This paper emphasizes that, contrary to the claims of ECT experts and the ECT industry, a majority, not "a small minority," of ECT recipients sustain permanent memory dysfunction each year as a result of ECT. The paper exposes the convulsion hypothesis, upon which ECT is allegedly based, as mythological. Finally, through hidden and comparative electrical parameters, it exposes the extreme destructive power of today's "new and improved" ECT devices.

In the article three tragedies: ‘The Battle of Arminius‘ by Christian Dietrich Grabbe, ‘Nibelungs‘ by Friedrich Hebbel, ‘The Ring of the Nibelung‘ by Richard Wagner are considered. The aim of this paper is to investigate how history reception and mythological material correlates with the idea of national identity. The comparative-historical, typological and historical-genetic methods are applied in this publication. The genres of historical, philosophical and mythological tragedy became the most popular genres in the socio-political conditions in the 30s of (...) the 19th century in Germany. Grabbe underlines the idea of the presence of the ‘local‘ regional history within the framework of the ‘big‘ and significant one. Grabbe paid attention to the historical process and historical figures, not to any particular historical event. In his last work, tragedy ‘The Battle of Arminius‘, Grabbe showed his understanding of the country’s historical origins and the creation of a national myth. F. Hebbel and R. Wagner comprehend the images and motifs of Norse mythology as a universal model of human existence. While interpreting the story of Nibelungs, F. Hebbel notes not only its national roots but its universal source; he models the image of the world through the prism of the microcosm of Burgundians/Nibelungs. Wagner’s tetralogy is not so much an interpretation as a creation of the ‘new myth‘. The images of Arminius and Siegfried have the features of the archaic primal forefather, ‘cultural hero‘ of the nation, who intimately related with Nature and home ground. Myth and mythological history are not only the tools of attainment of national identity but the means of reversion the modern man to the lost harmony of the Universe, which pertains to the mythological mind. (shrink)

This article examines the respective interpretations of the Arrernte tribe of central Australian Aborigines adopted by the English biologist Baldwin Spencer and the German missionary Carl Strehlow. These interpretations are explored in relation to the broader theoretical debates in the theory of myth that took place in England and Germany in the latter half of the 19th century. In Britain, these debates were initially shaped by the comparative philology of F. Max Müller, before being transformed by the evolutionism of (...) Edward Burnett Tylor and James George Frazer. The article shows how the research of Spencer and Strehlow was both influenced by and exerted an influence upon these theoretical debates, before assessing their research findings in relation to the philosophical hermeneutics of Hans-Georg Gadamer and the theories of myth offered by Theodor W. Adorno, Max Horkheimer and Hans Blumenberg. (shrink)

Compares the myths of yoga to stories that have influenced Western culture and explores how these spiritual stories can work at an unconscious level to provide road maps for navigating through modern life.

Archetypal psychology suggests the possibility of a leadership archetype representing the unconscious preferences of human beings as a species about the appropriate relationships between leaders and followers. Mythological analysis compared God’s leadership in the Abraham myth with modern visionary, ethical and situational leadership to find similarities reflecting continuities in human thinking about leadership over as long as 3600 years. God’s leadership behavior is very modern except that God is generally more relationship oriented. The leadership archetype that emerges is of a (...) leader that develops his/her follower by reliably maintaining a vision, behaving according to firm ethical values even when it weakens the leader’s authority, accepting suffering when the follower is unreliable, and always forgiving even when the follower behaves with hubris in an attempt to overthrow the leader. If God’s leadership principles were mandatory in management, many dysfunctional leaders would be disqualified and many of the negative consequences of poor leadership might be averted. (shrink)

In 1935, the Russian linguist Prince Nicolai S. Trubetskoi and the French mythologist Georges Dumézil engaged in a vicious debate over a seemingly obscure subject: the structure of Northwest Caucasian languages. Based on unknown archival material in French, German, and Russian, this essay uses the debate as a pathway into the 1930s scientific and political stakes of IndoEuropeanism – the belief that European cultures emerged through the spread of a single IndoEuropean people out of a single “motherland.” Each of the (...) two authors held strong commitments to visions of European order and its origins – in “Eurasia” for Trubetskoi and a Northern European Heimat for Dumézil. The North Caucasus, long a privileged site for Russian and European scholars, now became key to the renegotiation of the origins and reach of imagined prehistoric IndoEuropean conquerors, but also the 1930s’ debate over the value of different disciplines for the origins of language, myth, and the European deep past. As a moment in the history of modern speculations about prehistory, pursued in the shadow of Nazi scholarship, the debate transformed fields of research – notably linguistics, comparative mythology, and structuralism – and the assumptions about the shape of Europe. (shrink)

Due to the rapid development in the modern linguistics of anthropocentric and interdisciplinary studies, the idea is gaining ground that languages of the world are examples of various division of the world. The article is devoted to the semantic reconstruction of the cult of the androgynous deity of the Bashkirs on the basis of toponymy and mythology. The study is based on the hypothesis that the collective linguistic consciousness or ‘collective unconsciousness‘ of different cultures and peoples is based on (...) common values, which gives an indication of the universality of mythopoetical thinking of the peoples. The versatility of mythological thinking leads to the creation of typologically similar images related to the general idea. This suggests that the mechanism of cognitive knowledge and explanation of the world in different languages has some common ground. The object of this study are Bashkir hydronyms, the subject of analysis are linguocultural mechanisms of conceptualizing the world. This article is aimed at reconstruction of the archetypal meaning of the mythonym ‘Irgiz‘, which became a hydronym, and to understanding of its origin based on theoretical principles of the relationship between language and thinking, language and myth, the universality of mythopoetic thinking of peoples, on mythological legends of the Bashkirs, and on the data of Bashkortostan’s toponymy. In accordance with the intended purpose, the author attempts to understand the peculiarities of the mythopoetic thinking of the Bashkirs related to the archetype of the ‘river‘, ‘water‘. For this purpose, linguistic facts, ethnographic and folklore materials of the Bashkir and other Turkic peoples, as well as facts of comparative mythology of the peoples of the world were considered, and on this basis an attempt to show the universality of mythopoetic thinking of peoples and to explain the origin of the Bashkir hydronym ‘Irgiz‘ was made. The research was conducted using the methods of linguocultural interpretation, semantic reconstruction, and etymological analysis. Folklore and mythological motives outlined in the paper helped the author to trace the thoughts of primitive human and to conclude that in the mythology of many peoples the belief in the divine essence of water is reflected: water is the source of life, of creation. This idea is incorporated in the name of the mythonym ‘Irgiz‘ rising to the reconstructed abstract deity, symbolizing the idea of combining two elements in one individual, the idea of creation and fertility. (shrink)

