Recent philosophical and neuroscientific writings on the problem of free will have tended to consolidate the deterministic accounts with the upshot that free will is deemed to be illusory and contrary to the scientific facts. Buddhist commentaries on these issues have been concerned in the main with whether karma and dependent origination implies a causal determinism which constrains free human agency or — in more nuanced interpretations allied with Buddhist meditation — whether mindfulness practice allows for the development of at (...) least some potentially free volitions and actions. After examining some of the key arguments in this debate, it is suggested that the present-moment attention and awareness central to mindfulness practice may offer a way out of the impasse presented by the alleged illusion of free will. The meditative spaciousness of non-judgmental, present-moment awareness can help to foster the capacity to transform those mental formations which constrain autonomous thought and action. This conclusion is informed by the general thesis that free will is not a given — an innate aspect of the human condition — but, like wisdom or rationality, a potential quality of mind which may be developed through training, education and skilful means. (shrink)

This essay explores selected examples of puns and etymologizing in the Pali canon. It argues that they do not solely serve a satirical intent, but are sophisticated rhetorical devices, skilfully employed by the Buddha to induce a reflective awareness in the listeners and persuade them into accepting his view. Their rhetorical function and efficacy is investigated, while foregrounding a new interpretation of the Aggaññasutta.

The consummate Soto Zen master, Dogen (1200?1253), expressed himself in creative ways that reflected fundamental insights of Chan/Zen Buddhism while responding to the needs of his time and place, i.e., Kamakura era Japan. His early training in Tendai and Rinzai Zen lent rigor and force to his Soto Zen experiences and expressions. This paper explores Dogen's new light on causality and morality purity, vis-à-vis Song dynasty Chan approaches by examining (1) his comments, early (1244) and late (ca. 1252), on the (...) Fox Koan, and (2) his discussions about Dream and ?veridical? experience. By showing the inexorability of causality, Dogen revealed the need for moral purity in achieving enlightenment qua freedom. Even in the vertigo of emptiness, the purified Soto Zen Buddhist adept discerns and effects equilibrium and, by extension, fairness, in experience, practice and affairs, as ongoing endeavors, as skilful means to impact and transform, not just Buddhist adepts, but one's world. (shrink)

The aim of this paper is to present two arguments against the dialectical interpretation of Nagarjuna's philosophy. This interpretation understands Nagarjuna's philosophy as a method of deconstruction, abstracting from Nagarjuna's own standpoint. The first argument refers to the metaphysical presuppositions of this method. The second argument refers to the positive statements asserted by Nagarjuna and focuses mainly on those concerning Buddhist practice. Furthermore, the conception of 'skilful means' and 'the two truths' will be discussed. The conclusion of this (...) paper is that Nagarjuna's philosophy is based upon determining the conditions of the possibility of the Buddhist practice rather than on a dialectic without any metaphysical assumptions. (shrink)

Across cultures, in most parts of the world, one come across traditions that employ unique and unusual pedagogies as skilful means to powerfully craft and re-craft our lives and in realizing the self. Using creative meaning-making, individuals evoke wholesome ideas and then motivate their personal selves to perform to them. The Vajranŕtyam or Cham is one of the unique expressions that has been employed from immemorial times to holistically convey the phenomenon of the dance form as a (...) class='Hi'>skilful spiritual tool. While the authors recognize that other cultures too engage in spiritual dances as skilful means, here they dwell in greater length on Cham dance or the Tibetan Lama dance, which is performed in the traditional Vajrayana or Tantric schools of Buddhism in India, Bhutan, Mongolia, Nepal, and Tibet. With the advent of various contemporary influences, there is an observable change in the attitude towards the traditional, impacting its pure form. Whether it is undesirable or acceptable is a matter of reflection in another place, yet there are some observations that authors choose to share in the last section of this paper. Also, arising from several yet similar cultural influences, the purists voice accusation of dilution and warn that the traditional Cham dance may be slowly dying and morphing into tourist-friendly theatrics that is pleasing to the eye. In this paper, the authors attempt to elucidate its historical and contemporary role and place, to instigate an inquiry that hopefully provides a robust narrative, rich in value, and with a substantive interpretation from which lessons could be culled or harvested. Authors look at Vajranŕtyam in a generic wisdom-method space cutting across religious and social-cultural spaces. They also seek possible alignments and connect with science, essentially to study, explore, propagate core beneficiaries of the Dharma dance in terms of a sacred mindful and meditative art form. (shrink)

In aesthetics, the topic of intentions comes up most often in the perennial debate between intentionalists and anti-intentionalists over standards of interpretation. The underlying assumptions about the nature and functions of intentions are, however, rarely explicitly developed, even though divergent and at times tendentious premises are often relied upon in this controversy. Livingston provides a survey of contentions about the nature and status of intentions and intentionalist psychology more generally, arguing for an account that recognizes the multiple functions fulfilled by (...) intentions in the lives of temporally situated agents who deliberate over what to do, settle on ends and means, and try to realize some of their plans. Artists’ intentions are the same sorts of attitudes that we attribute to ourselves and to others as we attempt to describe, explain, and predict our actions. As such, intentions are relevant not only to debates over the interpretation of works of art but also to a range of other basic topics in the philosophy of art, including artistic creation and authorship, the ontology of art, the nature of texts, works, versions, and life-works, and the status and nature of fiction and fictional truth. With regard to the controversy over the interpretation of art, Livingston advocates a ‘partial’ intentionalism. Intentions are never infallible, so there is a conceptual gap between the completed work and the intentions that initiated and guided its making. Yet in spite of the fallibility of intentions and of our beliefs and claims about them, intentions regularly contribute to the determination of a work’s features, including implicit meanings, the recognition of which requires the uptake of the artist’s intentional design. Partial intentionalism also finds support in the idea that at least one sort of artistic value depends on the artist’s skilful accomplishment of intentions. (shrink)

