The article starts from the question of where the theses that we are ruled by sadists today come from, both in conspiracy theories and in explanations of the prevalence of violence and cruelty in modern society. The article first highlights some important recent changes in politics, economics, and society (the fall of the Berlin Wall; victimisation; the crisis of politics and the rise of neoliberalism; the changing dynamics of capitalism, which appropriates and valorises affect and favours the bizarre; the new (...) social media; the shift of obscenity from the margins to the centre; the paradoxes of the “end of history” and historical stagnation; the pandemic; the change in the general mood from anxiety to nightmare, in which the main problem is the enjoyment of the Other). The article then looks at the historical changes in the term “sadism”, which in the 19 th and 20 th centuries reduced Sade’s work to a clinical category, defined the meaning of “sadism” as the pleasure of torturing others, and constructed the term “sadomasochism” in Freud, the Freudians, and the Frankfurt School. The latter was used to analyse Nazism, and was later rightly criticised by Deleuze as something that had nothing to do with Sade and Masoch. War propaganda, clichés, and other processes play a special role in this process of forming the general conception of sadism; they are also responsible for the fact that “sadomasochism” as a sexual practice and as a fashion has recently become something socially acceptable, although, on the other hand, it has played a part in the “pornification” of society and in the recent enforcement of extremely violent forms of pornography. Notwithstanding all these distortions of sadism and notwithstanding the uselessness of sadomasochism in a concrete analysis of the functioning of modern social bonds, a certain form of sadism in general, especially in the face of all the social and political changes mentioned above (trolls, haters), retains its power over society. To analyse this in more detail, one must include the ubiquitous but little analysed phenomenon of _schadenfreude_, especially on the part of the public, and cruelty as a phenomenon to which society is both distanced and fascinated. The third step is to explain what _schadenfreude_ and cruelty are and how they relate to Lacan’s concept of _objet petit a_. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:MIMETIC SADISM IN THE FICTION OF YUKIO MISHIMA Jerry Piven New York University Mishima Yukio (1925-1970) was one ofthe mostenigmatic authors of the 20th century. Novelist, playwright, actor, exhibiionist —his novels are rife with homoerotic and violent imagery, while his fanatical and nihilistic philosophy calls for a return to a Samurai ethos. Mishima thus attained infamy in Japan and in the West, as his shocking novels inspired hordes (...) ofyoung Japanese into a cult ofMishima worship, while critics who acknowledge his genius are still nervous about his sadistic homosexuality and his suicide. Mishima's works are suffused with erotic bloodshed and misogyny, and Mishima finally ended his life by ritually disemboweling himself. I will make the case that Mishima was incessantly plagued by torturous mimetic frustrations, and that his final act of spilling his blood and intestines can be interpreted as the result of mimetic hatred against his rivals. I also argue that Mishima was fundamentally schizoidal; in Girardian terms, a man whose hypocrisy for the sakeofdesire rendered him an exhibitionistic maskdisguisingmimetic rage and fear. Having previously written about Mishima from a psychoanalytic perspective, I believe that a Girardian approach would often yield drastically different interpretations of identical biographical and literary materials. ' 1I initially wrote on Mishima for several diagnostic assignments at my psychoanalytic institute, the National Psychological Association for Psychoanalysis (NPAP). After considering the psychoanalytic and Girardian approaches, I expanded these original essays using identical material to determine whetherthe interpretations orconclusions would differ; I was struck by the way the same details could provide both remarkable congruences and vast divergences ofperspective. Read side by side, one can find compatible conclusions, but one also finds perceptions ofthe same details that would be difficultto conceive or articulate 70Jeremy Piven Mimesis, misogyny, and maculacy Kimitake Hiraoka was a frail, sickly child before he became the muscular and exhibitionistic novelist Yukio Mishima. His brutal and helpless childhood inaugurated his mimetic complexes: his need to escape the suffocating and diseased environment of his grandmother, his rivalry with her, and his mimetic ideal ofbeauty and muscular invulnerability. Mishima was an unhealthy youth, taken from the arms of his mother before he was two months old, and confined to the sickroom of his grandmother for the first twelve years ofhis life. Under the auspices ofhis tyrannical and ostensively psychotic grandmother, Mishima lived in the dark, could play only female friends (becausetheywere deemed harmless), and could eat only gentle foods. He thus lived an imprisoned life away from his parents, amid the excrescences of his sick and hysterical grandmother until adolescence, when his father "reclaimed him." Mishima later rebelled against this sickly nature, sculpting himself into a statuesque ideal of masculine beauty. He became obsessed with martial arts and the eroticism ofhis own engraved body. His fiction and philosophy were permeated by misogyny, glorification ofGrecian male sexuality and aesthetics, and the repudiation ofanything weak or feminine. He finally killed himselfbefore age could wither his masculine beauty. Mishima's fiction prominently features protagonists who mirror his sickly youth. The autobiographical Confessions of a Mask (Kamen no Kokuhaku) describes the homoerotic development ofthis frail child. Such fraiIcharacters inMishima'sfiction arealwaysdrawneroticallytobeautiful males as both mimetic rivals and models. The narrator of Confessions describes his sexual attraction to a sewage collector, a "ladler of excrement"(8). Thehandsomemanwith "ruddycheeks" and "shiningeyes" fascinates the narrator, and he is filled with desire lookingathistightjeans. using psychoanalytic perspectives andjargon. Two ofthe original essays will be published inthePsychoanalyticReview in comingmonths: "PhallicNarcissism, Anal Sadism, and Oral Discord: The Case ofYukio Mishima (part I)," and "Narcissistic Revenge and Suicide: The Case ofYukio Mishima (part H)." I am currently translating these articles for publication in Japan. I included a brief discussion of Mishima in the introduction to Psychological Undercurrents ofHistory (Piven and Lawton, eds.), to explore the complex methodological and psychological dynamics of the field of psychohistory. A commentary on Mishima's traumaticchildhood entitled "The Pathology ofGenius," will appearin aforthcomingedition ofTapestry: TheJournalofHistoricalMotivations andtheSocialFabric, and afinal article, "Voyeurism and Rage in The Sailor Who Fellfrom Grace with the Sea," will appear in Psychological Undercurrents ofHistory, Volume II (2002). Mimetic Sadism in the Fiction ofYukio Mishima71 The narrator thus emerges into a burgeoning homosexuality, but he also fantasizes about dying dramatically. His... (shrink)

