Objectives Prompt Mental Health Care (PMHC) is the Norwegian version of the England’s Improving Access to Psychological Therapies (IAPT). Both programs have been associated with substantial symptom reductions from pre- to post-treatment. The present study extends these findings by investigating symptom levels at 12 months post-treatment, as well as treatment outcome in relation to low- vs. high-intensity treatment forms. Design and Outcome Measures A prospective cohort design was used. All participants ( n = 1530) were asked to complete the Patient (...) Health Questionnaire-9 (PHQ-9) and the Generalized Anxiety Disorder-7 questionnaire (GAD-7) at baseline, before each session during treatment, at final treatment, and at 12 months post-treatment. Cohen’s d was used as effect size measure. Sensitivity analyses were conducted to examine the impact of the high missing data rates at post-treatment (≈44%) and 12 months post-treatment (≈58%). Results A large symptom reduction was seen from baseline to 12 months post-treatment for both PHQ ( d = −0.98) and GAD ( d = −0.94). Improvements observed at post-treatment were largely maintained at 12 months post-treatment (PHQ (Δ d = 0.10) and GAD (Δ d = 0.09). Recovery rates decreased only slightly from 49.5% at post-treatment to 45.0% at follow-up. Both low- and high-intensity treatment forms were associated with substantial and lasting symptoms reductions (−1.26 ≤ d ≤ −0.73). Sensitivity analyses did not substantially alter the main results. Conclusion The findings suggest long-lasting effects of the PMHC program and encourage the use of low-intensity treatment forms in PMHC like settings. (shrink)

According to the additive view of sensory imagination, mental imagery often involves two elements. There is an image-like element, which gives the experiences qualitative phenomenal character akin to that of perception. There is also a non-image element, consisting of something like suppositions about the image's object. This accounts for extra- sensory features of imagined objects and situations: for example, it determines whether an image of a grey horse is an image of Desert Orchid, or of some other grey (...) horse. The view promises to give a simple and intuitive explanation of some puzzling features of imagination, and, further, to illuminate imagination 's relation to modal knowledge. I contend that the additive view does not fulfil these two promises. The explanation of how images come to be determinate is redundant: the content constituting the indeterminate mental images on which the view relies is sufficient to deliver determinate images too, so the extra resources offered by the view are not required.. (shrink)

A central problem for the international governance of heritable germline gene editing is that there are important differences in attitudes and values as well as ethical and health care considerations around the world. These differences are reflected in a complicated and diverse regulatory landscape. Several publications have discussed whether reproductive uses would be legally permissible in individual countries and whether clinical applications could emerge in the context of regulatory gaps and gray areas. Systematic comparative studies that explore issues related to (...) the governance of this technology from different national and international perspectives are needed to address the lack of knowledge in this area. In this research report, we contribute to filling this gap by presenting views of stakeholders in the United Kingdom on challenges to the governance of heritable genome editing. We present findings from a multistakeholder study conducted in the United Kingdom between October 2016 and January 2018 and funded by the Wellcome Trust. This research included interviews, literature analysis, and a workshop. We involved leading U.K. scientists, in vitro fertilization clinicians, and representatives from regulatory bodies, patient organizations, and other civil societal organizations, as well as fertility companies. Part one of this article explores stakeholder perceptions of possible global developments in heritable genome editing and associated risks and governance challenges. Part two presents a range of policy options that were generated during the workshop in relation to the challenges discussed in part one. (shrink)

Proposals to make us smarter than the greatest geniuses or to add thousands of years to our life spans seem fit only for the spam folder or trash can. And yet this is what contemporary advocates of radical enhancement offer in all seriousness. They present a variety of technologies and therapies that will expand our capacities far beyond what is currently possible for human beings. In _Humanity's End,_ Nicholas Agar argues against radical enhancement, describing its destructive consequences. Agar examines the (...) proposals of four prominent radical enhancers: Ray Kurzweil, who argues that technology will enable our escape from human biology; Aubrey de Grey, who calls for anti-aging therapies that will achieve "longevity escape velocity"; Nick Bostrom, who defends the morality and rationality of enhancement; and James Hughes, who envisions a harmonious democracy of the enhanced and the unenhanced. Agar argues that the outcomes of radical enhancement could be darker than the rosy futures described by these thinkers. The most dramatic means of enhancing our cognitive powers could in fact kill us; the radical extension of our life span could eliminate experiences of great value from our lives; and a situation in which some humans are radically enhanced and others are not could lead to tyranny of posthumans over humans. (shrink)

