Nous avons voulu procéder à une reformulation de la célèbre énigme de Cedric Price qui remettait en question les promesses de la technologie. Nous avons donc formulé la provocation suivante : « Le design est la réponse, mais quelle était la question? ». Dans ce cas, quelle pourrait être la promesse du design? Nous posons une autre question : « Si le design n’est pas la réponse, qu’est-ce qu’il pourrait être? » Quelle que soit la réponse, nous disons clairement que (...) ce que le design peut faire est de répondre aux échos de notre relation avec tous et tout ce qui se trouve sur la planète que nous partageons – notre maison commune – et de se demander ce qui pourrait ne pas advenir dans un monde-sans-nous – un monde impensable. (shrink)

This article contends that the evolution toward interdisciplinary collaboration that we are witnessing in the sciences must also occur in the humanities to ensure their very survival. That is, humanists must be open to working with scientists and social scientists interested in similar research questions and vice versa. Digital humanities is a positive first step. Complexity science should be the next step. Even though much of the ground-breaking work in complexity science has been done in the natural sciences and mathematics, (...) it can, if critically adapted, provide the needed metaphor for a broad integration of disciplines, humanistic and otherwise. Given its almost a-disciplinary nature, a complexity approach to the research problems in the humanities necessarily breaks down silos. Moreover, it can restore and reframe the seamless intellectual fabric sought by researchers before the atomization of the various disciplines in the nineteenthcentury academy. (shrink)

The Archaeology of Prehistoric Arabia: Adaptation and Social Formation from the Neolithic to the Iron Age. By Peter Magee. Cambridge World Archaeology. New York: Cambridge University Press, 2014. Pp. xv + 309, illus. $99.

D’Aden à Zafar: Villes d’Arabie du sud préislamique. By Jérémie Schiettecatte. Orient & Méditeranée, Archéologie, vol. 6. Paris: De Boccard, 2011. Pp. 372, illus. €64.

[ Philosophy against the natural sciences: “Dogmatism” in the dispute about “scientific monism” after 1900].

Pastoral seems a fairly accessible literary concept; most critics and readers seem to know what they mean by it, and they often seem to have certain works in mind that count as pastorals. But when we look at what has been written about pastoral in the last decades -- when it has become one of the flourishing light industries of academic criticism -- we find nothing like a coherent account of either its nature or its history. We are told that (...) pastoral "is a double longing after innocence and happiness"; that its universal idea is the Golden Age; that it is based on the antithesis of Art and Nature; that its fundamental motive is hostility to urban life; that its "central tenet" is "the pathetic fallacy"; that it expresses the ideal of otium; that it is "the poetic expression par excellence of the cult of aesthetic Platonism" in the Renaissance or of Epicureanism in the Hellenistic world; that it is "that mode of viewing common experience through the medium of the rural world."1 It sometimes seems as if there are as many versions of pastoral as there are critics who write about it.[…]A definition of pastoral must first give a coherent account of its various features—formal, expressive, and thematic—and second, provide for historical continuity or change within the form. The basis of such a definition is provided by what Kenneth Burke calls a "representative anecdote":Men seek for vocabularies that will be faithful reflections of reality. To this end, they must develop vocabularies that are selections of reality. And any selection of reality must, in certain circumstances, function as a deflection of reality. Insofar as the vocabulary meets the needs of reflection, we can say that it has the necessary scope. In its selectivity, it is a reduction. Its scope and reduction become a deflection when the given terminology, or calculus, is not suited to the subject matter which it is designated to calculate.Dramatism suggests a procedure to be followed in the development of a given calculus, or terminology. It involves the search for a "representative anecdote," to be used as a form in conformity with which the vocabulary is constructed.6Burke uses "anecdote" and not a more philosophically respectable term in order to emphasize the contingencies inherent in all such intellectual choices. Anecdote implies that they are inseparable from the stuff of reality with which they deal and that of their selection does not escape the conditions of ordinary accounts of our lives. "Representative," as Burke uses it here, has a double meaning. An anecdote is representative in that it is a typical instance of an aspect of reality and by being typical it serves to generate specific depictions or representations of that reality.1. The allusions are to the following: "double longing" ; Golden Age ; Art and Nature ; hostility to urban life ; "pathetic fallacy" ; otium , "aesthetic Platonism" ; Epicureanism .6. Kenneth Burke, A Grammar of Motives , p. 59. This is the beginning of the section entitled "Scope and Reduction."Paul Alpers is professor of English at the University of California, Berkeley, and is the author of The Poetry of "The Faerie Queene" and The Singer of the Eclogues: A Study of Virgilian Pastoral. The present essay is part of a larger study entitled "Pastoral Poetics.". (shrink)

Depuis son avènement au début du XXe siècle, la phénoménologie a rallié, dans une fidélité plus ou moins grande à Husserl, son fondateur, des auteurs aussi différents que Heidegger, Scheler ou Fink – non sans que chacun ait d'abord pris la mesure de l'ambition d'un projet qui consistait à réaffirmer le sens de la philosophie en lui assignant pour objet un certain absolu, jugé comme tel « irréductible ». Les philosophes français, dont Sartre, Merleau-Ponty, Levinas, Derrida, Henry, Marion, ont tous (...) eu à cœur de renouveler à leur façon la phénoménologie, en interrogeant à nouveaux frais ses enjeux. En revenant sur l'histoire de ce courant, Paul Audi montre que la plupart de ces penseurs ont suivi un même ordre de mission – que Sartre formule ainsi dans son tout premier texte phénoménologique, en 1934 : « Soyons plus radicaux ». Pourquoi et comment ce devoir de radicalité a-t-il pris auprès d'eux le statut d'un mot d'ordre? Quels enseignements devrions-nous aujourd'hui en tirer? Une de ces leçons ne revient-elle pas à dire que si, en phénoménologie, la demande de radicalité a bien sa raison d'être, elle n'en révèle pas moins les limites de la discipline – des limites qui pourraient bien expliquer pour partie son essoufflement actuel? (shrink)

