Some believe that it is immoral to harm animals, but it is not immoral to kill humanely raised domesticated animals. Implicit in this is the assumption that it is possible to raise and slaughter animals without harming them significantly. In recent years, a number of philosophers – DeGrazia, Harman, Bradley, and others – have claimed that slaughter harms an animal in proportion to the amount of valuable future life that an animal loses in dying, which seems to challenge this assumption. (...) But a question remains: how much are domesticated animals, particularly humanely raised ones, harmed by their slaughter? Here, I take up this question. My answer may be surprising: in ordinary circumstances, slaughter hardly deprives humanely raised animals of any good life, and so is not very harmful to them. This result may strengthen the case for humane slaughter – or it may give us reason to revise our understanding of the harmfulness of death. (shrink)

El texto desarrolla la perspectiva que despliega Herbert Marcuse sobre el proceso de dominación en clave de reconstrucción histórica. Para ello, se analiza la importancia estratégica que ha tenido la ciencia moderna como origen y clave de una lógica de dominación que desemboca en una racionalidad que convierte a todo lo que toca en medio, en instrumento de un modelo de acción que extirpa de raíz la concepción sustancial de la verdad y de la finalidad. La racionalidad instrumental, convertida en (...) tecnocracia, se alía con la administración política, militar y los medios de comunicación, para conformar una unidad hegemónica, restringiendo la acción humana al ámbito de un consumismo ilimitado y, por tanto, imposible. (shrink)

La propuesta de una democracia radical condice con una concepción en la que el poder aparece como un «lugar vacío». Esto significa, que el lugar de la universalidad, que ocupaba la clase obrera en la teoría de Marx, es sustituido por una práctica articulatoria política, la cual se convierte en la encargada de brindar una unidad momentánea y parcial a los elementos fragmentarios de una estructura social abierta y dislocada (plural).

El presente texto busca reflexionar en torno al mundo de las prácticas del cuerpo y su vínculo con cierto tipo de culturas juveniles que poseen como forma de vida la alteración corporal, y donde en la actualidad se puede observar –en nuestro país– una explosión de la experimentación con el tatuaje y con el piercing, y de manera más incipiente –pero también significativa– con los implantes, las escarificaciones, los branding, las expansiones y la variante de las suspensiones humanas; práctica sobre (...) la cual el artículo profundiza intentando dar cuenta del contexto social y cultural donde surge la suspensión humana; los procesos de apropiación que experimenta esta práctica a partir de la irrupción de culturas juveniles en las sociedades contemporáneas; los significados y procedimientos asociados a este ritual; y los nexos entre política, estética y modificación corporal. (shrink)

The thought of François Jullien has made valuable contributions to contemporary philosophy, primarily by enriching the interpretation of certain classic themes through the uniqueness of ancient Chinese wisdom. This approach has revealed aspects that Western philosophy, with its metaphysics focused on being, has overlooked. Among these aspects, Jullien has drawn attention to how a series of resources of what could be called ‘Christian thought’ have remained unthought-of, at least from a philosophical perspective. The central question of this research is whether (...) this Christian logic represents just another resource, among several, that Jullien has utilized in his intellectual work, or if it also constitutes one of the fundamental sources of his own work and the beginnings of possible de-coincidence from the philosophy of being. The conclusions indicate a notable and indispensable presence of these Christian notions in his argumentative proposal, albeit without resorting to faith. This study will begin by reviewing the main theses of the French philosopher and, at the same time, will describe how he has been relating and discussing them with Christian doctrine. (shrink)

