This book articulates and defends an interpretation of Schopenhauer's ethics as an original and credible contribution to the history of ethics. It presents Schopenhauer's ethics of compassion in direct tension with his resignationism and aims to show surprising continuities with Kant's ethics.

In the mid-1970s and early 1980s, several feminist theorists began developing alternatives to the traditional methods of scientific research. The result was a new theory, now recognized as Standpoint Theory, which caused heated debate and radically altered the way research is conducted. The Feminist Standpoint Theory Reader is the first anthology to collect the most important essays on the subject as well as more recent works that bring the topic up-to-date. Leading feminist scholar and one of the founders of Standpoint (...) Theory, Sandra Harding brings together the a prestigious list of scholars--Dorothy Smith, Donna Haraway, Patricia Hill Collins, Nancy Hartsock and Hilary Rose--to not only showcase the most influential essays on the topic but to also highlight subsequent developments of these approaches from a wide variety of disciplines and intellectual and political positions. The Reader will be essential reading for feminist scholars. (shrink)

Recent calls to address racism in bioethics reflect a sense of urgency to mitigate the lethal effects of a lack of action. While the field was catalyzed largely in response to pivotal events deeply rooted in racism and other structures of oppression embedded in research and health care, it has failed to center racial justice in its scholarship, pedagogy, advocacy, and practice, and neglected to integrate anti-racism as a central consideration. Academic bioethics programs play a key role in determining the (...) field’s norms and practices, including methodologies, funding priorities, and professional networks that bear on equity, inclusion, and epistemic justice. This article describes recommendations from the Racial Equity, Diversity, and Inclusion (REDI) Task Force commissioned by the Association of Bioethics Program Directors to prioritize and strengthen anti-racist practices in bioethics programmatic endeavors and to evaluate and develop specific goals to advance REDI. (shrink)

A definition of [George] Eliot as renunciatory culture-mother may seem an odd preface to a discussion of Silas Marner since, of all her novels, this richly constructed work is the one in which the empty pack of daughterhood appears fullest, the honey of femininity most unpunished. I want to argue, however, that this “legendary tale,” whose status as a schoolroom classic makes it almost as much a textbook as a novel, examines the relationship between woman’s fate and the structure of (...) society in order to explicate the meaning of the empty pack of daughterhood. More specifically, this story of an adoptive father, an orphan daughter, and a dead mother broods on events that are actually or symbolically situated on the margins or boundaries of society, where culture must enter into a dialectical struggle with nature, in order to show how the young female human animal is converted into the human daughter, wife, and mother. Finally, then, this fictionalized “daughteronomy” becomes a female myth of origin narrated by a severe literary mother uses the vehicle of a half-allegorical family romance to urge acquiescence in the law of the Father.If Silas Marner is not obviously a story about the empty pack of daughterhood, it is plainly, of course, a “legendary tale” about a wanderer with a heavy yet empty pack. In fact, it is through the image of the packman that the story, in Eliot’s own words, “came across my other plans by a sudden inspiration”—and, clearly, her vision of this burdened outsider is a re-vision of the Romantic wanderer who haunts the borders of society, seeking a local habitation and a name.11 I would argue further, though, that Eliot’s depiction of Silas Marner’s alienation begins to explain Ruby Redinger’s sense that the author of this “fluid and metaphoric” story “is” both Eppie, the redemptive daughter, and Silas, the redeemed father. For in examining the outcast weaver’s marginality, this novelist of the “hidden life” examines also her own female disinheritance and marginality.12 11. Eliot to Blackwood, 12 Jan. 1861, quoted in Ruby V. Redinger, George Eliot: The Emergent Self , p. 436. As Susan Garber has suggested to me, the resonant image of the “packman” may be associated with the figure of Bob Jakin in The Mill on the Floss , the itinerant pack-bearing peddler who brings Maggie Tulliver a number of books, the most crucial of which is Tomas à Kempis’ treatise on Christian renunciation .12. Rediner, George Eliot, p. 439; Eliot, “Finale,” Middlemarch, p. 896. Sandra M. Gilbert, now professor of English at the University of California, Davis, will join the Department of English at Princeton University in fall 1985. Her most recent works include a collection of poems, Emily’s Bread , and, coedited with Susan Gubar, The Norton Anthology of Literature by Women: The Tradition in English . In addition, she is at work on Mother Rites: Studies in Literature and Maternity, a project from which “Life’s Empty Pack” is drawn, and, with Susan Gubar, on No Man’s Land: The Place of the Woman Writer in the Twentieth Century, a sequel to their collaborative Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination . “Costumes of the Mind: Transvestitism as Metaphor in Modern Literature” appeared in the Winter 1980 issue of Critical Inquiry. (shrink)

