Affective information processing is analysed considering the emotion circuits within the brain substrates of emotionality. Based on Gärdenfors’ conceptual spaces model we try to examine an emotion episode from its elicitation to the differentiation into affective processes. An affectiveconceptual spaces model is developed taking in consideration Panksepp’s nested BrainMind hierarchies.

The primal motivational systems of all mammals are constituted of the evolved affective brain networks that gauge key survival issues. However, since progress in functional neuroscience has historically lagged behind conceptual developments in psychological science, motivational processes have traditionally been anchored to behavioral rather than neural and affective issues. Attempts to retrofit neuroaffective issues onto established psychological-conceptual structures are problematic, especially when fundamental evidence for primal affective circuits, and their neural nature, comes largely from animal research. This article (...) provides a synopsis of our growing understanding of primary-process emotional systems of mammalian brains and minds, which provides a new empirically based infrastructure for higher levels of human theorizing. (shrink)

Primal emotional feelings are an optimal way to make scientific progress on the neural constitution of consciousness. Such research has revealed the existence of profound neuroanatomical and neurochemical homologies in the systems that control emotionality in mammalian and avian species. Wherever in their brains one applies localized Deep Brain Stimulation (DBS), whether electrical or chemical, and obtains coherent instinctual emotional behavior patterns, animals treat these within‐brain state shifts as 'rewards' and 'punishments' in various learning tasks. Humans consistently report desirable (...) and undesirable affective changes to such DBS. These effects serve as gold standards for the detailed scientific study of affective qualia in animal and human brains. (shrink)

Basic affects reflect the diversity of satisfactions and discomforts that are inherited tools for living from our ancestral past. Affects are neurobiologically-ingrained potentials of the nervous system, which are triggered, moulded and refined by life experiences. Cognitive, information- processing approaches and computational metaphors cannot penetrate foundational affective processes. Animal models allow us to empirically analyse the large-scale neural ensembles that generate emotional-action dynamics that are critically important for creating emotional feelings. Such approaches offer robust neuro-epistemological strategies to decode the fundamental (...) nature of affects in all mammals, including humans, but they remain to be widely implemented. Here I summarize how we can develop a cross-species affective neuroscience that probes the neural nature of emotional affective states by studying the instinctual emotional apparatus of the mammalian body and brain. Affective feelings and emotional actions may reflect the dynamics of the primal viscero-somatic homunculus of SELF-representation. (shrink)

Traditional normative theories of belief in epistemology presume that belief-forming includes a reflective component and a mental agency component. Beliefs are regarded as conscious doxastic attitudes with propositional contents. Let’s call this view the Transcendental View about Belief (TVB). First, I argue that reputed norms of belief as the truth norm, the knowledge norm and the rationality norm all incorporate TVB. Further, I argue that the empirical evidence concerning belief-forming collected in the last two decades by Rüdiger Seitz, Hans-Ferdinant Angel, (...) Raymond Paloutzian and their colleagues suggests that primal beliefs do not correspond to the description provided by TVB. Primal beliefs are byproducts of perceptive and affective type 1 processing. As such, they are non-propositional multilayer relational states of a cognitive system S that do not presuppose conscious awareness. Thus, I maintain that TVB is normatively inadequate, because it is descriptively false. I presume that a good normative account of beliefs should be able to accommodate primal beliefs and provide a norm of primal belief. I conclude by attempting to outline such a positive account. (shrink)

An adequate understanding of ‘the self’ and/or ‘primary-process consciousness’ should allow us to explain how affective experiences are created within the brain. Primitive emotional feelings appear to lie at the core of our beings, and the neural mechanisms that generate such states may constitute an essential foundation process for the evolution of higher, more rational, forms of consciousness. At present, abundant evidence indicates that affective states arise from the intrinsic neurodynamics of primitive self-centred emotional and motivational systems situated in subcortical (...) regions of the brain. Accordingly, a neural understanding of ‘the self’ may arise from a study of how various biological value-coding systems converge and interact with coherent brainstem representations of the body and nearby attentional/waking systems of the brain. Affective feelings may be caused by the neurodynamics of basic emotional circuits interacting with the neural schema of bodily action plans. One key brain area where such interactions occur is found within centromedial diencephalic midbrain areas such as the periventricular and periaqueductal gray and nearby tectal and tegmental zones. Here I will envision that a Simple Ego-type Life Form is instantiated in those circuits The ability of this ’primal SELF’ to resonate with primitive emotional values may help yield the raw subjectively experienced feelings of pleasure, lust, anger, hunger, desire, fear, loneliness and so forth. A study of such systems is a reasonable starting point for the neurological analysis of affective feelings, which may lie at the periconscious core of all other forms of animal consciousness. If such a neurodynamic process was an essential neural preadaptation for the emergence of higher levels of consciousness, it may help us close the explanatory gap between brain circuit states and the psychological nature of affective feelings. Thereby, it may also help us conceptualize the nature of psychological binding within higher forms of consciousness in new ways. (shrink)

Cal Izard has provided psychology a robust vision of human emotional feelings. He has addressed the full spectrum of emotional-developmental-cognitive complexities entailed in clarifying seemingly impenetrable mysteries: How do we experience emotions and how do they guide cognitive development? Izard’s developmental studies of infant minds integrate the primal evolutionary affective foundations of our nature with the diverse paths of nurture, and are framed in ways that can promote human thriving. His multilayered vision of our emotional nature resonates well with (...) modern cross-species affective neuroscience perspectives. (shrink)

Tracing the leading role of emotions in the evolution of the mind, a philosopher and a psychologist pair up to reveal how thought and culture owe less to our faculty for reason than to our capacity to feel. Many accounts of the human mind concentrate on the brain’s computational power. Yet, in evolutionary terms, rational cognition emerged only the day before yesterday. For nearly 200 million years before humans developed a capacity to reason, the emotional centers of the brain were (...) hard at work. If we want to properly understand the evolution of the mind, we must explore this more primal capability that we share with other animals: the power to feel. Emotions saturate every thought and perception with the weight of feelings. The Emotional Mind reveals that many of the distinctive behaviors and social structures of our species are best discerned through the lens of emotions. Even the roots of so much that makes us uniquely human—art, mythology, religion—can be traced to feelings of caring, longing, fear, loneliness, awe, rage, lust, playfulness, and more. From prehistoric cave art to the songs of Hank Williams, Stephen T. Asma and Rami Gabriel explore how the evolution of the emotional mind stimulated our species’ cultural expression in all its rich variety. Bringing together insights and data from philosophy, biology, anthropology, neuroscience, and psychology, The Emotional Mind offers a new paradigm for understanding what it is that makes us so unique. (shrink)

본 논문은 후설 현상학에서 탐구된 지각과 감정의 근원적 관계에 대해서 해명한다. 이를 위해 우선 후설에게서 지각작용이 발생하는 가장 근원적인 발생적 계기에 대한 설명이 어떻게 이뤄지는지를 추적하며, 후설에게서 지각작용의 가장 근원적인 계기로서 기능하는 근원현전장에서의 근원휠레, 근원본능, 근원촉발에 대한 논의를 진행한다. 이를 통해 특히 후설에게서 근원촉발이 무엇보다 가장 근원적인 “감정”으로서 지각작용에 구성적인 계기로 기능한다는 점이 드러난다. 이때 이러한 관계는 구체적으로 현대의 인지과학과의 연구성과와의 비교연구를 통해 드러난 바대로, ‘신체적 감각’과 ‘기분’ 등의 지각에 대한 구성적 기능과 유사한 것으로서 해석될 수도 있다. 그러나 후설에게서 근원촉발이 (...) 갖는 지각에 대한 구성적 성격은 지각작용의 발생적 근원으로서의 “근원감정”이 후설에게 무엇보다 ‘관심’과 ‘호기심’으로 규정되며, 이에 따라 여타의 지각작용을 규범적으로 규제하는 방식으로 이뤄진다는 점에서 설명될 필요가 있다. (shrink)

Traditional interpretations of Aristotle’s theory of perception mainly focus on uncovering the underlying mechanisms that are at stake when perceivers are affected by sensible qualities. Investigating the nature of sense perception is one of Aristotle’s main worries and one that he explicitly relates to the question of its causes (e. g.Sens. 436a16–17, 436b9) and its ends (e. g.de An. 434a30 ff.). Therefore I suggest that, in order to fully explain Aristotle’s view of perceptual phenomena, the possibilities, the constraints, and the (...) goals defined by the embodied and situated engagement of perceivers with the external world must be taken into account. Accordingly, in this paper, I provide an affective reading of Aristotle’s theory of perception. I shall ask what, in addition to functioning sense organs and appropriate response mechanisms, the perceiver contributes to perceptual content. Specifically, I propose to shed light on the significance of perceptual experience for the perceiver and I aim to show that, according to Aristotle, one’s biological and personal qualities are perceptually relevant, meaning that they underpin perception, rather than coming into play after perception has occurred and its objects have been discerned. The paper is divided into two parts, respectively dealing with sensory affections and more complex affective phenomena. As regards the domain of primal sense perception, I will focus on smell as a representative example: since Aristotle identifies it as the least developed of human sensory faculties, it will serve as a revealing illustration of how sense perception is informed and qualified by what, drawing on contemporary philosophical terminology, I will call ‘perceptual interests’, viz. the affective sense of what is at stake in the living being’s interaction with the environment. I will then proceed to consider the way more complex affective phenomena underpin perception by examining the case of emotions and that of virtues of character. By showing how perception is affectively inflected and how emotion is rooted in perception’s bodily nature, I aim to sketch out the general lines along which I believe that the Aristotelian theory of perception should be approached. (shrink)