Derek Parfit (1942-2017) is the most famous philosopher you've likely never heard of. In 1984, Parfit published what was, and is still, hailed by many philosophers as a work of genius - one of the most cited works of philosophy since World War II, Reasons and Persons. At its core, he argued that we should be concerned less with our own interests and more with the common good. His book brims with brilliant argumentative detail and stunningly inventive thought experiments that (...) challenged contemporary views about what it means to be a person, why one should forego concern for oneself as an identity that persists over time, what it means to act on the basis of reasons, and what we owe to future generations. Parfit also - unfashionably at the time - believed in a kind of grand unified theory of morality, what he called theory x, a non-religious ethical theory wherein all the major moral theories were converging from different sides on the same mountaintop. Parfit has had an enormous influence not only on philosophy, but also beyond, particularly amongst those in the fields of climate ethics, poverty relief, and charitable giving. In this book, the first-full scale biography of Parfit, Dave Edmonds tells the story of the thinker that many philosophers consider the most important moral philosopher of the last century. Edmonds' rendering of the man in full skilfully illuminates the person behind the acclaimed philosopher. Despite Parfit's extraordinary mind, outward appearances suggest his was also an extraordinarily uneventful life - one largely spent in cloistered institutions from Eton to Oxford and one seemingly monomaniacally devoted to ideas. Edmonds' aim is to show how this son and grandson of missionaries went from a genial and outgoing history student to a captivating, yet monkish philosopher singularly devoted to saving morality. In doing so, Edmonds makes Parfit's profound, but often impenetrable, ideas accessible to a broad audience and gives life and body to the thoughts of a seemingly pure thinker that captured the imagination of a generation of philosophers. (shrink)

In this pithy and highly readable book, Brian Skyrms, a recognised authority on game and decision theory, investigates traditional problems of the social contract in terms of evolutionary dynamics. Game theory is skilfully employed to offer new interpretations of a wide variety of social phenomena, including justice, mutual aid, commitment, convention and meaning. The author eschews any grand, unified theory. Rather, he presents the reader with tools drawn from evolutionary game theory for the purpose of analysing and coming to understand (...) the social contract. The book is not technical and requires no special background knowledge. As such, it could be enjoyed by students and professionals in a wide range of disciplines: political science, philosophy, decision theory, economics and biology. (shrink)

It is popularly believed within sport's practice communities that a contest fails if the competitor who performs most skilfully in it does not win. The belief is rarely acknowledged explicitly, and therefore deserves to be considered ideological in a sense. In this paper I challenge that belief. For conceptual reasons, I confine the discussion to the purposive sports, e.g. football and tennis. The concept of skill is approached by articulation of a set of platitudes about skill in the purposive sports. (...) The first is the conceptual wedge between skill and success. The second is the distinction between skill and other performance-relevant qualities such as courage, strength and luck. The third is the fact that skill deficits can be compensated by sufficient amounts of the other performance relevant qualities. The fourth is the dispositional and dynamic character of skill. The relation between skill and final objectives in the purposive sports means that (i) qualities such as nerve and courage can trump the more skilful performance; and (ii) poor execution of a narrow range of skills can result in the competitive failure of the more skilful performance. There is no viable ideal of sport that would ground regret about the realisation of the immediately preceding possibilities. The inclination towards such regret might be partly motivated by the wish to take a gratifying view of ourselves. An end to this response, and a more inclusive, less hierarchical conception of sport skills, is worth recommending. (shrink)

This paper is a response to Nicholas Dixon's defence of the moderate partisan as the ideal fan of team sports. For Dixon, the moderate partisan is someone who combines a partisan fan's loyalty for a particular team with a purist fan's desire to see fair and skilful play by all participants. My aim is to argue that there is no ideal fan of team sports. In particular, there is nothing specially commendable about the moderate partisan's loyalty that justifies the (...) claim to be the ideal fan. There are many other ways of being a fan than being a purist or a partisan as described by Dixon. None of them is morally superior to the other, assuming that they meet basic requirements of respect for others and for fair play. I argue that the commitment of partisan fans to particular teams is better explained by other values than the moral virtue of loyalty. A better explanation and justification of partisanship, and indeed of fan interest in sport generally, is found in the human attachment to narrative as a way of creating meaning in our lives. (shrink)

The experience of skilled action occurs in dreams if we take dream reports at face value. However, what these reports indicate requires nuanced analysis. It is uncertain what it means to perform any action in a dream whatsoever. If skilled actions do occur in dreams, this has important implications for both theory of action and theory of dreaming. Here, it is argued that since some dreams generate a convincing, hallucinated world where we have virtual bodies that interact with virtual (...) objects, there is a sense in which we can perform virtual actions. Further, we can also perform skilfully, although not all apparent skilful performance is as it seems. Since the dream world is generated by the dreamer’s own mind, it can be difficult to determine whether the dream world simply allows goals to be achieved without the abilities that would be required in a similar waking scenario. Because of this, individual dream reports alone are insufficient to determine what skills are demonstrated in a particular dream. However, taken with evidence from REM sleep behaviour disorder, incompetent dreams, lucid dreams and motor-skill practise, it is likely that skilled virtual dream performance at times involves both opportunity for virtual behaviour and the display of competence. Evidence from cognitive science suggests that dreamers can also lose competence through forgetting and other cognitive incapacities but, more surprisingly, it is possible to gain abilities in a robust sense, consistent with the idea that some dreams, at least, are virtual realities rather than imagination. (shrink)

O’Meara’s translation and commentary of Ennead 19 (Sur les Vertus) is a short and elegant book: the style is sparse, the meaning limpid, and the thesis skilfully developed. The translation meticulously follows the movement of Plotinus’ argumentation. Ample cross references are made to other tractates, and helpful mentions abound of secondary literature in languages other than French. The historical sections are short: Middle Platonist antecedents of Plotinus’ theory of virtue are occasionally...

