The Anthropology of Sport and Human Movement represents a collection of work that reveals and explores the often times dramatic relationship of our biology and culture that is inextricably woven into a tapestry of movement patterns. It explores the underpinning of human movement, reflected in play, sport, games and human culture from an evolutionary perspective and contemporary expression of sport and human movement.

Kleinschmidt's definition of the “Weltformenkreis” as the smallest systematical unit of affinity removes any danger of obliterating the type and at the same time opens a way for judging the superior taxonomic groups on principle differently from the subspecies of a “Formenkreis”.It is demonstrated that the characters of geographical subspecies are characters of apparent shaping, those of the species however are characters of construction and qualitative and autonomic ones. It is the type differentiating in quality that justifies the definition of (...) species. As the characters of type do not necessarily appear gradual and quantitative, but are qualitative, the types cannot be derived from one another, unless they are conceived by the common superordinate idea of the superior systematical category next in order.The distinct division of species is opposed to the hypothetical continuity of the pedigree, which cannot be explained by a consanguinity nor by an affinity based on reproduction. The pedigree, however, is an expression of the spiritual order of nature, in which the types appear as units hierarchically graduated and determined by entelechy, not by dead matter.Within the systematical units there is a creative evolution, steadily pursuing its aim and leading from the primitive stage to the differentiated one, beginning with a juvenile phase, which is followed by orthogenetic maturity and, finally, by the aged stage with its “detypification”. The adaptation to the environment may be also proved for the primitive forms and is an organic part of the whole design of the world for them as well as for the specialized and differentiated forms. — The formation of new types cannot be explained in a merely mechanical way; everywhere, even in the gens and genoms, we state ingenious modifications, which do not only bring about a reaction of a single modification to the whole, but operate from the whole. Since the origin of man, since the tertiary formation, the creation of species has completely ceased. There are only alterations of subspecific character.After a digressive treatise on the fundamental difference of man and animal in order to explain the type the superior systematical categories are characterized as spiritual realities. It is especially for the “genus” that a revision is necessary. The reality of the common origin of certain species within the genus is not based on reproduction , but on the superior totality comprising the species. Individuals can be conceived by the character of the species, species by the character of genus only. This is an evidence for the methodicalness of creative nature. It excludes any evolution of the genus “from bottom to top”, which is irregular, accidental or immediately formed by environment. From this we derive the comprehensive right of a natural system which now is more than mere classification.Kleinschmidt qui donne une définition du „Weltformenkreis” comme la plus petite unité d'affinité systématique, déjoue le danger d'oblitérer le type et offre, en même temps, la possibilité de juger les groupes taxonomiques supérieurs par principe différemment de la souspèce d'un „Formenkreis”.Nous démontrons que les caractères des souspèces géographiques sont des caractères du façonnement extérieur, tandis que ceux de l'espèce sont des caractères de la construction d'une manière qualitative et autonome. Le type différent en qualité justifie seulement la définition de l'espèce. Comme les caractères du type n'apparaissent pas nécessairement graduels et quantitatifs, mais sont au contraire, qualitatifs, les types ne se dérivent pas l'un de l'autre, à moins qu'ils ne soient compris par la commune idée supérieure du plus sublime groupe systématique.La division distincte des espèces s'oppose à la continuité hypothétique de la généalogie, qui ne s'explique pas par une consanguinité ni par une affinité se fondant sur la reproduction, mais qui est plutôt une expression du régime spirituel de la nature, dans lequel les types se présentent comme des unités rangées hiérarchiquement et réglées par l'entéléchie et non par la matière.Dans les unités systématiques il y a une évolution créatrice qui tend continuellement à son but et mène de la phase primitive à la phase différentiée commençant par un état juvénile, qui est succédé par la maturité orthogénétique et enfin par l'âge avec sa „détypification”. L'adaptation au milieu est démontrée pour les formes primitives et représente un élément organique du grand projet mondial pour elles aussi bien que pour les formes spécialisées et différentiées. — La formation de types nouveaux ne s'explique pas seulement d'une manière mécanique; partout, même dans les „genes” et les „genomes”, nous observons des transformations ingénieuses, qui ne sont pas seulement une réaction d'une modification particulière à l'ensemble, mais un effet de l'ensemble. Depuis l'origine de l'homme, depuis la période tertiaire la formation d'espèces est complètement finie. À présent il n'y a plus que des variations d'un caractère souspécifique. Après un traité digressif sur la différence essentielle de l'homme et de l'animal pour expliquer le type les groupes systématiques supérieurs sont caractérisés comme des réalités spirituelles. C'est surtout pour le genre qu'une révision est nécessaire. La réalité de la racine commune de certaines espèces dans le genre ne se fonde pas sur la reproduction , mais sur la totalité supérieure qui implique toutes les espèces. Des individus sont compris par le caractère d'espèce, des espèces seulement par le caractère de genre. C'est une preuve de la méthode de la nature créatrice. Elle exclut une évolution de genre „du bas en haut”, qui est irrégulière, faite par hasard ou formée directement par le milieu. De là nous dérivons le droit compréhensible d'un système naturel, qui est désormais plus qu'une simple classification. (shrink)

