Drawing upon the insights of Rabindranath Tagore, who coined the term viswasahitya to express his own understanding of comparative literature, this essay resituates translation as the cornerstone for new directions in world literature. While conventional understandings of world literature tend to reconfirm existing power structures and hierarchies, translation opens up the possibility of thinking beyond the national/global binary by interrogating the lines along which such binaries are conceptualized. Translation operates at the borders that are seen to divide cultures, languages, worldviews (...) and geographies. This essay explores the dynamic relationship between translation and world literature within contemporary South Asian writing, through an analysis of heteroglossia, multilingualism and ‘translatedness’ in selected texts by Mahasweta Devi and Amitav Ghosh, opening up larger questions about multilingualism and also about the very discipline of comparative literature. Highlighting the role that translation has historically played in shaping power relations in the world, this paper projects the transformative potential of translation as the key to a radical reconceptualization of a world literature for the future. (shrink)

The major challenge in complex disease genetics is to understand the fundamental features of this complexity and why functional alterations at multiple independent genes conspire to lead to an abnormal phenotype. We hypothesize that the various genes involved are all functionally united through gene regulatory networks (GRN), and that mutant phenotypes arise from the consequent perturbation of one or more rate‐limiting steps that affect the function of the entire GRN. Understanding a complex phenotype thus entails unraveling the details of each (...) GRN, namely, the transcription factors that bind to cis regulatory elements affected by sequence variants altering transcription of specific genes, and their mutual feedback relationships. These GRNs can be identified through their rate‐limiting steps and are best uncovered by genomic analyses of rare, extreme phenotype families, thus providing a coherent molecular basis to complex traits and disorders. (shrink)

The first article in this issue attempts to refute the concept of Altruism and calls it akin to Selfishness. The arguments are logically set in the way like that of Spinoza’s method of demonstration, with Axioms, Definitions, Propositions and Notes: so as to make them exact and precise. Interestingly, the writer introduces a new concept of Credit and through various other original propositions and examples rebuts the altruistic nature which is generally ascribed to humans.

What separates living things or more specifically Human beings from other things is the ability to do certain activities with an intention and to be conscious of what they do. This is why these other things are called dead or non living. This distinction between the living and the dead is of great philosophical interest. Humans are sentient, i.e. they are aware of what they do and what happens around them. By around I mean the surroundings and observance of nature (...) which Humans as a spectator do. And this includes all the natural things as well as living things including plants, animals, insects etc. What separates Humans from others, for there do seems a difference between objects such as a rock table etc, organisms which includes animals, plants etc and Human beings on the one hand and my self. The point here is to understand and explore this distinction between the living and the dead. Or if I be more specific, the special feature or quality in Humans that separates them from every other thing in this nature, so what it is to be self and to be alive and how it is different from another thing which may not be alive? How are they different from each other? For if we fail to give an answer or reason for why we think like this, then though despite of noticing this distinction, we will fail to take it as a knowledge claim, and perhaps might just end up taking it to be like a folk psychological view. In the hope of describing such confused matters carefully and clearly, an attempt is bestowed in the form of conversation between two persons in order to deal with the philosophy of simplicity, where the first mind or character Q, due to his curiosity and desire to know is unaware and the other person P, whose basis of knowledge is his simple is a disciple of life as proposed by the other self. Here the oblivious person due to his unknowingness is inquisitive and thus he can only find solutions of his doubts by either asking these queries to himself or to any other being. On the other hand, the other person, who is also desperate knowledge seeker, plays a role of learned for the time being, yet they may change their roles at times and this is agreed by the acceptance of both the persons. A major thing pertains from the nature of both these fictitious characters, and that is the importance of questioning in our lives. Questioning is normally a verbal act which is probably used to collect an amount of data to clear your doubts. Questions are addressed in two ways, firstly to the self and secondly, by to people other than you. Both Q and P follow both the ways, however, generally, it is considered that a person involved into self-questioning is deeper by nature. But this is only true and such a situation arises only, when one really accepts or knows that he is aware of something. Greek philosopher Socrates (469-399 B.C.) always questioned others in order to reach understanding. This was because he firmly felt that he knows nothing so how can he obtain his answers by questioning himself. However, in my opinion for the refinement and to increase the range of mind, one has to contemplate and hence has to reason, which is the cause of questioning. Therefore, in addition to the contemplation, both the characters follow that a query shall be put-forwarded to both, i.e., to themselves as well as to others. (shrink)

