The task of the congress of the German Society for Semiotics in Passau / Germany in September 2017 was to explore and describe "boundaries". A total of 12 sections of the society wrote a call for paper for this purpose. With the present anthology it has to be made evident, how concretely also the boundaries of the own, the other and the foreign can be negotiated via pictures. -/- Papers: -/- - Martina Sauer: Ikonische Grenzverläufe. Szenarien des Eigenen, Anderen und (...) Fremden im Bild. Eine Einführung, 4 - Barbara Margarethe Eggert: Das andere Geschlecht im Altarraum – exklusive Textilien als inklusive Medien. Studien zum Gösser Ornat, 7 - Birke Sturm: Politik der Schönheit: Zur Konstruktion einer ›wissenschaftlichen‹ Bildästhetik schöner weiblicher Körper um 1900 am Beispiel des Gynäkologen Carl Heinrich Stratz, 22 - Melis Avkiran: Das rassifizierte Fremde im Bild. Zur Genese differenzbildender Konzepte in der Kunst des 15. Jahrhunderts am Beispiel des Malers Hans Memling, 40 - Leonie Licht: weiß zwischen schwarz zwischen weiß – Geschichten von Identität im Bild, 75 - Julia Austermann: Queere Interventionen im kommunistischen Polen – Krzysztof Jung und sein ›plastisches Theater‹, 91 - Sabine Engel: Tizians Porträt der Laura Dianti. Aneignung und Transformation zwischen Orient und Okzident, 111 - Anna Christina Schütz: Osman Hamdi Beys Türkische Straßenszene. Der Teppich als Verhandlungsort kultureller Identitäten im ausgehenden 19. Jahrhundert, 146 - Benjamin Häger, Claudia Jürgens: Ikonische Stadtstrategien. Das Fassadenplakat und die Musterfassade als Instrumente machtpolitischer Repräsentation, 175 - Irene Schütze: Fehlende Verweise, rudimentäre ›Markierungen‹: aufgeweichte Grenzverläufe zwischen Kunst und Alltag, 204 - Stefan Römer: Interesse an und in einem Bildarchiv für Migrant/innen und Flüchtlinge, 221 - Viola Nordsieck: Von der Fähigkeit, einen Stuhl zu ignorieren. A. N. Whiteheads Konzept der Wahrnehmung als symbolisierender Tätigkeit und die Art, wie wir Bilder als Bilder sehen, 239 - David Jöckel: Mythos und Bild. Roland Barthes’ Semiologie bildlicher Stereotypisierung, 255 -/- - Kurzbiographien der Autorinnen und Autoren, 274 - Impressum, 278. (shrink)

The aim of psychology is to understand the human mind and behavior. In contemporary psychology, the method of choice to accomplish this incredibly complex endeavor is the experiment. This dominance has shaped the whole discipline from the self-concept as an empirical science and its very epistemological and theoretical foundations, via research practice and the scientific discourse to teaching. Experimental psychology is grounded in the scientific method and positivism, and these principles, which are characteristic for modern thinking, are still upheld. Despite (...) this apparently stalwart adherence to modern principles, experimental psychology exhibits a number of aspects which can best be described as facets of postmodern thinking although they are hardly acknowledged as such. Many psychologists take pride in being “real natural scientists” because they conduct experiments, but it is particularly difficult for psychologists to evade certain elements of postmodern thinking in view of the specific nature of their subject matter. Postmodernism as a philosophy emerged in the 20th century as a response to the perceived inadequacy of the modern approach and as a means to understand the complexities, ambiguities, and contradictions of the times. Therefore, postmodernism offers both valuable insights into the very nature of experimental psychology and fruitful ideas on improving experimental practice to better reflect the complexities and ambiguities of human mind and behavior. Analyzing experimental psychology along postmodern lines begins by discussing the implications of transferring the scientific method from fields with rather narrowly defined phenomena—the natural sciences—to a much broader and more heterogeneous class of complex phenomena, namely the human mind and behavior. This ostensibly modern experimental approach is, however, per se riddled with postmodern elements: creating phenomena in an experimental setting, including the hermeneutic processes of generating hypotheses and interpreting results, is no carbon copy of “reality” but rather an active construction which reflects irrevocably the pre-existing ideas of the investigator. These aspects, analyzed by using postmodern concepts like hyperreality and simulacra, did not seep in gradually but have been present since the very inception of experimental psychology, and they are necessarily inherent in its philosophy of science. We illustrate this theoretical analysis with the help of two examples, namely experiments on free will and visual working memory. The postmodern perspective reveals some pitfalls in the practice of experimental psychology. Furthermore, we suggest that accepting the inherently fuzzy nature of theoretical constructs in psychology and thinking more along postmodern lines would actually clarify many theoretical problems in experimental psychology. (shrink)