In Insight, Bernard Lonergan provides, albeit schematically, a unique philosophy of biology which he takes as having “profound differences” with the world view presented by Darwin. These turn on Lonergan's idea of “schemes of recurrence” and of organisms as “solutions to the problem of living in an environment.” His lapidary prose requires some deciphering. I present the broad lines of his philosophy of biology and argue that Jean Piaget's structuralism can shed light on Lonergan's intentions in virtue of his use (...) of cybernetics and the isomorphism between biology and knowledge. In turn, Piaget draws on Waddington's restatement of epigenesis and I suggest that the result, “process structuralism,” is a viable alternative to the modern Darwinian synthesis. (shrink)

Questions the research, assumptions, and intention behind Danish statistician Bj²rn Lomborg's attacks on peer-reviewed scientific theories of global warming.

The aim of this paper is to note the convergence between two critical realist philosophies of science, namely, that of Roy Bhaskar and Bernard Lonergan with regard to the intelligibility of experimental activity. Bhaskar very explicitly argues that ‘differentiation implies stratification.’ The idea is that because the situations produced in laboratories are special instances of closure the significance of experimental activity is that it brings about regularities with a view to understanding scientific laws at a deeper level. This is to (...) say, when experiment is properly understood, the weaknesses of empiricism are exposed. Although he is not as explicit, Lonergan also has recourse to this argument. The parallels between Bhaskar and Lonergan are not surprising given the Aristotelian heritage that is manifest in their common concern for a realist ontology. Nevertheless, some differences between the two emerge, for example, in Lonergan's concern with the development of statistical science, and as well, a firm commitment to substance. Some attention to the significance of experimental activity for the debate surrounding realism is explored; it is suggested that Lonergan has something to offer in the subsequent conversation associated with Maxwell, van Fraassen, Hacking and Cartwright. (shrink)

Lindbeck's difficulties with Lonergan's account of religion stem from his radical methodological option in which he draws on Wittgenstein. I revisit ‘the dialectic of methods,’ by examining children's mistakes. I use Lonergan's distinction between ordinary and originary meaningfulness to argue that in Wittgenstein's account of rule-following such mistakes highlight the publicity of norms in ordinary meaningfulness, but I show how alternatives can be cited in which originary meaningfulness is not obscured. I explain the core of Lonergan's foundational methodology and show (...) how for Lonergan the desire to understand is an exigence which, as retorsion indicates, is difficult to deny. I conclude that in his account of religion Lonergan has an answer to a question posed by Wittgenstein on the purpose of thinking. (shrink)

When dealing with questions of scientific responsibility, we are often concerned with the ethical implications of new and promising but at the same time risky advances in technology and with the responsibility researchers might bear for the application of their scientific results. One very well known example is the question of whether or not the physicists and engineers of the atomic bomb were — at least partly — morally responsible for the bombing of Hiroshima, because their research technically enabled a (...) form of killing that otherwise would not have been possible. Similar problems of responsibility currently arise in the field of biomedicine. Biologists, physicians and other scientists, who are engaged in the development of technologies like reproductive cloning that can be used in morally questionable ways, are increasingly asked to assume some responsibility for the use of their research by others. Ethicists are dealing with the question of how much responsibility can be ascribed to someone who’s action was not inherently morally wrong but can be used in morally blameworthy ways.More rarely it is asked however, if and how much responsibility a user of research results bears for morally questionably or even clearly immoral research that had been conducted that was necessary for his or her work to be carried out Insofar as these questions are dealing with responsibility that in the end must be born by more than one agent, both questions also raise issues of shared or collective responsibility. In this article I will focus on the issue of moral responsibility as it is related to the use of results that were obtained in a morally questionable way. Insofar as the actions that I will focus on are not inherently morally wrong they might be considered to be examples of “moral complicity”. (shrink)

Modernity, Community, and Place in Brian Friel’s Drama shows how the leading Irish playwright explores a series of dynamic physical and intellectual environments, charting the impact of modernity on rural culture and on the imagined communities he strove to create between readers, and script, actors and audience.

