This essay asks why modernist art history has been unable to account for the career of the African American painter Rose Piper. One of the most gifted painters of her generation, Piper was also amo...

In his Languages of Art, Nelson Goodman proposes a theory of artistic notation that includes foundational requirements for any system of symbols we might use to specify and communicate the features of an artwork, in architecture or any other art form. Goodmans' theory usefully explains how notation can reveal linguistic-like phenomena of various art forms. But not all art forms can enjoy benefits of a full-blown notational system, in Goodman's view, and he suggests that architecture's symbol systems fall short (...) in this regard. It is a shortcoming of architecture, he believes, that its notation cannot communicate the sum of a given work's essential features. Against this view it may be argued that artworks are generally and inimically historical in character, such that an inability to capture this dimension may result in a failure to pick out the identity of a work. As a consequence, the suggestion of that inability looks like a shortcoming of the general notational theory rather than of the art form or its notation per se. I defend Goodman's background formalism against the criticism that an ahistoricist notation cannot possibly be adequate. But I reject his view that no actual architectural notation can satisfy the formal criteria of his theory. In particular, I propose that the foundational theory for Computer Aided Design (CAD) described by the architect William Mitchell satisfies Goodman's criteria and so yields a notation that enables communication of an architectural work's essential features. If, as I suggest, such a notation is feasible, then we have an additional result that Goodman foresees: a means of abstracting future architectural works from their historical contexts. This in turn yields a consequence at which Goodman only hints-that such architectural works can be intellectually grasped and physically constructed along purely formalist lines. One practical result here is that we introduce economical solutions to architectural design. On a theoretical level, we also expose the inessential character of historical properties to creating or understanding architecture, at least with respect to future possible works. (shrink)

This essay explores the speech act of dogwhistling (sometimes referred to as ‘using coded language’). Dogwhistles may be overt or covert, and within each of these categories may be intentional or unintentional. Dogwhistles are a powerful form of political speech, allowing people to be manipulated in ways they would resist if the manipulation was carried outmore openly—often drawing on racist attitudes that are consciously rejected. If philosophers focus only on content expressed or otherwise consciously conveyed they may miss what is (...) most powerful and pernicious in the speech of political culture. This essay is a call to start paying attention to these more covert speech acts, and a first attempt at beginning to theorize them. It argues that dogwhistles present a complex and interesting case for the philosopher of language, and explores their implications for democratic politics. (shrink)

Sally Haslanger’s ‘What Good Are Our Intuitions? Philosophical Analysis and Social Kinds’ is, among other things, a part of the theoretical underpinning for analyses of race and gender concepts that she discusses far more fully elsewhere. My reply focuses on these analyses of race and gender concepts, exploring the ways in which the theoretical work done in this paper and others can or cannot be used to defend these analyses against certain objections. I argue that the problems faced by Haslanger’s (...) analyses are in some ways less serious, and in some ways more serious, than they may at first appear. Along the way, I suggest that ordinary speakers may not in fact have race and gender concepts and I explore the ramifications of this claim. (shrink)

Sir Peter Strawson’s ‘Freedom and Resentment’ was a landmark in the philosophical understanding of the free will problem. Building upon it, I attempt to defend a novel position, which purports to provide, in outline, the next step forward. The position presented is based on the descriptively central and normatively crucial role of illusion in the issue of free will. Illusion, I claim, is the vital but neglected key to the free will problem. The proposed position, which may be called ‘Illusionism’, (...) is shown to follow both from the strengths and from the weaknesses of Strawson’s position. (shrink)

James Ross developed a simple and powerful argument for the immateriality of the intellect, an argument rooted in the Aristotelian-Scholastic tradition while drawing on ideas from analytic philosophers Saul Kripke, W. V. Quine, and Nelson Goodman. This paper provides a detailed exposition and defense of the argument, filling out aspects that Ross left sketchy. In particular, it elucidates the argument’s relationship to its Aristotelian-Scholastic and analytic antecedents, and to Kripke’s work especially; and it responds to objections or potential (...) objections to be found in the work of contemporary writers like Peter Dillard, Robert Pasnau, Brian Leftow, and Paul Churchland. (shrink)

Why is it that we think today so very differently about distributive and retributive justice? Why is the notion of desert so neglected in our thinking about distributive justice, while it remains fundamental in almost every account of retributive justice? I wish to take up this relatively neglected issue, and put forth two proposals of my own, based upon the way control functions in the two spheres.

We argue that concentration of power in religious hospitals threatens disestablishment values. When hospitals deny care for religious reasons, they dominate patients’ bodies and convictions. Health law should — and to some extent already does — constrain such religious domination.

Theoria , the international Swedish philosophy journal, was founded in 1935. Its contributors in the first 75 years include the major Swedish philosophers from this period and in addition a long list of international philosophers, including A. J. Ayer, C. D. Broad, Ernst Cassirer, Hector Neri Castañeda, Arthur C. Danto, Donald Davidson, Nelson Goodman, R. M. Hare, Carl G. Hempel, Jaakko Hintikka, Saul Kripke, Henry E. Kyburg, Keith Lehrer, Isaac Levi, David Lewis, Gerald MacCallum, Richard Montague, Otto Neurath, (...) Arthur N. Prior, W. V. Quine, Nicholas Rescher, Ernest Sosa, Robert C. Stalnaker, P. F. Strawson, Patrick Suppes, Johan van Benthem, Georg Henrik von Wright and many others. Hempel's confirmation paradoxes, Ross's deontic paradox, Montague's universal grammar and Lindström's theorem are among the contributions to philosophy that were first published in Theoria. (shrink)

This volume is fourth in the series of annuals created under the auspices of The Association for Feminist Ethics and Social Theory (FEAST). The topics covered herein-from peacekeeping and terrorism, to sex trafficking and women's paid labor, to poverty and religious fundamentalism-are vital to women and to feminist movements throughout the world.