The massive introduction of artificial intelligence has triggered significant societal concerns, ranging from “technological unemployment” and the dominance of algorithms in the work place and in everyday life, among others. While AI is made by humans and is, therefore, dependent on the latter for its purpose, the increasing capabilities of AI to carry out productive activities for humans can lead the latter to unwitting slavish existence. This has become evident, for example, in the area of social media use, where AI (...) programmers tie psychology and persuasion to the human social need for approval and validation in ways that few users can resist. We argue that AI should serve humans with humans as masters and not the other way around. Moreover, we propose that virtue ethics might play a role to solidify the human as master of AI and guard against the alternative of AI as the master. (shrink)

There are at least two different ways of coping with struggles: one is to eliminate them—this is the way that Plato, Hegel, Marx and many others chose—and the other is to institutionalize them—this is Tocqueville's democratic way. I first outline the main elements of Hegel's approach, with a specific focus on the Phenomenology of Spirit. My aim is to emphasize that, for Hegel, the goal of political philosophy must be a reconciled polis, which can happen only if and when the (...) history-long struggle between masters and slaves has ended. I then turn to Tocqueville's Of Democracy in America, which was published about thirty years after Hegel's Phenomenology. Tocqueville is also aware of struggles between masters and slaves, but he prefers embracing democracy as a means of domesticating, rather than eliminating once and for all, political strife. (shrink)

The article analyzes the reception of Hegel’s philosophy in feminist theory on the example of the concepts of Simone de Beauvoir, Luce Irigaray, and Judith Butler. The first part of the article examines Hegel’s teaching on the role of women in the family, identifies the place of the feminine in Hegel’s system and analyzes the Hegelian interpretation of Sophocle’s “Antigone”. The second part of the article presents an interpretation of Si­mone de Beauvoir. I affirm that the oppositions “woman – man” (...) and “the Other – I” are heirs to the “slave – master” opposition. The third part of the article discusses Irigaray’s in­terpretation of Hegel’s Antigone. It is argued that Antigone in Irigaray’s view goes be­yond the dialectic of slave and master, and therefore becomes a symbol of anti-woman. The fourth part of the article examines the paradox of bodily submission during the transi­tion to the Unhappy Consciousness by Judith Butler. The historical and philosophical study of influence is accompanied by a conceptual analysis of the problems that arise in the inter­pretation of feminist versions of the slave – master dialectic. At the end of the article, I briefly formulate the problems identified during the study and present possible solutions. (shrink)

Hegel continues to be credited with the discovery of a "master-slave dialectic". Critics, however, have established that there was no "master-slave dialectic" but rather a Knecht, that is, servant or footman, with the latter a member of an abstract relationship of Herrschaft-Knechtschaft, which is central to Hegel's idea of the journey from dependence to independence. This "primitive scene" sets up a cycle for the whole paradigm, which is a reformulation of the victory over animal (...) life and its appetites, and a reformulation of the birth of nations. Hegel followed Aristotle here; those who risked their own life are given recognition as masters and those who chose to preserve it at the cost of their freedom, are servants. (shrink)

Responding to long-standing warnings that robots and AI will enslave humans, I argue that the main problem we face is not that automation might turn us into slaves but, rather, that we remain masters. First I construct an argument concerning what I call ‘the tragedy of the master’: using the master–slave dialectic, I argue that automation technologies threaten to make us vulnerable, alienated, and automated masters. I elaborate the implications for power, knowledge, and experience. Then I (...) critically discuss and question this argument but also the very thinking in terms of masters and slaves, which fuels both arguments. I question the discourse about slavery and object to the assumptions made about human–technology relations. However, I also show that the discussion about masters and slaves attends us to issues with human–human relations, in particular to the social consequences of automation such as power issues and the problem of the relation between automation and (un)employment. Finally, I reflect on how we can respond to our predicament, to ‘the tragedy of the master’. (shrink)

This paper offers a reading of Todd Solondz Happiness (1998) in relation to Lacan’s notion of sexual difference. It argues that both the film and theorist present a ‘logic’ of sexuality and sexual difference which seems to owe much to Hegel’s master-slave dialectic but that in the end owes more to Kojève’s (mis)reading than to Hegel himself. It outlines the usefulness of an expanded notion of the dialectic to understand sexual difference through the inclusion of the (...) Hegelian figures of the stoic, the sceptic and the unhappy consciousness. It also suggest that the priority of identity and non-identity to dialectic logic has been obscured by this focus on the master-slave relationship and that an analysis of the role of the autoerotic develops modes of sexual similarity and difference that cuts across heteronormative gender lines. The anxiety both Lacan and the film seem to suffer with regard to autoerotic is then used to critique their sexual conservatism and their prescriptive rather than descriptive representation of sexual relationships. (shrink)

The central axis of the article is the argument thatHistory and Class Consciousnessadopts from the Hegelian dialectics not only the category of totality but also the master–slave dialectic, although it never refers explicitly to the latter. Hence, in this article, we aim to detect the subtle influence that the Hegelian master–slave dialectic exerts onHistory and Class Consciousnessand, more specifically, on the constitution of the Lukacsian concepts of reification, praxis, working class-bourgeoisie interaction, working-class self-consciousness, autonomous (...) subject. Our approach to the Hegelian master–slave dialectic is mostly – but not only – based on its philosophical–anthropological interpretation by A. Kojeve. Kojeve’s interpretation, by attributing a crucial role to labour in the mastery–slavery dialectic, focuses on that aspect of the Hegelian dialectic which, in our estimation, was determining forHCC.In addition, our approach to the Hegelian master–slave dialectic is based on some occasional references Lukacs has to it inYoung Hegelas well as on his interpretation latent inHistory and Class Consciousness. (shrink)

From Karl Marx to Alexandre Kojève to Luce Irigaray, many writers have explored the implications of the famous master-slave dialectic in Hegel's Phenomenology of Spirit.1 An interesting debate has developed out of the possible gender connotations of this dialectic—a debate that has centered largely on the theory that the master could represent man, with the slave consequently representing woman. A close analysis of the Phenomenology reveals that both the master and the slave (...) are, in fact, supposed to be men. But is it possible to preserve the core ideas of the Phenomenology while simultaneously recasting both the master and the slave as women? And what are the ramifications of this reconfiguration?These questions. (shrink)

I wholeheartedly sympathize conceptually with Coeckelbergh’s paper. The dialectical relationship between vulnerability and technology constitutes the core of Hegel’s Master and Slave. Yet, the empirical dimension is underdeveloped and Coeckelbergh’s ideas could profit from exposure to case studies. Building on a movie/novel devoted to vulnerability coping and living with ICT, I challenge the claim that modern heroism entails overcoming vulnerability with the help of enhancement and computers.