Traditions that share the least number of motifs are located in continental Eurasia and Melanesia. African mythologies are poor and stand nearer to the Indo‑Pacific than to the Continental Eurasian pole. The Indo‑Pacific mythology preserved its African core. In Continental Eurasia a new set of motifs began to spread after the Late Glacial Maximum. Both sets of motifs were brought to the New World. The Indo-Pacific complex predominates in Latin, the Continental Eurasian one in North America. Sky‑maiden tales, largely (...) unknown in Africa and Australia, emerged in the Indo-Pacific borderlands of Asia. Both in Southeast Asia and in Latin America different images of the magic wife coexist (different birds, sky-nymphs, etc.), stories are often integrated into the anthropogenic myths. More specialized Swan-maiden stories spread across Northern Eurasia after the Late Glacial Maximum. Only Khori‑Buryat versions are related to actual mythology. Swan‑maiden was brought to America late by the Eskimo. (shrink)

Littleton's introduction for the American reader to the eminent founder of neocomparativism in cultural anthropology remedies the unjustifiable neglect in which the contributions of this school are held, both by anthropologists and philosophers of the social sciences. Many suggestions from generative semantics and functional sociology are so pointed and so well founded that without them our analytical research efforts on human action and even our ordinary language techniques seem somewhat arbitrary and individualistic. Whether suggestions from these rich bodies of knowledge (...) will have the power to bring about wider acceptance of new and more sophisticated forms of comparativism is yet to be seen. The methodic principles applied by Dumézil throughout his extensive writings, over a forty year period, are principles which affect the very source of reason, viz., the language medium which gives life to structures and models. Dumézil argues that discourse and life obey the same logic, just as in a drama the plot provides both the form, the organization of the sense, and the sense itself. Such is for Dumézil the core of all symbolism, and the basis for the correspondence between linguistic fact and societal fact. There is an excellent bibliography.—A. M. (shrink)

[Michael Williams] A response to Sosa's criticisms of Sellars's account of the relation between knowledge and experience, noting that Sellars excludes merely animal knowledge, and hopes to bypass epistemology by an adequate philosophy of mind and language. /// [Ernest Sosa] I give an exposition and critical discussion of Sellars's Myth of the Given, and especially of its epistemic side. In later writings Sellars takes a pragmatist turn in his epistemology. This is explored and compared with his earlier critique of givenist (...) mythology. In response to Michael Williams, it is argued that these issues are importantly independent of philosophy of language or mind, and that my own take on them does not commit me to any absurd radical foundationalism on language or mind. My own take is in line with Descartes' two-level epistemology of cognitio and scientia, a bifurcation that protects him from vicious circularity, and is adaptable for an epistemology naturalized, whether in the way of Quine, or Moore, or Davidson. (shrink)

The articles assembled in this volume present an important selection of Professor Jao Tsung-i’s research in the fields of comparative mythology, early Chinese hemerology and the interrelation between divination, morals and ritual in early Chinese thought.

A distinction which is often rehearsed in some strands of Christian writing on the ‘Eastern’ religions, especially Hinduism, is that while they are full of ‘mythological’ fancies, Biblical faith is based on the solid rock of ‘historical’ truth. I argue that the sharp contours of this antithesis are softened when we consider two issues regarding the relation between ‘myth’ and ‘history’. First, the decades–long attempts to separate the ‘historical’ facts about Jesus Christ from the interpretive elements in the Biblical narrative (...) highlight the presence of ‘mythical’ imagination in Christian thought. Second, a comparative study of the Christian understanding of Jesus Christ as the Incarnate God and the Hindu conception of avatāras reveals a highly significant set of differences and analogies, and shows how the supposed equivalences between ‘historical as real’ and ‘mythological as unreal’ need to be reformulated. (shrink)

Classical Mythology in Context encourages students to directly encounter and explore ancient myths and to understand them in broader interpretative contexts. Featuring a modular structure that coincides with the four main components of a classical mythology course--history, theory, comparison, and reception--each chapter is built around one central figure or topic. Classical Mythology in Context provides: A sustained discussion of religious practices and sacred places that offers a key approach to the historical contextualization of Greek myths An introduction (...) to--and integration of--theoretical approaches to myth in each chapter that shows how these approaches affect the ways in which students understand myths and mythic figures Ample selections of primary sources, all from the Oxford World's Classics series A robust comparative approach examining Greek myths alongside other myths from the Mediterranean Basin and the Ancient Near East An approach to the reception of myths as interpretation and reflection in Western art, with an emphasis on contemporary culture An Ancillary Resource Center that includes PowerPoint-based lecture slides and an Instructor's Resource Manual A Companion Website that provides additional student and instructor resources FEATURES Compelling and relevant illustrations provide visual evidence for placing myths in context Abundant maps help students locate all sites in Greece, the larger Greek world, and the Ancient Near East A detailed Timeline for Greece, Rome, and the Ancient Near East helps students situate key works within their cultural and historical contexts "The Essentials": In Part I, these boxes appear at the start of each chapter, introducing students to the most essential information about a god or goddess and previewing that chapter's content. In Part II, they appear whenever a new hero or heroine is introduced. "Before You Read" section for each primary source and critical reading is prefaced with a brief contextual overview followed by questions that encourage critical thinking Paired chapters explore different aspects of a god, hero, or heroine, equipping students with analytical tools that can be applied to other topics A list of Key Terms at the end of each chapter helps students review and retain its most important points A "For Further Exploration" annotated bibliography at the end of each chapter provides a starting point for students who wish to learn more about the chapter's content A Select Bibliography at the end of the book, divided by chapter emphasizes scholarly works that are accessible to students A Combined Glossary and Index includes a pronunciation key, the Greek form, and brief description for all figures, places, and rituals in the text. (shrink)