This piece, included in the drift special issue of continent., was created as one step in a thread of inquiry. While each of the contributions to drift stand on their own, the project was an attempt to follow a line of theoretical inquiry as it passed through time and the postal service from October 2012 until May 2013. This issue hosts two threads: between space & place and between intention & attention. The editors recommend that to experience the drifiting thought (...) that attention be paid to the contributions as they entered into conversation one after another. This particular piece is from the BETWEEN SPACE & PLACE thread: April Vannini, Those Between the Common * Laura Dean & Jesse McClelland, Ballard: A Portrait of Placemaking * Amara Hark Weber, Crossroad * Isaac Linder & Berit Soli-Holt, The Call of the Wild: Terror Modulations * Ashley D. Hairston, Momma taught us to keep a clean house * Sean Smith, The Garage * * * * Instead of beginning with radical doubt, we start from naiveté. —Graham Harman, The Quadruple Object Deep in the forest a call was sounding, and as often as he heard this call, mysteriously thrilling and luring, he felt compelled to turn his back upon the fire and the beaten earth around it, and to plunge into the forest, and on and on, he knew not where or why; nor did he wonder where or why, the call sounding imperiously, deep in the forest. —Jack London, The Call of the Wild The figure of the feral remains a perpetual enigma, but the parameters remain relatively consistent. A person, usually a child, enters civilization after having been raised by wolves or kept in some kind of cruel captivity. The outsider perspective on domestication ensuing in an edge of a culture's self-recognition of its clumsier attributes, what has been taken for granted becomes apparent, is brought to the foreground with the stranger and made questionable. Amusement follows naïve questions or observations such as Kaspar Hauser in the Herzog film, The Enigma of Kaspar Hauser, when Kaspar notes that while in his room he is engulfed by it, but when he looks at the tower he can turn away and it disappears. Ergo, the room is larger than the tower. How entertaining. The aberrant one destabilizes the comforting cultural normative. Places become seen as mere impressions out of space, a patterning, a rut that not everyone lives in like us. This is one figure of the feral. The naiveté that begs all the questions. As a figure for a certain philosophical disposition, the rapidity of one’s saccade scans the environment, intuits it’s space, not from an initial thaumazein or a Critchlean sense of disappointment, but from a child-like naiveté bent on survival. To serve the naïve is merely one form of critique, and it is not nearly used enough in lieu of the critique that provides answers. How dull. It is not necessary to be an outsider to entrench a critique with naiveté. After having forced to suffer in the most parched and rocky terror, itself for so long rooted upwards of fifty feet into the ground upon which it grows, even a grapevine can spontaneously produce a white grape on a red vine. The curious feral can arise from within, and like pinot grigio, it adds variety without admonishing its roots. There is also the feral dog. Not raised by wolves, but humans. Founded in place the figure of this feral denies this place. The trajectory of this feral roves from the cultivated to uncultivated, or in speaking of plants from controlled to volunteer, finding the necessary nutrients and survival patterns on its own. Finding other places, reaching out into space testing its fertility. And when introduced into a foreign environment, it withers or flourishes. We would like to attempt a thesis at this juncture and to accept neither feral figure in its entirety, but to argue for the intimate conjunction between a cultivated place and its resonance with the space it procures for its nest and kin. I'm not a biter, I'm a writer for myself and others. —Jay-Z, What More Can I Say? I am writing for myself and strangers. This is the only way that I can do it. Everybody is a real one to me, everybody is like some one else too to me. No one of them that I know can want to know it and so I write for myself and strangers. —Gertrude Stein, The Making of Americans There is no subjective disposition outlining an unambiguous individual of the para-academy. There is no para-academic. We all have day jobs. 'Para-academic' seeped through the cracks as an adjective in the call to frame publishing dedicated to the critical rigor expected by academic publishing, but to deny the limitations of guarded legitimation through capital means. Open-access holds hands with this parasitic descriptor. Para-academic publishing's refusal to adhere to the valuation of locked access of a site, the site “of a desperate initiation to the empty form of value,” 1 seeks to recognize not merely an inclusive interpretation of significance, but the significance of thinking practice. The practice inside the paywalls of academic 'education' is held in a deathgrip by its infatuation with value and information, both empty without the apprehension of human experience, the barbaric yawp. “I can't breathe in here.” It is not that a para-academic practice leads one to the childish wonder of Kaspar Hauser who wonders about the spatiality of his room. It is the academic legitimation that distorts that one can hold the understanding of both in a constellation of place and space. Led to believe there is only a place for things, we are led to disillusionment. It is also not that a para-academic practice relinquishes itself to the invasive growth outside of careful cultivation, an abandonment of pleasantries for the toothy growl of a predator. It is the academy's fear that thought does not require capital to signify value. Some of the most nutritious meals can be foraged. Defining a para-academic practice is not outlining a place of accreditation of the practice, it is the recognition that any place is subject to modulation by the space it inhabits as