In recent metaphysics, the questions of whether fictional entities exist, what their nature is, and how to explain truths of statements such as “Sherlock Holmes lives at 221B Baker Street” and “Holmes was created by Arthur Conan Doyle” have been subject to much debate. The main aim of my thesis is to wrestle with key proponents of the abstractionist view that fictional entities are abstract objects that exist (van Inwagen 1977, 2018, Thomasson 1999 and Salmon 1998) as well as Walton’s (...) (1990) pretense view, which denies the existence of such entities. In the process, I propose modifications to these views to deal with problems they face and show how the modifications better account for the philosophical data. -/- Key abstractionists (van Inwagen 1977, Thomasson 1999) make a strict distinction between discourse within fiction, in which statements about literary characters cannot be literally true, and discourse about fiction, as it occurs in literary criticism, where statements about fictional characters can be literally true. Fictional objects are postulated to account for the truth of the latter. This runs into trouble because statements thought to be literally true are not literal. (Yagisawa 2001, Friend 2002) I provide a uniform analysis to account for the truth of statements involving fictional characters by appealing to a presupposition involving a metaphor in both contexts. The presupposition is that there is an x such that x is fictional; x is likened to a real person; and x is and ought to be treated/counted as a real person for all relevant intents and purposes. -/- More generally, I adopt Everett and Schroeder’s (2015) realist view that fictional characters are ideas constituted by mental representations. This, to me, better accounts for how fictional characters are created within the world’s causal nexus (unlike non-spatiotemporal entities in abstractionism), among other things. One key challenge they face is to explain how ideas can possess properties such as being a detective. I present a fine-grained version of their view, according to which the mental representations constituting fictional entities encode mind-dependent properties. Moreover, I explain how reference to such representations is possible, using Bencivenga’s (1983) Neo-Kantian view of reference and Karttunen’s (1976) view on discourse referents. Finally, I suggest that the identity of fictional characters is interest-relative. The constant, and sometimes radical, change of properties that, fictional characters can undergo is taken to be a consequence of the fact that unified mental representations are bundles of simpler mental representations. As change occurs, simpler representations are replaced by others. -/- A key theme that runs through the thesis is that neither fictionality nor pretense is relevant to the semantics of fictional sentences—a claim bolstered by Matravers’ (2014) arguments. Whether or not my account works, this claim, as well as the new philosophical data I bring up, are some of the challenges I pose to the heart of established views. (shrink)

Salient features of Indian philosophical thought.

Machiavelli's ideas are as important in our time as in his own. His insights and prescriptions help us make sense of today's political upheavals and natural calamities and reduce them to a working order. The chapters in Machiavelli Then and Now explore Machiavelli's central concerns: statecraft and order, liberty and citizenship, diplomacy and leadership, modes of strategization, the quest for empire - all set against the basic contention between autarchy, oligarchy and democracy. They also address the ethical and behaviourial factors (...) behind political practice, such as force, suasion, ambition, corruption and vigilance in public discourse. The contributors consider the role of language, text and the imagination in Machiavelli, and they also bring the Machiavellian discourse closer to our own times, in relation to Gandhi, Gramsci and Althusser. The book will interest historians, political scientists and students of public policy; philosophers, rhetoricians and literary critics; and no less institution builders, diplomats and, administrators. (shrink)