As its title indicates, this article shows animation to be the fundamental, essential, and properly descriptive concept to understandings of animate life. A critical and constructive path is taken toward an illumination of these threefold dimensions of animation. The article is critical in its attention to a central linguistic formulation in cognitive neuroscience, namely, enaction ; it is constructive in setting forth an analysis of affectivity as exemplar of a staple of animate life, elucidating its biological and existential foundations in (...) animation. (shrink)

Every attempt to examine our consciousness’s passive life and its dynamic in its various forms inevitably intersects with our primal awareness of the future. Even though Husserl’s theory of time-consciousness enjoys a certain fame, his conception of our primordial relation to the future has not been adequately accounted for. The book at hand aims to offer a close study of Husserl’s view of protentional consciousness and to trace its unique contribution to our overall awareness of time. It offers an (...) extensive analysis of various aspects of protention by investigating its connection to different fields and levels of experience. To achieve such a task, the book stresses the need to enrich the familiar formal account of protention with a material one. Thus, alongside issues pertaining exclusively to the form of protention, such as its relation to fulfillment as well as its double-intentional structure, various other dimensions are discussed, such as the phenomena of disappointment and correction as well as the role hyle plays in both of them. In the same vein, special attention is given to the relation between protentional consciousness and affectivity, thus shedding light on the dynamic unity of our living-present. What this study purports to show is that Husserl’s phenomenology is equipped to offer a solid account of the thinnest and subtlest ways in which we are aware of the future in our experiential life. (shrink)

The neurobiological systems that mediate the basic emotions are beginning to be understood. They appear to be constituted of genetically coded, but experientially refined executive circuits situated in subcortical areas of the brain which can coordinate the behavioral, physiological and psychological processes that need to be recruited to cope with a variety of primal survival needs (i.e., they signal evolutionary fitness issues). These birthrights allow newborn organisms to begin navigating the complexities of the world and to learn about the (...) values and contingencies of the environment. Some of these systems have been identified and characterized using modern neuroscientific and psychobiological tools. The fundamental emotional systems can now be defined by the functional psychobiological characteristics of the underlying circuitries ? characteristics which help coordinate behavioral, physiological and psychological aspects of emotionality, including the valenced affective feeling states that provide fundamental values for the guidance of behavior. The various emotional circuits are coordinated by different neuropeptides, and the arousal of each system may generate distinct affective/neurodynamic states and imbalances may lead to various psychiatric disorders. The aim of this essay is to discuss the underlying conceptual issues that must be addressed for additional progress in understanding the nature of primary process affective consciousness. (shrink)

A new take on our bio-cultural evolution explores how the "inner theatre" of the brain and its "animal-human stages" are reflected in and shaped by the mirror of cinema. Vampire, werewolf, and ape-planet films are perennial favorites—perhaps because they speak to something primal in human nature. This intriguing volume examines such films in light of the latest developments in neuroscience, revealing ways in which animal-human monster movies reflect and affect what we naturally imagine in our minds. Examining specific films (...) as well as early cave images, the book discusses how certain creatures on rock walls and movie screens express animal-to-human evolution and the structures of our brains. The book presents a new model of the human brain with its theatrical, cinematic, and animal elements. It also develops a theory of "rasa-catharsis" as the clarifying of emotions within and between spectators of the stage or screen, drawing on Eastern and Western aesthetics as well as current neuroscience. It focuses on the "inner movie theater" of memories, dreams, and reality representations, involving developmental stages, as well as the "hall of mirrors," ape-egos, and body-swapping identifications between human beings. Finally, the book shows how ironic twists onscreen—especially of contradictory emotions—might evoke a reappraisal of feelings, helping spectators to be more attentive to their own impulses. Through this interdisciplinary study, scholars, artists, and general readers will find a fresh way to understand the potential for interactive mindfulness and yet cathartic backfire between human brains—in cinema, in theater, and in daily life. (shrink)

ABSTRACTChristopher Achen and Larry Bartels argue, in Democracy for Realists, that voters tend to be not only politically ignorant but irrationally attached to group identities. That they use group identities is not in dispute, but the irrationality of doing so is questionable. The instability and malleability of group identities suggests that they are more than primal, illogical attachments. While Achen and Bartels assume that they must be affective, they may in fact be rational. They may, for example, serve as (...) heuristics for individual interests. (shrink)

Instead of treating art as a unique creation that requires reason and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection. She approaches art as a form of erotic expression connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, not just its intention and aesthetic. By regarding our most cultured human accomplishments as (...) the result of the excessive, nonfunctional forces of sexual attraction and seduction, Grosz encourages us to see art as a kind of bodily enhancement or mode of sensation enabling living bodies to experience and transform the universe. Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Through this framework, which knits together the theories of Charles Darwin, Henri Bergson, Gilles Deleuze, Félix Guattari, and Jakob von Uexküll, we are able to grasp art's deep animal lineage. Grosz argues that art is not tied to the predictable and known but to new futures not contained in the present. Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living. According to Grosz, art is the way in which life experiments with materiality, or nature, in order to bring about change. (shrink)

In his 2005 French production Hidden, Michael Haneke continues disturbing his audience with poignant and stirring images. When Georges and Anne Laurent keep finding on their doorstep videotapes showing the exterior of their house filmed with a hidden camera, they do not realize that trying to trace the identity of the photographer will lead Georges back to his deeply concealed childhood atrocity and gravely affect their present life. With Hidden, Haneke presents a provocative case of Freudian return of the repressed (...) and probes the uncertain grounding and pretentiousness of French national self-importance. The article attempts an analysis of Hidden from two interconnected perspectives, provided by the use of the Lacanian category of the gaze in relation to film studies and by the application of certain categories derived from post-colonial theory. The discussion ventures to demonstrate that the camera-eye "hidden" in its impossible position can be interpreted as a gaze imagined by Georges in the field of the Other. The voyeuristic act of filming also suggests the question of colonial surveillance, which relates to the racial issue underlying the conflict repressed by Georges. Haneke investigates the way in which the symbolic power bestowed on the authority of the French state facilitates discrimination. Georges, a model representative of the civil/civilized society, is shown as rent by primal fears of imaginary savage "terror," desperately trying to fortify his dominion against Algerian aggressors who are otherwise a necessary part of the structure. (shrink)

All epistemic agents physically consist of parts that must somehow comprise an integrated cognitive self. Biological individuals consist of subunits (organs, cells, molecular networks) that are themselves complex and competent in their own context. How do coherent biological Individuals result from the activity of smaller sub-agents? To understand the evolution and function of metazoan bodies and minds, it is essential to conceptually explore the origin of multicellularity and the scaling of the basal cognition of individual cells into a coherent larger (...) organism. In this paper I synthesize ideas in cognitive science, evolutionary biology, and developmental physiology toward a hypothesis about the origin of Individuality: “Scale-Free Cognition”. I propose a fundamental definition of an Individual based on the ability to pursue goals at an appropriate level of scale and organization, and suggest a formalism for defining and comparing the cognitive capacities of highly diverse types of agents. Any Self is demarcated by a computational surface – the spatio-temporal boundary of events that it can measure, model, and try to affect. This surface sets a functional boundary - a cognitive “light cone” which defines the scale and limits of its cognition. I hypothesize that higher-level goal-directed activity and agency, resulting in larger cognitive boundaries, evolve from the primal homeostatic drive of living things to reduce stress – the difference between current conditions and life-optimal conditions. The mechanisms of developmental bioelectricity - the ability of all cells to form electrical networks that process information - suggests a plausible set of gradual evolutionary steps that naturally lead from physiological homeostasis in single cells to memory, prediction, and ultimately complex cognitive agents, via scale-up of the drive of infotaxis. Recent data on the molecular mechanisms of pre-neural bioelectricity suggest a model of how increasingly sophisticated cognitive functions emerge smoothly from cell-cell communication used to guide embryogenesis and regeneration. This set of hypotheses provides a novel perspective on numerous phenomena, such as cancer, and makes several unique, testable predictions for interdisciplinary research that have implications not only for evolutionary developmental biology but also for biomedicine and perhaps artificial intelligence and exobiology. (shrink)