Understanding the origins of evil behaviour is one of our most important intellectual tasks. A distinction can perhaps be drawn between overt sadistic cruelty and the lack of empathy to suffering that is a hallmark of evil. There is increasing data available on the prevalence, proximal psychobiological underpinnings, and distal evolutionary basis for these contrasting phenomena.

There has recently been a plethora of attempts to understand the key differences that separate the analytic and continental traditions of philosophy, often involving either painstaking descriptions of the divergent argumentative techniques and methodologies that concern them, or comparatively examining in detail the work of certain major theorists in both traditions (e.g. Rawls and Derrida, Lewis and Deleuze). While partly drawing on these two approaches, in this particular essay I instead propose a rather more speculative way of teasing out the (...) differences between them, interpreting them through the lens of Gilles Deleuze’s non-oppositional typology of sadism and masochism, as it is expressed in Difference and Repetition and ‘Coldness and Cruelty’. (shrink)

The paper offers a theory of cruelty that includes the following claims: First, cruelty is best understood as a disposition to take delight in the very infliction of suffering on others. Thus understood, cruelty is the same phenomenon as that studied and operationalized by psychologists in the last decade or so under the heading of everyday sadism. Second, for people to be cruel, they need not have proper understanding of the moral standing of their victims. Third, ascriptions of cruelty (...) do not depend on judgments regarding the moral wrongness of the assumed cruel act. Fourth, since cruelty is primarily a property of agents rather than of actions, and since actions are not always a reliable indication of cruelty, identifying cruelty is a more challenging task than usually thought. (shrink)

The article discusses the structural dynamics of the Covid 19 pandemic and defines it as an essentially finite crisis. However, this definition does not simply come down to the abstract necessity that the pandemic must end at some point, but rather to the fact that the idea of an end has determined the entire course of the pandemic. From the outset, this idea took two antagonistic forms: From the first perspective, the pandemic can only be ended by eliminating the source (...) of the intrusion; from the second perspective, ending the pandemic amounts to society finding a way to adapt to the intrusion. Apart from analyzing the often paradoxical implications of this essentially antagonistic idea for the “objective” evolution of the pandemic in its various phases, the article also demonstrates the inherently sadistic structure of the prevailing societal response. Precisely because this response was aimed at an impossible total normalization, it prepared the ground for the pandemic to possibly mutate into a genuine Anthropocene crisis, the endemic pandemic. (shrink)

Aggressive-sadistic personality disorder (SPD) involves derivation of pleasure from another's physical or emotional suffering, or from control and domination of others. Findings from a head-injured sample indicate that SPD traits are associated with neuropsychological deficits in executive function and language, suggesting difficulties in frontal-lobe-mediated self-regulation of aggressive and emotional impulses. Implications for rehabilitation of aggressive offenders are discussed.