In his list of essential reading, Richard Baxter includes a section on “affectionate practical English writers.” Among others, he mentions George Swinnock. While essentially forgotten today, Swinnock's contemporaries held him in high esteem as a skilful physician of the soul. The focus of this article is Swinnock's view of Scripture meditation as necessary for bridging the gap between head and heart in Christian experience. He encourages his readers to “retire out of the world's company, to converse with the word (...) of God.” He believes this “conversing” warms the heart, causing it to “boil with love” for God. With that basic premise in view, this article is organized around three main sections. The first establishes Swinnock's place in the Puritan meditative tradition, stretching back to Joseph Hall. The second analyzes Swinnock's faculty-focused approach to meditation, whereby it begins in the understanding, extends to the affections, and ends in the will, resulting in practical knowledge. The third section considers Swinnock's teaching on the role of the Holy Spirit in Scripture meditation. As with the other means of grace, meditation is ultimately dependent upon the Holy Spirit to work through it and along with it directly upon the faculties of the soul. The article concludes with Swinnock's threefold approach to transformative Scripture meditation. (shrink)

One of the most effective ways of winning an argument is to show that your opponent has begged the question. If you are sufficiently skilful in asking him leading questions and have a good sense of timing you can usually succeed in stripping him to his bare principles, with no ascertainable means for their support. That such a tactic of debate should be so effective suggests that it is more than just a ploy. Indeed some philosophers would say (...) that it takes advantage of a characteristic which is inherent in the nature of argument itself, for all arguments must be question-begging. However, few would voice this conviction publicly—for fear of being accused of begging the question. (shrink)

In this article, we explore the learning of newcomers in a religious community through a micro-sociological approach, making use of Jean Lave and Etienne Wenger’s (1991) notion of “legitimate peripheral participation” to conceptualize initial stages of inclusion and involvement in social practice. Our case study concerns Orthodox Christianity and is based on material gathered through fieldwork in a course targeting potential new members organized by a Finnish Orthodox parish. In the analysis, we inquire into how beginners learn skilful participation (...) in Orthodox liturgical life, and specifically embodied ritual conduct. This learning takes place primarily through participation in real-life divine services. The article highlights challenges faced by beginners in acquiring the embodied repertoire of Orthodox ritual, including adapting to the artistic use of ritual gestures, and negotiating the meanings produced through them. Furthermore, it also illustrates how nuanced dynamics between newcomers and old-timers influence the learning process. (shrink)

Bodies and Other Objects is written for students, scholars and anyone with an interest in embodied cognition - the claim that the human mind cannot be understood without regard for the actions and capacities of the body. The impulse to write this book was a dissatisfaction with the inconsistent, and often shallow, use of the term 'embodied cognition'. This text attempts to reframe cognitive science with a unified theory of embodied cognition in which sensorimotor elements provide the basis for cognition, (...) including symbolic exchanges that arise within a society of agents. It draws ideas and evidence from experimental psychology, neuroscience, philosophy and anthropology in reaching the conclusion that human cognition is best understood as the means by which exchanges within a constantly evolving network of skilful bodies and objects are regulated so as to further human interests. (shrink)

This book suggests that to know how Wittgenstein’s post-Tractarian philosophy could have developed from the work of Kant is to know how they relate to each other. The development from the latter to the former is invoked heuristically as a means of interpretation, rather than a historical process or direct influence of Kant on Wittgenstein. Ritter provides a detailed treatment of transcendentalism, idealism, and the concept of illusion in Kant’s and Wittgenstein’s criticism of metaphysics. Notably, it is through the (...) conceptions of transcendentalism and idealism that Wittgenstein’s philosophy can be viewed as a transformation of Kantianism. This transformation involves a deflationary conception of transcendental idealism along with the abandonment of both the idea that there can be a priori 'conditions of possibility' logically detachable from what they condition, and the appeal to an original ‘constitution’ of experience. -/- The closeness of Kant and post-Tractarian Wittgenstein does not exist between their arguments or the views they upheld, but rather in their affiliation against forms of transcendental realism and empirical idealism. Ritter skilfully challenges several dominant views on the relationship of Kant and Wittgenstein, especially concerning the cogency of Wittgenstein-inspired criticism focusing on the role of language in the first Critique, and Kant's alleged commitment to a representationalist conception of empirical intuition. (shrink)

Through a discussion of the socially extended mind, this paper advances the “not possible without principle” as an alternative to the social parity principle. By charging the social parity principle with reductionism about the social dimension of socially extended processes, the paper offers a new argumentative strategy for the socially extended mind that stresses its existential significance. The “not possible without principle” shows that not only is something _more_ achieved through socially located processes of knowledge building, but also that, and (...) more importantly, what is achieved is something that _would not have been possible without_ social interaction_._ The social parity principle states that the result of an activity achieved via social interaction should be assumed functionally equivalent to a solitary investigation and is characterized by multiple realisability. Contrary to the social parity principle, the “not possible without principle” holds that the result would not have been achieved without the social interaction between (at least) two agents with specific existential needs. The socially extended mind never happens in a void. This means that the "not possible without" principle should be located in real-life, affectively charged, embodied experiences of skilful interactions between agents. This fundamental conceptual change via reference to the “existential necessity” that regulates socially extended processes is necessary in order to effectively lead the socially extended mind to a truly embedded and embodied account. (shrink)

