999 - Journal of Philosophical Research 24:57-112.
    Łukasiewicz distinguishes three formulations of the principle of contradiction in Aristotle’s works: ontological, logical, and psychological. The first two formulations are equivalent though not synonymous, but neither of them is equivalent to the psychological one, which expresses not a principle but only an empirical law. Furthermore, the principle of contradiction is neither a simple and ultimate law nor is it necessary for conducting an inference, because the syllogism is independent of it. The further explanation of this concept leads Łukasiewicz to (...)
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  34.  41
    Dall’arca Terra allo Spielraum.Prisca Amoroso & Gianluca De Fazio - 2017 - Chiasmi International 19:327-343.
    Il saggio muove da una ricostruzione storico-concettuale dell’interpretazione merleau-pontyana del manoscritto di Husserl Rovesciamento della dottrina copernicana nell’interpretazione della corrente visione del mondo, con cui Merleau-Ponty è in dialogo sin dalla Fenomenologia della percezione, per ripercorrere gli sviluppi del tema della Terra nell’avanzare della riflessione merleau-pontyana sul corpo-proprio, sull’organismo vivente, sulla dimensione carnale dell’essere. La proposta di un ritorno alla Terra, intesa come Boden irriducibile dell’esperienza, trova infatti il suo risvolto ontologico nell’idea di Spielraum, che già Husserl definiva come “ambito (...)
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  35.  10
    Through the Looking Glass: Discovering the Cosmology ofMind with Implications for Medicine, Psychology and Spirituality.Richard L. Amoroso - 2012 - In Ingrid Fredriksson, Aspects of consciousness: essays on physics, death and the mind. Jefferson, N.C.: McFarland & Co.. pp. 147.
  36.  34
    The Aesthetics of the Graz School.Venanzio Raspa (ed.) - 2010 - Ontos Verlag.
    This is the first volume devoted to the aesthetics of the Graz school. V. Raspa’s introduction gives an outline of the aesthetic themes and exponents of the school. D. Jacquette argues for a Meinongian subjectivistic aesthetic value theory. B. Langlet deals with aesthetic properties and emotions. Ch.G. Allesch presents Witasek's aesthetics in its historical context. Í. Vendrell Ferran investigates the aesthetic experience and quasi-feelings in Meinong, Witasek, Saxinger and Schwarz. R. Martinelli illustrates the musical aesthetics of Ehrenfels, Höfler and Witasek. (...)
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  37.  65
    Phantasie, phantasieerlebnisse und vorstellungsproduktion bei meinong.Venanzio Raspa - 2005 - In Alfred Schramm, Meinongian Issues in Contemporary Italian Philosophy. De Gruyter. pp. 95-128.
    Meinongs Untersuchungen über Phantasie, Phantasieerlebnisse und Vorstellungsproduktion sind ein wichtiger Bestandteil seiner Konzeption des Fiktiven. Nach Meinong verweist die Phantasie auf ihr Korrelat, das er in „Phantasie-Vorstellung und Phantasie“ (1889) mit den Phantasievorstellungen identifiziert. Solche Vorstellungen sind, da sie produziert werden, nicht einfach, sondern aus mehreren, miteinander in Beziehung gesetzten Elementen zusammengesetzt. Zur Erklärung, wie Phantasievorstellungen produziert werden, entwickelt Meinong die Theorie der Vorstellungsproduktion. Bei der Entwicklung dieser Theorie stellt der Essay „Über Gegenstände höherer Ordnung“ (1899) eine wichtige Etappe dar. (...)
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  38.  60
    Forme del più e del meno in Meinong.Venanzio Raspa - 2005 - Rivista di Estetica 45 (3):185-219.
    In Meinong’s object theory there is, alongside a classificatory aspect, one having to do with degrees, increase and variation. This other aspect comes out of Meinong’s intention of extending his object theory’s aprioristic method to the empirical world. The forms of ‘more’ and ‘less’ concerning psychical experiences are first investigated; they consist in degrees of certainty of judgment and of shadiness (Schattenhaftigkeit) and seriousness (Ernstartigkeit) of imaginary representations and assumptions. Secondly, forms of variability regarding objects are shown, specifically the incompleteness (...)