In The Transcendence of the Ego Sartre deals with the idea of the self and of its relation to what he calls 'pure consciousness'. Pure consciousness is an impersonal transcendental field, in which the self is produced in such a way that consciousness thereby disguises its 'monstrous spontaneity'. I want to explore to what extent the ego is to be understood as a result of absolute consciousness. I also claim that the idea of the self Sartre has in mind is (...) Bergson's 'moi profond'. Since this 'deeper self' has to be understood as a result of an impersonal transcendental field, it loses its central position in consciousness. Sartre claims that the ego is not transcendental, as Husserl had claimed, but transcendent to consciousness. But can the role of Husserl's transcendental ego be reduced to that transcendent Bergsonian 'deeper self'? Isn't there something irreducible in Husserl's transcendental ego? (shrink)

The central role of human dignity in ethics and law stands in striking contrast to the disagreement regarding the meaning and normative content of this concept. Each competing theory of human dignity also has serious problems. Against the background of this situation, the meaning-oriented theory of human dignity suggests a new understanding that can integrate a number of conceptions of human dignity and resolve their theoretical problems. According to this new theory, respect for human dignity consists in respect for human (...) beings as beings that confer meaning and need meaning. The integrative and problem-solving power of this new approach is demonstrated here by examining two lines of theory: on the one hand, the Kantian tradition of an autonomy-oriented understanding of human dignity, and on the other hand, a theory that focuses on individual identity and protection against humiliation. (shrink)

The primary meaning of the Song would then have to do with human sexual love—the experience of it, its delights, its fidelity, and its power.

The Book of Psalms is a school of prayer in which we are taught language that grasps the reality of God and given models that encourage us to present ourselves to God with honest realism.

We describe a number of puzzling phenomena and use them as evidence for a hypothesis about why bodily continuity matters for personal identity. The phenomena all belong to a particular kind of symbolisation: each of them illustrates how an entity (object or person) sometimes acquires symbolic significance in virtue of a material link with the symbolised entity. Relics are the most obvious example of what happens here: they are cherished, desired or respected, not because of their intrinsic features, but because (...) of their material link with some significant individual person. Crucial for the hypothesis we wish to defend, is the fact that a human being can in some cases and for some others function as a relic of what she used to be; in these cases a human individual has a specific significance in virtue of a material link (bodily continuity) with her own past. We argue that this phenomenon can be extended and that the importance of bodily continuity for personal identity is constituted by the kind of symbolisation upon which the existence of relics is based.1. (shrink)

In this commentary we discuss the possibility of subcortical consciousness and its implications for fetal anesthesia and analgesia. We review the neural development of structural and functional elements that may participate in conscious representation, with a particular focus on the experience of pain. (Published Online May 1 2007).

This book offers a contemporary critique of liberal democracy, understood as a set of institutions and as a set of ideas.

Comme Descartes, Malebranche réduit le concept de la stupidité à celui de l’erreur. Mais il y introduit une notion qui déborde le cadre cartésien, celle de ténèbres. L’âme ou le cogito n’est pas une idée claire et distincte, mais un « sentiment intérieur ». C’est de ces ténèbres que remontent les confusions qui caractérisent la bêtise : notre âme n’est que pure modification de soi qui dans sa dynamique auto-affective emporte avec elle les distinctions fondamentales autour desquelles s’établissent aussi bien (...) la connaissance que l’expérience que nous acquérons des choses hors de nous. Cette âme de ténèbres et de confusion est ainsi la source des erreurs répandues par ces philosophes stupides qui confondent corps et âme, objets et extériorité, matière et étendue. (shrink)

Volume 20, Issue 1, February 2019, Page 20-39.

In [STU 00, KUT 03] we introduced a family of ‘modal' languages intended for talking about distances. These languages are interpreted in ‘distance spaces' which satisfy some of the standard axioms of metric spaces. Among other things, we singled out decidable logics of distance spaces and proved expressive completeness results relating classical and modal languages. The aim of this paper is to axiomatize the modal fragments of the semantically defined distance logics of [KUT 03] and give a new proof of (...) their decidability. (shrink)

We would like to conduct a phenomenological analysis of illness beyond the characteristics which define it scientifically, in order to consider the suffering experience of the sick person which, in reality, constitute its authentic truth. Following Michel Henry’s philosophy which defines life as pathetic self-affection, we will understand that illness may and must first of all be considered as an intense form of this unsurmountable link to one’s self which concerns the very essence of everyone of us as a living (...) ipseity. Then, if “One does not feel”, if suffering is always a founding individual experience, the principle that medicine should be attentive to the subjective experience of patients is consequently established. Then we can also begin to understand the enigma of a patient’s attachment to his illness, to the point of refusing to be cured, as an inappropriate existential expression of an ontological fear of losing oneself. (shrink)