We’d like to do a little hypnosis on you. Imagine that you’re ensconced in your own family room, your study, or your queen-sized bed. Settling back, you pick up the remote, flick on the TV, and naturally you turn to PBS. This is what you hear:Host 1: Good evening. Welcome to Masterpiece Theatre. Because Alistair Cooke is away on assignment in Alaska, we’ve agreed to host the show tonight, and that’s both a pleasure and a privilege because our program this (...) evening marks the beginning of a fascinating new series, a first on television: Masterpiece Theatre will present you with a docudrama entitled “Masterpiece Theatre.”Host 2: Like “The First Churchills,” this show analyzes the situation of real-life people—tonight, people in the academy. Names have not been changed to protect either the innocent or the guilty, but all the situations are fictive and at times words that may never have been spoken are put into the mouths of people who did not speak them. Other lines, however, are direct quotations from various written sources, although none of the characters, as we depict them, should be confused with any “actual” persons, whether or not those persons would scribe to the idea of their own reality. Like “Upstairs/Downstairs,” this program will introduce you to a spectrum of characters from many walks of life. What’s different about tonight’s episode, though, is that all these characters have passionate opinions about the show itself. Why, the very idea of Masterpiece Theatre drives some of them to Guerrilla Theatre, others to Theatre of the Absurd. Yes, you’ve always already guessed it: we focus tonight on a drama involving what we used to call humanists—now for some a dirty word—and most of our characters are in deep trouble. Sandra M. Gilbert, professor of English at the University of California, Davis, and Susan Gubar, professor of English at Indiana University, are coauthors of No Man’s Land: The Place of the Woman Writer in the Twentieth Century, Volume 1: The War of the Words and Volume II: Sexchanges , the first installments of a three-part sequel to their Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination . They have also coedited The Norton Anthology of Literature by Women: The Tradition in English. (shrink)

This paper studies the concept of form of life as central to ordinary language philosophy : philosophy of our language as spoken ; pronounced by a human voice within a form of life. Such an approach to Wittgenstein’s later philosophy shifts the question of the common use of language – central to Wittgenstein’s Investigations – to the definition of the subject as voice, and to the reinvention of subjectivity in language. The voice is both a subjective and common expression: it (...) is what makes it possible for my individual voice, or claim, to become shared and for our forms of life to be intertwined with a lifeform. (shrink)

The shift from a welfarist to a retributivist perspective on crime, which is one of the themes of David Garland?s book, has brought with it a renewed emphasis on the victims of crime and their rights. This shift in emphasis, I suggest, raises questions about the way we think of the relationship between individual citizens and between citizens and the state. Different political theories will produce different accounts of this relationship and hence different ways of characterising the status and role (...) of victims in the criminal process. In this paper then I sketch a roughly communitarian view of the citizen relationship as a context for an account of the status of victims. Thus, I argue, we need to consider not just the expectations that victims rightly have that they have rights which should to be recognised in the criminal process but also their duties as participants. Duties which require them to bear witness in calling offenders to account. This gives victims an active role in the criminal process but one that may come at a price since it might require victims to be subjected to greater scrutiny in the process of a criminal trial than they might find bearable. (shrink)

The objective of this investigation is to initiate the development of a design-specific methodology for synaesthetic research, which will provide insight into synaesthesia from a designer's point of view. In addition, it aims to explore the possible advantages that the awareness of the phenomenon may have, specifically in the field of design education. The following question will be addressed: Can transdisciplinary studies of visual communication and neuropsychology help designers explore different practical approaches and theoretical views about synaesthesia?