well as creates. The para-academic practice keeps an eye of the creation of spaces, follows those paths that eat themselves in the name of academia. This is not unlike Red Peter's report to the academy, only successful if we report in idle idiosyncratic banalities that we have once again become victorious in our acculturation and nullification within the confines of accredited mush and our trajectory of wild rigor is defeated in our desire for recognition as recognizable in this place. Weeds are integral to the functioning of a large ecosystem. The manicured garden is entirely reliant on its keeper. The pansy can also go wild once neglected, the daisy definitely does.... a universe comes into being when a space is severed or taken apart. The skin of a living organism cuts off an outside from an inside. So does the circumference of a circle in a plane. By tracing the way we represent such a severance, we can begin to reconstruct, with an accuracy and coverage that appear almost uncanny, the basic forms underlying linguistic, mathematical, physical, and biological science, and can begin to see how the familiar laws of our own experience follow from the original act of severance. The act is itself already remembered, even if unconsciously, as our first attempt to distinguish different things in a world where, in the first place, the boundaries can be drawn anywhere we please. At this stage the universe cannot be distinguished from how we act upon it, and the world may seem like shifting sand beneath our feet. —George Spencer-Brown, Laws of Form Two edges are created: an obedient, conformist, plagiarizing edge, and another edge, mobile, blank, which is never anything but the site of its effect: the place where the death of language is glimpsed. These two edges, the compromise they bring about, are necessary. —Roland Barthes, The Pleasure of the Text Between these two epigraphs, interminable questions of where and questions of happening, gesture, and interface. To stay buoyed between a site of visible happening and haptic perspicacity. Bounded by one or the other leads to a desiccation of potential knowledge. The tumbleweed tumbles until met with mud, a bare structure moving but not movement. A tumbleweed tumbleweeds, propagates only at a place. It becomes significant again, continues. Significance, the site where meaning is made known through kinesthetic apprehension. 2 The feral founds a gestural horizon; an outsider’s scrawl-becoming-law; Deleuze teaching Meno’s dog geometry. Place as marked, outlined, recognized, territorialized. The academies marked by their peculiar disciplines, outlined by their rigid boundaries, recognized as factories of value. This far from ensures complete purchase on the space of thought, but it has made an undeniably elaborate means of making work significant. The academy is a muddy spot, it is fertile, but its gates are high and its dogs are barking. The coordinates of concept and experience. Already claimed by a stabilizing suspension, the terms enter specificity of ‘this is this’. Another correlation: activity and the individual. The individual, a placeholder in the crosshairs of juridical identification. Activity, what expands and surrounds this location, but utterly indebted to the node of “one who”. What's happening in this oscillation of nature and nurture is practice. Practice, as Stengers tells us “is not the activity of an individual or the product of that activity. It is the ingredient without which neither that activity nor this product would exist as such.” 3 Moving outward from our own honing, we're curious about the ingredient creating the place for holding conceptual and experiential engagements in each hand. And we'd like to argue that this place is not a limiting specification, but a practice undulating daily, by the minute. And we call this practice the para-academic practice. I repeat: there was no attraction for me in imitating human beings; I imitated them because I needed a way out, and for no other reason. —Franz Kafka, A Report to an Academy In order to exist, man must rebel, but rebellion must respect the limit it discovers in itself—a limit where minds meet and, in meeting, begin to exist. — Albert Camus, The Rebel Anyone is a para-academic or practicer of such means. The academic can, and we argue should, be active para-academically, to escape the bounds, recognizing no site specific place as a place to rest on or the place to grab the Kafka's top and wonder at its disobedience not to continue. Yet, the para-academic practice must maintain the desire for rigor in scholarship. Indeed desiring past itself to claim a more naïve rigor, one that does not take its form for granted. Without a para-academic practice, the scholar spends half the time merely working on behalf of a hierarchy, to maintain it, and the other measly amounts of time are in the name of thinking, but only in name. Not to mention the amount of debt it takes to attend the halls of higher education. Not to mention the snoring tenures. Not to mention the barely scraping by adjuncts. Not to mention the materials that shake the very force of producible theory. Not to mention when swimming in texts becomes slogging through data. Academia is a barbaric food chain and it is our claim that there is, as always, an imperative for thought to move, with Heidegger, beyond the logics of calculation and planning, to a time of its own. The path, into the panic of the dark wood of this space can be followed by any; any who let the silence and the rigor enter the play. Where the little theater is larger when inhabited ; where the data of the tutor asymptotically refutes; and where, as much as one wouldn’t expect it here, ballet may turn out to be the most feral of forms… NOTES Jean Baudrillard, “Value's Last Tango” Simulacra and Simulation trans. Sheila Faria Glaser,. “What is significance? It is meaning, insofar as it is sensually produced.” Roland Barthes in The Pleasure of the Text. Isabelle Stengers, “The Science Wars” Cosmopolitics I trans. Robert Bononno, 47. (shrink)