We begin by showing that every theory of the value of uncertain prospects must have one of three unpalatable properties. _Reckless_ theories recommend giving up a sure thing, no matter how good, for an arbitrarily tiny chance of enormous gain; _timid_ theories permit passing up an arbitrarily large potential gain to prevent a tiny increase in risk; _non-transitive_ theories deny the principle that, if A is better than B and B is better than C, then A must be better than (...) C. Having set up this trilemma, we study its horns. Non-transitivity has been much discussed; we focus on drawing out the costs and benefits of recklessness and timidity when it comes to axiology, decision theory, and normative uncertainty. (shrink)

I argue that eating meat is morally good and our duty when it is part of a practice that has benefited animals. The existence of domesticated animals depends on the practice of eating them, and the meat-eating practice benefits animals of that kind if they have good lives. The argument is not consequentialist but historical, and it does not apply to nondomesticated animals. I refine the argument and consider objections.

What is the difference between belief and desire? In order to explain the difference, recent philosophers have appealed to the metaphor of.

I consider the metaphysical consequences of the view that propositional attitudes have essential normative properties. I argue that realism should take a weak rather than a strong form. I argue that expressivism cannot get off the ground. And I argue that eliminativism is self-refuting.

I argue that an evaluational conception of love collides with the way we value love. That way allows that love has causes, but not reasons, and it recognizes and celebrates a love that refuses to justify itself. Love has unjustified selectivity, due to its arbitrary causes. That imposes a non-tradability norm. A love for reasons, rational love or evaluational love would be propositional, and it therefore allows that the people we love are tradable commodities. A moralized conception of love is (...) no less committed to treating those we love as tradable commodities; it is just that they are tradable moral commodities. An evaluative criterion of adequacy, I suggest, encourages the opposite view ? a non-rational and non-evaluational concept of love. Such a love can set up partial obligations, which may even demand that one sacrifice one's life. Only a love that has causes but not reasons can have the kind of value that we think love has, and thus it would only be rational to pursue and foster such a love. (shrink)

The terms "imagination'' and "imaginative'' can be readily applied to a profusion of attitudes, experiences, activities, and further phenomena. The heterogeneity of the things to which they're applied prompts the thoughts that the terms are polysemous, and that there is no single, coherent, fruitful conception of imagination to be had. Nonetheless, much recent work on imagination ascribes implicitly to a univocal way of thinking about imaginative phenomena: the imitation theory, according to which imaginative experiences imitate other experiences. This approach is (...) infelicitous. It issues in unhelpful descriptions of imaginative activities, experiences, and attitudes, and frustrates theorizing about imagination's applications and intensional characteristics. A better way of thinking about imagination is the lens theory, according to which the imagination is a set of ways to focus, refine, clarify or concentrate the matter of other experiences. This approach offers better characterizations of imaginative phenomena, and promises brighter theoretical illumination of them. (shrink)

What are the sensory individuals of audition? What are the entities our auditory system attributes properties to? We examine various proposals about the nature of the sensory individuals of audition, and show that while each can account for some aspects of auditory perception, each also faces certain difficulties. We then put forward a new conception of sensory individuals according to which auditory sensory individuals are composite individuals. A feature shared by all existing accounts of sounds and sources is that they (...) postulate sensory individuals that are non-composite. They identify the sensory individual of sound hearing or source hearing with one type of entity in the environment, be they sound waves, vibrations, or interactions. We question this assumption and argue that our perceptual systems represent two or more aspects of the environment as a single sensory individual. Finally, we show that taking auditory individuals to be composite sensory individuals allows for an account of audition that is less problematic than its existing alternatives. (shrink)

“Motivational externalism” is the externalism until they see more of what view that moral judgements have no motisuch a theory would be like. The mere posvational efficacy in themselves, and that sibility of such a theory is not sufficiently when they motivate us, the source of motireassuring, even given strong arguments vation lies outside the moral judgement in against the opposite position. For there may a separate desire. Motivational externalism also be objections to externalism. contrasts with “motivational internalism,” Moral philosophers (...) have not spent much which is either the view that our moral effort spelling out the details of an exterjudgements are partly constituted by motinalist model of moral motivation. Those vation, or else that they would be if we who have endorsed externalism include were rational. The major problem for mo- Philippa Foot, Michael Stocker, David tivational internalism—in either guise—is Brink, Al Mele, Sigrún Svavarsdóttir, and that it flies in the face of common obsermyself (Foot 1972, Stocker 1979, Brink vation and first-personal experience of the 1989, 1997, Mele 1996, Svavarsdóttir fact that we can, without irrationality, be 1999, Zangwill 1999). But even these phiindifferent to morality. Philippa Foot piolosophers concentrated mostly on arguing neered this argument (Foot 1972). The pheagainst internalism or defending moral renomenon of indifference encourages alism rather than articulating the externalist motivational externalism. alternative. As a consequence, it is not clear This paper will not revisit this difficulty how the externalism that can be gleaned for internalism, but will travel in the opfrom these writings can be defended posite dialectical direction. The aim is to against various objections to externalism. expound and defend externalism, not to This paper is concerned to fashion an atargue against internalism. This paper will tractive version of externalism, and show address, and try to soothe away, the reluchow it evades objections. tance of many philosophers to embrace In section 1, a particular version of motimotivational externalism.. (shrink)