Small and medium size business enterprises (SMEs) are the linchpin in systems of food provisioning in sub-Saharan Africa. These businesses occupy the middle of the agri-food chain and face a food security conundrum: they must ensure that smallholder producers of limited means can operate under fair terms while low-income consumers are supplied with affordable and nutritious food. This task becomes even more challenging when resources are scarce. This paper explores how resource-constrained SMEs arrange the terms on which both farmers (...) and consumers are included in agri-food chains. To this end, it combines the concept of inclusion with that of frugality. We use the case of a Kenyan SME to demonstrate how a focus on frugality can advance our understanding of how business practices create thriving business relationships with smallholders while simultaneously ensuring access to affordable food for consumers. We additionally identify what conditions for inclusion emerge from this type of dynamic business practices. Our perspective departs from assessing induced organisational interventions, such as contract farming or cooperatives, which deliberately shorten the agri-food chain, thereby overlooking the skilful practices being employed by business actors in the middle of the chain. (shrink)

_The Routledge Guidebook to Heidegger’s Being and Time_ examines the work of one of the most controversial thinkers of the twentieth century. Heidegger’s writings are notoriously difficult, requiring careful reading. This book analyses his first major publication, _Being and Time_, which to this day remains his most influential work. The Routledge Guidebook to Heidegger’s Being and Time explores: The context of Heidegger’s work and the background to his writing Each separate part of the text in relation to its goals, meanings (...) and impact The reception the book received when first seen by the world The relevance of Heidegger’s work to modern philosophy, its legacy and influence. Following Heidegger’s original work closely, this guidebook examines the two central themes of scepticism and death. Mulhall skilfully examines the relationship between the book’s two parts, making it essential reading for all students of philosophy, and all those wishing to get to grips with this classic work. (shrink)

In academic oral genres such as conference presentations, speakers resort to more than words to convey meaning. Research also suggests that persuasion, an important element of the communicative purpose of conference presentations, is frequently achieved through a combination of semiotic modes. Therefore, a skilful orchestration of these modes can be considered key to achieving effective communication in this genre. However, our understanding of persuasion has often focused on specific elements of the message considered in isolation and mainly from the (...) linguistic perspective. Relatively little attention has been paid to the overall persuasive effect achieved by the complex multimodal ensemble. This study approaches the analysis of persuasive strategies in conference presentations combining multimodal discourse analysis and ethnographic methods. It focuses on a particular attention-getting technique: enactment of characters, or acting the part of a person that is being referred to. Our analysis shows how it is achieved through the orchestration of different modes such as words, intonation, gestures, head movements, gaze and facial expression. (shrink)

Music is at the centre of what it means to be human – it is the sounds of human bodies and minds moving in creative, story-making ways. We argue that music comes from the way in which knowing bodies (Merleau-Ponty) prospectively explore the environment using habitual 'patterns of action' which we have identified as our innate ‘communicative musicality’. To support our argument, we present short case studies of infant interactions using micro analyses of video and audio recordings to show (...) the timings and shapes of intersubjective vocalisations and body movements of adult and child while they improvise shared narratives of meaning. Following a survey of the history of discoveries of infant abilities, we propose that the gestural narrative structures of voice and body seen as infants communicate with loving caregivers are the building blocks of what become particular cultural instances of the art of music, and of dance, theatre and other temporal arts. Children enter into a musical culture where their innate communicative musicality can be encouraged and strengthened through sensitive, respectful, playful, culturally informed teaching in companionship. The central importance of our abilities for music as part of what sustains our well-being is supported by evidence that communicative musicality strengthens emotions of social resilience to aid recovery from mental stress and illness. Drawing on the experience of the first author as a counsellor, we argue that the strength of one person’s communicative musicality can support the vitality of another’s through the application of skilful techniques that encourage an intimate, supportive, therapeutic, spirited companionship. Turning to brain science, we focus on hemispheric differences and the affective neuroscience of Jaak Panksepp. We emphasise that the psychobiological purpose of our innate musicality grows from the integrated rhythms of energy in the brain for prospective, sensation-seeking affective guidance of vitality of movement. We conclude with a Coda that recalls the philosophy of the Scottish Enlightenment, which built on the work of Heraclitus and Spinoza. This view places the shared experience of sensations of living – our communicative musicality – as inspiration for rules of logic formulated in symbols of language. (shrink)

A play's text is nearly all talk, and in the performance of a play the physical activity is sparse and exceedingly limited. Used of a play, the term ‘action’ does not mean what it normally means. Its true meaning is illuminated by reference to J. L. Austin and his doctrine of speech-acts. Dramatic action is, for the most part, speech-action. And a skilful manipulation of speech-acts enables the gifted dramatist not only to tell a story but to communicate (...) what is going on below the surface. (shrink)