This essay focuses on Schopenhauer’s aesthetics and philosophy of art, areas of his philosophy which have attracted the most philosophical attention in recent years. After discussing the subjective and objective aspects of aesthetic experience on his account, I shall offer interpretations of Schopenhauer’s theory of the sublime and solution to the problem of tragedy. In addition, I shall touch upon the liveliest interpretive debates concerning his aesthetic theory: the intelligibility of the “Platonic Ideas” as the objects of aesthetic experience and (...) the very possibility of aesthetic experience within Schopenhauer’s system. Another aim of this essay is to suggest how some of Schopenhauer’s aesthetic doctrines may be interpreted in a less metaphysically extravagant way. When understood in this manner, contemporary aestheticians might be inclined to take a closer look at Schopenhauer’s aesthetic theory and philosophy of art, for it is distinctive in the tradition of Western philosophical aesthetics in its attempt to highlight and balance the hedonic and cognitive importance of aesthetic experiences; in its sensitivity both to the aesthetic experience of nature as well as of art; in the high value placed on the experience of music ; and in the innovative solution to the problem of tragedy it offers. (shrink)

In their examination of survey findings, Pierson et al. (2024) illuminate critical insights into the current composition and philosophical perspectives of the bioethics field. Their study addresses...

This article focuses on the Chinese traditional culture, specifically Confucian philosophy, and analyses four core concepts of Confucianism which include ‘ren’, ‘Jun zi’, ‘Tian ming’, and ‘Xiao ti’. Based on these core concepts, this study explores how social attitudes in China toward people with disabilities are formed and influenced by Confucian philosophy, and how they impact the education of people with disabilities. It suggests that the related social attitudes of sympathy, rights awareness, and criteria of success, especially school performance in (...) this case, can have both positive and negative impacts on inclusive education for children with disabilities. Strategies are suggested for encouraging attitude change, when appropriate, in order to facilitate special education and inclusion and how to do so in a manner that is culturally respectful of the core belie... (shrink)

Must We Mean What We Say? is Stanley Cavell's first book, and, in a sense, it is his most important. It contains all the themes that Cavell continues to develop masterfully throughout his philosophy. There is a renewed usage of J. L. Austin's theory of speech acts, and, in the classic essay “The Availability of Wittgenstein's Later Philosophy,” he establishes the foundations of a radical reading of Ludwig Wittgenstein , the connections among skepticism, acknowledgement, and Shakespearean tragedy ; there is (...) the reflection on the ordinary that runs throughout his later works ; and, finally, there is the original aesthetic approach that defines Cavell's work, through his objects—which range from William Shakespeare to Samuel Beckett and pass through Hollywood comedies and melodrama, and opera—and, above all, through his style and method. (shrink)

Résumé Les discussions contemporaines du concept fécond de forme de vie ont permis de mettre en évidence à quel point le concept de forme lui-même est essentiel chez Wittgenstein, structurant la continuité entre le premier et le second Wittgenstein. En passant de la « forme logique » au concept de forme de vie, Wittgenstein entend renoncer à une unité « de forme » pour passer à une « famille » de structures apparentées. Mais la logique ne disparaît pas – au (...) contraire. Le point sur lequel s’appuie sa recherche reste bien la forme, entendue désormais comme pluralité de façons pour le langage de décrire le réel. Il importe donc de comprendre le concept de forme (de vie), Lebensform, non seulement comme une alternative au concept de règle, mais comme expression d’une nouvelle entente de la forme. (shrink)

Kant -- Decomposition -- Meaning and analysis -- A substitutional theory -- Analyticity -- Consequence -- Justification and proof -- A priori knowledge -- Things, collections and numbers -- Frege -- Husserl, logical psychologism, and the theory of knowledge.

English summary: Through the concept of the ordinary, and what is ordinary, the present volume explores contemporary American philosophy. More specifically, the author presents Stanley Cavells role at the center of this movement to examine its innovative approach to philosophy, one that draws on what we have at hand, but also seeks to discover and invent. French description: Savons-nous vraiment ce qu'est l'ordinaire, ce qui nous est ordinaire? Penser la philosophie americaine, et le role qu'a son coeur joue Stanley Cavell, (...) signifie poser de nouveau ces questions, afin de mettre en evidence une nouvelle voix ou tradition contemporaine qui, a partir du langage ordinaire, parvient a redonner de la vie a des enjeux philosophiques devenus trop conformistes ou etroits, et a rearticuler les questions de langage (ordinaire) au moral et a l'esthetique, comme au politique. A la fois objet de rejet et de fascination, l'ordinaire est comme l'autre de la philosophie, ce qu'elle veut, dans son arrogance, depasser, mais aussi ce vers quoi elle aspire, nostalgiquement, a retourner. Penser la philosophie americaine signifie repenser l'ordinaire en dehors de ces deux tendances: recommencer la philosophie, non pas a zero, mais avec ce qu'on a sous la main, sous les yeux, et qui reste a decouvrir, ou a inventer. (shrink)