In this paper I argue that empty space can be heard. This position contrasts with the generally held view that the only things that can be heard are sounds, their properties, echoes, and perhaps sound sources. Specifically, I suggest that when sounds reverberate in enclosed environments we auditorily represent the volume of space surrounding us. Clearly, we can learn the approximate size of an enclosed space through hearing a sound reverberate within it, and so any account that denies that we (...) hear empty space must instead show how beliefs about volumes of space can be derived indirectly from what is heard. That is, if space is not auditorily represented when we hear sounds reverberate, what is? I consider whether hearing reverberation can be thought of as hearing a distinct sound, hearing echoes, or hearing a property of a sound. I argue that experiences of reverberation cannot be reduced to the perception of any of these types and that therefore empty space is represented in auditory perceptual content. In the final section I outline two ways in which space might be represented. (shrink)

Here, I put forward a new account of how experience gives rise to the belief that time passes. While there is considerable disagreement amongst metaphysicians as to whether time really does pass, it has struck many as a default, ‘common sense’ way of thinking about the world. A popular way of explaining how such a belief arises is to say that it seems perceptually as though time passes. Here I outline some difficulties for this approach, and propose instead that the (...) belief in time passing is elicited by a particular feature of agentive experience. When we deliberately move our bodies, bring something to mind, or focus our attention, we experience ourselves as the sources of these actions. Sensing oneself as a source, I argue, is a unique type of change experience, one which leads us to a belief that time is passing. (shrink)

In this paper, we argue that Midjourney—a generative AI program that transforms text prompts into images—should be understood not as an agent or a tool, but as a new type of artistic medium. We first examine the view of Midjourney as an agent, considering whether it could be seen as an artist or co-author. This perspective proves unsatisfactory, as Midjourney lacks intentionality and mental states. We then explore the notion of Midjourney as a tool, highlighting its unpredictability and the limited (...) fine-grained control users have over its outputs, which sets it apart from traditional artistic tools. We propose that creating images with Midjourney parallels a gardener's interaction with natura naturans—nature's autonomous generative processes. Similarly, Midjourney acts as machina naturans, where users engage with its dynamic recalcitrance to influence, but not fully control, the creative process. This approach presents Midjourney as an artistic medium shaped by its inherent unpredictability. (shrink)

We review the various factors that limit adaptation by natural selection. Recent discussion of constraints on selection and, conversely, of the factors that enhance “evolvability”, have concentrated on the kinds of variation that can be produced. Here, we emphasise that adaptation depends on how the various evolutionary processes shape variation in populations. We survey the limits that population genetics places on adaptive evolution, and discuss the relationship between disparate literatures. BioEssays 22:1075–1084, 2000. © 2000 John Wiley & Sons, Inc.

Aesthetic Formalism has fallen on hard times. At best it receives unsympathetic discussion and swift rejection. At worst it is the object of abuse and derision. But I think that there is something to be said for it. In this paper, I shall try to find and secure the truth in formalism. I shall not try to defend formalism against all of the objections to it.1 Instead I shall articulate a moderate formalist view that draws on aesthetic0nonaesthetic determination and Kant’s (...) distinction between free and dependent beauty. I shall examine four central art forms—painting, sculpture, lit-. (shrink)

I defend moderate formalism about the aesthetics of nature. I argue that anti-formalists cannot account for the incongruousness of much natural beauty. This shows that some natural beauty is not kind-dependent. I then tackle several anti-formalist arguments that can be found in the writings of Ronald Hepburn, Allen Carlson, and Malcolm Budd.

A collection of essays discussing the philosophy and foundations of quantum gravity. Written by leading philosophers and physicists in the field, chapters cover the important conceptual questions in the search for a quantum theory of gravity, and the current state of understanding among philosophers and physicists.