In the article an idea is conducted that practice of education goes away the roots to the deep layers of human civilization. The author of the article concentrated the attention on the analysis of work of Socrates and Aristotle. It is shown that Socrates first began consciously to use the bottom- up reasoning and give general determinations, work on concepts. On the initial stage of educating Socrates induced students the system of questions to find truth, that in modern pedagogical anthropology (...) is one of main tasks in education. By means of the skilfully put questions Socrates tricked into a student to confession of those positions that are true. The author of the article pays attention to that Socrates used the new for that time methods of educating constantly, for example, conversation, unlike sophists that preferred to the lecture. The feature of conversations of Socrates consisted in that the simplest vital cases came into question at first, but after themes became complicated. Comparisons, metaphors, turns, satire, were thus used, that facilitated perception of sense of conversation to the students. In the article the analysis of anthropological and pedagogical ideas is given in labours of Aristotle. It is shown that Aristotle studying a man, his " nature" and " essence", did not stop thereon, and set by the question of improvement of human family by means of education. Aristotle considered that education must be under control the state, and nobody can doubt in that a legislator must belong with exceptional attention to education of young people, as in the states, where small attention is spared the questions of education, the political system suffers from it. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Place: Towards a Geophilosophy of Photography by Ali ShobeiriElizabeth. L. CoxPlace: Towards a Geophilosophy of Photography BY ALI SHOBEIRI Leiden, The Netherlands: Leiden University Press, 2021In his most recent work, Place: Towards a Geophilosophy of Photography, Ali Shobeiri skilfully demonstrates both the importance of, and fluid ways in which, place plays a dynamic role in the understanding and stories nestled within the seeing and evaluating of photographs and (...) photography. Bringing together the worlds of photography, geography, and philosophy to create an interdisciplinary theoretical understanding of place in relation to photography, Shobeiri has expertly unearthed a nuanced, exciting way of considering the photographic process and images.Shobeiri, an Assistant Professor of Photographic Studies and Visual Arts Theory at Leiden University, brings his knowledge and expertise of visual culture, photographic theory, human geography, and philosophy to the fore in his latest publication. His knowledge, passion, personal interest in photography, and his critical thought come through nicely in his writing, and it is clear that the development of Shobeiri’s ideas and framework have been given a lot of thought, time, and energy. This book meaningfully speaks to those interested in a discussion of place within the realm of photography, evidenced through the depth of knowledge and sheer detail explored within this book.Inspired by his own experience as a photographer and influenced by Edward Casey’s “delimited” definition of place, Shobeiri explores how place is never simply presented or fixed (11). It is here that he expertly uses photography to do this across six different yet clearly complimentary chapters. Critically, there is no way to give a succinct overview of the chapters of this book without losing meaning and diluting Shobeiri’s message; the book is rich, deeply detailed, embedded within philosophical thought, and is nuanced throughout, which is important to remember when reading this non- fiction piece of work.In the first chapter, Shobeiri provides a phenomenological exploration of the importance of the photographer’s body both as a lived experience and a physical entity. He then juxtaposes this duality to the lived [End Page 136] place of the photograph, returning to the notion of fixedness and using the idea of belonging to explore the photographer’s body and the photographic experience as a lived place. The next chapter discusses spatiality and time, and the way in which space is temporalized, using key influences such as Roland Barthes and Susan Collins to illustrate the argument. Central to this is the idea that a photograph captures time, but also aims at space, which raises questions about what this means for the space before the lens. In chapters 3 and 4, the author argues that the photograph itself travels through space, and highlights the importance of the photographic place, allowing us to “bestow meaning upon that space on the photograph’s surface” (67). Interestingly, Shobeiri points to philosophy to help the reader understand this, such as Jacques Derrida, and uses more familiar images and scholarly thought from NASA to discuss blind field and the liminality of photographic place. Chapter 5 moves away from location and journeys the reader to a discussion of places viewed as moment of encounter, specifically considering the spectator and the photograph. This evolves further in the sixth and final chapter insofar as it explores the transition and translation of the photographed place to the communication of the content of the image and the agency of the photograph. Shobeiri finishes with a simple yet engaging epilogue, several helpful notes, and a plethora of references which are useful for further reading.Place: Towards a Geophilosophy of Photography is genuinely interesting, centred within academic scholarship, and employs the thought of theorists that readers of Environment, Space, Place will undoubtably recognise. Scholarly figureheads such as Jacques Derrida, Alain Badiou, and Michel Foucault, space and place authorities such as Tim Cresswell, Tim Ingold, and Doreen Massey, and art aficionados such as Roland Barthes, Susan Collins, and John Berger frequent the pages. Familiar artistic names are also drawn upon, including Ansel Adams, Gert Jan Kocken, and Gerhard Richter, which soften the strong academic tones that this book voices. This work is clearly sophisticated in terms of lexicon and ideas, however... (shrink)

To unravel the intricacies of the last argument of the Phaedo for the immortality of the soul, the reader has to peel away successive presuppositions, his own, Plato's and not least the presupposition that Plato very skilfully portrays as being shared by Socrates and his friends.A first presupposition is the reader's own. According to our modern ways of thinking, a soul that is immortal, if there is such a thing, is a soul that lives forever. That presupposition is not shared (...) by Socrates and Cebes (Socrates' interlocutor in the final argument). A soul that survives separation from the body, once or a number of times, is held to have survived death and therefore to be immortal. But it does not follow that it will live forever. For a soul to live forever, it must be shown to be not only immortal, but imperishable. Only if the soul is both immortal and imperishable can the assembled company be sure that the Socrates who is talking to them now will still be living when, after sunset, he has drunk the hemlock and can talk to them no more.The modern reader who has divested himself of the presupposition that immortal and imperishable are mere synonyms, and therefore appreciates the need for an argument designed specifically to prove that the soul is imperishable and not merely immortal, has nonetheless to be aware of a second presupposition, a presupposition shared by Socrates and his friends which restricts the meaning that the modern reader might otherwise suppose to be conveyed by the word 'imperishable'. Both Socrates and Cebes, as portrayed in the Phaedo, take it for granted that the only time when the soul might perish is the moment of her separation from the body. Provided it can be shown that the soul will survive separation from the body, no matter how often the body is taken from her, the soul, so they are happy to assume, will have shown herself to be both immortal and imperishable.We do not have to suppose that this second presupposition is shared by the author of the dialogue. Plato's subtle but insistent restriction of the moment when the soul might be threatened with extinction to the moment of her separation from the body has been deliberately designed to alert the reader to a way of thinking which Socrates, Cebes and Echecrates all take for granted, but which Plato does not necessarily invite the reader of the dialogue to share.The restriction is nonetheless essential to the structure of the argument. It is because Socrates does not envisage a possible extinction of the soul at any moment other than the moment of separation from the body that he is able to present a soul that is essentially alive as immune to the death which separates soul from body, however often such a separation may occur, and as therefore (so he claims) not only immortal but imperishable.In presenting that argument, how far has Plato deliberately foregone any attempt to prove that the soul is imperishable subsequently to the moment of her separation from the body? Socrates argues that the soul is unaffected by the death of the body because she is essentially alive. He does not argue that she is immune to destruction or extinction because she is essentially existent. In the face of Plato's silence, in the Phaedo and elsewhere, the modern reader has to hold in abeyance a third and final presupposition, that only a being whose essence it is to exist can of its nature never not exist.To understand the dialogue is therefore no easy matter. The reader needs to distinguish Socrates as the mouthpiece of Plato from Plato as the author of the dialogue. At the same time the modern reader has to distinguish the Plato of history from a fictional Plato who shares our own ideas and our own preconceptions, including the concept of a being cuius essentia est esse. An intricate double task, which other modern readers of the dialogue have so far not even attempted. (shrink)