"This is an original work by an eminent teacher of Philosophy and Religion who can present the best results of Indian and Western scholarship and evaluate them in the light of unbiased insight. The chapters on comparison of Bengal Vaisnavism with Christianity and Existentialism are highly stimulating. The book is indispensable to those advanced students of oriental philosophy and religions who are devoted to research work, since no knowledge or oriental philosophy and religion will be complete without a clear understanding (...) of Vedanta and the different types of Vaisnavism.". (shrink)

This article tries to explore the shifts in contemporary urban Bengali cinema and map and historicize the main trends in relation to changes in the political fortunes of the city. In this context, the article tentatively wishes to accomplish two things: one, to show the main trends in urban Bengali film-making, post-1990s; and two, to read closely two recent Bengali films, in a search for ways of mapping this newness. The article first identifies three new possibilities in Bengali cinema: first, (...) the inward-looking, often apolitical sketches that celebrate liberal development and psychosomatic indulgences, second, the sentimental, community-based films that sometimes take political changes on board as well, and attempt to bridge the rural-urban divide; third, cult-ish films of a newer pedigree that show impatience with old Left and progressive values, and are also technically experimental and avant-garde. The second objective of the article is to discuss specifically two contemporary filmmakers – Moinak Biswas and Suman Mukhopadhay – and place their films within this ferment. (shrink)

What is the relationship between anger and justice, especially when so much of our moral education has taught us to value the impartial spectator, the cold distance of reason? In _Sing the Rage_, Sonali Chakravarti wrestles with this question through a careful look at the emotionally charged South African Truth and Reconciliation Commission, which from 1996 to 1998 saw, day after day, individuals taking the stand to speak—to cry, scream, and wail—about the atrocities of apartheid. Uncomfortable and surprising, these (...) public emotional displays, she argues, proved to be of immense value, vital to the success of transitional justice and future political possibilities. Chakravarti takes up the issue from Adam Smith and Hannah Arendt, who famously understood both the dangers of anger in politics and the costs of its exclusion. Building on their perspectives, she argues that the expression and reception of anger reveal truths otherwise unavailable to us about the emerging political order, the obstacles to full civic participation, and indeed the limits—the frontiers—of political life altogether. Most important, anger and the development of skills needed to truly listen to it foster trust among citizens and recognition of shared dignity and worth. An urgent work of political philosophy in an era of continued revolution, _Sing the Rage_ offers a clear understanding of one of our most volatile—and important—political responses. (shrink)

This paper proposes relative and absolute measures of deprivation using social satisfaction functions. The relative measure gives us the amount by which social satisfaction can be increased in proportional terms by redistributing incomes equally. We also demonstrate the existence of a relationship between summary indices of deprivation and social satisfaction.

In what ways does a society perceive itself as beautiful? Do images of physical perfection indicate aspirations of the social or national body, the perfect body/face emblematic of the collective self-image? In recent years, under conditions of economic and cultural globalization, practices and discourses to render the body beautiful have come under increasing scrutiny. Concerned with the marketing and commodification of body ideals, these studies trace the deleterious effects of advertising, fashion, and celebrity culture in various national and cross-cultural contexts. (...) Yet beauty itself is strangely absent in historical and aesthetic accounts of traditional and new media. In this essay, I try to account for this absence and to provide an alternative view of Indian society's relationship to media images of the body. Using examples from popular cinema, I explore the historical and cultural meanings underlying the fascination with the beautiful. (shrink)

"This book on Ethics draws upon the words of wisdom found in the Mahabharata, following the spirit of Bernard Williams' proposal that we look for inspiration for the modern-day ethical understanding in the ideas of the past. In elucidating the literary and religious meaning of the Mahabharata, the author probes for the ethical and epistemological truth it contains, in the frame of reference of the uniquely Indian variety of existentialism. In the process he has not only come to an understanding (...) of the principle of morality, along with the relation holding among Satya (Factual Truth), Rta (Truth as Value) and Dharma (Righteousness in Conduct), but has come up with observations that shed fresh light on the analysis of the epic itself."--BOOK JACKET. (shrink)

On some metaphysical problems in the context of occidental philosophy.