The purpose of this investigation is to define the central issues of the current and future relations between the Western and Chinese civilizations through the evaluation of the myths and realities of these relations. The methodology is based on an interdisciplinary big-picture view of the world scene, driven by the global economy and civilization with an attempt to compare both civilizations according to key criteria. Among the findings are: Today China has become a “robot” of the West. Due to its (...) old culture and ability to invent important civilizational tools, China is becoming an independent developer of its own economic power, and it is very probable that it will surpass its master sooner or later. Due to its transformation to a global civilization, Western civilization has lost its Christian values and adopted new ones based on business. It is probable that the economic success of China will lead to a clash between civilizations, both grasping for access to the strategic resources. Practical implication: Society should elaborate the path to the development of wise civilization driven by a new political system, ecoism.Social implication: It is probable that if the “1%” won’t self-correct its misbehavior, a social revolution by the “99%” cannot be excluded from the current calendar ofWestern civilization. Originality: This investigation, by providing the interdisciplinary and civilizational approach, expands the scope of the traditional relevant approach. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Dante in Deutschland: An Itinerary of Romantic Myth by Daniel DiMassaBrenda Deen SchildgenDaniel DiMassa. Dante in Deutschland: An Itinerary of Romantic Myth. Lewisburg: Bucknell University Press, 2022. 242 pp., hardcover, $150.00. ISBN 9781684484195.Dante in Deutschland is an eloquently written study of the "itinerary," as the author labels it, of the myth of Dante's personage and his works in Germany from the Romantic period to the Second World War. (...) The latest book in Bucknell University Press's series New Studies in the Age of Goethe, edited by John B. Lyon, the book's central argument is that "to the Romantics, the Commedia was more than a touchstone—it was a lodestar, its author no less vital to them than Shakespeare had been to the Sturm und Drang" (3). This premise lays the foundation for a reception study that is a model of Comparative Literature research. As Daniel DiMassa explains, his approach does not just examine "the Romantics' attempt at a mythology, but their attempt at a Dantean mythology" (5). Combining philology, hermeneutics, and history, he promises to [End Page 276] "open new interpretations of Romantic works" and to "trace an itinerary of Romantic myth, highlighting the waystations of a path that has remained in obscurity" (5–6). Indeed, the book succeeds in this endeavor.In terms of utopian studies, this is not a consoling literary story, for as DiMassa demonstrates, this study turns our "attention to a familiar yet puzzling trajectory of Romanticism—its move from radicality and revolution to Catholicism and conservatism" (9) in Germany. But, in contrast to Lukács's "straight line from Schelling to Hitler," DiMassa proposes a Romanticism inflected by the myth of Dante and "culminat[ing] in a trio of figures who embodied one form of fascism or another—Hauptmann, Borchardt, and George" (9). In highlighting this trajectory, DiMassa provokes thought about the dangers of utopian ideologies as well as how to confront them.Following an introduction that succinctly lays out the argument and the methodology, DiMassa historically situates, in six thoughtful and thoroughly researched chapters, pivotal figures in German Romanticism and the neo-Romanticism of the twentieth century. He then provides close readings of their major texts to show how Dante and his Commedia are "recovered, repurposed, revered, and reduplicated" to shape "the origins of German Romanticism and the attempts at its rehabilitation" in the twentieth century (177). This review of the book cannot do justice to such a complex and fascinating argument, so this cursory overview of some of the chapters is intended as a recommendation to read the study in its entirety.Chapter 1, "Discovering Dante and Theorizing Myth," examines the "Schlegel Brothers and the Origins of the Romantic Project." The eighteenth century was the nadir of Dante's reception, even in Italy, but the "myth of Dante" burst onto the stage of cultural and political history in the nineteenth century. By the end of the eighteenth century, according to DiMassa, writers such as Bodmer, Herder, and Goethe had prepared the way for a new reception of long neglected "barbarians" like Dante. Signaling this imminent change in taste, framed in nationalistic terms, in a 1772 essay, "On German Architecture," having recently revisited Strasbourg Cathedral, Goethe exclaimed, "This is German architecture! Our architecture!"1 He insists, "what unexpected emotions seized me when I finally stood before the edifice! My soul was suffused with a feeling of immense grandeur."2 Earlier, Goethe had labeled medieval buildings "barbaric," he admits in the same essay,3 but his experience of the cathedral awakened a nationalist intensity suggestive of utopian emotion. A. W. Schlegel's projection of [End Page 277] Dante "as a man of action who, in an age devoid of political leadership, had drafted a poetry teeming with manliness and vitality" (25) smacks of the same Romantic enthusiasm, but A. W. Schlegel was eager to celebrate the once "barbaric" Dante as the apogee of an emerging "Weimar Classicism and Jena Romanticism" (25), an idyll of the contemporary romantic enthusiasm. In a decade, the work of early German Romantics, including A. W. Schlegel's translations, Schelling's lectures, and Friedrich Schlegel's advocacy, buried Dante's so-called barbarism... (shrink)