Considerando os vários sentidos da palavra "tela" em português, tela como resultante do entrelaçamento de fios, tela como tecido, tela de cinema ou de televisão, quadro pintado, ou como questão, pretendo trazer à discussão o despojamento de Jacques Derrida ao propor, sob o prisma da desconstrução, o deslocamento do velho conceito de arquivo para uma noção de arquivo aberta a possibilidades imprevisíveis. Para tanto, seu entendimento do que ele chamou de “impressão freudiana”, sua interpretação da pulsão de morte como “mal (...) de arquivo”, nos colocará em contato com uma espécie de revolução “arquiviolítica” nos textos de toda ordem, em especial o texto psicanalítico e as artes. (shrink)

In the Laws, Plato argues that legislation must not only compel, but also persuade. This is accomplished by prefacing laws with preludes. While this procedure is central to the legislative project of the dialogue, there is little interpretative agreement about the strategy of the preludes. This paper defends an interpretation according to which the strategy is to engage with citizens in a way that anticipates their progress toward a more mature evaluative outlook, and helps them grow into it. This paper (...) shall refer to this strategy as proleptic engagement. While the virtuous ways of life required by law are intimately connected to happiness, the preludes do not persuade by spelling out this connection. Rather, they persuade by telling citizens what they need to hear so that they can come to appreciate this connection for themselves, in the context of their own lives. While the preludes are many and varied, this paper argues that all preambular material can be understood as proleptic engagement. (shrink)