In this article I seek to explain Hegel’s significance to contemporary meta-ethics, in particular to Kantian constructivism. I argue that in the master–slave dialectic in the Phenomenology of Spirit , Hegel shows that self-consciousness and intersubjectivity arise at the same time. This point, I argue, shows that there is no problem with taking other people’s reasons to motivate us since reflection on our aims is necessarily also reflection on the needs of those around us. I further explore (...) Hegel’s contribution to the debate about internal and external reasons. I end by arguing that we should understand reasons as historically constructed in the sense that who counts as an intrinsic bearer of value changes over time. I thus argue that the struggle for recognition is in fact the beginning of the long march toward the idea of recognition and the Kantian kingdom of ends. This march, however, is driven by the need to overcome injustice as it is instantiated at the beginning of history by the master’s absolute domination of the slave. (shrink)

Afrocentrism. Eurocentrism. Caribbean Studies. British Studies. To the forces of cultural nationalism hunkered down in their camps, this bold hook sounds a liberating call. There is, Paul Gilroy tells us, a culture that is not specifically African, American, Caribbean, or British, but all of these at once, a black Atlantic culture whose themes and techniques transcend ethnicity and nationality to produce something new and, until now, unremarked. Challenging the practices and assumptions of cultural studies, The Black Atlantic also complicates and (...) enriches our understanding of modernism. Debates about postmodernism have cast an unfashionable pall over questions of historical periodization. Gilroy bucks this trend by arguing that the development of black culture in the Americas arid Europe is a historical experience which can be called modern for a number of clear and specific reasons. For Hegel, the dialectic of master and slave was integral to modernity, and Gilroy considers the implications of this idea for a transatlantic culture. In search of a poetics reflecting the politics and history of this culture, he takes us on a transatlantic tour of the music that, for centuries, has transmitted racial messages and feeling around the world, from the Jubilee Singers in the nineteenth century to Jimi Hendrix to rap. He also explores this internationalism as it is manifested in black writing from the "double consciousness" of W. E. B. Du Bois to the "double vision" of Richard Wright to the compelling voice of Toni Morrison. In a final tour de force, Gilroy exposes the shared contours of black and Jewish concepts of diaspora in order both to establish a theoretical basis for healing rifts between blacks and Jews in contemporary culture and to further define the central theme of his book: that blacks have shaped a nationalism, if not a nation, within the shared culture of the black Atlantic. (shrink)

This study analyzes the Al-Moallaqa, a poem traditionally hung on the walls of the Kaaba, the holiest shrine for Muslims, by the pre-Islamic poet Antara bin Shaddad, through the lens of Hegel’s Master-Slave Dialectic. It explores the status of marginal identity, focusing on the poet’s portrayal of the suffering endured due to slavery, humiliation, and deprivation of honor in a tribal society that devalues the enslaved. It also examines self-awareness and the desire for change, addressing the essential (...) awakening of the 'Self', which drives a rejection of marginalization and a commitment to struggle and risk in pursuit of freedom. A qualitative textual analysis is employed, focusing on the thematic exploration of identity, self-awareness, and the struggle for recognition within the poem. Antara’s poetry illustrates this self-awareness through vivid depictions of bravery, heroism, and chivalry, emphasizing the idea of testing oneself and others in the existential struggle between life and death. The contribution of this manuscript lies in its application of Hegelian philosophy to classical Arabic poetry, offering a new interpretative framework for understanding the dynamics of identity and freedom in pre-Islamic literature. (shrink)

The article presents a conception of the end of history, developed on the basis of Giorgio Agamben’s critical engagement with Alexandre Kojève’s reading of Hegel. Departing from Agamben’s concept of inoperosity as an originary feature of the human condition, we argue that the proper or ‘second’ end of history consists not in the fulfilment of its dialectical process but rather in the radical interruption of the dialectic that terminates the teleological dimension of social praxis. Introducing the figure of the (...) ‘workless slave’ into the scenario of the Master—Slave dialectic, the article demonstrates how the dialectic of history may be ended in a non-dialectical fashion through inoperative praxis that subtracts itself from the struggle for recognition. In the conclusion, the implication of this reading of the end of history for the understanding of Agamben’s ‘coming politics’ is addressed. (shrink)

This chapter contains sections titled: Freedom and Mutual Recognition Consciousness, Self‐Consciousness, and Desire From Desire to Mutual Recognition The Dialectic of Master and Slave Death, Forgiveness, and Mutual Recognition.