Works of science fiction tend to describe hypothetical futures, or counterfactual pasts or presents, to entertain their readers. Philosophical thought experiments tend to describe counterfactual situations to test their readers’ philosophical intuitions. Indeed, works of science fiction can sometimes be read as containing thought experiments. I compare one especially famous thought experiment from Plato’s Republic with what I read as two thought experiments from Isaac Asimov’s Foundation Trilogy. All three thought experiments concern myths used in political contexts, and comparing them (...) permits me to analyze the morality of political mythologizing. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Helen and the ΔIΟΣ BΟYΛHKenneth MayerThe opening lines of the Cypria and the scholia concerning them have long attracted scholarly notice. The lines are quoted in Schol. A. Vind. 61 as follows:.(Cypria Frag. 1 Allen)Zeus pities the overburdened Earth and therefore calls the Trojan War into being in order to relieve her of excess population. The scholium quoting these lines evidently contains elements foreign to the Cypria,1 but other (...) statements may ultimately derive from the epic itself. The scholiast reports Momus' advice to Zeus, not to use disasters such as lightning or flood, but rather to arrange for the birth of Helen and the marriage of Thetis. For, the scholium adds, the Trojan War is a direct result of these two events:.Eustathius follows this tradition, but extrapolates further by explicitly defining Helen and Achilles as the instruments of the βουλή: [End Page 1]-Eustathius, Ad Iliadem 1.33.15 (TLG)The original scholium does not define the precise role of the θνητογαμία of Thetis. That marriage resulted indirectly in the judgment of Paris and the strife between the goddesses, which directly led to the Trojan War. Eustathius, who was rather closer to the scholiastic tradition than we are, does not include the judgment in this account of the origins of the war. Instead he regards the birth of Achilles as a central element in the depopulation of mankind, on par with Helen.Scholiasts of the twentieth century have come up with their own accounts of Zeus' plan and the origin of the Trojan War. Particularly compelling is Laura Slatkin's reading of the marriage of Thetis as the closing chapter in the struggle for divine succession.2 Prophesy foretold that her son would be mightier than his father, so instead of marrying her himself, Zeus gives her to a mortal, thereby stabilizing the order of heaven by displacing strife onto the earth.Nagy (Best of the Achaeans, 220) argues that this displacement of strife from the divine sphere "causes not only the Trojan War in particular but the human condition in general." He bases this on, among other things, a fragment of the Hesiodic Catalogue of Women which begins shortly after the marriage of Helen and the birth of Hermione:These lines and others following connect the Trojan War with a plan of Zeus to end the endless spring and begin the cycle of the seasons (97-98), to give sorrow and death to mortals (98-100), and to separate gods from men (102-4). The fulfillment of the plan is then narrated: the death [End Page 2] of the heroes in lines 118-20; the coming of winter in lines 124-29. Taken together these events spell the end of the Golden Age, which seems to be the calculated conclusion of the Hesiodic Catalogue.3In some accounts at least the Trojan War thus spelled the end of the Golden Age. The myth of divine succession accounts for the central role of Achilles and the marriage of Thetis. What about Helen? I do not think that the pairing of Achilles and Helen in the scholia is haphazard or pedantic patchwork. In a very real sense the Trojan War was felt to have started with the creation of both of these figures.Helen's role will become clearer when we step back and look at comparable patterns in other mythologies. The Cypria fragment mentioned earlier has aroused scholarly interest in part because of the overpopulation theme, to which several parallels have been adduced from the Near East, Iran, and India.4 This paper will extend this work and demonstrate that in these mythologies overpopulation belongs to a larger construct which is worth examining in detail.Central to the larger construct is the final struggle for heavenly succession, in which the last opposition to the canonical pantheon is quelled. The creation of man is contemporaneous with or results from this struggle. Often the defeated god or gods are involved in the creation of mankind in general or of a particular strife-causing individual or group. The form of the defeated gods' involvement varies-mankind may be their direct progeny, their creations or reincarnations, or created... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Phaedra's Labyrinth as the Paradigm of Passion: Racine's Aesthetic Formulation of Mimetic Desire Jacques-Jude Lépine Haverford College The actual model of Racine's Phaedra is no more the one that he claims to follow in his preface than one ofthose which his critics have sought in vain to find in the works of his immediate predecessors.1 Indeed, the comparative reading ofRacine's last profane tragedy against his sources shows that (...) Seneca and Euripides only provided a very general framework, one might say a traditional theme, which Racine completely recasts on the level of the plot, structure, characters, poetic esthetics, and theatrical performance. On the other hand, the myth of Phaedra's involuntary passion for her stepson Hippolytus, the hunter who was supposed to be atavistically insensitive to erotic seduction, could very well have been reorganized on the basis of another mythological episode which precedes it, the killing of the Minotaur by Theseus in the Labyrinth. There are many explicit references to this episode throughout Racine's Phaedra. There are even more than a rich but strictly thematic critic has been able to detect (see Racine), underscoring the fundamental point of my essay that the intensely poetic character of the Labyrinth, and particularly its function as a fantastic spatial frame, is not simply of a decorative nature. In Racine's work, as in any other genuine literary masterpiece, there is a unity ofcontent and form. The many references to the Labyrinth are determinant for the very subject ofPhaedra, which is the representation of passion, the only subject of interest for Racine. In fact, I intend to demonstrate that Racine used the unique topography of the Labyrinth as a paradigm of the logic of the relationships between his ' These works are Garnier's "Hippolyte" (1573) and Quinault's "Bellérophon" (1671). 48Jacques-Jude Lépine characters because of its capacity for fully expressing the mimetic origin of passion, a decisive discovery the gradual stages towards which may be traced in all his previous works. The Monster Hunt as a Metaphor of the Dramatic Action In order to demonstrate this point, I will start from the textual data, even though it will be necessary to go beyond a simple inventory of the themes explicitly connected to the Labyrinth. The first of these themes is obviously the one of monstrosity. At some point in the play, all the main characters accuse themselves, or are accused, of being a monster (Barthes 115). The relationship between this moral monstrosity (expressed in ambiguous statements suggesting a physical sign) and the return of Theseus, whose numerous monster hunts Hippolytus recalls in the opening scene,2 is easy to see. As has been already noted, the theme of the monster hunt is present from beginning to end of the play, where the fight between Hippolytus and the sea monster occurs (see Jasenas). But the monsterpar excellence is the Minotaur, whose death at the hands of Theseus Phaedra recalls in a famous speech which serves to reveal her passion to Hippolytus through a series of substitutions in the original cast of characters: Oh, why were you too young top have embarked Within the ship that brought him [Theseus] to our shores? You would have been the monster's killer then, In spite of all the windings of his maze. To find your way in that uncertain dark, My sister would have armed you with the thread. But no! In this design I would have been Ahead of her, my sister! Me, not her, It would have been whom love at first inspired; And I it would have been, Prince, I, whose aid Had taught you all the Labyrinth's crooked ways. A single thread would not have been enough To satisfy your lover's fears for you. I would myself have wished to lead the way, And share the perils you were bound to face. Phaedra, into the Labyrinth, with you Would have descended, and with you returned, To safety, or with you have perished. (647-62) 2 See verses 73-90. References to Margaret Rawlings's translation of Phaedra will be given parenthetically in the text. The verse numbers refer to the French edition... (shrink)

The Republic is the quintessential Platonic dialogue concerning justice and politics. This great ten-book work ends with the Myth of Er. This myth has been a source of controversy throughout history. Some claim Plato wrote it, while others claim it is a forgery. Still others claim it is a lost story saved in the annals of history only by Plato. In response to the limited scholarship about Er, Mr. Chrysovalantis Petridis undertook a painstaking analysis of both the Republic and Er (...) in an attempt to put to rest any debate concerning them. Not only is the myth of Er crucial for understanding the Republic but it also is key to understanding Plato's project in this dialogue. Without the myth, the ideas Plato w anted to impart in this text cannot be fully understood. Er means "Spring" in Ancient Greek, and the Republic contains the secret teachings concerning the dawn of Socratic philosophy: it heralds a new way of thinking. Socratic philosophy has influenced religion, politics and society ever since. Philosophy has come to mean Socratic philosophy, especially for all who subscribe to Plato's way of thinking. The Socratic method is considered the backbone of contemporary education and Plato's Academy the forerunner of current education. Mr. Petridis' book, Plato's Mythologizing the Myth of Er, exposes the themes and ideas brought to life in the Myth of Er. The Republic is of political, social and religious importance and has influenced every way of thinking and discipline since its conception. One cannot fully understand the impact of Plato, Socrates and Aristotle without it. Thus, Mr. Petridis' book may be one of the most important texts written this century concerning Plato's works. It is a must-read for anyone who desires to know Plato or Socrates and understand why their influence has changed and shaped the world ever since. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:The Amazons: Lives and Legends of Warrior Women across the Ancient World by Adrienne MayorAlison KeithAdrienne Mayor. The Amazons: Lives and Legends of Warrior Women across the Ancient World. Princeton: Princeton University Press, 2014. xiv + 519 pp. Cloth, $29.95.Adrienne Mayor is a historian of classical folklore and ancient science and the author of several books whose subjects lie at the intersection of classical myth and ancient history (...) with archaeology and the history of science: an exploration of monsters and heroes in the repertoire of classical myth as a response to the discovery of fossils in The First Fossil Hunters (Princeton 2000); a wide-ranging collection of evidence for biological and chemical warfare in the ancient world, Greek Fire, Poison Arrows, and Scorpion Bombs (New York: Overlook Press, 2003); and a sympathetic biography of Mithradates VI Eupator of Pontus in The Poison King: The Life and Legend of Mithradates, Rome’s Deadliest Enemy (Princeton 2009); as well as an investigation of indigenous North Americans’ accounts of fossils, in Fossil Legends of the First Americans (Princeton 2005). Like her earlier volumes, The Amazons brings together an extraordinarily wide array of evidence, uncovered through prodigious research across such diverse fields as classical mythology, ancient history, and contemporary archaeology of the central Asian steppes, and the results are presented with her trademark narrative brio. As with these earlier volumes, moreover, Mayor has an agenda in The [End Page 174] Amazons: here she seeks the historical reality that lies behind the ancient Greek myths of barbarian warrior women; and she finds it in the recent archaeological discoveries of female warriors interred on the central Asian steppes from the Caucasus to western China.Mayor sets out her premise in a prologue that takes its bearing from the myth of Atalanta, whom she dubs “the Greek Amazon” (1–13): her project is to investigate where the Greeks might have encountered real women warriors like Atalanta, capable of besting men in footraces, on the battlefield, and in the hunt. Her study falls into four parts: Part 1 (17–59) asks, “Who were the Amazons?” and identifies ancient Scythia, with its many horse-riding and horse-herding nomadic tribes, as the homeland of the Amazons. Part 2 (63–246) surveys the archaeological and scientific evidence for female warriors among the nomadic tribes of the central Asian steppes in prehistoric and historic times. In this section, Mayor considers the evidence afforded by the bones of buried nomad warriors misidentified as male (because of the weaponry and horses accompanying the burial) when they were originally excavated but recently recognized as female as a result of newer scientific techniques of examination (chap. 4); the body armor found in the steppe graves, in a discussion which has recourse to comparative ethnography, yielding a rich history of breast suppression (chap. 5); the tattooing practices of the historical nomadic tribes of the steppes in relation to the iconography of Amazons’ tunics and leggings on classical vase paintings (chap. 6); ancient accounts of Amazons’ dress (chap. 7), including their partiality for trousers (chap. 12), sexuality and reproduction (chap. 8), drugs, dance and music (chap. 9), hunting technologies (chap. 11), weapons and warfare (chap. 13), all in relation to the archaeological and historical evidence of steppe women’s practices in these arenas. She even presses into service ethnolinguistics in order to argue that the names of the Amazons can be traced back to a common origin in the Eurasian steppes (chap. 14; cf. Appendix of Names of Amazons and Warrior Women in Ancient Literature and Art from the Mediterranean to China). In Part 3 (249–353), Mayor turns back to “Amazons in Greek and Roman Myth, Legend, and History.” Here she retells the most famous Amazon myths, of Hippolyte and Heracles [sic] (chap. 15), Antiope and Theseus (chap. 16), Penthesilea and Achilles (chap. 18), and the Athenian Amazonomachy (chaps. 17, 19); and classical accounts of their historical counterparts—the dalliance of Thalestris and Alexander the Great (chap. 20) and the love of Hypsicratea and Mithradates (chap. 21). Part 4 (358–429) abandons the Hellenocentric perspective of Part 3 to investigate the evidence for Amazonian women “Beyond the Greek World... (shrink)