Two continents. Three countries. Mountains, archipelago, a little red dot & more to come. BERIT SOLI-HOLT (Editor): When I think of introductory material, I think of that Derrida documentary when he is asked about what he would like to know about other philosophers. He simply states: their love life. APRIL VANNINI (Editor): And as far as introductions go, I think Derrida brought forth a fruitful discussion on philosophy and thinking with this statement. First, he allows philosophy to open up the (...) personal and second, the ability to conjure the notion of thinking in relation. After all, love lives are spawned from relations, and such are philosophical encounters—the co-emergence of thought and affect. This brings us to discuss the concept of the special issue of continent. called drift . From the Statement of Intent : The discussion that has become drift , a special issue of continent. began in the glow of a bonfire beside a lake near the Thousand Islands of Ontario when co-founders April and Berit came across a conception of a journal that would decline to follow traditional models of invitation and editorship, instead following a generated discourse through relational means. Shedding preemptive articulation of expected outcome and cohesion, we hope to light a fuse of chain interactions with each contributor active in authorial, editorial, and curatorial roles. drift seeks to allow the framing mechanism to choose itself, to find where something can flow or emerge in relation to a series of participants. By setting out a thread of thought to work its own way through writers and artists of various locations, drift operates through links, breaks, pauses, new directions, unintended consequences, twists, holes, bridges. We are attempting to give the scene for an emergence and what can become conceivable when given the opportunity to create chains of thought—linking, welding, fusing, looping, stitching. We hope to explore what is attainable when scholarly/artistic relationships transverse on their own terms instead of articulated by an institutional environment. JEREMY FERNANDO (Guest Editor): I think he was actually more interested in their sex lives. Though at the same time completely refusing to discuss, disclose, his own: I found it rather touching that he blushes whenever speaking of his life with Marguerite. So perhaps in this sense it is very apt to speak of it in terms of love; and the secret that is in each love: that even though it is a relationality between, there are parts of it that remain hidden, not just from everyone else, but even those in that relation itself. What the editors intend to ^do^ to impart this conceptualization is to provide a framework through the choice of a theme and by minimal standardization of form and content guidelines. As initial instigator, each editor will send their contribution to the issue to a fellow colleague, thinker, artist, friend with the invitation to send (via post) the accruing materials to another possible contributor. In this, we hope to engage with many individuals on ideas surrounding a specific theme determined but not limited by the editors of the drift . The end result will take the form of whatever is at hand (as materials can only stay with each contributor for two weeks) and whomever is at hand (the availability of interested and capable parties) through a course of five months. We are curious. What are the ways in which thought can emerge between individuals and places? What occurs when our fundamental mode of inquiry is between each other? How are ethical, social, spacious, political, aesthetic practices created between a chain of contributors. BSH: To introduce what to look forward to in June with the publication of drift isn't quite possible yet. It is in the stages of preparation, barely started, but already begun. I have been thinking about drift as an insect that goes through life cycles, chrysalises, pupas, larva. Each moment of the production and publication of this issue of continent. is its own life. A bug under a pin is not as interesting as one in flight or crawling up your leg. JF: Though the one crawling up your leg is also more likely to bite you. There is always already a danger in letting be, thinking …. Then again, there is also a potential rupture in attempting to seize, pin down, capture. BSH: I think a word we haven't thought about enough yet is capture. I think we are perhaps trying to capture something, or to allow for the moments of this capture along the way, the resulting material being the ripples left in the sand when the water waves away. AV: This question comes to mind when speaking about captures, waves, ripples: How can we activate a ripple? What I find interesting about a wave is the difference in frequencies, movements, forms, style that are activated in between intervals. What is interesting about a wave is that it is activated in relation to what came before. What remains in the sand is a ripple that forms in relation between multiple intervals of stylistic waves. As Deleuze and Parnet have taught us, "We were only two, but what was important for us was less our working together than this strange fact of working between the two of us. We stopped being 'author'. And these 'between-the-twos' referred back to other people, who were different on one side from the other. The desert expanded, but in so doing became more populous." 1 Drift is activation for thinking-with and possibly much more—who knows? There is the intent to subvert the relational qualities between people in journal publishing, but also important to the editors is the subversion of materials. The editors do not shy away from use of contemporary technology and, in fact, have relied and will continue to rely on the wonders of internet connectivity to midwife the drift. The connective infrastructure chosen to relay the developing issue is simply one of bodies, of postal workers and the varying postal systems. Some may find it to be merely be a call of an already dying form, but the editors believe that the conversation exchanged from hand to hand is of explicit difference in quality of engagement due to the complexity of peripheral information transported by physical matter. Different hospitalities and responsibilities are at play in keeping hold of one-of-a-kind materials for a time and entrusting various postal systems to bear the message forward. To have work physically transported through space and time through this kind of infrastructure that is reliant on individuals to literally carry a message is crucial in incorporating traces of bodily presence. AV: Thought is contingent and emergent process that folds, twists, pulls, shifts in multiple directions and we are interested in these multiple directions. JF: And even as thought is contingent on, hinged around, its place, time, venue—on its continents, as it were (we still tend to speak of gestures of thinking as Continental, British, American, European, Asian, etc.)—we might also attempt to respond to the landscape within each thought: its folds, unfoldings, rolls, manoeuvres, geography. BSH: How different is this than Morelli's screw that Julio Cortazar or Horacio Oliveira recounts in Hopscotch? The fable recalls a man who regarded a screw everyday on his stoop. When he perishes, the screw disappears, perhaps into a fellow neighbor's pocket for secret contemplation. Whoever is writing the passage remarks that "Morelli thought that the screw must have been something else, a god or something like that. Too easy a solution. Perhaps the error was in accepting the fact that the object was a screw simply because it was shaped like a screw." JF: Perhaps even more intriguing is the notion that we do not quite know who is inscribing these remarks on Morelli. That even as someone says that it is a screw, perhaps because it is shaped like a screw, the one who names it “screw”—the one whom we are in a relation with in relation to the screw—remains veiled from us. But even as this is so, the notion of the object as “screw” is marked, etched, onto us. BSH: A periodical, marking a period of time, but where? An issue, a magazine, a storehouse of information. To show the remainders of thinkers connecting and surfing. With all this stated, we, as editors of the drift are aware of the active fault, quaking potential, and ethical catastrophe of such a proposed project — the inheritance or the gifting of a project without consent. We are certain that there may be possible oversight on the process of such a project. If such is the case, we hope that oversight and misdirection will not leave this project dormant but rather open up promising new directions, questions, and potential considerations. We are very excited about the accidental propositions that can occur in between. In sum, we'll see what happens. JF: Perhaps, all we can know of the screw is that we are screwed ... NOTE Gilles Deleuze & Claire Parnet. Dialogues II . Revised edition. (New York: Columbia University Press). 2007: 17. (shrink)