(2009). Recovering Difference in the Deleuzian Dichotomy of Masochism-Without-Sadism. Angelaki: Vol. 14, shadows of cruelty sadism, masochism and the philosophical muse – part one, pp. 27-43.

This article considers how poetry features in Pasolini’s cinema. It argues that the manner in which Pasolini films poetry provides insight into his theory of an affinity between poetry and film, and into more general judgements concerning social reality. The article begins with an analysis of the final sequence of Salò (1975) where I argue that Ezra Pound’s poetry provides a soundtrack for the spectacle of torture in which the film’s libertines engage. Following this, I consider Pasolini’s 1965 text “The (...) Cinema of Poetry” and use this text as a way of reading the role played by a copy of Rimbaud’s collected poems in Teorema ( Theorem, 1968). I then move to consider the relationship between oral recitation and text in Il decameron ( The Decameron, 1971) and Il fiore della mille e una notte ( The Arabian Nights, 1974). In doing this, I argue that one can observe a shift across these films whereby poetry and orality move from being a foundational moment for reciprocal community to being a vehicle for an ambiguous and violent fate. The article then considers the conspicuous presence of reading and writing within Salò before ending with a consideration of one scene towards the end of the film in which Pasolini appears to invest a recitation of the Gospel with a disruptive force that is otherwise lacking in his final film. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kant’s SadismErmanno BencivengaIn The Ethics Of Psychoanalysis, Lacan says: “So as to produce the kind of shock or eye-opening effect that seems to me necessary if we are to make progress, I simply want to draw your attention to this: if The Critique of Practical Reason appeared in 1788, seven years after the first edition of The Critique of Pure Reason, there is another work which came out six (...) years [!] after The Critique of Practical Reason, a little after Thermidor in 1795, and which is called Philosophy in the Boudoir.” 1 What is supposed to produce the shock effect is not the simple juxtaposition of dates, of course, but the implicitly Hegelian reading of history which makes those dates significant, and which comes out in full strength when Lacan says, in Kant avec Sade: “The Philosophy in the Boudoir comes eight years [!] after the Critique of Practical Reason. If, after seeing that the former agrees with the latter, we prove that it completes it, we will say that it gives the truth of the Critique.” 2 Lacan’s “proof,” however, is anything but rigorous or systematic; so his provocative statement will probably sound inspiring to Lacan enthusiasts and gratuitous to virtually anyone else. Which is a pity, because the statement is absolutely correct: it is indeed the case that Sade brought to their extreme consequences the characteristic premises of Kant’s ethics, thus unfolding their truth in ways which the man Kant might even have vehemently resisted, but which were nonetheless necessary. Here I would like to provide more of a systematic and rigorous defense of this statement, though I make no claim as to how faithful my reconstruction might be to Lacan’s “intentions” (the irrelevance of this issue from the point of view espoused here will soon become apparent; hence it will also become apparent that it is an issue this point of view need not be concerned with). [End Page 39]According to Kant, a moral duty cannot be based on any inclination or feeling—including feelings of compassion or sympathy for another human being. Any dependence on such feelings would represent a pathology of reason, a case of reason being guided by something other than itself, of it not being practical, and hence of heteronomous behavior. Making the well-being of some other human, or of one’s community, or of humankind, the goal of one’s action would be relegating rationality to (at best) an instrumental role, and thus denying any ethical value to that action. Kant says that “kindness done from duty—although no inclination impels us, and even although natural and unconquerable disinclination stands in our way—is practical, and not pathological, love, residing in the will and not in the propensions of feeling, in principles of action and not of melting compassion; and it is this practical love alone which can be an object of command.” 3This independence of any empirical conditioning is further articulated in the distinction between acting in conformity with duty and acting from the motive of duty: “When... disappointments and hopeless misery have quite taken away the taste for life; when a wretched man, strong in soul and more angered at his fate than faint-hearted or cast down, longs for death and still preserves his life without loving it—not from inclination or fear but from duty; then indeed his maxim has a moral content.” 4 But now the problem is how exactly to understand this distinction. Kant’s talk of motives suggests that it’s one’s intentional state that makes the difference: that the very same behavior may have only the appearance of morality, or instead be truly moral, depending on what one’s goals are. If, say, I promote the well-being of my neighbor because it makes me feel good, or because I empathize with him, then there is nothing moral to what I do. If, on the other hand, I do exactly the same thing because it is rational to do so, then there will be moral content to it. And indeed this position is often identified with Kant, and sometimes suggested by Kant himself—from now... (shrink)