Why do we say that something is unspeakable, even though we know the issue well? We find in many cultural contexts the classification of something as ‘unspeakable'. Using semantics and semiotic theory separating between ‘concept', ‘sign', and ‘reference object of the sign' in several cases where the ‘unspeakable' is described, we will discuss the functions of ‘the unspeakable‘ as a cultural phenomenon. Philosophers use the term frequently with reference to their culture. In our article we will look at the socio-cultural (...) conditions of the concept of ‘the unspeakable'. While it seems that this concept is universal, functions and meanings of this concept vary depending on the cultural settings. We will examine in this article the functions of this concept comparing the use of it in different cultures with religious and mythological impact expressed in this concept. Furthermore, we will look at the linguistic settings that allow us a construction like ‘the unspeakable' to be used as a representation for something not spoken in speech, but existing in another cultural or transcendental sphere. We will show that the expression serves as a semiotic replacement for issues that could be articulated, but due to cultural limits like religion or myths as act of cultural censorship should not be articulated in speech. (shrink)

When Carl Jung and Carl Kerenyi got together to collaborate on this book, their aim was to elevate the study of mythology to a science. Kerenyi wrote on two of the most ubiquitous myths, the Divine Child and The Maiden, supporting the core 'stories' with both an introduction and a conclusion. Jung then provided a psychological analysis of both myths. He defined myth as a story about heroes interacting with the gods. Having long studied dreams and the subconscious, Jung (...) identified certain dream patterns common to everyone. These 'archetypes' have developed through the centuries, and enable modern people to react to situations in much the same way as our ancestors. From nuclear annihilation to AIDS and Ebola, we continue to engage the gods in battle. _Science of Mythology_ provides an account of the meaning and the purpose of mythic themes that is linked to modern life: the heroic battles between good and evil of yore are still played out, reflected in contemporary fears. (shrink)

Novelties introduced into traditional myths are an essential characteristic of Greek tragedy. Each and every play demonstrates, in different ways, how tragedians were versatile and innovative in handling mythic material. Modern prefaces to individual tragedies often discuss the possible innovations in the dramatization of a myth compared to previous or subsequent versions. Innovations advanced in a play sometimes became so familiar that they came to be regarded as ‘standard’. Such examples include the condemnation and death of the protagonist in Sophocles’ (...) Antigone and, in all likelihood, Medea's filicide in Euripides’ Medea. (shrink)

The purpose of this investigation is to define the central issues of the current and future relations between the Western and Chinese civilizations through the evaluation of the myths and realities of these relations. The methodology is based on an interdisciplinary big-picture view of the world scene, driven by the global economy and civilization with an attempt to compare both civilizations according to key criteria. Among the findings are: Today China has become a “robot” of the West. Due to its (...) old culture and ability to invent important civilizational tools, China is becoming an independent developer of its own economic power, and it is very probable that it will surpass its master sooner or later. Due to its transformation to a global civilization, Western civilization has lost its Christian values and adopted new ones based on business. It is probable that the economic success of China will lead to a clash between civilizations, both grasping for access to the strategic resources. Practical implication: Society should elaborate the path to the development of wise civilization driven by a new political system, ecoism.Social implication: It is probable that if the “1%” won’t self-correct its misbehavior, a social revolution by the “99%” cannot be excluded from the current calendar ofWestern civilization. Originality: This investigation, by providing the interdisciplinary and civilizational approach, expands the scope of the traditional relevant approach. (shrink)

The actualization of the study of issues related to the mythical and religious representations of our people is due to the need to solve new complex socio-moral problems facing the modern Ukrainian society. Scientific research of the phenomena of mythology and religion, as well as their interactions and interactions, are of particular importance in the conditions of social, ideological and moral crisis of society, when there is a serious reappraisal of ideological values ​​and new material and spiritual conditions of (...) human existence are formed. The role of such studies is due to the fact that mythology and religion are important historical forms of social consciousness, one of the means of expressing the relation of man to the surrounding reality, which significantly affects the inner spiritual world of the individual, the moral and social behavior of the individual and entire communities of people. (shrink)