In this article I seek to explain Hegel’s significance to contemporary meta-ethics, in particular to Kantian constructivism. I argue that in the master–slave dialectic in the Phenomenology of Spirit, Hegel shows that self-consciousness and intersubjectivity arise at the same time. This point, I argue, shows that there is no problem with taking other people’s reasons to motivate us since reflection on our aims is necessarily also reflection on the needs of those around us. I further explore Hegel’s (...) contribution to the debate about internal and external reasons. I end by arguing that we should understand reasons as historically constructed in the sense that who counts as an intrinsic bearer of value changes over time. I thus argue that the struggle for recognition is in fact the beginning of the long march toward the idea of recognition and the Kantian kingdom of ends. This march, however, is driven by the need to overcome injustice as it is instantiated at the beginning of history by the master’s absolute domination of the slave. (shrink)

An attempt at moral interpretation of Hegelian ‘struggle for recognition’. The Author shows how the Hegelian figures of ‘Lord’ and ‘Bondsman’ (from The Phenomenology of Spirit) can be used to explain social role and importance of the idea of tolerance in the context of (intolerant) group moralities and the universal morality. The text is built of three parts: (1) the author sketches the connection of the traditional idea of tolerance and sociological understanding of morality on the basis of Hegel’s understanding (...) of recognition (Anerkennung). In the second step (2), he gives an outline of Hegelian two accounts of mutual recognition, finally (3) the author shows the moral dimension of recognition, as referred to the idea of tolerance and universalistic morality. (shrink)

This paper explores the concept of “livity,” the ground of Rastafari subjectivity. In its multifaceted nuances, “livity” represents the Rastafari invention of a religious tradition and discourse, whose ethos was fundamentally sacred, signified the immanence of the Absolute in dialectic with the Rastafari worldview and life world. Innovatively, the Rastafari coined the term “livity” to a discourse to combat despair, damnation, social death, and the existential chaos-monde they referred to as Babylon. In the process, the Rastafari reclaimed their power (...) to name their world. The Rastafari neologism “livity” articulated a mysticism, alternative spatial visions, and a positive technology of the self that revalorized blackness, explored, and interrogated profound dimensions of the human condition, from within the Jamaican context, that inevitably brought them into conflict with the local colonial authorities and implicitly shifted the model of social relations between the master and slave. (shrink)

헤겔의 주인과 노예의 변증법은 근대성의 양면성과 현대사회의 이념적 모델을 파악하는데 핵심적인 요소다. 여기서 헤겔이 노예제를 인지하고 그것을 자신의 철학적 구도에 어떻게 수용했으며, 어떻게 관념적으로 재구성했느냐 하는 점은 무수한 논의의 대상이다. 헤겔은 당시의 다른 철학자들과 마찬가지로 계몽주의와 노예제의 공존에서 혼란을 느꼈으며 이를 구체적으로 파악하려고 했던 것으로 보인다. 이러한 상황에서 헤겔은 ‘자유’의 문제를 전면적으로 제기하게 되었으며, 자유의 변증법을 전개함으로써 프랑스 혁명과 계몽주의 전반을 성찰하는 ‘정신’의 변증법을 구상하게 되었다. 주인과 노예의 변증법이 은유를 넘어선 현실적 의미를 획득하게 된 것도 이러한 과정 때문이었다.BR 주인과 노예의 (...) 상호인정의 투쟁은 ‘시민사회’에서 원자적 개인이 무한 경쟁을 통해 자신들의 욕망을 실현하려고 하는 데서 비롯된다. 시민사회의 욕망은 생존하고자 하는 자기유지의 본성에 따라 이루어짐으로써 목숨을 건 투쟁에 이르게 되고, 이를 통해 지배와 예속의 관계가 정립된다. 주인의 지위를 차지한 욕망은 권력욕망 또는 순수욕망의 실현으로, 노예의 지위를 차지한 욕망은 노동욕망 또는 간접욕망(매개된 욕망)의 실현으로 귀결되었다. 이 두 가지 욕망이 근대성의 틀을 유지하는 기본 개념인 셈이다. 이때 주인은 추상적 체계의 원형으로 기능하고, 노예는 근대적 개인의 원형으로서 노동하는 개인의 표상이 된다. 특히 노예는 노동욕망을 가진 개인으로서 생의 자기유지를 위해 불가피한 생산활동과 생산체계에 자의적으로나 타의적으로 편입됨으로써 현대 사회의 대중을 이루게 되었다. 이러한 원형적 개인이 프로테스탄티즘을 내면화하면 비로소 자본주의적 개인이 등장하게 된다.BR 헤겔이 말하는 ‘시민사회’의 욕망의 무한경쟁은 바로 부르주아의 무한경쟁을 말한다. 이는 소유하는 개인의 자유라는 근대성의 인간형을 모델화한 것이다. 여기에 헤겔은 노동하는 개인을 덧붙여 욕망과 노동의 근대적 개인을 완성한다. 욕망과 노동은 상호보완하는 역할을 하는 것이 아니라, 각자의 정신에서 발생하는, 동일성과 비동일성, 또는 동일성과 차이의 동일성을 말한다. 우리가 자본주의적 개인이라 말하는 이념적 존재는 바로 추상적 체계를 대변하는 주인의 의식이겠다. 그러나 구체성을 상실한 추상성의 전개는 윤리적 상황을 비롯한 철학적 상황을 추상성 일변도로 만들었다. 물론 헤겔도 추상성에 대한 전면적인 반성 체계로 주인과 노예의 변증법을 전개했으나 근본적으로는 구체적 추상성이라는 ‘추상적’ 수준에 머물렀다. 이는 헤겔의 윤리학과 인륜성의 전개에서 뚜렷하게 전개된다.BR 또한 세계사의 도정을 역사철학적으로 단절/분절시켜 이해하는 것 또한 계몽의 특징이다. 헤겔이 직접 시도한 ‘철학사’ 강의 또한 서구 중심주의의 산물이며 계몽주의 시기의 산물이다. 철학사 서술에서 그리스 철학을 호출한 것도 이러한 보편주의의 요청 때문이었다. 말하자면 헤겔은 구체와 추상을 통일하는 변증법적 과정을 제시했지만 철학적 관성에 따른 추상성의 요구로 인해 다시 서구 일변도의 근대성과 추상성으로 빠져버렸다. 헤겔 사유의 추상성에 대한 비판적 검토를 통해 식민성과 노예제의 현대적 의미를 다시 살펴보는 계기로 삼아야 할 것이다. 인륜성을 인식론적 견지가 아니라 존재론적 견지에서 다룬다고 하더라도 추상성의 윤리학의 범주를 넘어설 수 없기 때문이다. (shrink)