Population axiology includes two major arguments. The first is the repugnant conclusion, which was originally formulated by Derek Parfit to criticize total utilitarianism. The second is the sadistic conclusion. In this study, I demonstrate that no additively separable principle can avoid both repugnant and sadistic conclusions if individual moral values have no upper bound. This impossibility holds not only for utilitarian principles but also for any population principles that guarantee the separability of people’s well-being. I emphasize the importance of examining (...) non-separable principles in population ethics. (shrink)

This paper establishes a new impossibility result for welfaristic evaluations when the population varies. We consider a weak version of the repugnant conclusion instead of the commonly used version. It is shown that if a population principle satisfying two reasonable properties avoids the sadistic conclusion, then the weak repugnant conclusion must hold. We use a general variable-population setting where the identities of individuals can matter.

Workplace productivity is badly affected by many negative factors such as narcissism, and sadism. In addition, paranoia and antagonism play an important role in increasing workplace incivility. Through emotional intelligence, such negative behaviors could be addressed by managers and their junior colleagues. The current study aims to investigate the parallel mediating role of paranoia, antagonism, and emotional intelligence on the relationship between narcissism, sadism, and workplace incivility. A survey approach was used. Primary data was collected in PLS-SEM. The (...) population of the study was all faculty members in higher education institutions in the Khyber Pakhtunkhwa region. A measurement model and structural model were developed. The measurement model demonstrated that convergent and discriminant validities were established. The structural model's findings revealed that narcissism, antagonism, and emotional intelligence were not mediated between narcissism and workplace incivility. Similarly, emotional intelligence did not play any mediating role between sadism and workplace incivility. This implied that emotional intelligence has no role in decreasing or reducing workplace uncivil behavior. (shrink)

The author of the article addresses sadism as an ontological problem and analyses the primordial way of solving the problem of human existence in the works of the Marquis de Sade, citing similarities and differences. To substantiate his thesis, the author analyses the correlation between corporeality and the ontological place of libertines and victims, proving that the ontological status is located in the body. Through the consideration of sadism and masochism, the author shows the transition of sadism (...) into masochism, the transfusion of energy flows of pain and pleasure, which are constituted by the will to power. This transfusion became the basis for the formation of the superbody. The superbody is formed as a result of the union of true and semi-real bodies. Accordingly, the author compares the World Female with the sadistic macrocosm, primordial man with the character of the Marquis de Sade, to demonstrate the coincidences in primordial and sadistic types of thinking. The author concludes that it is important for the Sade's character to transcend any corporeality, and his cosmos is completely subordinated to Thanatos. (shrink)

And it is known that some remain for ever inconsolable at human woe; so that even God Himself cannot warm them. So from time to time the Creator, Blessed be his Name, sets the clock of the Last Judgement forward by one minute.

The late Richard Rorty has sometimes been described as a controversial, or even outrageous, thinker. Yet the reasons that stand behind such a reputation are obviously quite different from in the ca...

Much has been written about the puzzling aesthetic appeal of horror films that include scenes of brutal, graphic violence. More recently, however, some philosophers have proposed that viewing certain horror films as a source of entertainment is morally problematic because of the impact they might have on our moral psychology. By contrast, Ian Stoner argues that viewing fictional depictions of violence in horror films is not morally problematic because horror films do not present violence in ways that risk damaging the (...) kinds of reactive attitudes required to exhibit a well-functioning moral psychology. In this paper I note some the ways in which Stoner is correct about horror films, yet I argue that he has overstated his case for the permissibility of viewing all instances of horrific violence as entertainment. (shrink)