Un primer aspecto concierne a la praxis no-intencional y primaria del cuerpo propio. A ello se añade su condición de sostén para los valores sensibles de la comodidad y la salud, y de trampolín para valores espirituales cuyo nivel superior se encuentra en los valores éticos de la persona. Estos puntos de vista husserlianos encuentran nuevos desarrollos en la fenomenología: M. Henry pone el acento en un "yo puedo" pre-intencional, y Ricoeur describe el cuerpo propio como "fuente" de valores propios (...) y "resonador afectivo" de todos los valores, y a la vez esboza una concepción de la felicidad que incluye temples particulares de la corporalidad. Por último, Husserl considera la ofrenda del cuerpo propio a los valores espirituales en el sacrificio como la afirmación positiva de la vida de la humanidad. J. Patocka y E. Lévinas han desarrollado esta línea de pensamiento. A first aspect has to do with the non-intentional and primal praxis of the living body. To this is added its status as a support for the sensuous values of comfort and health and a springboard for spiritual values, the highest level of which lies in the ethical values of the person. These Husserlian views find new developments in phe-nomenology: M. Henry highlights a pre-intentional "I can", M. Scheler analyzes the relationship between hedonistic, vital, and spiritual values, and P. Ricoeur describes the living body both as the "source" ofits own proper values and the "affective resonator" of all values, and also outlines a view on happiness that encompasses particular bodily attunements. Finally, Husserl considers the offering of the living body to spiritual values in sacrifice as the positive assertion of humankind's life. J. Patocka and E. Lévinas have developed this line of thought. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Mimetic SacredGirard and Bataille Transcending DesireJeffery D. McNeil (bio)René Girard's (1923–2015) mimetic theory and Georges Bataille's (1897–1962) theory of the sacred both describe an unwitting pull to violence fueled by an aspect of desire. This violence cannot be denied but may be channeled through ritual, resulting in social cohesion or utter catastrophe. Their theories also illustrate the contagious flow of affective violence between individuals, quickly infecting the whole. (...) Girard describes a violent contagion that threatens physical annihilation, while Bataille's more vital contagion illustrates the dissolution of self into other. Both come to the same result—collective cohesion. However, for all the similarities, the essential mechanisms "end up with profoundly different visions of the dynamics sustaining the social bond and, indeed, of society's whole affective economy."1 For Girard, the operative community requires distinct individuals specific in their identities. A lack of distinctions between individuals—a state he calls undifferentiation—leads to a struggle for identity, conflict, and violence. Unity comes from the catharsis of collectively thwarting violence before conflict can destroy the community. For Bataille, unity comes from collectively communicating through ritual. A [End Page 103] primal urge to slip out of the hierarchical mastery of discontinuous being and join with the other in a step closer to continuous being unites through mutual affect generated through shared experience. Girard asserts that cohesion occurs by maintaining separation, while Bataille describes cohesion generated in its destruction.Despite their similar concerns and many agreements, Girard and Bataille have rarely been compared. Among those few studies, Tiina Arppe argues that the divergence in both thinkers' theories can be found in their sources, namely, Emile Durkheim's theory of the sacred and Alexandre Kojève's reading of Hegel.2 Antony D. Traylor argues in answering the question of the purpose of sacrifice that Bataille's understanding may add to or replace Girard's scapegoat mechanism.3 Traylor dissects both theories focusing on Girard's critique of metaphysical desire and Bataille's notion of sovereignty. Nidesh Lawtoo mobilizes both thinkers and others to unmask the mimetic forces entwined in ego creation.4 First, similar to Arppe, I argue that apparent contradictions between Girard and Bataille arise from critical influences of each thinker and offer an analysis paving the way, like Traylor, toward compatibility. However, I focus on the influence (or denial) of Sigmund Freud and Marcel Mauss—whom I argue are the most crucial influences for untangling these theories. By examining Girard's interpretation of Freud's theory of cultural origin and Bataille's use of Mauss's notion of the gift and potlatch, I trace a short anthropological genealogy of the sacred that proves critical to both theories.5 In that regard, I eschew wrestling with metaphysical concerns and instead take an anthropological approach to the sacred that moves beyond compatibility. Second, we perform a synthetization, illuminating a shared mimetic force lurking within both theories and how Bataille offers an expansion to Girard's already acute observations—for which Lawtoo's notions of the mimetic unconscious and mimetic communication are essential.My primary source for Girard's theory is Violence and the Sacred, with secondary support from The Scapegoat and Things Hidden since the Foundation of the World. For Bataille, I consult Erotism: Death and Sensuality and two essays: "The Notion of Expenditure" (and its later development in The Accursed Share) and "Definition of Heterology." I also use a small but significant excerpt from Theory of Religion concerning sacrifice and the festival. Secondary literature is introduced as needed. [End Page 104]PSYCHOANALYTIC ANTHROPOLOGYGirard and Bataille found varying degrees of influence in Freud. A short detour through the relationship between subject and desire and the violent origins of the sacred will set the stage for a deeper comparison. While Girard does not explicitly admit using the father of psychoanalysis as a starting point,6 he acknowledges the influence and relegates it under his own, claiming that Freud's theory "has been replaced by another explanation, at once very close to and very far removed from the Freudian viewpoint."7 Lawtoo illustrates essential similarities to be "Girard's emphasis on desire as the essence of... (shrink)