This paper explores the elusive dialectic between concentration and forgetfulness, consciousness and unconsciousness in spontaneous artistic creation favoured by artists and advocated by critics in Chinese art history, by examining texts on painting and tracing back to ancient Daoist philosophical ideas, in a comparison with Kantian and post-Kantian aesthetics. Although artistic spontaneity in classical Chinese aesthetics seems to share similarities with Kant’s account of spontaneity in the art of genius, the emphasis on unconsciousness is valued by classical Chinese artists (...) and critics inspired by the Daoist idea of ‘Wu Wei’ (acting without conscious intention or effort). As the Qing painter Wang Yuanqi (1642–1715) claimed when admitting his failure to copy the Yuan master Ni Zan (1301–1374), Ni Zan’s success in natural and untrammelled expression lies ‘in between having an intention and not having one’. A similar idea about the dialectic of consciousness and unconsciousness in artistic spontaneity was suggested by Heinrich von Kleist’s On the Marionette Theatre (1880), which demonstrated that while self-consciousness might disturb and hinder the naturalness of artistic expression and thus encourage affectation, it does not mean that there is no role for consciousness. Although the views on unconsciousness in art and the co-play of consciousness and unconscious in artistic creation by Schelling, Schiller, Goethe, and even Nietzsche might get inspirations from Kant’s hidden view of the unconscious, Kant’s emphasis on the harmonious cooperation between imagination and understanding disguises his inexplicit idea of the unconscious. This paper will demonstrate that while in both Classical Chinese and European cultural contexts, artists, critics and philosophers talk about the same elusive relation, the philosophical explanations of the same phenomenon are essentially distinctive. (shrink)

Good and evil are the most general ethical categories from which we can get our bearings in the fundamental philosophical and normative problems of ethics. In the contemporary scholarly literature the interpretation of the good is multifunctional. Good is regarded as a model of morality, as the most general moral requirement or most general moral evaluation, and finally as a practical norm, i.e., a requirement embodied in moral experience, as a unity of the objective and subjective in moral actions. The (...) history of ethical thought was bound to reach this broad, all-embracing conception of the good, indeed, that was the way it went, mastering the content of the category of the good, bit by bit, focusing attention now on one, now on another of its aspects. Hence the most general explanation of the good as a synonym for morality has not at all been the same throughout the different stages in the history of ethical thought. Good, like evil, and like all other ethical categories, had a different compass and different sets of attributes in diverse ethical systems. One must also consider that until modern times, there had never existed a single categorial term to designate morality as a whole. As O. G. Drobnitskii noted, the words "good and evil," "justice," "virtue," and "manners" were often preferred to the concept "morals"; and moreover, each of these words was used to designate not only the particular phenomena within moral philosophy but the entire domain of morals in general. (shrink)

This work contributes to recent transdisciplinary efforts to view the Haitian slave revolt (1791–1804) as the historical inspiration for Hegel’s master-slave dialectic. Reconstructions offered by contemporary postcolonial scholars argue that the Haitian revolt was chronicled in Minerva as Hegel raced to finish his Phenomenology. Benhabib recently recognized the Hegel-Haiti thesis as entailing the sort of inclusive dialogical learning process necessary to validate subaltern experiences. The thesis has also drawn its share of sceptical scrutiny as Badiou claims (...) that it risks forcing an unnecessary moral dissymmetry, neglects objectionable features of enslavement and imposes a mismatch between apolitical subject and revolutionary. In reply, we appeal to the pioneering work of Tavares to show that the asymmetrical construction of classification schemes for persons of mixed-racial statuses accords with decades of documented literary exchanges between Hegel and Gregoire. We then turn to the work of James on the role of mixed-race merchants in the testimonial accounts of late 18th century French historians to show that European literate publics were well aware of the extremely coercive forms of commodified labour found in Saint-Domingue. We then invoke the archival work of Du Bois on French, British and American parliamentary proceedings that show the provisional colonial identities ascribed to Caribbean subjects did not hinder their self-conscious exercise of political agency. Viewing Hegel in terms of the historiographic records of the racial ontologies of early modern transatlantic literary exchanges helps explain how he adapted these tropes concerning mixed-race subjects in a manner that better explains many of the anomalous features of the dialectic. However, conferring the Haitian revolution its proper world-historical warrant as inspiration for his infamous master-slave dialectic need not lead us to overlook Hegel’s complicity with many of the epistemic and ontological flaws of colonial tropes held in early modern transatlantic print. (shrink)

The subject of this paper is the comparison of the master-slave dialectic with the Marxist concept of class struggle. The master-slave dialectic is presented not only in its source – Hegel’s Phenomenology of Spirit – but also in its reception by later authors: Alexander Kojève and Jacques Lacan. Alexandre Kojève focuses on the resolution of the antago­nism between slave and master in Empire, the society of the Citizen, by which history ends. Lacan (...) proposes considering this theoretical construct from the position of the “death of the master” and in the situation of the “sophisticated domination” (which the slave possesses and through which an immanent break is made in the structure of the master’s absolute knowledge). One of the sources of the concept of class struggle in classical Marxism is the Hegelian master-slave dialectic, which is reconceptualized in a more rev­olutionary, practice-oriented way. Concept of class struggle opposes to the speculative Hegelian construction, which is trying to describe self-consciousness in a more abstract way. Marx also borrows Hegelian terminology from The Science of Logic, because he wants to describe the structure of class as a research object (consciousness that has not come to self-consciousness, the class-in-itself) and as an active, revolutionary subject (consciousness that has entered the struggle for recognition – and thereby has gained self-consciousness, the class-in-itself). A comparative analysis of these concepts allows us to see the sources of the Marxist doctrine of class and class struggle and to open the way of a synthesis between the Marxist and “post-Hegelian” reading of the master-slave dialectic. (shrink)

Hegel's famous descriptions of the “master–slave dialectic,” and the more general analysis of the struggle for recognition that it is a part of, have been remarkably influential throughout the nine...