We describe music in terms of emotion. How should we understand this? Some say that emotion descriptions should be understood literally. Let us call those views “literalist.” By contrast “nonliteralists” deny this and say that such descriptions are typically metaphorical.1 This issue about the linguistic description of music is connected with a central issue about the na- ture of music. That issue is whether there is any essential connection between music and emotion. According to what we can call “emotion theories,” (...) it is essential to music to be somehow related to real emotion. Prominent examples of such theories are these: it is the main function of all or most music to express emotions, to arouse emotions, or to represent emotions. 2 In my view, such theories have little plausibility, and they face a battery of powerful objections. In particular, these theories are objectionable on the grounds that essential features of emotion preclude such essential relations between music and emotion. 3 Yet to argue against various specific emotion theories of music, of which there is a large variety, does not address the reasons that draw people to emotion theories. I think that there are two main reasons. The first is that the most obvious explanation of why we describe music in emotion terms is that emotions, or relations to emotions, are part of what music is. The second reason is introspective, or phenomenological—that much music moves us when we listen to it, so it seems that music generates emotions in us, which we project onto the music when we describe it in emotion terms. In this article, my negative purpose is to dissolve these two reasons. My positive purpose is to argue for a particular nonliteralist view of linguistic descriptions of music in terms of emotion, a.. (shrink)

I defend logical realism. I begin by motivating the realist approach by underlining the difficulties for its main rival: inferentialism. I then focus on AND and OR, and delineate a realist view of these two logical constants. The realist view is developed in terms of Alexander’s Principleshowing that AND and OR have distinctive determining roles. After that, I say what logic is not. We should not take logic to be essentially about the mind, or language, or exclusively about an abstract (...) realm, or about reasoning, truth, truth-tables, truth-functions, topic-neutrality or form. Lastly, I turn to consider NEGATION and argue that we cannot escape negative facts, and facts conjoining and disjoining negative facts with positive facts. I then give NEGATION a distinctive role, one that contrasts with AND and OR. I reflect on the notion of logic in the coda. (shrink)

Through hearing we learn about source events: events in which objects move or interact so that they vibrate and produce sound waves, such as when they roll, collide, or scrape together. It is often claimed that we do not simply hear sounds and infer what event caused them, but hear source events themselves, through hearing sounds. Here I investigate how the idea that we hear source events should be understood, with a focus on how hearing an event relates to hearing (...) the objects involved in that event. I argue that whereas we see events such as rollings and collisions by seeing objects move through space, this cannot be how we hear them, and go on to examine two other possible models. On the first, we hear events but not their participant objects. On the second, to hear an event is to hear the appearance of an object to change. I argue that neither is satisfactory and endorse a third option: to hear a source event is to hear an object as extending through time. (shrink)

Most of the debate for and against aesthetic formalism in the twentieth century has been little more than a sequence of assertions, on both sides. But there is one discussion that stands out for its argumentative subtlety and depth, and that is Kendall Walton’s paper ‘Categories of Art’.1 In what follows I shall defend a certain version of formalism against the antiformalist arguments which Walton deploys. I want to show that while Walton’s arguments do indeed create insurmountable difficulties for an (...) extreme version of formalism, he has not shown that a moderate version is problematic or inadequate. (I have no space to address anti-formalist arguments other than Walton’s.2) I shall defend moderate formalism rather than put forward positive considerations in its favour, although some of its attractions will become apparent as a side-effect. I pursue the positive case for moderate formalism elsewhere.3 I. FORMAL PROPERTIES AND FORMALISMS I.1. Walton begins his paper by raising an issue about whether those who make aesthetic judgements should only be concerned with what can be directly perceived in works of art. The issue of formalism has often been described in these terms. But Walton rightly distances himself from setting up a debate in that way. He moves on to take as his target the view that ‘Circumstances connected with a work’s origin ... have no essential bearing on an assessment of its aesthetic nature’ (p. 334). (shrink)

What is the relation between moral and natural properties? And how do we conceive of this relation? By ‘moral’ properties I will mean properties such as being evil, just or virtuous or having duties or rights; and by ‘natural’ properties I will mean properties such as psychological, sociological and physical properties.1 Suppose we judge that Queen Isabella of Spain was evil in 1492, or at least that many of her actions in 1492 were evil. Then we do not think that (...) she had various natural properties in 1492  such as being a torturer, a bigot and desiring other’s pain  and by an astounding coincidence she or her actions also had the moral property of evil. Rather, we think that she or her.. (shrink)