Home care is one of the fastest‐growing industries in the United States, providing valuable opportunities for millions of older adults and people with disabilities to live at home rather than in institutional settings. Home care workers assist clients with essential activities of daily living, but their wages and working conditions generally fail to reflect the importance of their work. Drawing on the work of Eva Feder Kittay and other care ethicists, we argue that good care involves attending to the needs (...) of another out of a concern for their well‐being. Such care should be standard in the home care system. Yet, because of the pervasive racial, gender, and economic inequalities that the home care industry perpetuates, home care workers and their clients cannot reasonably be expected to care about each other. We endorse reforms aimed at enabling home care workers and their clients to form and maintain professional relationships that cultivate care.. (shrink)

Recently mereological hylomorphism, the theory in which form and matter are considered to be proper parts of objects, has become very important among contemporary metaphysicians. The present work aims to analyse and dismantle Bennett’s criticism regarding the existence of formal proper parts. To do this, I will start by presenting Koslicki’s mereological hylomorphism. Next, I will focus on Bennett’s critique which seeks to deny the existence of formal proper parts. Finally, I will analyse critically the Bennett’s criticism focusing on the (...) scenario of lump of clay and statue. I will show Bennett’s proposal is not explanatorily better than Koslicki’s hylomorphism because she needs to accept a counter-intuitive thesis. Therefore, we should prefer Koslicki’s mereological hylomorphism. (shrink)

Com podem fer per individuar accions? Com determinem quines accions són diferents d'unes altres? El present treball discutirà dues teories sobre la individuació d'accions: la de Davidson i la de Goldman. Atenent a un clàssic escenari filosòfic sobre la individuació d'accions veurem les virtuds i defectes d'aquestes dues propostes.

Actualment en Filosofia, tenim dues caracteritzacions canóniques sobre la naturalesa de la Metafísica, la carnapiana i la quineana, tot i que són dues tesis diferenciades, ambdues coincideixen en que la Metafísica és reduïda a qüestions d'existència. No obstant, Kathrin Koslicki considera que aquestes caracteritzacions de la naturalesa de la Metafísica són errònies i que comporten una crítica explícita a la Metafísica o redueixen la resolució dels problemes metafísics a un pragmatisme. Per això, Koslicki considerant que els desacords metafísics són legítims (...) i profunds, tenint com a marc de referència la filosofia aristotèlica, considera que la tesi quineana i carnapiana no reflecteixen bé la naturalesa de la Metafísica, ja que, hi ha disputes metafísiques que es deuen a disputes no-existencials sobre temes de fonamentabilitat. Koslicki considera que la Metafísica no pot ésser reduïda a qüestions d'existència, sinó que ha de ser pensada com la reflexió de quines entitats són fonamentals, i quines són derivades d'aquestes. L'article està dividit en una primera part introductòria sobre els meus objectius, seguit d'una breu exposició de les tesis carnapiana i quineana de la metafísica, i per últim l'exposició de la proposta neo-aristotèlica de Koslicki. (shrink)