In all cultures and at all times, humans have been telling stories about who they were, what the world and human life is about. To the insider, myths may contain Truth, revelation and the history of ourselves; whereas to the outsider it may be considered anything from folly and pre-logical mentality, to neurotic, infantile and wishful thinking. Such judgements aside, myths tell us about human creativity, the impact of narrativity on human ways of understanding, on cultural epistemologies and the many (...) ways of world making. These issues also spark considerations concerning the linguistic and philosophical notions of meaning and truth and the peculiarities of religious language. The controversial issue of myth has been studied from many different angles. In this volume the contributions are edited according to their theoretical perspectives: 1. philosophical, 2. psychological, 3. sociological, 4. semiological and 5. cognitivist, all with introduction by the editor. This volume will be an indispensable tool for anyone with a serious interest in this field of study. (shrink)

There are two ways in which Symbol and Myth are related to each other. Firstly, a certain class of symbols represents the remnant of myths. Such figures as, e.g. the Dragon, Leviathan, etc., which we find in Biblical literature, are not used in the full sense of the underlying mythological conception, but in a metaphorical sense. They are chosen by the author because of their mythical associations, but not in their mythical meaning. Ametaphor of this kind is, as H. J. (...) D. Astley put it, “broken-down mythology.” There are a great many symbols both in poetry and mysticism which must be understood as the relics of mythical thought. We owe a great deal to ethnology for having thrown light on this relation. The microcosm-macrocosm symbolism, for instance, becomes more intelligible if we consider that in primitive mythology the world emerged from the body of primordial man. The gifts to the dead appear in later forms of sacrificial cults as purely symbolical, but there is no doubt that originally they were intended for the real use of the dead. In these and in numerous other cases the symbol has only a reduced value as compared with the original-myth from which it is borrowed. It is not self-evident, but relies on the mythical conception, without, however, taking it seriously. It is “merely” a symbol, and has no truth of its own. (shrink)

The making of music has been sufficiently deep and widespread diachronically and geographically to suggest a genetic imperative. C.G. Jung's 'Collective Unconscious' and the accompanying archetypes suggest that music is a psychic necessity because it is part of the brain structure. Therefore, the present view of aesthetics may need drastic revision, particularly on views of music as pleasure, ideas of disinterest, differences between so-called high and low art, cultural identity, cultural conditioning, and art-for-art's sake.All cultures, past and present, show evidence (...) of music making. Music qua music has been a part of human expression for at least some forty-thousand years and it could well be speculated that the making of music accompanied the arrival of the first human beings. As Curt Sachs states, "However far back we tracemankind, we fail to see the springing-up of music. Even the most primitive tribes are musically beyond the first attempts".Why do humans continuahy create music and include it as an integral part of culture? What is music's driving force? Why do cultures endow music with extraordinary powers? Why do human beings, individuahy and as societies, exercise preferences for specific works and genres of music? In probing these questions, I chose one aspect of Jungian psychology, that of the Collective Unconscious with its accompanying archetypes, as the basis upon which to speculate a world aesthetics of music. Once we dispense with the mechanistic and designer idea of human origins, we have only the investigations of the human psyche to mine for data that could explain the myriad forms of artistic activity found the world over. An examination of human beings, I believe, must lead one ultimately to the study of human behavior and motivations, in short, to the psychology of human ethos. This study wih take the following course: first, a discussion of consciousness and the Collective Unconscious, plus a discussion of archetypes; then, a description of musical archetypal substance; and finally, what I beheve is implied to form a world aesthetics of music.By comparison to Jung, Freud gives us little in the way of understanding artistic substance because for him, all artistic subject matter stems purely from the personal experiences of the artist. In comparing Freud and Jung, Stephen Larsen states that "Where Freud was deterministic, Jung was teleological; where Freud was historical, Jung was mythological". Jung drew on a much wider cross-cultural experiential and intellectual base than Freud. His interests in so-cahed primitive peoples led him to Tunis, the Saharan Desert, sub-Saharan Africa, and New Mexico in the United States to visit the Pueblo Indians; visits to India and Ceylon and studies of Chinese culture all contributed to his vast knowledge of human experience. Jung constructed the cohective unconscious as a major part of the psyche with the deepest sense of tradition and myth from around the world. He was criticized because of his interests in alchemy, astrology, divination, telepathy and clairvoyance, yoga, spiritualism, mediums and seances, fortunetelling, flying saucers, religious symbolism, visions, and dreams. But he approached these subjects as a scientist, investigating the human psyche and what these subjects revealed about mental process, particularly what might be learned about the collective unconsciousness. Jung's ideation, in my view, is sufficiently comprehensive to support the probe of a world aesthetics of music. (shrink)

Theorists of democratic politics have long noted the importance of citizenship to the realization of liberal norms. Citizenship provides an artificial identity to members so that they may meet as equals in the public domain. The constraints of equality dictate that this identity will have a unitary face: citizenship must be a single status if it is to serve its stated purpose. However upon examination, citizenship appears to take multiple forms that reflect a range of political statuses that exist within (...) the confines of democratic politics. The civil, political and social rights of citizenship as well as the status of nationality come unbound from one another in ways that create multiple forms of partial, or semi-citizenship. Semi-citizenships provide states with opportunities to organize and govern otherwise "illegible" or "irrational" sub-sections of the population. They also often offer individuals the chance to adopt identities that diverge from those referenced by classic notions of the citizen. ;This dissertation combines a theoretical inquiry into the realities of modern citizenship with focused case studies examining instances of semi-citizenship. Each case study demonstrates the degree to which semi-citizenship is inevitable in democratic politics both by looking at various national contexts and by recalling the presence of such statuses throughout the history of the modern state. The statuses held by non-nationals, GLBTs, children and convicted felons demonstrate a unique set of state responses to forms of membership that do not correspond to the categories of citizen or non-citizen. Each of these statuses has existed in a wide range of temporal and geographic circumstances. Deprived of nationality, civil rights and political rights, these groups exist in democracies without being governed democratically, yet in some cases they are able to turn such statuses to their advantage. States compensate in a variety of ways ranging from special or additional rights, to benign neglect, to paternalism. While vulnerable to critique, these compensatory measures indicate an acceptance of the fact that citizenship is composed of several distinct forms of membership and may also provide opportunities for tailoring citizenship to meet individual needs. (shrink)

This article argues that the discovery of unconscious elements grounding consciousness and its formation processes has favored since Kant a critical vision of the sense of history and a new comprehension of the role of mythology for human consciousnes. The study of this critical movement of reason begins 1) with some discoveries in German Classical Philosophy about the pressupositions of consciousness, which led the subsequent thought 2) to understand history as a “fall”. Schelling’s analysis of the landmarks of the (...) past – ruins, megaliths, archaic texts – shows thus historical consciousness grounded on an immemorial past from which it frees itself by a revelation. 3) The discussion of mythology as an essential phemomenon for historical consciousness leads, according to Schelling, to a litteral or “tautegorical” interpretation of myths, and 4) to an essentially mythological conception of language and meaning in general. 5) Schelling conceptions are then compared with some philosophical thought about history in the 20th century, viz. Husserl’s thesis about the relation between history and consciousness and 6) Adorno and Horkheimer’s thought about the relation between myth and Aufklärung. As a conclusion, 7) Schelling’s idea of a philosophy of identity is compared with Adorno’s conception of the non-identical, specially regarding the comprehension of historical time and its birth, and the European consciousness of colonization and violence. (shrink)