This paper considers whether Hegel's master/slave dialectic in the Phenomenology of Spirit should be considered as a refutation of solipsism. It focuses on a recent and detailed attempt to argue for this sort of reading that has been proposed by Frederick Beiser ? but it argues that this reading is unconvincing, both in the historical motivations given for it in the work of Jacobi and Fichte, and as an interpretation of the text itself. An alternative reading of (...) the dialectic is proposed, where it is argued that the central problem Hegel is concerned with is not solipsism, but the sociality of freedom. (shrink)

Emotion is usually conceived as playing a relatively external role in education: either it is raw material reshaped by rational practices, or it merely motivates intellectual reasoning. Drawing upon the philosophy of Hegel and Plato’s Socrates, I argue, however, that education is a process of existential transformation and that emotion plays an essential, internal role therein. Through an analysis of Hegel’s master and slave dialectic, I argue that emotions have their own logic and that an individual can (...) be propelled to increasingly rational emotional stances by the demands of the emotional situationitself, even in the absence of any intellectual reasoning or rational training. Appealing also to the structure and content of Socrates’ conversations, I argue that intellectual reasoning can lead to self-overcoming only insofar as it involves a particular emotional orientation towards the emotional challenges of genuine learning, that is, insofar as it is “conscientious reasoning.”. (shrink)

It is in fact possible to speak of a revolution in the way the Bible relates masters to slaves. This revolution forms the presuppositions for the New Testament's Christology and anthropology, and whenever... given an adequate hearing, it creates movements of unrest which... will continue until this revolution finally reaches its goal.

The claim that theoretical foundations are historically contingent does not draw the same intensity of fire as it did one or especially two decades ago. The aftermath of debates on the political boundaries created by foundations allows for a deeper exploration of the foundations of feminist theory. This article re-examines the (anti)-Hegelian foundations of the feminist standpoint put forward by Nancy Hartsock and argues that the Hegelian subject of the early Phenomenology of Spirit resists gender codification in its experience of (...) ongoing rediscovery and fallibility in knowing. The subject against which the feminist self was constituted does not fit the masculinity thought to be natural. Hegel’s master-slave dialectic and phenomenological subject reveal contradictions that cannot be resolved by an opposing feminist standpoint, and may provide resources that resist the rigid gender categories upon which the standpoint depends. Key Words: abstract masculinity • feminist standpoint • feminist theory • foundations • Nancy Hartsock • Hegel • master-slave dialectic • subjectivity. (shrink)

ABSTRACT:The section “Lordship and Bondage” in Hegel’s Phenomenology of Spirit offers us, through the criticism of slavery, some indications regarding Hegel’s conception of human nature. In this paper some consequences of this conception for Hegel’s political philosophy are identified and presented. The analysis shows problems may emerge when we analyze some fundamental Hegelian concepts – “recognition” and shows that some “men” – if we take into consideration the way these concepts were defined in the master-slave dialectic. In (...) light of these problems it is pointed out that Hegel’s political philosophy, and also his position regarding slavery, become less cogent and more susceptible to criticism. The last part of the text analyzes some consequences of problems related to the possibility of defining the concepts “recognition” and “men” in terms of Hegel’s model of state. RESUMO:A seção “Dominação e escravidão” da Fenomenologia do espírito de Hegel nos oferece, por meio da crítica da escravidão, algumas indicações com respeito à concepção hegeliana da natureza humana. Neste artigo, serão identificadas e apresentadas algumas consequências dessa concepção para a filosofia política de Hegel. A análise aponta que alguns problemas podem emergir, quando analisamos alguns dos conceitos fundamentais de Hegel, “reconhecimento” e “homem”, se levamos em consideração o modo como estes conceitos foram definidos na dialética do senhor e do escravo. Como resultado desses problemas, é apontado que sua filosofia política, e igualmente sua posição com respeito à escravidão, se tornam menos cogentes e mais suscetíveis a críticas. A última parte do texto analisa algumas consequências dos problemas relacionados às possibilidades de definir os conceitos “reconhecimento” e “homem” para o modelo hegeliano de Estado. (shrink)

Originally published in Czechoslovakia just prior to Prague Spring in 1968, this collection of three essays on the political and philosophical thought of Montaigne, Voltaire, and Holbach examines the relationships between social life and ideological categories, and economics and the development of ideas.

This article sets out from an analysis of the pioneering work of Susan Buck-Morss to rethink, not only Hegel and Haiti, but broader questions surrounding dialectics and the universal brought to light by the Haitian Revolution. Reading through the lens of C.L.R. James’ The Black Jacobins , I seek to correct a series of ironic silences in her account, re-centering the importance of Toussaint’s successor, Jean-Jacques Dessalines, and underlining the dialectical importance of identitarian struggles in forging the universal. Finally, I (...) offer Frantz Fanon’s reformulation of the Hegelian master-slave dialectic—overlooked in Buck-Morss’ account—as a corrective that allows us to truly rethink progress toward the universal in decolonized dialectical terms. (shrink)