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  39. Images of science, images of reason.L. Amoroso - 1985 - Filosofia 36 (3):227-242.
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  40.  8
    Science and the primacy of consciousness: intimation of a 21st century revolution.Richard L. Amoroso (ed.) - 2000 - Orinda, CA: Noetic Press.
  41. Crimine, punizione, destino. Per un superamento della vendetta.Venanzio Raspa - 2015 - In G. Lorini & M. Masia, Antropologia della vendetta. Edizioni Scientifiche Italiane. pp. 231-249.
  42. In-contraddizione. Il principio di contraddizione alle origini della nuova logica, coll. « Hesperides, Letterature e culture occidentali ».Venanzio Raspa - 2001 - Revue Philosophique de la France Et de l'Etranger 191 (2):262-263.
     
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  43. “…the Most Memorable Don Quixote of a Great Cause”. Bergmann’s Critique of Meinong.Venanzio Raspa - 2008 - In Guido Bonino & Rosaria Egidi, Fostering the Ontological Turn: Gustav Bergmann (1906-1987). Frankfurt: Ontos Verlag. pp. 201-228.
    At first, I explain how Bergmann reads Meinong. As regards his method, Bergmann’s stated aim is to examine Meinong’s thought through all the stages of its development; but he is very selective in choosing exactly what to consider, not just within each of Meinong’s texts, but equally among his texts – indeed he completely ignores Meinong’s mature works. Moreover, he often alters Meinong’s thought by translating it into his foil ontology. As regards the content, Bergmann interprets Meinong as a reist (...)
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  44.  18
    Logik: Wiener Logikkolleg 1894/95.Venanzio Raspa - 2016 - De Gruyter.
    Dieses Buch präsentiert die seit Langem erwartete kritische Edition der zuvor unveröffentlichten Vorlesungsnotizen Kazimierz Twardowskis aus seiner Zeit an der Universität Wien (1894/95). Bezüglich seines Umfangs und Themas sowie seiner Sprache ist dieser Text einzigartig im Œuvre Twardowskis. Bekannt vor allem für seine ebenso wichtige wie kurze Abhandlung Zur Lehre vom Inhalt und Gegenstand der Vorstellungen (1894), entwickelt er im Logik-Manuskript seine Thesen viel detaillierter und in überarbeiteter Form. Die restlichen seiner Werke sind in polnischer Sprache verfasst und damit für (...)
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  45.  6
    Research Handbook on Meaningful Human Control of Artificial Intelligence Systems.Giulio Mecacci, D. Amoroso, L. Cavalcante Siebert, D. Abbink, J. van den Hoven & F. Santoni de Sio (eds.) - 2024 - Edward Elgar Publishing.
  46. Fictional and Aesthetic Objects: Meinong’s Point of View.Venanzio Raspa - 2006 - In Andrea Bottani & Richard Davies, Modes of Existence: Papers in Ontology and Philosophical Logic. Ontos Verlag. pp. 47-80.
  47. Thinking with and on Meinong in Italy.Venanzio Raspa - 2006 - In Meinongian issues in contemporary Italian philosophy. Lancaster, LA: Ontos. pp. 7-37.
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  48. Storie, ipotesi, gradi di verità.Venanzio Raspa - 2014 - Metodo. International Studies in Phenomenology and Philosophy 2 (2):141-163.
    Stories express hypotheses, interpretations of the world that have a certain degree of probability. To demonstrate this thesis I have adopted the notion of hypothesis, in a sense very close to the Meinongian concept of assumption, and a ‘metric’ conception of the values of the truth or falsity of a proposition – as that has been proposed in several ways by Peirce, Vasil’ev and Meinong. To show the the cognitive value of literary texts, and therefore their truth value, I take (...)
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  49.  2
    Lichtung: leggere Heidegger.Leonardo Amoroso - 1993 - Torino: Rosenberg & Sellier.
    Lichtung -- La questione del domandare -- L'altro inizio -- Incontro a Hölderlin -- Essere e linguaggio -- Congedo dall'essere -- Il colloquio dei mortali.
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  50.  13
    § 10. Die logisch wichtigen Arten von Vorstellungen.Venanzio Raspa - 2016 - In Logik: Wiener Logikkolleg 1894/95. De Gruyter. pp. 37-67.
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