Dans la Bibliothèque , le pseudo-Apollodore raconte la joute musicale qui oppose Apollon au satyre Marsyas. Le dieu musicien l’emporte parce qu’il joue de sa cithare après l’avoir retournée, exécutant une manœuvre que son rival est incapable de reproduire avec l’aulos. Apollon fait ainsi de sa cithare un instrument palintone et palintrope, très proche de son arc réflexe, un instrument capable d’inverser sa position, mais aussi de renverser la situation au profit de celui qui l’utilise. Même « conduite de retournement (...) » pour la lyre, dont la réversibilité efficace est redevable à la tortue ainsi qu’à Hermès et à son travail de luthier. La puissance de retournement des instruments à cordes apolliniens permet de jeter un éclairage nouveau sur la victoire d’Apollon et sur l’écorchement de Marsyas, tout en situant l’épisode dans le champ de la mètis. De l’instrument d’Apollon, retourné vers le bas, qui précipite Marsyas aux Enfers, à celui d’Orphée, tenu à l’endroit, qui en ramène Eurydice, se dessine la nature ambivalente de la lyre symétrique à celle de l’arc. Comme lui, la lyre est bien « signe de chute », de la vie vers la mort, ou « signe de remontée », de la mort vers la vie.The reversal’s notion and the musical agôn between Apollon and Marsyas in ps.-Apollodorus: interpretation of a myth. In The Library , the pseudo-Apollodorus reports how Apollo, the musician god, opposed to Marsyas the satyr, won the musical contest by playing his kithara upside down, a trick his opponent was quite unable to reproduce with his aulos. Thus, Apollo turned his kithara into a palintonos and palintropos instrument, very much like his reflex bow, an instrument, whose position could be reversed but which could also reverse the situation to the benefit of its user. The same reversal ability is true of the lyre, which could be played efficiently both ways thanks to the tortoise and to Hermes, the skilful lyremaker. The extraordinary capacity of Apollinian stringed instruments to be reversed throws a new light on both Apollo’s victory and Marsyas’s skinning, setting the episode in the mètis area. From Apollo’s reversed lyre hurling Marsyas down into Hades to Orpheus’s being played the right way, to bring back Euridyke from the underworld, emerges the ambivalent nature of the lyre in perfect symmetry with the bow’s. Just like it, the lyre means the fall from life into death but it also represents the ascent from death into life. (shrink)

The Archaeology of Semiotics and the social order of things is edited by George Nash and George Children and brings together 15 thought-provoking chapters from contributors around the world. A sequel to an earlier volume published in 1997, it tackles the problem of understanding how complex communities interact with landscape and shows how the rules concerning landscape constitute a recognised and readable grammar. The mechanisms underlying landscape grammar are both physical and mental, being based in part on the mindset of (...) the individual; the same landscape can thus evoke different meanings for different people and at different times. People's perception has greatly influenced the construction of landscapes over millennia but, until recently, the potential of this area has been largely untapped. Apart from chapters focusing solely upon human interaction with landscape, there are several which skilfully integrate artefacts and place with landscape (e.g. Gheorghiu and Sognnes). Other chapters look at the way people have marked the landscape through such mechanisms as rock-art (e.g. Clegg, Devereux, Estévez, Fossati, Kelleher and Skier). Rock-art establishes personal and communal identity in relation to landscape and it is clear that other forms of visual expression were in place which distinctively created special places within the landscape. Landscape constructs can bind cultures together; bringing the old ways of reading the landscape into contemporary life (e.g. Smiseth). Defining early and late prehistoric landscapes and segregating these into, say, mundane domestic and ritualised spaces rely on both clear and subtle archaeologies and in this volume distinct monument clustering and ritualised linearity are considered (e.g. Mason and Nash). A volume such as this cannot escape the influence of New World approaches, such as anthropology, and in many respects chapters by Bender, Muller and Merritt give context to other chapters within the book. Finally, one must consider text as a means of constructing landscape and this is considered by Heyd, who eloquently deconstructs the travel diary of a 17th century Japanese poet. This will be an important volume for archaeologists, landscape scholars and students. The many approaches used are tried and tested, forming an invaluable resource and not just another edited book. (shrink)