A Confederacy of Dunces (Confederacy) by John Kennedy Toole portrays an interplay between competing definitions of humanism. The one school of humanism—called by some the Modernist Paradigm—saw the Italian Renaissance as the origin of nineteenth- and twentieth-century modernist views that celebrated science, technology, and individual human freedom. The other school, led by Paul Oskar Kristeller, sought to historicize humanism by establishing that Renaissance writers and thinkers were generally conservative and preserved the philosophical ideas of the medieval era. Kristeller was the (...) President of the Renaissance Society of America and was at the height of his influence at Columbia University during the late 1950s, when Toole studied for his Master’s degree there. The main character in Confederacy, Ignatius J. Reilly, presents a parody of Kristeller’s position, which he uses to critique modern society. Ignatius also plays the part of a child of the planetary god Saturn, both by acting out the ancient astrological tradition of associating Saturn with misfortune and disorder and by being a parody of the Renaissance concept of the Genius as a Child of Saturn begun by the Renaissance philosopher whom Kristeller studied most, Marsilio Ficino. Ignatius’s worldview is an antithesis of the Modernist Paradigm. Confederacy is critical of both Modernist humanism with its attendant materialism and its antithesis—Ignatius’s dysfunctional version of Kristeller’s Renaissance philosophy. When the community expels Ignatius as a scapegoat, Toole appears to gesture toward a dialectical synthesis of the two concepts of humanism in the novel’s happy ending. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Fatherhood and the Promise of EthicsKelly Oliver (bio)Both Paul Ricoeur and Emmanuel Levinas reject the Freudian/Lacanian association of father with law and instead associate fatherhood with promise. For Ricoeur, fatherhood promises equality through contracts, while for Levinas, fatherhood promises singularity beyond the law. The tension between equality and singularity, between law and something beyond the law, is what is at stake in Derrida’s The Gift of Death. There, Derrida (...) describes ethics as a paradox between the universal and the individual, between equality and singularity. Kierkegaard’s reading of the story of Abraham and Isaac from Genesis is the centerpiece of Derrida’s analysis. If we read The Gift of Death, with its focus on this story of father and son, in relation to Ricoeur and Levinas on the question of fatherhood, it reads as the culmination of a dialectical tension between the two. And if we read the Abraham story as a legend about father-son relations rather than just a parable of faith, The Gift of Death appears to uncover not just the paradoxical logic of ethics but also the uncompromising logic of patriarchy and paternal authority.Paternity Begets FraternityIn “Fatherhood: from Phantasm to Symbol” Ricoeur describes fatherhood as a battle of wills struggling for recognition. He brings together what he calls the different perspectives of psychoanalysis, phenomenology, and religion in order to rearticulate the oedipal situation as a process of recognition (rather than a structure) which moves from the father as phantasm to the father as symbol and replaces images of real murder with symbolic sacrifice. Through his dialectical analysis, Ricoeur himself attempts to articulate a recognition of fatherhood that moves us away from the phantasm of the father as castrator to the symbol of the father as compassionate. Relying on Hegelian dialectics, Ricoeur outlines a movement from psychoanalysis’s fantastic image of an omnipotent father who must be killed so that the son might live, through Phenomenology of Spirit’s master-slave dialectic, to the Christian religious representation of the loving father sacrificing Himself through His son for the sake of all His children. In this higher stage of the dialectic of paternity, the murder of the father is replaced by his sacrifice. Oddly, however, Ricoeur’s dialectic remains at the level of the master-slave fight to the death, where—without the Hegelian resolution—the only options available to insure the recognition of the father by the son (or the son by the father) are murder or suicide. For Ricoeur, recognition requires death, symbolic if not imaginary, whereas Hegel insists that recognition comes only when the master and slave are willing to risk death but also realize the necessity of avoiding it; mutual recognition cannot be maintained if one of the parties is dead.For Ricoeur, recognition does not necessitate avoiding death but rather moving away from the realm of the family and the body to the level of the social and the law. In order for the father-son relationship to be one of mutual recognition, the father must sacrifice his absolute authority so that the son might also participate in it. The goal of recognition is equality, which can be achieved only through social contracts that abstract from the particulars of embodied familial relations. One such social operation is designation, [End Page 45] which is removed from the realm of the bodily drives that motivate the oedipal scenario. Designation requires the sublimation of bodily drives into abstract laws that can equalize bodies by turning them into symbols.The move from psychoanalysis to Christianity is a move from a domestic family to a social family: through God the Father’s sacrifice of His son, we all become members of the Christian family; we all become children of God. For Ricoeur, it is not that God is the Father because He gives the Law. Rather, the law, the covenant or contract, enables Him to be recognized as father [490]. Ricoeur implicitly rejects the Lacanian association of the Father with the Law or the Name. He claims that there is no Name of the Father. “Father” is not a name but a designation [Ricoeur 485]. And the father’s proper name is... (shrink)