In this paper, I provide a philosophical analysis of Pāli texts that treat of a special kind of mental event called bhavaṅga citta. This mental event is a primal sentient consciousness, a passive form of basal awareness that individuates sentient beings as the type of being that they are. My aims with this analysis are twofold, one genealogical and reconstructive, the other systematic. On the genealogical and reconstructive side, I argue for a distinction between two kinds of continuity that (...) are at work in explaining the temporal structure of experience in Pāli Buddhist philosophy. Call these two forms of continuity ‘diachronic’ and ‘affective-motivational’ continuity, respectively. In my analysis of these two forms of continuity, I will focus on the coherence of bhavaṅga citta in its Abhidhammic context. My contention is that the commentarial account of bhavaṅga citta has the resources to explain diachronic continuity but struggles to give a fully workable account of affective-motivational continuity. I argue that the novel view of mental continuity offered by the early twentieth century Burmese monastic exegete Ledi Sayadaw offers another intriguing account of mental continuity, one that can help to explain affective-motivational continuity. Systematically speaking, in spelling out the dynamics of this distinction between types of mental continuity in connection with bhavaṅga, I offer a cross-cultural philosophical analysis of the deep structure of the mind and how affective processes below the threshold of ordinary habits of attention have a profound conditioning effect on our conscious relationship with the world. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Acts of Enjoyment: Rhetoric, Žižek, and the Return of the SubjectJames J. Brown Jr. and Joshua GunnActs of Enjoyment: Rhetoric, Žižek, and the Return of the Subject by Thomas Rickert. Pittsburgh: University of Pittsburgh Press, 2007. Pp. x + 252. $24.95, hardcover.Thomas Rickert had a falling-out with his brother, and this distresses him so much that his disrupted relation is described as “traumatic.” Rickert reports that while listening (...) to a portable CD player during a run on an unexpectedly warm winter day, a song by the now defunct jazz/rock band Morphine reminded him of a happy time at a pool hall with his brother (24). Mediated—or better, medicated—by music, the homological happiness of running in the sun and a positive past memory also resurfaced a painful relational rupture, the reason of which Rickert omits to underscore that mysterious, “little detail or object” of the Real that marks his singular finitude as a writing subject (216 n. 11). We’ll want to come back to this curiously deliberate omission, but for the present we note Rickert is not simply an undead author but a human being with relations and feelings. He is not just a gifted scholar or a bundle of reflections, but a nexus of body and movement and words and affect. If there is anything that Rickert’s study can be said to work through with brilliance, humor, and grace, it is the reality of complex personhood.Rickert’s brotherly confession comes in Chapter 1 as a way to introduce a psychoanalytic understanding of subjectivity, and more specifically, to help illustrate how trauma works itself out as an afterwardness or “belatedness” ( Nachträglichkeit ): traumatic events from the past are not reckoned with or worked-through until some coincidence or reminder, such as a similar [End Page 183] sensory experience, reintroduces the event in doubled re-presentation (18–27). This implies the “subject” (a paradigm person) is a kind of timedelay, a self-conscious temporal moving that becomes this way through re-presentation. The rhetorical subject is analogously a retrojected reckoning with events past (not all traumatic) that Rickert identifies as a scene of writing, a locus that has important implications for rhetorical studies in general and writing pedagogy in particular. Rickert’s logic is as follows: if we agree that the subject is a belated one in the psychoanalytic sense, then how we teach rhetoric needs to change. Rickert opens the book with the observation that his students are producing excellent cultural critiques but that such critiques do not lead the students to change their actions (1–7), perhaps evidence enough that something is not quite right in a classroom grounded by “cultural studies pedagogy” and ideology critique—or at the very least, proof that something has changed. The opening gambit is simply that a “postpedagogy” premised on an understanding of rhetorical subjectivity as belatedness is better than a status quo rooted in the rational subject of the Enlightenment.Mostly through a Žižek-filtered, Lacanian lens, Acts of Enjoyment then undertakes a retake of the rhetorical field, frequently scanning from the traumatic ontology of the rhetorical subject to that domain of knowledge that we hold dear, the subject of rhetoric. In Chapter 2, the (primal) scene thus shifts from the slo-mo subject to rhetorical studies, initially through a reassessment of Kinneavy’s “communications triangle,” but ultimately in response to the shock treatment of poststructuralism. The initial theoretical traumas introduced by Victor Vitanza, Diane Davis, Sharon Crowley, and others discussed in Chapter 1 are threaded into an account of “poststructural” redress in Chapter 2: as is true of all forms of trauma, the initial poststructural jolt delivered to the concept of subjectivity was deadened; poststructural theory was eventually used to “shore up rather than challenge Kinneavy’s triangle” (37). To truly work-through our traumatized subject in both senses, we need a second trauma: Lacanian psychoanalysis. Presumably, “poststructuralist thought” is to be opposed because it has no account of the subject (21–24); “Lacan,” after all, “is not a poststructuralist” (48). The remainder of the chapter is then used to deploy Lacan’s conceptual lexicon.Just as... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Out of an Old Toy ChestMarina Warner (bio)The Soul of the ToyIn Baudelaire’s essay “La Morale du joujou,” written in l853, he remembers how the toyshop owner Madame Pancoucke, all wrapped in velvet and furs, beckoned the young Charles to choose something from her “treasure store for children.” Looking back down the years, the poet still sees in his mind’s eye the magic room overflowing with toys from floor (...) to ceiling that this “Fée du joujou” (Toy Fairy) opened to him. Without a second thought, he picked out “the most beautiful, the most expensive, the most garish, the freshest and the most bizarre of the playthings.” But his horrified mother insisted he choose another, less extravagant present, and the little Baudelaire had to resign himself and relinquish his toy.The word joujou (not jouet, the usual word for toy) is almost a pet name with a nursery ring like a “teddy” or a “dolly”; its repetition hints at baby talk and hence at playing, as when a child exchanges endearments and questions with a toy in imaginary conversations and elaborate scenarios. The toy in so many children’s games becomes part of an ongoing story and in this way initiates the first invented narratives in the child’s life.That scene of seduction, pleasure, and frustration with Mme. Pancoucke and his own mother catches Baudelaire’s lasting affection and reasoned admiration for toys. He called them “cette statuaire singulière” (this singular statuary); he was first a poet and then an art critic rather than a novelist, and as a flâneur of the boulevards and the galleries, he adopted a language of aesthetics, treating toys as an unusual form of sculpture. He recalls in pleasurable detail the miniature worlds conjured by Victorian nursery games and child’s play—from tiny “diligences” or mail coaches to detailed model furniture. But above all he muses in wonder at children’s ability to play without props or models, creating narratives, dialogue, and dramas [End Page 3] through fantasy alone: “All children talk to their toys; toys become actors in the great drama of life, reduced by the camera obscura of their small brains. Children bear witness through their games to their great faculty of abstraction and their high imaginative power. They play without playthings.”1Significantly, Baudelaire goes on to make the connection to creativity in general: “[The child’s] facility to satisfy the imagination shows the spirituality of childhood in its artistic conceptions. The plaything is the first initiation of a child to art.” Nothing will ever attain again, he says, the same degree of liveliness, or, crucially, the same intensity of presence or belief. For Baudelaire, the realization of childish make-believe cannot be regained: “Isn’t all of life found there in miniature, and much more vivid in colour, cleaner and shinier than real life?”2Yet Baudelaire’s essay lingers on the frustration that dims these vivid, shiny colors, for children, he says, also want to see the soul of a toy. He describes how they will turn about their playthings and shake them, hurl them to the ground, and often break them in their bafflement and even rage at their stubborn refusal to awaken into life. His meditation hints that at the point when make-believe fails, the vitality of toys vanishes and produces a primal encounter with mortality: “But where is the soul? It’s here that bewilderment and sadness begin.”3 The beginning of imagining stories brings with it frustration that the story is not powerful enough—it is not the real thing. In a connected prose poem entitled “Le Joujou du pauvre,” published nine years later, Baudelaire pursues this thought, as he observes an exchange between a beautiful, pampered child inside the exclusive railed park of a chateau. He has “a splendid toy, as fresh as its master, varnished, gilded, clothed in a purple dress and covered with plumes and glitter.”4 But the rich child is not interested in his doll, for on the other side of the railings a ragged street urchin shows him, in a little cage which he shakes about, a living rat—”drawn... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Ethics for a Layered SelfLaughter, Reciprocity, Generosity, HomeCynthia WillettI can imagine no better way to respond to these insightful readings than to turn the spotlight on the important books that Ann Murphy and Megan Craig have written on affect and ethics! Craig’s book, Levinas and James: Toward a Pragmatic Phenomenology, weaves radical empiricism into phenomenology as only a philosopher who is also an artist could. Her evocative queries on (...) prereflective affects, perception, and ethical attunement shed light on the role of moods for unsettling rigid ego boundaries, ethical subjectivity, the feeling of being alive, the audible dimension of ethical encounters, life beyond a struggle to survive, temporality, and ethical ambiguity. These themes are compelling for any postmoral ethics that operates beyond or below the register of modern moral theory’s abstract laws and transparent cogitos. Her work balances an ethical concern for vulnerability with a vital regard for the vibrancy of living creatures and landscapes.Ann Murphy’s Violence and the Philosophical Imaginary illuminates philosophical questions with an abiding lucidity that does not weaken but amplifies the complexity and difficulty of ethics. Murphy’s work exposes how tropes of violence saturate philosophical discourses of both identity formation and of political and historical transformation, and how this violence, embedded in norms, denies sympathetic concern to those outside the limits of cultural intelligibility. Building upon recent work by Judith Butler, Adriana Caverero, and others, Murphy addresses the ambiguities arising from the multiple responses that exposure to vulnerability provokes. These responses can signal care but [End Page 70] they can also manifest violence. Even as she acknowledges the complex underside of cultural intelligibility, Murphy affirms sympathy and generous concern as paradigmatic virtues to be cultivated in response to various forms of violence. She probes the significance of shame and guilt for collective responsibility, ever alert to alterity and difference. With attentive care to the singular contributions of a broad range of philosophers and critical traditions, she argues compellingly for a corporeal ethics grounded on the ontological fact of vulnerability.Through their work, Murphy and Craig pose astute questions for my project, and, in fact, for any endeavor to conceptualize an ethics attentive to an embodied sociality. I describe the multifaceted approach I contribute toward this task as a call and response ethics for a layered self. Craig wonders if the more basic feature before any “call” is contact, touch, or immersion. She notes my concern that “any purported gap or abyss between humans and animals has less to do with unique human capacities than with the rise of urban centers and the loss of contact with other species.” Harm arises from a loss of contact. This is so true. Ethics as contact calls attention to the poetry of proximity, to erotic waves that transmit through the sound or feel of the other’s breath, the heat of the body, and the smell of the skin. This intense proximity serves as a compelling source for ethical sociality, resonating in some respects with what Merleau-Ponty explores as the sense of flesh and touch and, as Murphy suggests, a transcendental eros. This contact is as primal and ordinary as the skin-to-skin contact of caregiver and infant or, perhaps, the skin-to-hair contact of a terrier and her human companion, lost for a moment in inexplicable laughter. From these observations, Craig asks if “call and response” as a locution or central designation adequately captures the intimacy and intensity of these engagements.Craig’s remarks raise the further question of what is at stake in designations or phrasings. An ethics of call and response, designated as such, emerges from phenomenological but also crucially Africana and critical theory traditions. As a relational ethics, this ethics of call and response highlights social relations and expectations, opening a path outside of what Murphy characterizes as the trifecta of virtue ethics, deontology, and utilitarianism. It attends to desire (eros) beneath, in between, and above the prescriptive rules of moral reason or the interests of individuals. At its center are social bonds (friendship and companionship, community and domination, love, hate, and other social emotions, belonging and alienation, and the conflicts of groups and reconciliation) rather... (shrink)