In a recent paper in this Journal, one of us argued against placing He above Be in Mendeleiev’s system of the elements. In it the goal was to dispute the notion that in Mendeleiev’s system of the elements the location of He should in fact lie above Be, which has a very similar electronic configuration, rather than above the noble gas column. That paper was based on rather old, Hartree–Fock limit studies on the strikingly limited non-additive contributions in the He3 (...) and He4 systems in contrast with the much larger non-additivity obtained for the Be3, Be4 and Be5 oligomers. In a recent benchmark multireference Averaged Quadratic Coupled Cluster results on Be2 and Be3 we showed that the delocalized non-additive contribution comprises 94 % of the binding energy of Be3. Here we use this and other pertinent information (drawn from the same paper) to conclude that He may not be associated with Be in Mendeleiev’s Table, despite their quite similar spectroscopic ground states. Furthermore, we use the new results to show that the large non-additivity implies that less than 2 % of the Be3 binding is located in each Be pair contained within the Be trimer. The rest of the interaction energy is necessarily delocalized over all three Be atoms. This might actually announce the bulk properties (i.e. “the electron gas”) that in solid-state physics explain the large electric and heat conduction for the solid Be metal. Thus, in the case of beryllium the metallic characteristics are already evident in Be3, a far cry from the monoatomic helium gas. (shrink)

I argue that central to Aristotle’s account of vice is a distinction between two varieties of vicious person: those for whom character change is possible (the curable), and those for whom it is not (the incurable). Recognizing this distinction and drawing out the ideas which ground it shows why Aristotle’s discussions of vice in EN vii and ix 4 are not inconsistent.

La percepción de la vida se vincula a la actitud ante la muerte para abrirse a la experiencia estética en torno al Poema de Mio Cid y a las Coplas de Manrique. Los horizontes simbólicos que brotan de la épica y de la lírica acentúan la figura trágica del héroe, del caballero.

El presente artículo es un estudio teórico sobre las similitudes entre las doctrinas gnósticas, que florecieron alrededor del siglo ii de nuestra era, y el pensamiento estético del pintor ruso Vasili Kandinsky. El objetivo es analizar estos dos marcos de ideas filosóficas y espirituales para exponer sus similitudes y diferencias. De esta manera, se indagará si, pese a los siglos que las separan y la diferencia de contextos históricos que las rodean, pueden existir en los orígenes de ambas propuestas doctrinales (...) unas problemáticas existenciales y filosóficas comunes. El estudio buscará, con ello, dilucidar si es posible entender la estética de Kandinsky como una especial gnosis moderna estructurada a través de sus planteamientos conceptuales y artísticos. Los resultados de la investigación pretenden no solo dar luces sobre la originalidad de Kandinsky dentro de la historia del arte, sino que también llegar a ser útiles para resaltar y comprender algunos puntos importantes de la discusión cultural dentro de la cual se enmarca su obra. (shrink)

This paper examines folk theories of algorithmic recommendations on Spotify in order to make visible the cultural specificities of data assemblages in the global South. The study was conducted in Costa Rica and draws on triangulated data from 30 interviews, 4 focus groups with 22 users, and the study of “rich pictures” made by individuals to graphically represent their understanding of algorithmic recommendations. We found two main folk theories: one that personifies Spotify and another one that envisions it as a (...) system full of resources. Whereas the first theory emphasizes local conceptions of social relations to make sense of algorithms, the second one stresses the role of algorithms in providing a global experience of music and technology. We analyze why people espouse either one of these theories and how these theories provide users with resources to enact different modalities of power and resistance in relation to recommendation algorithms. We argue that folk theories thus offer a productive way to broaden understanding of what agency means in relation to algorithms. (shrink)

El artículo examina una serie de tensiones y conflictos propios del así llamado cosmopolitismo institucional y su correlato: la idea de la justicia global. Se persiguen dos tipos de reflexión, a saber, una reflexión propositiva respecto del sentido de la idea de justicia global y su vínculo con la justicia doméstica (nacional), y, por otro lado, una reflexión defensiva y dirigida a los escépticos respecto de la posibilidad de una teoría de la justicia conglomerante, según lo denomina Amartya Sen. Se (...) dibujarán las líneas argumentativas básicas en defensa del cosmopolitismo institucional, desde las cuales se hace posible capturar, sin contradicción, las demandas de la así llamada justicia social doméstica, esto es, la justicia en el contexto estricto de los Estado-nación particulares. (shrink)