Rustin Cohle, the protagonist of the first season of True Detective, declares that he is "in philosophical terms, a pessimist". The doctrine of "pessimism" espoused by Rust is remarkably similar to the view adumbrated by Arthur Schopenhauer, who holds that conscious life (both human and nonhuman animal) involves a tremendous amount of suffering that is essentially built into the structure of the world and there is no Creator (providential or otherwise) to redeem all of this suffering, by, say, punishing the (...) wicked and rewarding the good. Rust finds some grounds for hope, and he chooses to continue on the path of compassion and justice, the path to try to improve the world. This prompts the question of whether he ever really embraced suicide in principle, and just lacked the constitution to pull it off, or whether, like Schopenhauer, he perhaps always found the intellectual grounds for such a radical decision to be shaky. (shrink)

Danto's end of art thesis as well as his partial definition of art as “embodied meaning” have sparked much controversy, but I shall not quarrel with either here. Rather, my aim is to suggest that there was another distinct chapter in the grand narrative described by Danto, one taking place right under his nose. This was an environmental chapter, crystallized most forcefully in my view by the work of Latvian‐American artist Vija Celmins (1938‐ ), especially by her work To Fix (...) the Image in Memory I‐XI (1977‐82) consisting of 11 pairs of perceptually indiscernible stones, one found one made. Without the benefit of seeing her first retrospective in 2019, it would have been very hard to see how her own artistic narrative, culminating in these indiscernible stone pair works, offers “the appropriate next stage in the story.” Inspired by Danto, this is exactly what I hope to show. (shrink)

Los desafíos de la Ética Ambiental en un mundo superpoblado, no buscan abogar forzosamente por un mayor control restrictivo de la natalidad, sino más bien por un autocontrol consciente del actual daño holístico. Se torna sustancial sondear la precaución que se ha de tener relativa al equilibrio en la adecuación entre el aumento de individuos que se podría conservar indefinidamente en el medio ambiente, de aquel que generaría un daño mayor. El que esta última tendencia autodestructiva haya llevado a la (...) humanidad a seguir un camino muy similar al recorrido por otras especies antes de su correspondiente colapso, lleva a pensar que como especie no hemos sido capaz de dimensionar la incidencia del especieísmo en el desarrollo interno de la creciente demográfica humana, ni menos aún de comprender la lección que nos dejaron otros seres vivos que se reprodujeron más allá de lo que el ecosistema pudo asimilar, generando las secuelas devastadoras que hoy se pueden conocer y lamentar. (shrink)

Por ser Schopenhauer un pensador que aboga expresar sensu stricto la misma conclusión racional que se hallaría sensu allegorico en algunas sabidurías de oriente que acaban en la mística, nos valdremos de su cosmovisión para luego de reflexionar sobre el camino de la negación de la voluntad de vivir, no abandonarlo, sino señalar desde éste una vía aplicada a la problemática socioambiental global mediante un vuelco crítico, impulsado por una conciencia que reintegra pacífica y activamente al renunciante de la voluntad (...) en el acontecer mundial, buscando tender hacia un horizonte socioambiental que afirme el no daño holístico sin terminar en la nada concebida como nihil privativum. (shrink)

El problema de la destrucción antropogénica de la naturaleza vincula en lo fundamental las nociones de “Antropoceno” y “ecocidio”. Este no solo implica un crimen contra la biodiversidad, sino también una forma de autodestrucción ambiental que involucra al ser humano. Una humanidad que en su desarrollo ha construido la historia y legado simbólicos avances sobre la base de la degradación del entorno es agente de esa naturaleza a la cual se enfrenta, así como (por extensión) el microcosmos incide en el (...) macrocosmos en que está inserto sin encontrarse fuera ni ser independiente de él. El objetivo de este artículo es explicar cómo, gracias a la comprensión de la naturaleza y a la naturaleza misma en cuanto razón, es posible sondear a profundidad, desde el complejo global autodestructivo, la necesidad de una ecosuicidología. Para ello, presento el sentido y el significado filosófico del término. (shrink)