The plot of Brian Friel's Molly Sweeney oscillates around the theme of perception, blindness and eye-sight recovery. Although visually impaired, the eponymous character is a self-reliant and independent person who is very active, both professionally and socially. What serves as the source of tragedy in the play is the male desire to compensate for Molly's physical disability perceived as a sign of deficiency and oddity that needs to be normalized. Prompted by her husband, Molly decides to undergo a surgery (...) which gives her a chance to regain sight and, thus, become a part of the world of the visually abled. Yet, subsequent to the operation, Molly cannot adapt herself to the new reality and develops a medical condition called blindsight, which leads to her final alienation and confusion. Focusing predominantly on the main character of the play, this paper examines the ways in which Molly Sweeney experiences the surrounding world and seeks satisfaction and self-fulfilment through physical activities, such as swimming or dancing, which she vividly describes in her monologues. It explores the double nature of Molly who, despite her self-sufficiency, capacity for rebellion and a sense of autonomy, seems prone to male manipulation exercised at first by her father, later by her husband Frank and doctor Rice. Her expression of independence becomes particularly conspicuous in the scene of a party organized the night before her surgery when she performs a wild and frantic hornpipe, which serves as a form of momentary upheaval and a visualization of the outburst of extreme emotions. Although the dance is not presented onstage, it has a crucial function in the play, for it serves as its powerful climax, after which Molly experiences gradual deterioration. Interpreted in the context of the history of Irish dance, the mad hornpipe appears replete with meanings and allusions. Traditionally associated with human sexuality and the female element, dance was often treated by the Irish clergy with a great deal of distrust as a source of evil and moral corruption. Consequently, like in the case of the frenzied reel in another famous Frielian play, Dancing at Lughnasa, the limitless and unrestricted performance in the climactic scene of Molly Sweeney may be seen as a tool of subversion and female opposition to the Irish patriarchal order. It is a unique moment in which the protagonist seizes male power and gains full, though very temporary, control over her life. (shrink)

Informed by D. W. Winnicott’s object relations theory, and focused on the role of Things in constituting the world that is the object of Arendtian care, this essay examines Hannah Arendt’s treatment in The Human Condition of two liminal examples, cultivated land and poetry, that hover on the borders of Labor, Work, and/or Action. Cultivated land could belong to Work because cultivation leaves a lasting mark on the land, but it is assigned to Labor because land, once it is left (...) uncultivated, returns to nature, Arendt says. Poetry could belong to Action, which is the realm of meaning-making speech, but it is assigned to Work because, Arendt argues, poetry’s memorability ultimately depends on its writtenness and, once it is written, it becomes a Thing possessed of the object permanence characteristic of Work’s objects. But (un)cultivated land also has a textualized form; it, too, can be written down as, for example, in the form of mapping. Why does Arendt not consider this? What possibilities of political thought or action (beyond the mere reassignment of land cultivation from Labor to Work) might have been opened had she done so? Working through these questions with particular reference to colonial cartography (in which uncultivated land, deemed “fallow,” has a particularly political resonance), and reading Kafka’s The Castle (cited by Arendt elsewhere) alongside Brian Friel’s Translations, this essay explores practices of participatory mapping and land sabbatical that might make of land a “Thing” in Arendt’s sense. Noting the Biblical origins of land sabbatical and that Arendt’s move in the Work section from cultivated land to text/poem retraces George Steiner’s diasporic journey “From Homeland to Text,” I suggest that The Human Condition, commonly called Arendt’s most Greek text, may have a Jewish unconscious. (shrink)

One of Ireland's foremost literary and cultural historians, Terence Brown's command of the intellectual and cultural currents running through the Irish literary canon is second to none, and he has been enormously influential in shaping the field of Irish studies. These essays reflect the key themes of Brown's distinguished career, most crucially his critical engagement with the post-colonial model of Irish cultural and literary history currently dominant in Irish Studies. With essays on major figures such as Yeats, MacNeice, Joyce and (...) Beckett, as well as contemporary authors including Seamus Heaney, Derek Mahon, Michael Longley, Paul Muldoon and Brian Friel, this volume is a major contribution to scholarship, directing scholars and students to new approaches to twentieth-century Irish cultural and literary history. (shrink)