What is the ontological significance of sustainability crises – and the struggles to overcome them? Drawing on Heideggerian perspectives – in dialogue with Laclau and Mouffe's discourse theories – I argue sustainability crises become meaningful at the level of everyday experience when they disrupt the flow of ordinary skilled practices and their orientations towards the future. Such disruptions trigger what Heidegger termed ‘anxiety’, which implies an erosion of life's coherence, meaning and purpose. Developing skills to ‘cope’ with sustainability crises may (...) enact alternative ontologies that restore what anxiety threatens; ‘skills for sustainability’ potentially disclose new worlds, meanings, values and goals. I illustrate this through vignettes of individuals transitioning to organic farming in India. I show how disruptions to farmers’ skilled practices triggered anxiety while also prompting the development of skills for alternative agricultural practice. These skills enabled new ways of experiencing worlds, non-human entities and the telos of everyday activity. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:diacritics 30.2 (2000) 88-112 [Access article in PDF] Milton's Aesthetics Of Eating Denise Gigante It is not a little curious that, with the exception of Ben Jonson (and he did not speak gravely about it so often), the poet in our own country who has written with the greatest gusto on the subject of eating is Milton. He omits none of the pleasures of the palate, great or small. (...) In his Latin poems, when young, he speaks of the pears and chestnuts which he used to roast at the fire with his friend Diodati. Junkets and other "country-messes" are not forgotten in his "Allegro." The simple Temptation in the Wilderness, "Command that these stones be made bread" (which was quite sufficient for a hunger that had fasted "forty days"), is turned, in Paradise Regained, with more poetry than propriety, into the set out of a great feast, containing every delicacy in and out of season. The very "names" of the viands, he says, were "exquisite." And in Paradise Lost, Eve is not only described as being skilful in paradisaical cookery ("tempering dulcet creams"), but the angel Raphael is invited to dinner, and helped by his entertainers to a series of tid-bits and contrasted relishes--Taste after taste, upheld with kindliest change. --Leigh Hunt, "Eating Songs" The title of an old play gives us a direct taste and surmise of its inwards, as the first lines of the Paradise Lost smack of the great Poem. --John Keats, "On 'Retribution, or the Chieftain's Daughter'" That Milton's Romantic readers should invoke the "taste" of his epic poetry suggests an awareness beyond the anecdotal. For as this essay will show, Milton complicates the category of physiological taste in such a manner as to form the ground for the possibility of aesthetic taste, which emerges as a distinct discourse in the early years of the eighteenth century. This is not to say that Milton is the only source for this dubious meaning-in-transition. But precisely how, prior to the interventions of Shaftesbury, Hutcheson, Hume, and the entire tradition of post-Miltonic theorists of taste, is one to read Adam's darkly sardonic postlapsarian remark: "Eve, now I see thou art exact of taste... And Palate call judicious" [PL IX.1017-20]? Critics have observed Milton's "ruthless and relentless pressure on 'taste,'" the fact that the word and its variants appear thirty times in Book IX of Paradise Lost alone [Ricks 69]. What I would like to suggest is that just as Milton is a seminal figure for the eighteenth-century aesthetic preoccupation with the sublime, 1 he is theoretically situated at the origins of the more generic thing called taste as well. [End Page 88]Of course Milton himself was aware of the epistemological implications of taste, whereby the Latin sapere can mean both "to taste" and "to know." 2 The fruit whose "mortal taste" was the source of all our woe did, after all, grow on the tree of knowledge, knowingly described by Satan as "precious of all Trees / In Paradise, of operation blest / To Sapience" [PL I.2, IX.795-97]. So too, when Adam calls Eve "exact of taste," he adds "of Sapience no small part" [PL IX.1018]. Throughout Paradise Lost and Paradise Regained, Milton plays with the epistemological connotation of taste, incorporating it even into the 1671 companion piece of the latter, Samson Agonistes, whose blind hero declares, "The way to know were not to see but taste" [1091]. At the time Milton was writing, however, taste was philosophically connected not only to knowledge and pleasure, but to morality as well. At the origins of the British empirical discourse of taste, Anthony Ashley Cooper, third Earl of Shaftesbury, inheriting this link between epistemology, aesthetics, and ethics, inquires: "Will it not be found... that what is beautiful is... true; and what is at once both beautiful and true is, of consequence, agreeable and good?" [2: 268-69]. For Milton as for Shaftesbury, the beautiful was the true was the good, and access to these ideals was bound up with the philosophic complexity... (shrink)