With his notion of absolute consciousness, Sartre tries to rethink the relation between consciousness and the self. What is the origin of subjectivity in relation to a consciousness that is characterized as impersonal and as a radical lucidity? In this article, I attempt to question that origin and the nature as such of the subject in its relation to a consciousness that in its essence is not yet subjective. On the contrary, it is characterized by a selfpresence that is so (...) radical that it threatens every form of self-knowledge. (shrink)

I will discuss two opposed conceptions of the nature of the self and indicate the shortcomings of each approach, in order to go on to show something about self-involvement and singularity that is often overlooked. The two opposed conceptions deal with the self in different ways because they also deal differently with the relation between consciousness and the self as such. In the first conception, this relation remains external: reflection is not of the same order as the self and, conversely, (...) the self is something that always falls outside of reflection, something against which a position can be occupied and a (critical) distance taken. Here, the self is an object whose nature does not in the least affect the nature of reflection. To the contrary, the ego must explicitly identify with that object if there is to be any trace of a connection with it at all. I will refer to this position as that of individualism. (shrink)

The nature of the self is qualified in varying ways in philosophy but, as we shall see in detail, one thing is constant: the self is the object of a subjective reflexivity or self-involvement. By this inner folding, a person maintains not only a relationship with himself, but also ascribes a reality value to what he relates to. The self is seen, for example, as the genuine deeper reality of the ego, as that which underlies every relation to the external (...) world. Or just the opposite: it is nothing but a part of that external world, I relate to that self as to a thing in the world. Some thinkers even doubt the existence of such a self: for them, the belief in something like a self is created by certain peculiarities of language. For instance, to what does `self' refer in a statement like “I wasn't myself”, “I will help myself”, “I should give myself some rest”, etc?I will discuss two opposed conceptions of the nature of the self and indicate the shortcomings of each approach, in order to go on to show something about self-involvement and singularity that is often overlooked. The two opposed conceptions deal with the self in different ways because they also deal differently with the relation between consciousness and the self as such. In the first conception, this relation remains external: reflection is not of the same order as the self and, conversely, the self is something that always falls outside of reflection, something against which a position can be occupied and a distance taken. Here, the self is an object whose nature does not in the least affect the nature of reflection. To the contrary, the ego must explicitly identify with that object if there is to be any trace of a connection with it at all. I will refer to this position as that of individualism.The second conception sees the self and reflection as forming an organic unity preceding any conscious identifications.They are both fused into an organic totality in such a manner that any reflection becomes an expression of the self and is affected by it. There already exists, between the self and reflection, a pre-objective relationship by virtue of which the self can never be considered as an object of identification. It is not an object: I have a link with myself that is more intimate, not the result of an identification but of an intuition, a feeling or a creativity. This is the personalistic conception of the self. The self and reflection share one and the same nature, and the relation between them is internal. I am always already myself without needing to identify with a self, and without needing to take a position with respect to a self.Moreover, I can never take the same position with respect to the self as I would take with respect to an object. If I did, I would have misconceived the authentic reality of that self, or of my `person' and the intimate relationship that I maintain with it. What is original in the individualistic conception appears, from a personalistic viewpoint, to be only derived and inauthentic. Individualism confuses the deeper self with a social marionette . Personalism, as we shall see, also developed in reaction to an individualistic conception of the person . In this article, I will draw a distinction between the two approaches on the basis of their differing descriptions of the problem of freedom. (shrink)

Dans cet article, l'auteur propose une étude consacrée à la passion, tout spécialement à partir d'une interrogation sur le rapport entre passion et imagination. Partant du Traité des passions de Descartes, l'auteur commence par examiner en quels termes Descartes décrit la passion comme étant ce qui "fait vouloir". Il montre ensuite que, d'après la conception cartésienne, la passion doit être assez similaire à l'imagination pour autant que l'une et l'autre induisent une modification profonde de notre rapport à la réalité. Les (...) sentiments ne nous donnent pas des objets tels qu'ils sont véritablement, mais à travers des valeurs subjectives qui les "irréalisent". Cette idée n'est rien d'autre que le lien d'étroite similitude entre le sentiment et l'imaginaire que Sartre a redécouvert dans L'Imaginaire. Après avoir discuté en détail les analyses de Sartre, l'auteur conclut en tirant quelques conséquences importantes des conceptions cartésienne et sartrienne de la passion. (shrink)

In his treatise on the passion, Descartes developed a moral based on a specific understanding of the freedom of the will. This freedom of the will should even be counted among the first things and most common notions that are innate in us. What is the relation between this free will and the passions? And what role does this will play in what Descartes called the 'morale provisoire'? This article tries to provide an account of those features of the cartesian (...) morals that his concept of the free will was meant to encompass, and consequently to explain the central role and meaning of the cartesian approach of the concept of generosity. (shrink)