The nearly omnipotent character known only as “Q” dramatically enters the Star Trek universe when he puts all humanity in the person of Captain Jean‐Luc Picard, on trial in the first episode of TNG. Acting as self‐professed prosecutor, judge, and jury, Q promises Picard an “absolutely equitable” trial, only to coerce Picard into pleading “guilty” by threatening to kill his crew. Q could be like the “Leviathan” of Thomas Hobbes (1588‐1679), an absolute sovereign who has the power to keep people (...) from warring with each other, but who can't be held accountable or subject to any civil law in the use of that power. Enlisting Hobbes and Locke, this chapter examines the motives behind Q's enigmatic actions and sees what Q, deep down, might believe about justice. Hobbes begins with a basic right of nature that all people possess: our liberty to ensure the preservation of our own life. (shrink)

Critical-Range Utilitarianism is a variant of Total Utilitarianism which can avoid both the Repugnant Conclusion and the Sadistic Conclusion in population ethics. Yet Standard Critical-Range Utilitarianism entails the Weak Sadistic Conclusion, that is, it entails that each population consisting of lives at a bad well-being level is not worse than some population consisting of lives at a good well-being level. In this paper, I defend a version of Critical-Range Utilitarianism which does not entail the Weak Sadistic Conclusion. This is made (...) possible by a fourth category of absolute value in addition to goodness, badness, and neutrality. (shrink)

The phenomenological understanding of empathy as the direct experiencing of the mental states (feelings, intentions, moods) of others eschews the identification of empathy with caring. At the same time, it leaves open the possibility of sadistic pleasure, indifference, or malice as consequences of empathic experience. In this paper, I intend to defend the place of caring as an inseparable part of the empathic experience, specifically when understood as direct perception. My defense relies on (a) conceiving of attentive concern as a (...) perceptual predisposition, and (b) understanding the caring responsiveness of the empathizer as embedded in her direct perception of the empathee's mental states. My claim proceeds by three steps. Firstly, I will present the need to include caring within empathy through the problem that arises from excluding it. Secondly, I will argue for the presence of active responsiveness, inherent in the phenomenological concept of perception and expressed more explicitly in its Gibsonian understanding. Thirdly, I will propose my understanding of attentive concern as a predisposition, which together with the intentionality attributed to the other (itself also a disposition) forms the pre-perceptual basis for identifying empathy with caring. (shrink)

We examine a general class of variable-value population principles. Our particular focus is on the extent to which such principles can avoid the repugnant and sadistic conclusions. We show that if a mild limit property is imposed, avoidance of the repugnant conclusion implies the sadistic conclusion. This result generalizes earlier observations by showing that they apply to a substantially larger class of principles. Our second theorem states that, under the limit property, the axiom of mere addition also conflicts with avoidance (...) of the repugnant conclusion. This result is a consequence of a similar observation that appears in the earlier literature. (shrink)

Terrorism researchers have long discussed the role of psychology in the radicalization process. This work has included research on the respective roles of individual psychological traits and responses to terrorist propaganda. Unfortunately, much of this work has looked at psychological traits and responses to propaganda individually and has not considered how these factors may interact. This study redresses this gap in the literature. In this experiment (N = 268), participants were measured in terms of their narcissism, Machiavellianism, subclinical psychopathy, and (...) everyday sadism—collectively called the Dark Tetrad. Participants were then exposed to a vivid or nonvivid terrorist narrative (or a control message). Results indicate that Machiavellianism interacts with both narrative exposure and narrative vividness to amplify the persuasive effect of terrorist narratives. Neither narcissism, subclinical psychopathy, nor everyday sadism had such an effect. These results highlight the importance of considering the psychological traits of audiences when evaluating proclivity for radicalizationviapersuasion by terrorist narratives. (shrink)

This commentary provides a critique of Žižek’s 2021 article on the catastrophe of the U.S. military withdrawal from Afghanistan with a focus on Zizek’s nostalgic moment of the fully engaged subject. The commentary deploys the actual and possible scenarios of the form of subjectivity in association with the cynical subject and the sadistic superego; and suggests the possibility of an alternative ethical subjectivity.

Ainslie argues that our responses to the threat of our own inconsistency determine the basic fabric of human culture. He suggests that individuals are more like populations of bargaining agents than like the hierarchical command structures envisaged by cognitive psychologists. The forces that create and constrain these populations help us understand so much that is puzzling in human action and interaction: from addictions and other self-defeating behaviors to the experience of willfulness, from pathological over-control and self-deception to subtler forms of (...) behavior such as altruism, sadism, gambling, and the 'social construction' of belief. This book integrates approaches from experimental psychology, philosophy of mind, microeconomics, and decision science to present one of the most profound and expert accounts of human irrationality available. It will be of great interest to philosophers and an important resource for professionals and students in psychology, economics and political science. (shrink)