In the article the specificity of philosophy is considered as a path to spiritual-practical mastering of the world. The spiritual-practical structure of philosophy includes philosophic practice and philosophic consciousness. The latter actualizes in the forms of philosophic thinking and sensory-emotional reflection of reality. Philosophical sensuality has a wide range of manifestations, but its specificity is defined by the emotion of wonder. Wonder is a primal, basic emotion. Fear, curiosity, joy and a number of other emotions also belong to the (...) category of basic emotions. In religious studies the ’theory of fear’ attributes the origin of religion to experience of fear. In psychology of emotion the curiosity is considered as a source of cognitive interest and scientific cognition. Appropriately, it may be possible to propose the ’theory of curiosity’ and the ’theory of wonder’ to explain the origin of science and philosophy. In the context of the theories the science and the religion differ in their emotional sources from the philosophy. The status of wonder as a basic emotion defines the emotional sovereignty of philosophy, its independence from other ways of spiritual-practical mastering of the world. Author demonstrates the incapacity of interpretations of doubt and suffering as emotional origins of philosophy. Doubt as uncertainty is a derivative of faith and lacks the status of basic emotion. The suffering is an emotional tone of every sensation, a pair of the emotional tone of pleasure. It is impossible to consider the suffering as an origin of philosophy due to both the effect of twoness of pleasure and suffering and their status of emotional tones. In addition, suffering is an affect, the repetition and accumulation of which conduces to the emotional discharge, an affective explosion. Therefore, they cannot be the sources of cognitive motion. The cognitive potential of wonder is defined by its character as positive emotion allowing for accumulation of ’wonder points’. The wonder discovers cognitive dissonance and stimulates the cognition by means of expanding the subject field of philosophy and stating new questions. (shrink)

Castoriadis's interpretation of Freud centres on the idea of the radical imagination; the introduction of this concept into psychoanalysis has consequences which affect all levels of the Freudian project. As Castoriadis sees it, Freud's foundational insights are not in dispute, but the reference to the imagination makes it possible to articulate them in new ways and build new bridges between psychoanalysis and social theory. In its capacity as a source of representation and meaning, the radical imagination is - together with (...) the drives - a `co-foundation of the psyche'; further reflection along those lines leads Castoriadis to radicalise the concept of the unconscious and introduce the notion of the primal monad, but at the same time, his revised concept of sublimation links the psyche to the social-historical world. In all these regards, there are significant affinities between Castoriadis's work and the post-Lacanian currents in French psychoanalysis. (shrink)

In reference to the paradoxical classification of art in Kafka’s Josefine story, religious aspects of the artist’s performances and their effect on the audience are scrutinized. The leading question is to what extent it evokes an allusion to the primal scene of divine revelation, following Stéphane Mosès’ commentary in his readings of the Bible. Josefine’s singing with a “nothing of a voice”, reduced to “the slightest of nullities”, the zero-point of signification, nevertheless affects an experience of presence and community (...) that touches the listeners’ entire being. From the perspective of the artist, her song recitals are manifestations of supreme art of which she claims a soteriological significance in respect of her audience who belongs in Kafka’s portrayal obviously to the Jewish people. Around such a tension between maximal restraint of an utterance (the voice onset of the aleph of the word anokhi/i) and all-encompassing meaning (the name of God and all Commandments whose acceptance is constitutive for the Jewish people) circle the theological exegeses of the Sinai-scene (esp. Ex. 20,1) in the tradition of Rashi and Maimonides, in modernity e.g. of Gershom Scholem in dispute with Walter Benjamin on Kafka. It will be shown that the depicted paradoxes of Josefine’s art performances unfold the mentioned tension as an original literary reflection on revelation and language under the conditions of modernity. (shrink)

Burnshaw treats virtually every aspect of poetry, but devotes a major theoretical effort to developing a biologically grounded explanation of both creation and the esthetic experience. He extends his theory of creation to every art form, including the fabrication of scientific theories; the rest of the study is devoted exclusively to poetry. Burnshaw claims to be following the lead of John Keble, who described poetry as that which "acts as a safety valve to a full mind." He supports his homeostatic (...) theory with numerous statements by creative persons about their psycho-physiological state at the time of inspiration. Burnshaw wisely limits his theory of creation to those works which seem to be truly inspired, which "demand" to be born; nevertheless, his method tends toward the pseudo-scientific. He too facilely converts the terms of the poet's auto-description into supposed physicalist counterparts. In like manner, the esthetic experience is reduced to the communication of an internal metaphor which constitutes the "true" poem, where this internal metaphor is the expression, through the affective structures of the poem, of the poet's inner bodily movements at the time of creation. The reader, because of changes in his muscular, circulatory, and respiratory systems, comes to "reverberate" with the internal metaphor. Fortunately, Burnshaw doesn't get too caught up in such theories. In the second section of the book, for example, he goes beyond reductionistic explanations and discusses the act of creation in teleological terms; poetry becomes a primal language, which, in symbolically restoring the true sensuality of all things, overcomes alienation and reunites both poet and reader in themselves, with each other, and with the rest of the universe. The book contains a wealth of biological, anthropological, zoological, and psychological information and ideas, plus some very penetrating analyses of different poems in an explicitly rhetorical and implicitly metaphysical framework.--C. M. R. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Acts of Enjoyment: Rhetoric, Žižek, and the Return of the SubjectJames J. Brown Jr. and Joshua GunnActs of Enjoyment: Rhetoric, Žižek, and the Return of the Subject by Thomas Rickert. Pittsburgh: University of Pittsburgh Press, 2007. Pp. x + 252. $24.95, hardcover.Thomas Rickert had a falling-out with his brother, and this distresses him so much that his disrupted relation is described as “traumatic.” Rickert reports that while listening (...) to a portable CD player during a run on an unexpectedly warm winter day, a song by the now defunct jazz/rock band Morphine reminded him of a happy time at a pool hall with his brother (24). Mediated—or better, medicated—by music, the homological happiness of running in the sun and a positive past memory also resurfaced a painful relational rupture, the reason of which Rickert omits to underscore that mysterious, “little detail or object” of the Real that marks his singular finitude as a writing subject (216 n. 11). We’ll want to come back to this curiously deliberate omission, but for the present we note Rickert is not simply an undead author but a human being with relations and feelings. He is not just a gifted scholar or a bundle of reflections, but a nexus of body and movement and words and affect. If there is anything that Rickert’s study can be said to work through with brilliance, humor, and grace, it is the reality of complex personhood.Rickert’s brotherly confession comes in Chapter 1 as a way to introduce a psychoanalytic understanding of subjectivity, and more specifically, to help illustrate how trauma works itself out as an afterwardness or “belatedness” ( Nachträglichkeit ): traumatic events from the past are not reckoned with or worked-through until some coincidence or reminder, such as a similar [End Page 183] sensory experience, reintroduces the event in doubled re-presentation (18–27). This implies the “subject” (a paradigm person) is a kind of timedelay, a self-conscious temporal moving that becomes this way through re-presentation. The rhetorical subject is analogously a retrojected reckoning with events past (not all traumatic) that Rickert identifies as a scene of writing, a locus that has important implications for rhetorical studies in general and writing pedagogy in particular. Rickert’s logic is as follows: if we agree that the subject is a belated one in the psychoanalytic sense, then how we teach rhetoric needs to change. Rickert opens the book with the observation that his students are producing excellent cultural critiques but that such critiques do not lead the students to change their actions (1–7), perhaps evidence enough that something is not quite right in a classroom grounded by “cultural studies pedagogy” and ideology critique—or at the very least, proof that something has changed. The opening gambit is simply that a “postpedagogy” premised on an understanding of rhetorical subjectivity as belatedness is better than a status quo rooted in the rational subject of the Enlightenment.Mostly through a Žižek-filtered, Lacanian lens, Acts of Enjoyment then undertakes a retake of the rhetorical field, frequently scanning from the traumatic ontology of the rhetorical subject to that domain of knowledge that we hold dear, the subject of rhetoric. In Chapter 2, the (primal) scene thus shifts from the slo-mo subject to rhetorical studies, initially through a reassessment of Kinneavy’s “communications triangle,” but ultimately in response to the shock treatment of poststructuralism. The initial theoretical traumas introduced by Victor Vitanza, Diane Davis, Sharon Crowley, and others discussed in Chapter 1 are threaded into an account of “poststructural” redress in Chapter 2: as is true of all forms of trauma, the initial poststructural jolt delivered to the concept of subjectivity was deadened; poststructural theory was eventually used to “shore up rather than challenge Kinneavy’s triangle” (37). To truly work-through our traumatized subject in both senses, we need a second trauma: Lacanian psychoanalysis. Presumably, “poststructuralist thought” is to be opposed because it has no account of the subject (21–24); “Lacan,” after all, “is not a poststructuralist” (48). The remainder of the chapter is then used to deploy Lacan’s conceptual lexicon.Just as... (shrink)