The thematic structure of Fyodor Dostoyevsky’s novel ‘Netochka Nezvanova‘ is revealed in the article through the system of leitmotifs rising to elementary semantic oppositions. The topical opposition of high and low is traced throughout the semantics of space. The periphery of the story - the estate of a landowner, a music-lover, and its sacral centre - the ’sunny’ home of Prince H. in St. Petersburg are brought together by the main character’s lifelong way. In Yegor Efimov’s biography, this is predetermined (...) in the same way as the initiation of a fairytale hero is predestined. It should be emphasized that the unique temporal structure of ‘Netochka Nezvanova‘ is analyzed in this aspect for the first time. Like many other Dostoyevsky’s works, this particular story displays signs of ‘inoculations‘ from different poetic systems and other texts which form a complicated system of intertextual connections. The leading motif of the story belongs to the circle of the basic mythopoetic topic: Man’s temptation by Satan. The demon’s intrusion into Efimov’s life is especially well traced in his friendship with the Italian conductor and in inheriting the latter’s violin. The history of the violin is accompanied by the marginal demonic background created by the stable mythologem - ‘the Satan’s violin‘. Within the borders of mythopoetic concept of music, an artist is a medium, a person who has the power to influence other people in the name of good or evil by supernatural forces. In this respect, the life story of Efremov the violinist can be compared to the adventures of a mythological ‘cultural hero‘ presented as a non-stop chain of events: meeting a magical sorcerer, receiving a magic weapon from him as a gift and the ensuing sequence of dreadful ordeals. Yegor Efimov’s life story is shown in the article against the background of the mythopoetic concept of music, as Man’s temptation by Satan, and in the historical and cultural context, as shattering a romantic myth about ‘a demonic artist‘. (shrink)

Introduction.--The Phaedo myth.--The Gorgias myth.--The myth of Er.--The Politicus myth.--The Protagorus myth.--The Timaeus.--The Phaedrus myth.--The two Symposium myths. I. The myth told by Aristophanes. II. The discourse of Diotima.--General observations on myths which set forth the nation's, as distinguished from the individual's, ideals and categories.--The Atlantis myth.--The myth of the earth-born.--Conclusion: The mythology and metaphysics of the Cambridge Platonists.

The work explores the role of mythology in the formation of cultural values, and paradigmatic coordinates as the most stable form of reproducing socio-cultural experience, namely as a mechanism for regulating human behavior, which is relevant for any type of culture. It is considered that the basis of the mythological form of organization of individual and group experience constitute from a sensory-reflexive, contemplative and productive way of understanding the world, and the mechanism of regulation of human behavior consists in (...) the inseparability of the paradigmatic nature of behavior and the justification of its meaning and actions that go beyond the boundaries of individual, social experience in the form of higher meaningfulness, which is the specificity of myth.Attention is focused on a certain kind of interaction between myth and philosophy, where the myth, despite its irrational essence, has not been left out of the attention of philosophical thought. It is emphasized that mythology constantly experienced changes and adaptation to new living conditions, cultural factors and its paradigmatic foundations. But despite everything, from its critical understanding to its rehabilitation in postmodernism, the myth continues to play an important role in influencing human consciousness and shaping worldview. Being actually rehabilitated, the myth is considered as an important factor in the process of forming not only cultural symbols but also narratives. It complements rational knowledge, helps to understand archetypal and symbolic aspects of human reality, which are not always comprehended with the help of rational methods of cognition. (shrink)

This article explores the much neglected work of the German philosopher and cultural theorist Hans Blumenberg, a figure still relatively little known in the Anglophone world. The thesis is defended that Blumenberg's conception of The Legitimacy of the Modern Age (1966) offers valuable resources for addressing some important questions about the philosophical self-understanding of the modern social sciences in relation to theological and religious sources of thought and language. The article begins with an assessment of the contemporary relevance of Blumenberg's (...) critique of the idea of modern scientific culture as a merely `secularized form' of theological thinking. This critique is then compared with Blumenberg's account of the relationship of theoretico-scientific inquiry to mythological consciousness in his second major philosophical monograph of 1979, Work on Myth. The article concludes with a range of reflections on ways in which Blumenberg's work helps us understand how certain explanatory constructs and devices employed in the modern social sciences can be said to incorporate, assimilate, and at the same time critically transform figures of thought and language that display a mythic, religious and theological context of historical origination, provenance or genealogy. (shrink)

A great contemporary German philosopher attacks the explosive problem of political myth in our day, and reveals how the myth of the state evolved from primitive times to prepare the way for the rise of the modern totalitarian state. "A brilliant survey of some of the major texts in the history of political theory."—Kenneth Burke, _The Nation._.