According to Critical-Level Views in population axiology, an extra life improves a population only if that life’s welfare exceeds some fixed ‘critical level.’ An extra life at the critical level leaves the new population equally good as the original. According to Critical-Range Views, an extra life improves a population only if that life’s welfare exceeds some fixed ‘critical range.’ An extra life within the critical range leaves the new population incommensurable with the original. -/- In this paper, I sharpen some (...) old objections to these views and offer some new ones. Critical-Level Views cannot avoid certain Repugnant and Sadistic Conclusions. Critical-Range Views imply that lives featuring no good or bad components whatsoever can nevertheless swallow up and neutralise goodness or badness. Both classes of view entail that certain small changes in welfare correspond to worryingly large differences in contributive value. -/- I then offer a view that retains much of the appeal of Critical-Level and Critical-Range Views while avoiding the above pitfalls. On the Imprecise Exchange Rates View, the quantity of some good required to outweigh a given unit of some bad is imprecise. This imprecision is the source of incommensurability between lives and populations. (shrink)

The moral status of some particularly horrendous actions cannot be adequately captured by the concept of wrongdoing.See Daniel Haybron, “Moral Monsters and Saints,” Monist, Vol. 85 : p. 260; Paul Formosa, “Evil, Wrongs and Dignity: How to Test a Theory of Evil,” Journal of Value Inquiry, Vol. 47 : pp. 235–253; Eve Garrard, “The Nature of Evil,” Philosophical Explorations: An International Journal for the Philosophy of Mind and Action, Vol. 1 : pp. 43–45; Hillel Steiner, “Calibrating Evil,” The Monist, Vol. (...) 85 : pp. 183–185. For instance, sadistic torture and genocidal mass murder are not just wrong, or very wrong, or very very wrong. We need the concept of evil to make sense of the moral status of these actions. But what is evil? And how is it distinct from mere wrongdoing?In recent years, several theorists writing about the concept of evil have argued that the best way to proceed is to think reflectively about evil’s opposite. Call this the mirror methodology. .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Videogames and Interactive FictionGrant TavinorIIn the third-person crime simulator Grand Theft Auto 3, the fictional performing of all sorts of criminal nuisance is a possibility. (Squeamish readers, or those that are adamant videogames are playing a decisive role in the moral degeneration of modern society might want to turn away now!) Here is one possibility for players of the game: while driving around in the rundown red-light district of (...) Portland Island, try stopping beside one of the women dressed in leather dresses and knee-high stockings who say things like "Have you ever been down south?" The fictional woman will bend down to the car window and eventually hop in. Now drive to a secluded area, stop the car, and wait. What happens? The car begins to rock up and down, slowly at first, and then more quickly, squeaking all the while. As it does, your health meter increases and the cash meter decreases. Eventually, after the car has stopped rocking, the prostitute exits and walks away. This is all obviously of questionable taste. But the really horrible part is that it is possible to mug the prostitute and take back your money!Though I am reluctant to tell you this, the first time I discovered the trick, I felt a sort of sadistic joy at my reprehensible behavior. Friends in the room at the time thought the whole incident hilarious; except for one who thought it extremely revolting. Perhaps now though, I feel guilty for what I did to the prostitute. (Hence my reluctance to let you know of my sinister fictional activities!) Of course, this episode raises a host of ethical questions; I will not attempt to answer them here. What I am interested in is the possibility of fictional interaction itself. The important point is that this fictive episode seems to show that it is possible in the case of videogames to feel guilty or ashamed for what one [End Page 24] does in a fictional world. But how is this possible? What does interacting with a videogame amount to that it allows for this intimate (and dubious) emotional connection?There is a wide and impressive literature in the analytic philosophy of the arts concerning the nature of fiction and the practice that surrounds it; this literature gives us an ideal theoretical basis from which to explore the topic of videogames. But also, videogames will allow us to return our attention to the theory, perhaps perceiving areas in which it can be improved, so as to become more generally applicable. I begin this paper by setting out some initial descriptive examples of the ways in which videogames are interactive fictions. After discussing an ambiguity in the notion of what it is to interact with a fiction, I deal with two prominent aspects of that interaction; that focused on fictive props, and the apparent interaction players have with fictional worlds. Next, I argue that the interactive nature of videogames alters the character of our interest in them. Rather than a focus on interpretive and sympathetic engagement with narratives, videogames involve their appreciators in an active engagement with the problem spaces or kinetic narratives of gameplay. Finally, I argue that because action and emotion are close cognitive bedfellows, and because emotion plays an important role in the psychology of fictive practice, that the emotions experienced by videogame players will be distinctive to that fictive form.IIVideogames provide their players with a variety of opportunities for interactive engagement. The last ten years have seen significant development in the extent of the fictive interactivity of videogames, especially with the advent of the "next generation" consoles such as Playstation 2 and X-Box, and the burgeoning genre of PC gaming. With the intention of providing some descriptive substance for the following theoretical discussions, in this section I present some examples of the ways in which modern videogames are interactive fictions, and how they differ to more traditional fictive forms in this respect.Many videogames involve exploring an environment. In Grand Theft Auto 3, the player, in the guise of a criminal protagonist, is able to explore the streets of Liberty City. Completing the objectives of the... (shrink)