The transitory and ever-evolving process of law making plays a role of primal importance in the regulation of human conduct of society. It goes without saying that in this entire process, judges have a participation. The power entrusted by law and the nature of judicial process, make judges the prime mover of the development of law. It matters how judges decide cases. It matters most to people unlucky or litigious or wicked or saintly enough to find themselves in court... (...) The effect emanating from the decision of a case affects the life of a person in many ways that at times has far reaching impact...When the law in question happens to be criminal law, it requires a cautious consideration to see how the interpretive tools used by judges affect the life of a litigant in ways both seen and unseen... Several areas concerning adjudication and judicial interpretation have been the subject matter of study. This paper includes a discussion on the principle of non- retrospectivity in light of judicial adjudication in criminal matters. (shrink)

Love, fear, hope, calculus, and game shows-how do all these spring from a few delicate pounds of meat? Neurophysiologist Ian Glynn lays the foundation for answering this question in his expansive An Anatomy of Thought, but stops short of committing to one particular theory. The book is a pleasant challenge, presenting the reader with the latest research and thinking about neuroscience and how it relates to various models of consciousness. Combining the aim of a textbook with the style of a (...) popularization, it provides all the lay reader needs to know to participate in the philosophical debate that is redefining our attitudes about our minds. Drawing on the rich history of neurological case studies, Glynn picks through the building blocks of our nervous system, examines our visual and linguistic systems, and probes deeply into our higher thought processes. The stories of great scientists, like Ramon y Cajal, and famous patients, like Sperry's split-brained epileptics, illuminate the scientific issues Glynn selects as essential for understanding consciousness. Some might argue that his lengthy explorations of natural selection overemphasize evolutionary explanations of psychological phenomena, but they must also agree that evolutionary psychology has distanced itself mightily from social Darwinism in recent years and merits a reappraisal. The great consciousness debate may form the core of the 21st-century Zeitgeist; get ready for it with An Anatomy of Thought. -Rob Lightner From Publishers Weekly How do we know? What do we think? How could a philosophical problem-'the mind-body problem,' say-induce a headache? What can evolutionary theory, molecular biology, the history of medicine and experimental psychology tell us about the features of human consciousness, and (once again) how do we know? Glynn, a physician and Cambridge University professor, meticulously attempts to answer these questions and more, setting forth the results of all sorts of research relevant to our brains-from 19th-century dissections to Oliver Sacks-like case studies, work with monkeys and supercomputers, and the enduring puzzles of philosophy, which he rightly saves for near the end. After explaining evolution by natural selection and 'clearing away much dross,' Glynn lays out the experiments and theories that have shown 'how nerve cells can carry information about the body, how they can interact' and how sense organs work; demonstrates the 'mixture of parallel and hierarchical organization' in our brains and 'the striking localization of function within it'; considers where neuroscience is likely to go; and admits that, among the many fields of exciting research just ahead, 'we can be least confident of progress toward a complete, scientific explanation of our sensations and thoughts and feelings.' Other recent explaining-the-brain books have sometimes advanced simplistic, or implausibly grand, claims about the nature and features of consciousness in general. Instead, Glynn offers a patient, informative, well-laid-out researcher's-eye view of what we have learned, how we figured it out and what we still don't know about neurons, senses, feelings, brains and minds. (Apr.) Copyright 2000 Reed Business Information, Inc. From Library Journal The nature of consciousness, which perennially troubles the minds of scientists and philosophers, is the subject of an ever-growing body of literature. Two of the latest entries approach the topic from different perspectives. Glynn, a professor of physiology and head of the Physiological Laboratory at Cambridge, offers a comprehensive summary of what we know about the brain-both its evolution and its mechanisms. Among the topics he covers are natural selection, molecular evolution, nerves and the nervous system, sensory perception, and the specific structures responsible for our intellect. Using the mechanisms involved in vision and speech as models, Glynn skillfully describes various neurological deficiencies that can lead to 'disordered seeing' and problems with the use of language. He carefully distinguishes what we know through experimental evidence from what we know through the observation of patients with neurological damage. He also describes some of the major theories that attempt to explain why these structures arose. While his book concentrates on the structures that make up the mind, Glynn is well aware that some physical events appear explicable only in terms of conscious mental events-a situation that conflicts with the laws of modern physics. Only briefly, however, does he consider the various approaches that have been taken to deal with the issues of mind/body and free will. In contrast, this is the primary focus of The Physics of Consciousness. After reviewing the fundamentals of classic physics, Walker (who has a Ph.D. in physics) summarizes elements of the new physics in which our knowledge of space, time, matter, and energy are all dependent on the moment of observation. Walker explores the meaning of consciousness as a characteristic of the observer. In this context both the observer and the act of measurement are critical. In essence, Walker leads his reader on a journey through his concept of a 'quantum mind,' which can both affect matter (including other minds) and can be affected by other distant matter/minds. To break up what would otherwise be an extremely dense text, Walker also relates the very touching story of the loss of his high-school sweetheart to leukemia. Indeed, it is his memory of their relationship that drives Walker to seek an understanding of ultimate reality. At times, he has a tendency to be dogmatic-as when he concludes, 'our consciousness, our mind, and the will of God are the same mind.' While An Anatomy of Thought is appropriate for most academic libraries, the Physics of Consciousness will be most accessible to readers with some knowledge of advanced physics. -Laurie Bartolini, Illinois State Lib., Springfield Copyright 2000 Reed Business Information, Inc. From Booklist The codiscoverers of natural selection-Charles Darwin and Alfred Wallace-disagreed over the possibility of finding an evolutionary explanation for the human mind. Glynn here argues Darwin's side of the debate, tracing an eons-long path of development starting from simple amino acids floating in primal seas and extending through the erect hominids in which the powers of a massive brain first manifest themselves. Patiently adducing evidence of an evolutionary origin for the underlying molecular machinery, Glynn dissects the nerve centers that make possible speech and hearing, sight, and reading. Pressing deeper, he lays bare the cortical foundations of personality. But those who deal with the mind must attend also to the arguments advanced by philosophers. And it is when he turns from dendrites to syllogisms (especially the vexing mind-body paradox) that Glynn's empirical reasoning fails him. In the end, he concedes his perplexity in trying to conceive of an evolutionary origin for human consciousness. This concession may set the shade of Alfred Wallace to chortling, but it will draw readers into an honest confrontation with a profound enigma. Bryce Christensen. (shrink)

Considering the perception lik a abilty to see, hear or become aware, in this research, focused upon a subject that has left a great mark on the world-wide literature and opened the door to great debates. This subject is mentioned in Nietzsche's famous work, ANTICHRIST. of man and person its nature of development your obstacles and this your obstacles How will be surpassed over One attempt to do has been studied. Same in time human being One individual and society One (...) Part of its aspect civilization to be able to create in front of philosophical, religious, and political of your obstacle’s detection and this your determination to the reader reflection has been made. The main theme of this study while real politics and social of development According to Nietzsche, how it should be done was expressed. A pivotal aspect of Nietzsche’s analysis lies in the contradictory nature of the modern individual's consciousness and ignorance. Despite the allure of advancement, Nietzsche scrutinizes modernity’s superficial enlightenment, championing increased awareness and resilience against societal shortcomings. Nietzche challenges traditional notions of virtue, advocating for a shift away from rigid moral doctrines towards innate instincts and personal growth. Nietzsche’s discourse extends beyond mere criticism, promoting education, primal instincts, and nuanced comprehension of human development. Rejecting simplistic hierarchical frameworks, he attributes human advancement to intrinsic impulses rather than societal constructs. At the core of Nietzsche’s argument lies the concept of instinctual power, crucial for both societal progress and individual fulfillment. The study elucidates Nietzsche’s condemnation of compassion as an impediment to progress, echoing Aristotle’s insights. Nietzsche advocates for an unyielding stance against barriers hindering societal evolution, urging individuals to embrace self-esteem, self-affection, and autonomy. Nietzsche’s "Antichrist" provides profound reflections on humanity’s trajectory, urging a departure from dogmatic beliefs towards instinct-driven growth. The research underscores Nietzsche’s vision of a civilization harmonized with nature, liberated from societal constraints, and driven by individual integrity and primal instincts. (shrink)

Lane et al. are right: Troublesome memories can be therapeutically recontextualized. Reconsolidation of negative/traumatic memories within the context of positive/prosocial affects can facilitate diverse psychotherapies. Although neural mechanisms remain poorly understood, we discuss how nonlinear dynamics of various positive affects, heavily controlled by primal subcortical networks, may be critical for optimal benefits.