In a contribution to a symposium on xenophilia, this essay — a study of Brian Friel’s 1980 play Translations — raises the question of whether all xenophilia is by nature doomed to fail. Set in Ireland in 1833, the drama centers on the tension arising from a young British lieutenant’s falling in love with an Irish-speaker while he is in her country to translate Irish place-names into English for an imperial cartographic survey. While the lieutenant is referred to in (...) the play as a Hibernophile, the essay interprets his love as xenophilic: love for the foreignness rather than the Irishness of what he encounters. The lieutenant’s love of foreign places and their names impedes his effort to systematize Ireland for imperial ends, and his love for an Irish woman brings about his own undoing. Applying Simone de Beauvoir’s view of alterity to the lieutenant’s xenophilia, the essay questions whether the English written over the Irish in this play and the lieutenant’s desire written over the objects of his love obscure enough of the other’s otherness to render his xenophilia no longer viable. (shrink)

An able and clear defense of Bradley's principal theses and the underlying conception of metaphysical enterprise. "This is a book about a metaphysician, about metaphysics, and, most importantly, it attempts to develop elements of a metaphysical position long the lines of what is called Absolute Idealism." The Introduction takes up the Verificationists [[sic]] argument and two recent accounts of metaphysics. Part I devotes ten Chapters to the elucidation and defense of Bradley's conception of reality. It culminates in examining three alternative (...) accounts of "Real". Part II considers "the major philosophical theories of the self in order to defend Bradley's Theory of the self within his metaphysical scheme."--A. S. C. (shrink)

This is a brief study which emphasizes Jasper's relations with other philosophers, especially Kant. It approaches Jasper's own philosophy from a perilously theistic angle, seeing many parallels in Bradley and Whitehead. Jasper's continuity with, rather than his break from, the Western rationalist tradition in philosophy is abundantly documented.—E. S. C.

Any author should be happy when commentators on a long book discuss it thoroughly, raise important issues, and show their sensitivity to its main themes. So I want to begin with thanks to Isaac Levi, Peter Machamer, Richard Miller and Dudley Shapere. This is not, of course, to register agreement with all their criticisms. Indeed, that would be impossible, for their perspectives are so varied as to resist integration into a consistent synthesis. Nevertheless, each of them poses problems that my (...) approach to the growth of scientific knowledge must address, and I believe that the combination of their essays greatly advances the discussion. (shrink)

Proekthesē -- To viaio sympan -- Hoi stivades tēs hylēs -- Thysanos pyros -- Sparaktikē diarchia -- Emphilosophos nous -- To aetōma -- Hē zōphoros tōn ontōn -- To astathes sympan.

Einstein, in his “Zur Elektrodynamik bewegter Körper”, gave a physical (operational) meaning to “time” of a remote event in describing “motion” by introducing the concept of “synchronous stationary clocks located at different places”. But with regard to “place” in describing motion, he assumed without analysis the concept of a system of co-ordinates.In the present paper, we propose a way of giving physical (operational) meaning to the concepts of “place” and “co-ordinate system”, and show how the observer can define both the (...) place and time of a remote event. Following Einstein, we consider another system “in uniform motion of translation relatively to the former”. Without assuming “the properties of homogeneity which we attribute to space and time”, we show that the definitions of space and time in the two systems are linearly related. We deduce some novel consequences of our approach regarding faster-than-light observers and particles, “one-way” and “two-way” velocities of light, symmetry, the “group property” of inertial reference frames, length contraction and time dilatation, and the “twin paradox”. Finally, we point out a flaw in Einstein’s argument in the “Electrodynamical Part” of his paper and show that the Lorentz force formula and Einstein’s formula for transformation of field quantities are mutually consistent. We show that for faster-than-light bodies, a simple modification of Planck’s formula for mass suffices. (Except for the reference to Planck’s formula, we restrict ourselves to Physics of 1905.). (shrink)

Contributed essays on Vedanta philosophy and Sanskrit literature.

Some implications of Tomasello et al.'s theory derive from incorporating a variant of a common assumption that humans are biologically adapted to take an intentional stance in relation to conspecifics. I argue that, rather than being cued, intentions and other dispositional states may be inferred logically from an evolved commitment to determinism and evidence of state-dependent behavior.