Resumen En este artículo queremos desarrollar las nociones que Simone Weil tiene del trabajo humano a lo largo de su obra. Comenzaremos con una revisión de sus primeros escritos políticos y sociales sobre la condición obrera y luego ahondaremos en sus obras influenciadas por la experiencia cristiana. Revisaremos su permanente deseo de poder conjugar el trabajo manual con el trabajo intelectual y las negativas consecuencias que ella ve en su separación, además de su análisis de la condición obrera antes y (...) después de su experiencia de trabajo en las fábricas. Finalmente, intentaremos responder cuál es la postura metafísica y antropológica que reside tras esta propuesta weiliana y las posibilidades de proponer en propiedad la tesis de la filósofa francesa como una noción cristiana del trabajo. Concluiremos resaltando lo que, a nuestro modo de ver, son los principales aportes de la filósofa a una doctrina del trabajo liberador para la condición humana.In this article we want to develop the notions that Simone Weil has of human labor through-out his work. We begin with a review of his early political and social writings on the working condition and then delve into his works influenced by the Christian experience. We will review her permanent desire to be able to combine manual labor with intellectual work and the negative consequences she sees in her separation, as weil as her analysis of the working class before and after her experience of working in factories. Finally, we will try to answer what is the metaphysical and anthropological posture that resides behind this weilian proposal and the possibilities of proposing in property the thesis of the french philosopher as a Christian notion of the work. We will conclude by highlighting what, in our view, are the main contributions of the philosopher to a doctrine of liberating work for the human condition. (shrink)

La propuesta de Jullien se caracteriza por poner de relieve análisis sobre la existencia cotidiana que la tradición filosófica había tomado por demasiado contingentes y, por lo mismo, había dejado al tratamiento del arte, la poesía y la literatura. En este sentido, el filósofo ha tenido como una de sus líneas de trabajo la temática del encuentro y la intimidad entre sujetos. El objetivo de esta investigación es buscar si la noción de "encuentro" tiene consecuencias metafísicas y no sólo antropológicas (...) en su doctrina. Y, viceversa, indagaremos si, según Jullien, la disposición o no al encuentro y el ingreso del otro a la existencia depende de determinadas posiciones metafísicas previas. (shrink)

En aquest article pretenc fer una crítica al nihilisme mereològic, al·ludint que les expressions «simples agrupats en-tant-que-F» tenen unes conseqüències desastroses per als seus compromisos ontològics. Primer, explicaré què és el nihilisme mereològic -que és part de l’eliminativisme- el qual pretén negar l’existència dels objectes compostos (objectes amb parts pròpies) i l’estratègia de la paràfrasi: l’ús que fan de les expressions «simples agrupats en-tant-que-F» per referir-se als objectes ordinaris sense comprometre’s amb l’existència d’objectes compostos, però posaré l’èmfasi en aquells nihilistes (...) mereològics que pretenen explicar l’existència de les propietats emergents. Seguidament, presentaré una classe de crítiques, les de Bennett i Tallant, sobre l’ús d’aquesta estratègia per part dels nihilistes, i quina és la resposta crítica que ofereix Brenner sobre aquesta classe de crítica. Finalment, presentaré la meva crítica on mostraré que el nihilisme mereològic utilitzant l’estratègia de la paràfrasi s’està comprometent amb l’existència d’objectes compostos i que la crítica de Brenner no funciona amb la meva postura. -/- In this paper I intend to critique mereological nihilism, alluding that the expression «simples arranged F-wise» has disastrous consequences for its ontological commitments. First, I will explain what mereological nihilism is -which is part of Eliminativism- which tries to deny the existence of composite objects (objects with proper parts) and the Paraphrase Strategy: the use they make of the expression «simples arranged F-wise» to refer to ordinary objects without committing to the existence of composite objects, and I put the focus on the mereological nihilist that pretends to explain the existence of emergent properties. Second, I will present a kind of criticism, by Bennett and Tallant, of the use of this strategy by nihilism and which is the response of Brenner about this kind of criticism. Finally, I will present my criticism where I will show that nihilism by using the Paraphrase Strategy is committing itself to the existence of composite objects and that the Brenner’s critique does not work with my position. (shrink)