This book is about you. How does your brain work and where do your thoughts and dreams come from? How can you harness their creative power? Ableman posits a crucial relationship between language and memory and thus between language and self-awareness. Most startlingly he maintains that the human 'person' is essentially the language component of a large-brained animal. Ableman has researched his theory using existing data derived from the malfunctioning mind as manifested in schizophrenia, sleepwalking, autism, 'out of body' experiences (...) and nightmares. His revolutionary claims constitute an exciting and persuasive theory of mind which orthodox science could - and should - test. (shrink)

Ever since, while continuing to develop his liguistic theories, he has been the most prominent US critic both of his country's foreign policy and of the intellectuals and media that give it overwhelming consensual support. "The Responsibility of Intellectuals" was followed by a series of ever more devastating attacks on American policy in Vietnam (collected in American Power and the New Mandarins and At War With Asia ): by 1970, he was far and away the best known intellectual opponent of (...) the US war effort. (shrink)

Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. En s'appuyant sur des textes de Kierkegaard, cette étude entend montrer en quoi et comment l'autorité de l'auteur se trouve liée à toute forme de création, et pourquoi il convient de porter l'accent de l'analyse sur le (...) devenir-auteur, c'est-à-dire sur la manière subjective dont un auteur parvient, au travers de sa création, à prendre position au nom de soi. « Copyright Electre » Pages de début Exorde Prémisses 1 - Le don à l'origine 2 - Le Présent de la vie 3 - Créer 4 - Prendre position5 - Au nom de soi Conclusion Note complémentaire Index nominum Pages de fin. (shrink)

The volume includes Mark Twain's previously published philosophical writing. Fictional pieces are ordinarily excluded, as are other works appropriate to different volumes in this edition. However, "Letter from the Recording Angel," "The Five Boons of Life," and "Letters from the Earth," although they are in a strict sense fictional, have been judged more relevant to the present volume that to the volumes of short fiction. "Things a Scotsman Wants to Know," previously unpublished, is included by agreement with the editor of (...) The Mark Twain Papers, as being especially relevant to themes of this volume. Other unpublished items appear as supplements because of their close relation to What Is Man?, Christian Science, and " 'The Turning Point of My Life.' " The two works that break off with unfinished sentences, "Bible Teaching and Religious Practice" and the introductory section of "Letters from the Earth," were abandoned by the author or else their endings have been lost. The order of works in this volume is according to date of publication or, for those unpublished during the author's lifetime, date of composition. For works published during his lifetime, dates of first publication appear in roman type below titles; for works first published after his death, date are in italics and indicate time of composition. (shrink)

In 1894 the anthropologist Otis Tufton Mason called for research in an area he dubbed ‘technogeography’, and he lauded the potential benefits of the knowledge to be acquired under this heading: The...

This article is a revised version of a lecture delivered at the Colloque ‘Histoire des Mentalités, Histoire des résistances, ou les Prisons de longue durée, Aix-La Baume, 20–21–22 septembre 1980.

Theologians in the liberal tradition have developed the distinctive method of critically correlating Christian revelation with critical interpretations of history, texts and social realities. Non‐foundationalists react to this stance by developing theological anthropologies for which interdisciplinary correlation is deemed unnecessary. In response, this paper argues for a retrieval of a philosophical anthropology that address the advances made in the fields of genetics and evolutionary biology, though aware of the secularizing failings of theological liberalism. In contrast to the anti‐religious materialism of (...) scientists such as Daniel Dennett and Steven Pinker, human freedom needs to be argued on the basis of complexity science and the emergent systems it explains. Both correlationist and non‐foundationalist theological strategies are unable to respond to the threat to human freedom posed by scientific materialism. The science of emergent complex structures is the most plausible research programme for constructing a viable theological anthropology. To uphold the humanum is to uphold human freedom based on a scature. This leads me to suggest that theology is best characterized as foundationalist in the general sense of its universal scope. (shrink)

A critical retrospective of 'The Psychological Technique of Martin Luther Thomas' Radio Addresses' sheds new light on an often underplayed tension in Adorno's thought concerning the capacity of mass culture to express resistance against domination. In 'Thomas' Adorno moved beyond denouncing mass culture as 'culture industry' by approach ing early Christian right radio in a manner consistent (initially) with his defense of the autonomous dimension of culture in general. At the same time, 'Thomas' accomplished groundwork for the culture industry theory, (...) and this theory ultimately guided the study's conclusions. This critique confirms Adorno's ambivalence regarding the negative capabilities of mass culture while suggesting a new way to analyze the contemporary Christian right. This approach, which I illustrate, draws upon both the culture industry theory and a modified version of Adorno's method of immanent, dialectical criticism to identify ideological elements as well as moments of resistance in Christian right radio today. (shrink)