The author deals with philosophical ethos in its practical function. After the First World War Husserl not only considers the structure but also the function of phenomenology. A meditation on this function, with regard to the history of philosophy, is his primal task in the Freiburg years. Thus the possibility of developing a rigorous phenomenology of practical reason becomes the basis of phenomenology. The importance of Husserl’s characterization of life in terms of striving is stressed as a key motive (...) in the turn from static to genetic phenomenology. It is argued that instinctive life is inserted in a cultural development that shapes a theoretical side providing content to our primal tendencies as well as the identity of individuals. A decisive point in genetic phenomenology is the passage from instinctive animality to human life. This development rests on a pretheoretic affectivity that colors life as a sort of subconsciousness underlying all our activities. It is the originary stratum through which we approach the world. The article goes on to high-light the importance of Husserl’s concept of culture and specifically of his practical concept of culture which is made up of life-regulations and without which an ideal and a technical culture are devoid of a ground. Finally, the author considers life-regulations as a key problem to be dealt with by phenomenology first in the emotional and then in the practical level. (shrink)

In this paper, we sketch out a simple scheme to evaluate different ways in which Western society has coped with the momentous and hidden problem of envy; afterward, we consider the consequences for the constitution of the social space that these changes entail. We will argue that envy, when considered as a primal feeling, can shed light on René Girard’s notion of metaphysical desire and on diasparagmos rituals. Then, taking into account Jean-Pierre Dupuy’s endogenous fixed point thesis—concerning the constitution (...) of autotranscendent social structures that configure themselves around an attractor, a fixed point, revealed to be a product of the process of constitution, an effect and not a cause—we will consider envy as the main feedback in the system. Starting from this theoretical scenario, we will envisage three steps—on a line sketched according to mimetic theory—marked by the particular conditions and role of the feedback. We will show what kind of balance was guaranteed to Athens (taken as an exemplar archaic society, starting from its self-representation as given by Sophocles in Oedipus the King) by the complementary rituals of pharmakos and ostrakos; what equilibrium was offered to Christian medieval social structures by the doctrine of the deadly sins; and, finally, we will take a look at our own secularized society. Our aim is to apply René Girard’s theory systematically, to show how the philosophy of history that we can infer from his works can help us to detect a curious and at the same time quite dramatic change as far as the homeostatic equilibrium of our society is concerned. Thanks to this exercise, we will be able to show how the transcendental social space— by which we mean the region of possible outcomes, in terms of constraints and possibilities, of a human life in a social context—is constituted through the victimage mechanism as defined by Girard and how this constitution is affected by the performative unveiling of the mechanism itself. (shrink)

In this contribution I wish to attempt a radical phenomenological elucidation of the notion of authenticity. In order to elaborate on this highly problematic philosophical idea of authenticity, I make use of the philosophy of the French philosopher Michel Henry. Although Henry does not make use of the term as such, it is his understanding of the Self as self-affection that makes a real philosophy of authenticity not only possible, but also inevitable. Following this line of thought, I will (...) maintain that Michel Henry’s philosophy is a philosophy of authenticity. Since there is, as we shall see, the original experience of the Self, an original experience of life as self-affection, this primal experience appeals us not to renounce our origin. The authentic sphere as described in Henry’s works is called Life. I will discuss first Henry’s phenomenology as a radicalization of classical phenomenology, in which the appeal for authenticity is explicit. Then I will focus on Henry’s idea of the notion of the Self and how this notion escapes the problem of everlasting self-reference. In the last paragraph I will focus on a possible Henrian comprehension of the authentic life. I will also question the role of Christianity in his later works. Is the Christian life the authentic Life? And if so, what does that imply? (shrink)

ZusammenfassungDie traditionelle Bestimmung der Individuierung im philosophischen Sinne verläuft seit Aristoteles über die ousiologische Differenz als Kategorialisierung des Erscheinenden durch Sprache und Urteil. Demgegenüber ist der klassisch phänomenologische Individuierungsprozess an die innerzeitliche Lokalisierung im Bewusstseinsfeld gebunden, wodurch die reine Differenz von Erscheinen/Erscheinendem zum transzendentalen Faktum der Individuierung wird. Ungedacht bleibt dabei jedoch auch hier der originäre Bezug zum absoluten Leben diesseits jeglichen Seins. Wird daher die radikale Reziprozität von Leben/Individuum als Ur-Individuierung im Sinne einer ausschließlich intensiven »affektiven Differenz« bestimmt, so (...) ergibt sich eine Affinität zur christologischen Inkarnation. In jeder Bestimmung oder Setzung seitens philosophischen Denkens wird diese von der Philosophie selbst nicht geschaffene Faktizität vorausgesetzt, so dass der philosophische Vollzug als Selbstvollzug je individuierter Natur letztlich seinerseits in einer solch christologisch fundierten Individuierung begründet ist.SummarySince Aristotle the traditional definition of individuation has been considered on the basis of ousiological difference, i.e. in the sense of a categorization of the appearing in terms of language and judgment. In contrast, classical phenomenology has conceived the process of individuation with reference to the inner-temporal localization within the field of consciousness . Thereby the pure difference of appearing/appearances turns out to be the transcendental fact of individuation. But even in this phenomenological perspective the original relationship to absolute Life, taking place unmortgaged by Being, remains unthought. If, consequently, we take into account this radical reciprocity of absolute Life and the individual as the primal-individuation in the sense of an exclusively “affective difference”, a deeply-rooted affinity to the christological account on incarnation becomes visible. This reciprocity's facticity, which itself has not been created by philosophy, is taken for granted in every philosophical determination or position. Consequently, we have to understand that every philosophical performance in the sense of an ever individuated self-performance originates from this Christologically founded individuation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 123.1 (2002) 111-118 [Access article in PDF] Brief MentionSupplices, The Satyr Play: Charles Mee's Big Love Rush Rehm Berkeley Repertory Theater, long the most adventurous theater company in the San Francisco Bay area, opened its new Roda theater in style this spring with Aeschylus' Oresteia (trans. Fagles), followed (on the more intimate thrust stage) by Charles L. Mee's adaptation of Aeschylus' Danaid trilogy, entitled Big (...) Love. Seeing these productions in tandem reminds one of the similarities between the two trilogies, as if Aeschylus in his Oresteia developed and expanded ideas introduced five years earlier in Danaides. These include the horrific consequences of male violence, not the least of which involves the tragic female response of killing husbands and turning households into bloodbaths. The primal compulsions that affect human beings--particularly eros and vengeance, immortally hypostasized as Aphrodite and the Furies--drive through both trilogies, countered somewhat by the religious and moral imperatives to grant beleaguered foreigners asylum. Reflecting Athens's radical democracy, Aeschylus emphasizes the perils and responsibilities of a polity that must face the consequences of its own decisions. In dramatic terms, both trilogies tap the power of choral lyric to wash over plot and action, almost like a force of nature, moving the human drama into a wider spatial and temporal context. Aeschylus also exploits the apparent finality of a trial in both works to bring matters to a dramatic close. However, ultimate resolution depends on the fundamentally comedic faith in the curative powers of marriage, family, and time to restore the human community. Addressing these themes in Big Love, Mee uses them to construct an entertaining romp. One could say he converts Aeschylus' Danaides into a contemporary satyr play, the paratragic genre for which Aeschylus was famous in antiquity (none of his survive, but one called Amymone ended the Danaid tetralogy).Although only Supplices is extant, most scholars agree on the [End Page 111] trilogy's dramatic arc. 1 Led by their father Danaos, the fifty Danaids flee from detested marriage with their Egyptian cousins. They receive asylum in Argos, until the Argive leader Pelasgos is defeated in battle and the victorious Egyptians have their connubial way. Commanded by their father, the Danaids murder their husbands on their wedding night--all save Hypermestra, who spares Lynkeus. A trial absolves Hypermestra of disobedience, and Aphrodite celebrates the power of eros, manifest in the marriage of earth and sky. Due to its incomplete story line and the absence of all but a few short fragments from the latter two plays, Supplices has not proved popular on the modern stage.Enter Charles Mee, whose updated version Big Love follows (mutatis mutandis) the reconstruction outlined above. Missing is Danaos, and (as one might expect) Aeschylus' lyrically and poetically charged language. According to Mee, "getting into a Greek plot is like stepping into a Rolls Royce," and he clearly enjoys the ride. 2 In earlier plays, Mee has stepped into the plots of Euripides' Bacchae, Orestes, and Trojan Women (in the first half of his Trojan Women a Love Story). 3 His updated treatments have attracted the interest of classicists, drawn to new translations, contemporary productions, and modern adaptations of ancient material. 4 Regarding Mee's creative use of Greek tragedy, key questions remain: where is he heading in his smooth-riding import? does some destination guide the journey? whom does Mee pick up along the way?Answering the last first, Big Love--as directed by Les Waters at Berkeley, with a strong cast--sweeps up the audience with its energy and sense of play. It offers an evening of kitsch, froth, stage blood (over-the-top and inoffensive), and body-slamming physical humor. Although set in Italy--the Pelasgian Piero is a suave villa-owner who "makes arrangements" and "has connections"--this is very much an American play, full of commercial pop culture. For example, the first "chorus" has three representative Danaids singing Leslie Gore's schlock rock "You Don't [End Page 112] Own Me," using champagne flutes and empty bottles as microphones, like... (shrink)