Wittgenstein est un philosophe du langage, de l'esprit, et en particulier un philosophe de la subjectivite; pas seulement de la grammaire de la premiere personne, ou de la logique du scepticisme, mais de la subjectivite comme exprimee dans le langage, comme articulation du dedans et du dehors: comme voix humaine. Le mythe de l'interiorite se revele, dans cette approche, comme un mythe de l'inexpressivite: on prefere un prive inaccessible, muet, a la realite (corporelle) et a la fatalite du vouloir-dire. C'est (...) bien le realisme ( la chose la plus difficile, dit Wittgenstein) qu'on decouvre alors au bout du scepticisme. (shrink)

Collins, John Francis; Carroll, Sandra The publication of the 'Norms for the Formation of Permanent Deacons and Guidelines for the Ministry and Life of Permanent Deacons' by the Australian Catholic Bishops Conference, in August 2016, has renewed focus on the role of permanent deacon. This article uses a heuristic structure to discuss the role of the permanent deacon in the Catholic Church in Australia. It then provides a historical perspective and background on the worker priest movement from the mid-twentieth (...) century to explore the possibility of its application to the contemporary role of permanent deacon. (shrink)

This collection of new work on the philosophical importance of television starts from a model for reading films proposed by Stanley Cavell, whereby film in its entirety—actors and production included—brings its own intelligence to its realization. In turn, this intelligence educates us as viewers, leading us to recognize and appreciate our individual cinephilic tastes, and to know ourselves and each other better. This reading is even more valid for TV series. Yet, in spite of the progress of film-philosophy, there has (...) been a paucity of concurrent analysis of the ethical stakes, the modes of expressiveness, and the moral education involved in television series. Perhaps most conspicuously, there has been a lack of focus on the experience of the viewer. (shrink)

L’article vise à comparer Reinach et Austin dans leur découverte des performatifs et d’un certain type d’acte langagier et social. Il y a des similarités évidentes entre les deux philosophes, mais aussi des différences importantes qui permettent de montrer les véritables enjeux de la théorie austinienne : non seulement une découverte de la dimension pragmatique du langage, mais une critique, inséparable de la théorie des performatifs, de la notion même d’état de choses et du représentationalisme. Cette critique permet de distinguer (...) la théorie d’Austin, qui est une théorie de la performance linguistique, d’une ontologie ou d’une théorie des objets sociaux.This study aims to a comparison between Reinach’s and Austin’s discovery of performative utterances and of a species of both linguistic and social acts. Reinach and Austin share obviously a common approach to the phenomenon of performatives utterances. But there are also some crucial differences between them are to be discovered, which may set in focus some of the actual stakes of Austin’s theory : not only the pragmatic approach to language but also a criticism of the very idea of state of affairs and of representationalism as such. This critique makes the difference between Austin’s theory of linguistic performance, and Reinach’s ontology, or theory, of social objects. (shrink)

L’A. examine le débat actuel sur la règle – notamment tel qu’il a été lancé par S. Kripke – et tente de le déplacer : la question n’est pas de fonder, penser ou expliquer la règle, ni de discuter des conceptions de la règle ou des applications correctes et incorrectes de la règle, mais de la « chercher au bon endroit », pour reprendre une expression de Cora Diamond. Il ne faut pas surestimer la place de la règle chez Wittgenstein (...) : toutes nos activités ne sont pas gouvernées par des règles, mais « suivre une règle » fait partie de nos pratiques et de leur arrière-plan. (shrink)

This article analyses representations of Conservative Laestadianism in contemporary Finnish and Finnish-American popular culture. Drawing from political studies, religious studies and cultural studies, the article sheds light on the ways in which Conservative Laestadianism is present in societal debate and in the cultural imagination. Focusing on religious corporeality, the article scrutinises the embodied practices of Conservative Laestadianism and the ways in which the representations participate in making sense of gender, sexuality, and power in religious communities. Contemporary understandings in popular culture (...) are revealed through the detailed analysis of four cultural products of different genres depicting Conservative Laestadianism: a film entitled Kielletty hedelmä, a novel entitled We Sinners, a reality television show entitled Iholla, and a play entitled Taivaslaulu. As a synthesis of the representations of Conservative Laestadianism, the article presents a dynamic triad of care, longing, and control. Furthermore, the article raises questions about the potential of popular culture in calling for a dialogue between Conservative Laestadianism and society at large. (shrink)