Resumen Este artículo expone la presencia de Hegel en la teoría psicoanalítica de Lacan: en primer lugar, el uso que este último hace de la dialéctica del amo y el esclavo para iluminar la dimensión imaginaria de la conciencia y el deseo, en segundo lugar, la recepción de la concepción hegeliana del lenguaje en conexión con la función simbólica y la constitución de la subjetividad, y finalmente la postura de ambos respecto de la relación entre saber y verdad. Los tres (...) aspectos contribuyen a iluminar la interpretación del concepto de sujeto en Lacan a la luz de la influencia hegeliana.This article exposes the presence of Hegel in the psychoanalytk theory of Lacan: first, the use that the latter makes of the dialectic of the master and the slave to illuminate the imaginary dimension of consciousness and desire, secondly, the reception of the Hegelian conception of language in connection with the symbolic function and the constitution of subjectivity, and finally the position of both with respect to the relationship between knowledge and truth. The three aspects contribute to illuminate the interpretation of the concept of subject in Lacan in light of the Hegelian influence. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Hegel on Self-Consciousness: Desire and Death in the Phenomenology of SpiritAndy R. GermanRobert B. Pippin. Hegel on Self-Consciousness: Desire and Death in the Phenomenology of Spirit. Princeton-Oxford: Princeton University Press, 2011. Pp. viii + 103. Cloth, $29.95.If Hegel's system cannot be understood without the Phenomenology of Spirit, it is certainly impossible to understand the Phenomenology without understanding its famous transition, in chapter 4, to self-consciousness and the (perhaps (...) all-too-famous) master-slave dialectic. In these published lectures, then, Robert Pippin has compelling reasons for seeking the heart of the Phenomenology in two of its crucial assertions: that "Self-Consciousness is desire itself" and that "Self-Consciousness attains its satisfaction only in another self-consciousness" (¶¶167 and 175 in Miller's translation).Pippin's Hegel is essentially Kantian, concerned with the apperceptive nature of self-consciousness, i.e. not as mere receptivity to sensory or intellectual form, but as an activity, a judging or "taking" the world to be such and so. For Kant, this activity is transcendental or purely formal, the unification of the spatio-temporal manifold by a continuous, apperceptive "I" (31). Pippin argues that Hegel jettisons Kantian formality in favor of a broader question: how, rather than being subject to my desires, am I the subject of my desires? (32). An answer is possible only if self-consciousness is neither observational nor an immediate self-presence but instead (i) a practical achievement (15) that (ii) requires other self-conscious subjects (19). Unlike Platonic erōs, then, which points away from human life, self-conscious desire is constant self-examination of the reasons for our actions or beliefs. This is Hegel's version of Kant's insight that reason is the desire for justification, ultimately before "all others" (56–57).Thus we pivot to the claim that the successful or "satisfying" achievement of self-consciousness involves recognition by others. "Our answerability to the world," as Pippin writes, "is inextricably bound up with... our answerability to each other" (61). Unlike John McDowell's interpretation of the master-slave dialectic as an analogy for the struggle between the passive and active elements within one mind (42), Pippin argues that self-consciousness is social all the way down. It is "something like having a position," i.e. avowing a practical commitment or making a normative claim (65), which implies the presence of another self-conscious subject who recognizes my right to such claims, or challenges that right, even to the outermost—a struggle to the death over recognition and authority. Self-consciousness, then, is "not... a reflection of some substantive or metaphysical nature but... a social achievement... bound up with... social conflict" (75). On the decisive point, Pippin agrees with Brandom's neo-pragmatism: "[S]elf-conscious beings do not have natures, they have histories" (68), specifically, the history of struggle and reconciliation among rational, mutually recognizing subjects.But what, then, does recognition mean and how does it "satisfy"? And in what does our "answerability to others" consist if there is no "non-question begging... standard" (83) by which to judge our answers? Hegel, Pippin writes, "has a ‘pragmatic' or a ‘historicized' or ‘dialogical' view of what counts as the appeal to reasons.... He understands practical reason as a kind of interchange of attempts at justification among persons... " (84). Justification, however, cannot mean an appeal to nature. Indeed, in the struggle for recognition, self-conscious freedom means indifference to mere natural life or desire. Nature no longer points to philosophical wholeness, as our love of seeing does in Aristotle's Metaphysics. To paraphrase Pippin's titles, he shows with superior clarity that Hegel's idealism really is modernism: i.e. the most thoroughgoing rejection of the Greek link between eleutheria and eudaimonia.But when Hegel writes of "the point where knowledge no longer needs to go beyond itself... where Concept corresponds to object and object to Concept" as the necessary "goal" of knowledge (¶80), this suggests that the "interchange of justifications" reaches an end. Even if this end is the socio-political order of mutual recognition among rational persons, it is surely not the mere fact of recognition that satisfies us... (shrink)

What for Sartre happens when bad faith goes so deep that one is no longer master of it? In The Condemned of Altona, Franz Gerlach, after an initial show of resistance, joins the Nazi cause and tortures prisoners of war in his charge. Fleeing home from Russia at the war’s end, he sequesters himself in the attic of the family mansion and attempts to absorb the guilt of the twentieth century by frantically arguing his case before a tribunal of (...) scuttling crabs.What does Sartre’s portrayal of hallucination tell us about the human condition and is it the result of insanity? As a harbinger for the Critique of Dialectical Reason, Sartre’s ontology has shifted away from an emphasis on human isolation and absolute freedom to a concern with how behaviour, even of an irrational kind, is a profound reflection of one’s place in a social hierarchy. Also a reflection of a CDR-type approach, Sartre’s views change regarding the status of truth and interpersonal relations. For while someone like Nausea’s Roquentin exhibits a redemptive value through introspection, fantasy and private experience, Franz’s behaviour points to a repeated failure to deal with social reality and the associated attempt to redeem his own existence by acting authentically towards others. (shrink)

Re-reading Mary Wollstonecraft’s A Vindication of the Rights of Men (1790) in the context of the international politics after the start of the French Revolution in 1789 and before the rise of the Haitian Revolution in 1791 leads to three discoveries in the history of European ideas. First, her reply to Edmund Burke’s Reflections on the Revolution in France was advertised, discussed, and rumoured to be the work of a woman in London papers days earlier in November 1790 than previously (...) documented. Second, Wollstonecraft’s first known instances of public reception beyond Britain were in a major Jamaican newspaper from January to March 1791. Thirdly, and most notably, in February 1791, the Kingston Daily Advertiser published a lengthy excerpt from her Rights of Men that called for the abolition of slavery and the realization of justice for the poor and oppressed. Long before Hegel probably developed his master-slave dialectic in response to journalistic accounts of the independence of Haiti in 1804, there was Wollstonecraft’s actual reception in the international news in Jamaica, amid the spread of reports of the rise of slave unrest in the broader post-revolutionary Caribbean. (shrink)

My starting point in the exploration of the two subjects’ dialectics would be something what is perceived by Luce Irigaray, namely, that the humane nature is two, but the two is not represented in the philosophical discourse and the woman has always been symbolised as the other or lack. In Irigaray philosophy the crucial otherness is the other belonging to the other gender. The dialectical process now is in the service of intersubjectivity. Luce Irigaray argues that the recognition of the (...) other as sexuate other offers the possibility to overcome the master – slave dialectics, because between woman and man, man and woman, recognitionrequires the labour of the negative. Irigaray sees in the recognition process the moment of acceptance of one’s own limits and of the limits of the other. Renouncement of the opposition activity / passivity is crucial for Luce Irigaray concept of the two subject’s dialectics. Luce Irigaray’s contribution to the contemporary discussions of the role of passivity and activity in subject’s relationship to the other (Paul Ricoeur, Jacques Derrida, Emmanuel Levinas) is crucial. (shrink)

This paper will analyze the evolution and the key aspects of René Girard’s critique of the Hegelian “struggle for recognition” and the master-slave dialectic. Through a discussion of Girard’s views on Identity, Difference, Violence, Desire and Negativity, the study will aim to highlight the philosophical uniqueness of the mimetic theory in respect to French Hegelianism and postHegelianism.