My aim in this paper is to defend the view that the processes underlying early vision are informationally encapsulated. Following Marr (1982) and Pylyshyn (1999) I take early vision to be a cognitive process that takes sensory information as its input and produces the so-called primal sketches or shallow visual outputs: informational states that represent visual objects in terms of their shape, location, size, colour and luminosity. Recently, some researchers (Schirillo 1999, Macpherson 2012) have attempted to undermine the idea (...) of the informational encapsulation of early vision by referring to experiments that seem to show that colour recognition is affected by the subject's beliefs about the typical colour of objects. In my view, however, one can reconcile the results of these experiments with the position that early vision is informationally encapsulated. Namely, I put fort a hypothesis according to which the early vision system has access to a local database that I call the mental palette and define as a network of associative links whose nodes stands for shapes and colours. The function of the palette is to facilitate colour recognition without employing central processes. I also describe two experiments by which the mental palette hypothesis can be tested. (shrink)

Limited distribution phenomena related to negation and negative polarity are usually thought of in terms of affectivity where affective is understood as negative or downward entailing. In this paper I propose an analysis of affective contexts as nonveridical and treat negative polarity as a manifestation of the more general phenomenon of sensitivity to (non)veridicality (which is, I argue, what affective dependencies boil down to). Empirical support for this analysis will be provided by a detailed examination of affective dependencies in Greek, (...) but the distribution of any will also be shown to follow from (non)veridicality. (shrink)

In this chapter, I present some systematic thoughts on a phenomenology of attention. There are two angles from which I will approach this topic. For one, the phenomenon in question is quite important for Husserl, but his thoughts on the topic have not been known to the public until recently through a new volume of the Husserliana (Hua XXXVIII) that presents the only analyses in Husserl’s entire oeuvre dealing with this phenomenon. As it turns out, attention, as located between passive (...) perception and active, synthetic consciousness, plays a key role in genetic phenomenology and its attempt to work out the levels of consciousness from passivity to activity. Hence, one part of this paper has the intention of presenting some of Husserl’s thoughts on attention and the systematic role it plays in his phenomenology of constituting consciousness. Secondly, in order to further the systematic point of the phenomenon, I turn to Goethe’s reflections on the primal phenomenon (Urphänomen) that can, I believe, be brought to bear on attention. Indeed, the primal phenomenon as a phenomenon that immediately and forcefully seizes our attention Goethe once compares to “the most beautiful pearls” in a chain of related phenomena. Among the phenomena appearing to us, some “simply” have a special quality in that they beckon us to investigate them, very much in the way in which Husserl describes the manner in which some phenomena lure us to focus our attention on them. Finally, if it is the world which “chooses,” as it were, certain phenomena for us to be drawn into their meaningful contexts, this observation has serious consequences for phenomenology as transcendental idealism. I want to put it as a question: What does it mean for a theory of world-constitution through consciousness that the world is “designed” such that certain phenomena are privileged from within the world to leap out at us, enticing us to explore it? Does attention bring us before the limits of phenomenology as transcendental idealism? (shrink)

A central doctrine of Kant's Critique of Pure Reason holds that the content of human experience is rooted in an affection of sensibility by unknowable things in themselves. This famous and puzzling affection doctrine raises two seemingly intractable old problems, which can be termed the Indispensability and the Consistency Problems. By what right does Kant present affection by supersensible entities as an indispensable requirement of experience? And how could any argument for such indispensability avoid violating the Critique's (...) doctrine of noumenal ignorance? This essay develops a new solution to both problems, setting out from the continuity between Kant's early and mature views on sensibility and mind-world relations. Kant's early writings subscribe to an interactionist cosmology opposed to both Leibniz's preestablished harmony and Malebranche's occasionalism. The modern debate on mind-world relations shaping Kant's early cosmology points us to a widely recognized motivation for interactionism, turning on a constraint on agency within certain noninteractionist cosmologies. In particular, Kant's early conversion to a libertarian theory of freedom, together with his rejection of occasionalism, provides the basis for a compelling argument for the indispensability of world-mind affection relations. Extended to the transcendental idealist framework, the same argument reveals noumenal affection as an indispensable presupposition of some knowledge claims consistently upheld by Kant. This leads in turn to a satisfying solution to the Consistency Problem, showing that the doctrine of noumenal affection is not merely consistent with, but is partly motivated by, Kant's commitment to noumenal ignorance. (shrink)

Few of Kant’s doctrines are as difficult to understand as that of self-affection. Its brief career in the published literature consists principally in its unheralded introduction in the Transcendental Aesthetic and unexpected re-appearance at a key moment in the Deduction chapter in the B edition of the first Critique. Kant’s commentators, confronted with the difficulty of this doctrine, have naturally resorted to various strategies of clarification, ranging from distinguishing between empirical and transcendental self-affection, divorcing self-affection from the (...) claims of self-knowledge with which Kant explicitly connects it, and, perhaps least justified of all, ignoring the doctrine altogether. Yet the connection between self-affection and central Critical doctrines (such as the transcendental synthesis of the imagination) marks all of these strategies as last resorts. In this paper, I seek to provide a clearer outline of the constellation of those issues which inform Kant’s discussion of self-affection. More particularly, I intend to explain the crucial role played by self-affection in the account of the transcendental conditions of perception provided late in the B Deduction. (shrink)

This article distinguishes between several modifications of perception and perspective-taking in order to grasp the relevance of phantasmatic and imaginatory consciousness for empathy. Drawing on insights from phenomenology, it tries to elucidate the complex process of empathically perceiving and understanding the other by looking at the structures of anticipation and fulfilment from the level of self-affection, to perceptual, personal, and narrative perspective-taking. Thereby, the problem of objectifying the personal background of the other in empathic transposition is addressed and the (...) intertwinements of expectation-driven and stimulus-driven components of the empathic process are reviewed. (shrink)

The accelerating growth of virtual reality technology and evolving customer needs make multifarious challenges and opportunities for service industries. Based on the Technology Acceptance Model and Theory of Affection Responses, we explored the key drivers of customer loyalty in virtual reality-enabled services through a large-scaled survey data collected from VR users in four major cities of Pakistan. The study employs the partial least squares structural equation modeling. We verified that the authenticity of the VR experience and TAM dimensions are (...) the key drivers of customer loyalty béhavioral in VR-enabled services. Furthermore, results revealed that Affective responses significantly mediated the relationships between the drivers and customer loyalty. Implications for researchers and VR practitioners were also provided. (shrink)

Temporal experience and its radical alteration in schizophrenia have been one of the central objects of investigation in phenomenological psychopathology. Various phenomenologically oriented researchers have argued that the change in the mode of temporal experience present in schizophrenia can foreground its psychotic symptoms of delusion. This paper aims to further the development of such a phenomenological investigation by highlighting a much-neglected aspect of schizophrenic temporal experience, i.e., its non-emotional affective characteristic. In this paper, it denotes the type of an experience (...) wherein an afflicted individual experiences a pervasive pull or attraction coming from the past, present, and future. By employing Husserl’s account of affection, I argue that such an affectively prominent temporal experience is not yet another abnormality that happens to be present in schizophrenia. Instead, it is indicative of the core disturbance that underpins the schizophrenic temporal mode of experience. I identify such a disturbance as ‘affective modification dysfunction’ and employ it as a core concept with which I synthesize and organise heterogeneous components of schizophrenic temporal experience in their conceptual unity. For the sake of clear description, I organise those components into the following categories: 1.) Time Stop 2.) Ante-festum 3.) Déjà vu/vécu and 4.) Time Fragmentation. I conclude by demonstrating how approaching schizophrenic temporal experience from its affective dimension can further help us better understand its pre-psychotic phase known to precipitate schizophrenic primary delusion, i.e., delusional mood. (shrink)

ObjectiveWe aimed to explore profiles of subgroups of United States students based on their motivational and affective characteristics and investigate the differences in math-related behaviors, persistence, and math achievement across profiles.MethodWe used 1,464 United States students from PISA 2012 United States data in our study. First, we employed latent profile analysis and secondary clustering to identify subgroups of students based on motivational and affective factors. Next, we used regression to compare differences in math behavior, persistence, and achievement among all identified (...) subgroups.ResultsWe found five distinct groups of students with different patterns of motivation and affection. The subgroup of students with the lowest math anxiety and the highest motivation levels showed the highest math achievement and levels of persistence. The groups with high math interest, math self-concept, and instrumental motivation showed the most frequent math-related behaviors.ConclusionsOur findings reveal the complexity of the students’ motivational and affective profiles. Our findings are significant for teachers and educators to understand the diversity of students and provide theoretical and practical support for individualized and differentiated instruction. (shrink)