After the 2016 election of Donald Trump, many commentators latched on to the accusations Rorty levels at the American Left in Achieving Our Country. Rorty foresaw, they claimed, that the Left's preoccupation with cultural politics and neglect of class politics would lead to the election of a "strongman" who would take advantage of and exploit a rise in populist sentiment. -/- In this paper, I generally agree with these readings of Rorty; he does think that the American Left has made (...) the mistake of putting class on the political backburner. However, I suggest that this position follows from his view that economic security is vital for solidarity. Because economic security is under increasing threat in contemporary America, so too is solidarity. If greater solidarity is a goal of liberal democracy, then class politics, aimed at ending selfishness, ought to be as much a priority for the American Left as is cultural politics, aimed at ending sadism. (shrink)

Who would the Saviour have to be, what would the Saviour have to do to rescue human beings from the meaning-destroying experiences of their lives? This book offers a systematic Christology that is at once biblical and philosophical. Starting with human radical vulnerability to horrors such as permanent pain, sadistic abuse or genocide, it develops what must be true about Christ if He is the horror-defeater who ultimately resolves all the problems affecting the human condition and Divine-human relations. Distinctive elements (...) of Marilyn McCord Adams' study are her defence of the two-natures theory, of Christ as Inner Teacher and a functional partner in human flourishing, and her arguments in favour of literal bodily resurrection and of a strong doctrine of corporeal Eucharistic presence. The book concludes that Christ is the One in Whom, not only Christian doctrine, but cosmos, church, and the human psyche hold together. (shrink)