This book is a thorough and critical, comparative analysis of the logic of modern scientific thought and of traditional teachings generally referred to as mythological and mystical. Different rationalities with different domains of interest and legitimacy exist, which should not be confused and cannot be unified in any theory of "Ultimate Reality." Atlan suggests they must coexist in practice, although each of them presents itself as an exclusive and all-encompassing truth. The book introduces teachings from Jewish talmudic, midrashic, and (...) kabbalist sources and text from Zen and Taoism to exemplify the kind of rationality or controlled irrationality at work in such traditional thinking. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 25.2 (2001) 347-350 [Access article in PDF] Book Review The Sin of Knowledge: Ancient Themes and Modern Variations, The Sin of Knowledge: Ancient Themes and Modern Variations, by Theodore Ziolkowski; xvi & 222 pp. Princeton: Princeton University Press, $29.95. After thirty-five years of teaching and administrating at Princeton University, dozens of books, and innumerable articles, the eminent Germanist Theodore Ziolkowski has turned his attention to a (...) theme appropriate for someone so immersed in the intellectual life: the sorrow and grief that accompany human knowledge. Although Ziolkowski has made great contributions in standard studies of genre (notably the elegy and the twentieth-century novel) and authors (Mann, Hesse, and Broch), he became especially well known for his theorization and implementation of thematic studies, ranging from the sublime--fictionalizations of the life of Jesus--to the humorous--talking animals in literature. The figures whom Ziolkowski has selected for analysis of the sin of knowledge are Adam, Prometheus, and Faust, each of whom he views through both an ancient and a modern lens.All three of these mythic heroes violate "divine prohibitions against the new knowledge" (p. 69). Less heroically, all of these myths treat women misogynistically. Generally, Ziolkowski sees each of these stories as having emerged in a time of crisis, when new opportunities presented humanity with knowledge both alluring and disruptive. Because these are highly elastic myths, able to provide meaning in a variety of contexts, they have all mutated in modern times. Adam's Fall comes to represent the human transition from innocence to consciousness, Prometheus becomes a symbol for socialism's promise, and Faust turns into a representative of the American way of life.Looking at the ancient legend of Adam, Ziolkowski notes that sexuality and wisdom are linked in many of the oldest texts in humanity's recorded history. The emphasis on knowledge, however, is especially strong in the Hebrew myth. While many Near Eastern traditions have stories with similarities to the Biblical account of Adam and Eve, only Hebrew mythology has the Tree of Knowledge. For Ziolkowski, the fact that this story was probably set down during the reign of King Solomon explains this emphasis on knowledge. Because the Age of Solomon was a time of unparalleled wealth and power for the Hebrews, [End Page 347] Ziolkowski argues that the tale of Adam and Eve is the kind of myth "produced by cultures that have reached a certain level of sophistication... and look back with a degree of nostalgia at an imagined simpler, happier existence" (p. 23). According to Ziolkowski, knowledge becomes a sin for the Hebrews as they come to terms with the limitations of everything that their knowledge has brought them even at the height of their power and glory.In the modern era, Ziolkowski continues, the story of Adam has become secularized, representing the transition of humanity from a state of innocence to one of consciousness. He finds references to the Fall in Voltaire's Candide, Kleist's The Broken Pitcher, E. T. A. Hoffmann's The Golden Pot, Melville's Billy Budd, and Hesse's Demian. The overall trend of these representations of the rise of consciousness has been increasingly negative, culminating in sentiments like those expressed by the East German author Günter Kunter, who argues that "our whole present misery and all the problems of industrial civilization" can be linked to "the moment when man used the first firestone as a tool, the Fall" (p. 107). As Ziolkowski concludes: "Two centuries of secularization have brought the modern Adam to a depressing end" (p. 108).Citing Nietzsche, who compared Prometheus to Adam (and Pandora to Eve), Ziolkowski looks first at Hesiod's depiction of Prometheus as a trickster and then to Aeschylus' hero. Unlike the authors of the story of Adam and Eve, though, Aeschylus depicts Prometheus' claim to divine knowledge in a positive light: "Rather than a humankind declining from a glorious golden age to the present deplorable iron age, Aeschylus sees humanity progressing by means of knowledge--the crafts, arts, and sciences--from blindness and ignorance... (shrink)

Humanity has thrown everything we have at implacable luck—novel theologies, entire philosophical movements, fresh branches of mathematics—and yet we seem to have gained only the smallest edge on the power of fortune. The Myth of Luck tells us why we have been fighting an unconquerable foe. Taking us on a guided tour of one of our oldest concepts, we begin in ancient Greece and Rome, considering how Plato, Plutarch, and the Stoics understood luck, before entering the theoretical world of probability (...) and exploring how luck relates to theology, sports, ethics, gambling, knowledge, and present-day psychology. As we travel across traditions, times and cultures, we come to realize that it’s not that as soon as we solve one philosophical problem with luck that two more appear, like heads on a hydra, but rather that the monster is altogether mythological. We cannot master luck because there is nothing to defeat: luck is no more than a persistent and troubling illusion. By introducing us to compelling arguments and convincing reasons that explain why there is no such thing as luck, we finally see why in a very real sense we make our own luck, that luck is our own doing. The Myth of Luck helps us to regain our own agency in the world - telling the entertaining story of the philosophy and history of luck along the way. (shrink)

This paper reconstructs and defends a Sellarsian approach to “sensation” that allows us to avoid mythological conceptions of it. Part I reconstructs and isolates Sellars’s argument for “sensation,” situating his adverbial interpretation of the notion within his broader theory of perception. Part II positions Sellars’s views vis-à-vis current conversations on adverbalism. In particular, it focuses on the Many Property Problem, which is traditionally considered the main obstacle to adverbialism. After reconstructing Sellars’s response to this problem, I demonstrate that his position (...) is compatible with some current strategies to solving it and can be developed along similar lines. Finally, part III addresses how a Sellarsian adverbial approach productively accounts for the phenomenal properties of experience often understood to fall under the notion of “sensation”. The paper therefore shows how isolating Sellars’s argument can yield a non-problematic conception of sensation. Indeed, the argument on which I focus offers a form of direct realism compatible with recent forms of “new adverbialism”. Although my view remains Sellarsian, to defend it I maintain that some Sellarsian claims about sensation should be resisted as not logically entailed by his argument. (shrink)

Essays on a Science of Mythology is a cooperative work between C. Kerényi, who has been called "the most psychological of mythologists," and C. G. Jung, who has been called "the most mythological of psychologists." Kerényi contributes an essay on the Divine Child and one on the Kore, together with a substantial introduction and conclusion. Jung contributes a psychological commentary on each essay. Both men hoped, through their collaboration, to elevate the study of mythology to the status of (...) a science.In "The Primordial Child in Primordial Times" Kerényi treats the child-God as an enduring and significant figure in Greek, Norse, Finnish, Etruscan, and Judeo-Christian mythology. He discusses the Kore as Athena, Artemis, Hecate, and Demeter-Persephone, the mother-daughter of the Eleusinian mysteries. Jung speaks of the Divine Child and the Maiden as living psychological realities that provide continuing meaning in people's lives.The investigations of C. Kerényi are continued in a later study, Eleusis: Archetypal Image of Mother and Daughter. (shrink)

Sport, in modern times, finds its roots in the mythological sources of ancient Greece, where it was born as a sacred game to be performed in the honour of Zeus in Olympia or of other gods elsewhere during the Panhellenic games. Since the beginning of the twentieth century and until the 1970s sport was mythogenic (Barthes 1975). But is sport still mythogenic in the twenty-first century? Our analysis attempts to answer two questions: (i) what has been the influence of doping (...) and sponsorship on contemporary sport; and (ii) how (if at all) have both influenced the symbolic contemporary forms of the sportsman/woman myth. We argue that modern sport has become increasingly dependent upon the industrial and entertainment worlds, thus losing along the way the imprinting of symbolic innocence that the myth conferred in the recent past. Moreover, the contemporary perception of sportsmen/women by the general public has changed in so far as it concerns the symbolic aspect of the performer. If their function as social link appears to be intact, sportsmen seem to have lost the classical Olympic symbolism that was generally accepted among spectators until a few decades ago. It does not appear that the mythical aura of sport has been lost but rather the symbols that it has previously carried. Popular admiration is nowadays more concentrated on the sportsman's capacity to acquire fame and fortune by means that appear to be in everybody's reach, including doping. Consequently, the commoner identifies him/her self with the sportsman/woman but does not see him/her any longer as a hero carrying classical moral values. (shrink)