In this paper I want to pursue some variations on Hegelian philosophy, some responses and elaborations of aspects of Hegel’s thought, which have appeared in Latin America, and which contribute to a new understanding of the philosophical experience as it has taken place in Latin America.

This book is a comparative study in the history of ideas. It is an innovative examination of the intellectual background, affiliations and contexts of two major twentieth-century thinkers and an historical interpretation of their work in aesthetics, cultural theory, literary history, and philosophy. Unlike all existing texts on Lukacs and Bakhtin, this book offers a comparison of their writings at different stages of their intellectual development and in the broad context of the ideas of their time. The book introduces unknown (...) archival material and discusses hitherto disregarded or overlooked texts by Lukacs and Bakhtin. It puts forward new readings of best-known work on Dostoevsky, Rabelais, and Goethe and treats in an original way the question of the coherence of Bakhtin's ouevre. The book offers valuable insight into the sources of Bakhtin's terminological repertoire and through examination of Bakhtin's and Lukacs's intellectual affiliations--of the limits and substance of their originality as thinkers. Lukacs and Bakhtin emerge from the book as thinkers, whose intellectual careers followed strikingly similar paths. They both were confronted with similar agendas and questions posed for them by their time. Bakhtin however, had to find answers not only for this common agenda but also to the answers that Lukacs himself had already provided. (shrink)

Modern theory needs a history lesson. Neither Marx nor Nietzsche first gave us theory—Hegel did. To support this contention, Andrew Cole’s _The Birth of Theory_ presents a refreshingly clear and lively account of the origins and legacy of Hegel’s dialectic as theory. Cole explains how Hegel boldly broke from modern philosophy when he adopted medieval dialectical habits of thought to fashion his own dialectic. While his contemporaries rejected premodern dialectic as outdated dogma, Hegel embraced both its emphasis (...) on language as thought and its fascination with the categories of identity and difference, creating what we now recognize as theory, distinct from systematic philosophy. Not content merely to change philosophy, Hegel also used this dialectic to expose the persistent archaism of modern life itself, Cole shows, establishing a method of social analysis that has influenced everyone from Marx and the nineteenth-century Hegelians, to Nietzsche and Bakhtin, all the way to Deleuze and Jameson. By uncovering these theoretical filiations across time, _The Birth of Theory_ will not only change the way we read Hegel, but also the way we think about the histories of theory. With chapters that powerfully reanimate the overly familiar topics of ideology, commodity fetishism, and political economy, along with a groundbreaking reinterpretation of Hegel’s famous master/slave dialectic, _The Birth of Theory_ places the disciplines of philosophy, literature, and history in conversation with one another in an unprecedented way. Daring to reconcile the sworn enemies of Hegelianism and Deleuzianism, this timely book will revitalize dialectics for the twenty-first century. (shrink)

Simone de Beauvoir incorporates a significantly altered form of the Hegelian master/slave dialectic into "The Ethics of Ambiguity." Her ethical theory explains and denounces extreme wrongdoing, such as the mass murder of millions of Jews at the hands of the Nazis. This essay demonstrates that, in the Beauvoirean dialectic, the Nazi value system (and Hitler) was the master, Adolf Eichmann was a slave, and Jews were denied human status. The analysis counters Robin May Schott's (...) claims that "Beauvoir portrays the attitudes of the oppressor as defined fundamentally in relation to the oppressed" and that her use of the dialectic is "inadequate to account for how human beings create extreme situations of evil, such as that of genocide.". (shrink)

LANGUAGE NOTE | Document text in Chinese; abstract also in English. 唐文明教授的〈承認理論的創造性回歸一一一項關於人倫構成的哲學研究〉（以下簡稱〈承認理論〉）既體現了作者的理論雄心，也體現了作者的理論視野。自從霍耐特從黑格爾研究出發獨創性地發展出自己的承認理論以來，承 認理論得到了廣泛的關注與討論，但是，既有研究的重心主要有兩點，一是從現代政治實踐出發，探討這種承認理論對於構建現代政治秩序具有的價值，二是從承認理論的問題史出發，揭示霍耐特承認理論與黑格爾的淵源及其異 同。但〈承認理論〉的旨趣在於為人倫一政治結構中的承認奠基，以主奴辯證法為前提的現代承認理論指向的是一種作為欲望的主體之間的相互承認，而原初承認必須追溯到天人關係。(撮要取自內文首段) The purpose of the theory of recognition is to lay a foundation for recognition in the human relations political structure. Modern recognition theory is based in the dialectics of master and slave and examines mutual recognition between subjects as desires, although the original recognition must be traced back to the relationship between Heaven and man. Modern recognition theory emphasizes the relationship between “man's love for the divine (...) foundation of existence” and political order. This article examines the theory of recognition, which may provide the foundation for a real community, from a perspective related to this issue. The article's weakness is that, when discussing Hegel's theory of recognition, it simply equates Hegel's self-consciousness with desire without analyzing its context and its connection with spirit. (shrink)

This work, using the case study of the Haitian Revolution, positions Paul C. Mocombe’s theory of antidialectic within Hegel’s dialectical reasoning. Mocombe posits that the antidialectical position in Hegel’s dialectic is the position of each selfconsciousness when they initially encounter each other at the onset of the master/slave dialectic. Whereas, the master seeks to move to the dialectical position in order to dominate and eliminate the original (antidialectical) position of the slave, the slave (...) remains in this antidialectical position so long as they accept death and seek to fight against their enslavement for the purpose of maintaining and reproducing their original, antidialectical, position, which is social, political, economic, and ideological. In any other instances, they (the slaves) are either in the dialectical, seeking to maintain the status quo, or negative dialectical, seeking to integrate the status quo on equal footing with the master, positions. (shrink)