In the past few decades, a growing number of philosophers have tried to explain the phenomenon of imaginative resistance, or why readers often resist the invitation of authors to imagine morally deviant fictional scenarios. In this paper, I critically assess a recent proposal to explain IR in terms of a failure of empathy, and present a novel explanation. I do so by drawing on Peter Goldie’s narrative account of empathic perspective-taking, which curiously has so far been neglected in the IR-literature. (...) I argue that, in some cases, IR is due to a partial confusion of two kinds of imaginative perspective-taking towards a fictional character: an internal, genuinely empathic, perspective-taking, on the one hand, and an external, crypto-empathic, stance that can be characterized as in-her-shoes-imagining, on the other. I argue that, in the cases at issue, IR is not so much a resistance to imagining but, rather, to empathically enacting an evildoer’s moral and phenomenal first-person perspective. I conclude by considering some more general lessons that follow from my account for what has recently been called sadistic empathy and point to an unresolved issue for future thinking about IR. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Future of Sexual Difference: An Interview with Judith Butler and Drucilla Cornell*Pheng Cheah (bio) and Elizabeth Grrosz (bio)EG:Luce Irigaray’s writings have always figured strongly in your works, probably more than in the work of other American feminist theorists. Out of all the feminist theorists you both interrogate, she seems to emerge as a kind of touchstone of the feminist ethical, political, and intellectual concerns to which you seem (...) to aspire. Could each of you briefly outline how she figures in your work, whether your relations to her have changed, and if so, how?JB:I think that probably early on, when I started working on French feminism as a graduate student in the early ‘80s, I was not interested in her at all because she seemed to me to be an essentialist and that was a term we used quite easily then, when we thought we knew what it meant. In the late ‘80s, I started to rethink my objections to her on that basis and found that she was, among the feminist theorists I had read, perhaps the most versed in philosophy and that her engagement with philosophy was a curious mixture of both loyalty and aggression. And it became very interesting to me when I started thinking about her whole practice of critical mimesis—what she was doing when she was reading Freud, what was she doing when she was reading Plato—and I read Speculum again and again, frightened by its anger, compelled by the closeness of the reading, confused by the mimetism of the text. Was she enslaved to these texts, was she displacing them radically, was she perhaps in the bind of being in both positions at the same time? And I realized that whatever the feminine was for her, it was not a substance, not a spiritual reality that might be isolated, but it had something to do with this strange practice of reading, one in which she was reading texts that she was not authorized to read, texts from which she was as a woman explicitly excluded or explicitly demeaned, and that she would read them anyway. And then the question is: what would it mean to read from a position of radical deauthorization in order to expose the contingent authority of the text? That struck me as a feminist critical practice, a critical reading practice that I could learn from, and from that point on, highly influenced by both Drucilla’s work and Naomi Schor’s work [see Schor], I started to read her quite thoroughly.PC:Is this kind of relationship that she has with the philosophers she reads a sexual relationship? I am thinking of some of the sexualized terms you just used: loyalty and aggression.JB:Yes, there is no doubt that there is an eros of a certain kind, usually the kind that frightens me, quite frankly. I think Carolyn Burke has made this argument that Irigaray [End Page 19] has a romance with the philosophers [see Burke]. I think she has a certain masochistic-sadistic erotic engagement with the philosophers.EG:Do you think it is sado-masochistic?JB:Well, I think it was much more aggressive in Speculum of the Other Woman than it became in An Ethics of Sexual Difference. There, I think there is an engagement that is still very difficult, but at least there is evidence of a more loving engagement.PC:I hope that we can return to the question of love at the end. Is this the kind of relationship that you have to her texts?JB:No, I’m probably too frightened. [Everybody laughs.] And I don’t engage them that closely, probably because I find it frightening to be in that particular knot. She doesn’t actually have a chapter in any of my books. I think I can’t quite devote a chapter to her....EG:No, but you devote large sections of chapters....JB:That’s true, but I can’t stay there for a prolonged period of time [laughs], whatever that’s worth.EG:I’d like to come back to this later, because I think it is a really interesting... (shrink)

This paper is dedicated to a discussion of Gilles Deleuze’s Coldness and Cruelty and its special place in French Sade studies. In this text, Deleuze famously argues against the notion of ‘sadomasochism’ as a unity. Sadism and masochism are, on his view, two entirely separate and incompatible ways of making use of pain and suffering in perversion. What is less known about Deleuze’s text is that he argues, against the current in French philosophy, psychiatry, and even intuition, that the (...) essence of sadism is a kind of thinking rather than a pleasure in causing pain to others. In this essay, we try to make sense of the idea that the sadist, at heart, is a metaphysician who thinks by means of suffering and indifference. Our paper also addresses the related concern about how to account for the properly sexual nature of this metaphysical perversion. We argue that the sexuality of thinking is rooted in pre-genital sexual life as described by Freud in his Three Essays on the Theory of Sexuality. (shrink)

This article will show how, through an expressionist style that references Gothic and noir cinema, Les Diaboliques (Henri-Georges Clouzot, 1955) mediates concepts found in contemporary post-war French existentialism, in particular the phenomenology of horror of Sartre, with whom the director had a personal association. It will examine how the experience of horror is presented as a conscious apprehension of the world as irrational and no longer conforming to deterministic and conventional order. Les Diaboliques asserts that horror results from a distorted (...) perception that has imbued the world with those qualities, and in this case, perception has been manipulated by the sadistic Other. The article will link this portrayal of horror to Les Diaboliques’ well-established influence on the development of the dominant 1960s and 1970s paranoid-psychological horror film and key figures like Alfred Hitchcock and William Castle, suggesting the ontological source of horror in these films as existential phenomenological in nature as opposed to exclusively being the result of psychosexual and familial repression, as is commonly posited by critics. (shrink)

In a recent contribution to Utilitas Hugh Upton has criticized my defence of utilitarianism against the charge that it is committed to regarding the pleasures taken by sadists in other people's pain as increasing the amount of good in the world and so at least partially offsetting the suffering of the victims. In the present paper I clarify and defend my view that sadists implicitly insult their own human qualities, thus rendering it impossible to respect themselves as human beings, when (...) they enjoy the suffering of others with essentially similar qualities. Distinguishing between happiness and pleasure, I explain why it is not, as Upton thinks, a mere stipulation to deny that the sadist's self-demeaning pleasures are capable of augmenting his happiness. (shrink)