Contemporary health care relies on electronic devices. These technologies are not ethically neutral but change the practice of care. In light of Sennett's work and that of other thinkers one worry is that "e-care"aEuro"care by means of new information and communication technologies-does not promote skilful and careful engagement with patients and hence is neither conducive to the quality of care nor to the virtues of the care worker. Attending to the kinds of knowledge involved in care work and (...) their moral significance, this paper explores what "craftsmanship" means in the context of medicine and health care and discusses whether today the care giver's craftsmanship is eroded. It is argued that this is a real danger, especially under modern conditions and in the case of telecare, but that whether it happens, and to what extent it happens, depends on whether in a specific practice and given a specific technology e-carers can develop the know-how and skill to engage more intensely with those under their care and to cooperate with their co-workers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Laughing at Nothing: Humor as a Response to NihilismWill SlocombeLaughing at Nothing: Humor as a Response to Nihilism, by John Marmysz. 209 pp. Albany: SUNY Press, 2003; $54.50 cloth, $17.95 paper.Nihilism has become a (relatively) more popular theme in academia in recent years. Aside from the revival of standby texts such as Goudsblom's Nihilism and Culture and Rosen's Nihilism, there has been a glut of books in areas (...) as diverse as economics (Ritzer's The Globalization of Nothing), theology (Cunningham's Genealogy of Nihilism), and theory (Clemen's The Romanticism of Contemporary Theory). John Marmysz's contribution, Laughing at Nothing, is a refreshing change inasmuch as he invites us to laugh at nihilism and, in effect, to laugh with him at much of the scholarly work on nihilism. Primarily philosophical in tone, Laughing at Nothing is an academic treatise on nihilism and humor, an exploration of contemporary American culture, and a plea for understanding in a hostile environment.Marmysz is determined, as few others are, to see a positive potential in nihilism. Although he never uncovers a "positive" nihilism, he is willing to accept the idea that nihilism may be a valuable cultural concept. In his introduction, he stresses the fact that most critics of nihilism "underplay the constructive and positive role of nihilism in both individual and collective human history" (p. 10). This book attempts to undermine such trite interpretations of nihilism; evident from his observation that, "too often scholars proceed to draw conclusions about nihilism itself on the basis of philosophies that are, in fact, very poor models" (p. 11). This is an important point, and one to which I will return.All exegeses on nihilism must include a history of the concept to orient the reader within the given intellectual milieu, and Marmysz's is no exception. Moving comfortably from late eighteenth-century debates between Friedrich Jacobi and Johann Fichte to contemporary theories by Michael Gillespie, Cornel West, Yukio Mishima, and Karen Carr, Laughing at Nothing guides the reader through the intricacies of the arguments in three brisk chapters without [End Page 449] ever sacrificing clarity. This is no mean feat given the task that Marmysz has taken upon himself: to summarize more than 200 years of history and avoid the pitfalls of saying that nihilism is an aspect of modernity is a significant achievement (and one for which I am grateful).For most readers, however, the most important part of Laughing at Nothing will be Marmysz's own definition of nihilism, which is essentially thwarted idealism: "The full impact of the problem of nihilism strikes only when an individual passionately desires ultimate meaning, value, and purpose, but believes those things to be out of reach" (pp. 84-85). There are thus two elements to a nihilistic worldview: an idealized desire for a better world coupled with a belief that this can never be realized—"the real world is denigrated in comparison to the ideal, and the ideal is believed to be hopelessly out of reach" (p. 85). This, for Marmysz, is the basis of a "nihilistic incongruity," upon which the solution—humor—is founded.After Marmysz's treatment of a history of nihilism, it is unsurprising that his discussion of humor is as accomplished, skilfully navigating theories of Kant, Freud, Bergson, and Morreall. Marmysz's treatment of "incongruous" humor is impressive, basing itself on the idea that "humor allows us to confront incongruities and, instead of being overwhelmed by them, to understand them in an unusual and original fashion" (p. 152). For this reason, humor creates "the capacity to make incongruities unthreatening and to interpret them in a manner that produces amusement" (p. 153). This is, of course, critical to avoid the potential problems of nihilistic incongruity. Through an analysis of jokes, and the application of different theories about humor, Marmysz demonstrates that the "solution" to nihilism is disarmingly simple: we must learn to laugh at ourselves. Marmysz writes: "Nihilism reminds us that humans are not gods, and that despite all our accomplishments and wonders of civilization, humans cannot alter the fact that they only possess a finite amount of mastery and control over their own destinies... (shrink)

In this wide-ranging conversation, Michael Hardt reflects on recent transformations within Empire. Several unique themes emerge concerning power and pedagogy as they intersect with subjectivity and global crisis. Drawing on the common in conjunction with the tradition of love in education uncovers a different path that attends to today’s real political, ecological, and social needs. Finally, a focus on collectivity points to a possible strategy—collective intellectuality—for educators to revise traditional notions of leadership to encourage more ethical, democratic, and sustainable futures. (...) Yet, what this looks like in practice remains for us to imagine. (shrink)

The medieval computus was intended primarily for literate and numerate ecclesiastical users; reading the Latin computus required a good knowledge of technical Latin, while understanding its calculations presupposed some formal education in arithmetic and astronomy. By the mid-thirteenth century, users would have included a small group of literate and numerate laymen; by the mid-fifteenth century, users would have included the less educated and even semiliterate, as a consequence of a more extensive range of computus material made available for the purpose (...) in the vernacular. (shrink)

This essay explores aesthetics, affect, and educational politics through the thought of Gilles Deleuze and Jacques Rancière. It contextualizes and contrasts the theoretical valences of their ethical and democratic projects through their shared critique of Kant. It then puts Rancière's notion of dissensus to work by exploring it in relation to a social movement and hunger strike organized for educational justice in Chicago's Little Village neighborhood. This serves as a context for understanding how educational provisions are linked to the aesthetic (...) distribution of perception within the neoliberal city. It also serves as a powerful example of how these orders of perception are resisted and subverted at the local level by aesthetic and affective means. Through the Little Village hunger strike the essay argues that while Rancière allows us to recognize the aesthetic dimensions of the political, he falls short in addressing tactical and/or affective considerations. The essay concludes by seeking to extend the critical efficacy of Rancière's dissensus through a rendering of tactical affect within Deleuzian metaphysics. (shrink)

Benhabib recasts the Derridean idea of `iteration' in democratic terms. While adhering to the original idea that both the fundamental terms of political consociation and the identity of the people itself is `radically' open, Benhabib argues that deliberative norms do and should frame the process of reiteration. For the deliberative democrat, the democratic constitution is not a would-be barrier to iterability (which we are told cannot be contained anyway); it is rather a communicative or discursive space in which the hitherto (...) suppressed or not yet present voice of other people finds its way and expands the terms of meaning giving and hence reason giving. The democratic constitution enables iteration; it is one side of a dialectic that relies upon, balances and, in some sense, makes the most of people power. Immigrants, in the final analysis, are the latest group to proclaim their presence in the sphere of constitutional interpretation, and thereby recalibrate the interpretive frame. And when they make their presence known in this way they have truly become a part of the `people'. When, however, they make their presence known in ways that undermine constitutional self-understanding, instead of engaging it, they are `not us'. Benhabib is hesitant to add this last bit, as she is hesitant to admit how much the constitutional identity of a people `rift with otherness' is reliant upon the historical referent and the generative/steering power of the right sort of constitutional court. (shrink)

Michel Foucault was one of the 20th century’s great practitioners of study. Time in the archives and library, teaching, reading, thinking, and writing were all integrated aspects of his tireless la...