I defend extreme formalism about the aesthetics of inorganic nature. I outline the general issue over aesthetic formalism as it manifests itself in the visual arts. The main issue is over whether we need to know about the history of artworks in order to appreciate them aesthetically. I then turn to nature and concede that with organic nature we need to know a thing's biological kinds if we are fully to appreciate it. However, with in organic nature I deny that (...) we need to know the deeper nature of the things we experience. What is important, I argue, are the appearances of those things not their real natures. I consider the beauty of clouds, which depends on an illusion of solidity, and I argue that scientific knowledge does not reveal beauty that is not available to the ignoramous. There is only the beauty of appearances, and it does not matter whether those appearances are accurate or illusory. (shrink)

Music is elusive. describing it is problematic. In particular its aesthetic properties cannot be captured in literal description. Beyond very simple terms, they cannot be literally described. In this sense, the aesthetic description of music is essentially nonliteral. An adequate aesthetic description of music must have resort to metaphor or other nonliteral devices. I maintain that this is because of the nature of the aesthetic properties being described. I defend this view against an apparently simple objection put by Malcolm Budd. (...) dealing with this objection will take us into some surprising terrain. We are led to consider issues concerning privacy and the language for describing sensations. In the light of these considerations, I develop the essentially nonliteralist thesis and explore some of its consequences. (shrink)

I explore the Because Constraint—the idea that moral facts depend on natural facts and that moral judgements ought to respect the dependence of moral facts on natural facts. I consider several issues concerning its clarification and importance.

In this paper epistemic pluralism concerning knowledge is taken to be the claim that very different facts may constitute knowledge. The paper argues for pluralism by arguing that very different facts can constitute the knowledge‐making links between beliefs and facts. If pluralism is right, we need not anxiously seek a unified account of the links between beliefs and facts that partly constitute knowledge in different cases of knowledge. The paper argues that no good reasons have been put forward in favour (...) of believing in a unified maker of knowledge. It then appeals to the role of knowledge in order to argue that we have positive reason to embrace pluralism. (shrink)

I foreground the principle of epistemic dependence. I isolate that relation and distinguish it from other relations and note what it does and does not entail. In particular, I distinguish between dependence and necessitation. This has many interesting consequences. On the negative side, many standard arguments in epistemology are subverted. More positively, once we are liberated from the necessary and sufficient conditions project, many fruitful paths for future epistemological investigation open up. I argue that that not being defeated does not (...) make for knowledge. And I argue for the multiple realization of epistemic properties in non-epistemic properties. (shrink)

That knowledge does not depend on truth is a consequence of a basic principle concerning dependence applied to the case of knowledge: that A depends on C, and that B depends on C, do not mean that A depends on B. This is a standard causal scenario, where two things with a common cause are not themselves causally dependent. Similarly, knowledge that p depends in part on some combination of the belief that p, the fact that p and the proposition (...) that p, and perhaps other facts or even objects. Truth depends on a proper sub-class of the elements on which knowledge depends. It does not follow that knowledge depends on truth, and the idea that it does is implausible. (shrink)

In sum, the non-cognitivist account of motivation is far from unproblematic. The non-cognitivist has trouble telling us what moral attitudes are in a way that is consistent with the phenomenon of variable motivation. Given that the cognitivist has an easy explanation of variable motivation, it seems that cognitivism is preferable to non-cognitivism on the score of motivation, which is a reversal of the way the issue is usually perceived.

I defend extreme formalism about inorganic nature against arguments put forward by Glenn Parsons. I begin by laying out the general issue over aesthetic formalism, and I describe the position of extreme formalism about inorganic nature. I then reconsider -Ronald Hepburn's beach/seabed example. Next I discuss the notions of function in play in our thinking about inorganic nature. And lastly I consider Parsons's flooding river example. I conclude that extreme formalism about inorganic nature is safe from Parsons's arguments.

I defend the view that strong psychophysical superveniences is necessary and sufficient to explain the causal efficacy of mental properties. I employ factual and counterfactual conditionals as defeasible criteria of causal efficacy. And I also deal with certain problems arising from disjunctive and conjunctive properties.

§1.1 What m otivated the perpetrators of the holocaust? Christopher Browning and Daniel Goldhagen differ in their analysis of Reserve Police Battalion 101 (Browning 1992, Goldhagen 1996). The battalion consisted of around 500 ‘ordinary’ Germ ans who, during the period 1942-44, killed around 40,000 Jews and who deported as m any to the death cam ps. Browning and Goldhagen differ over the m otivation wit h which the m en killed. I want to com m ent on a central aspect (...) of this debate. (shrink)

This chapter explores insights concerning the relations among imagination, imagined selves, and knowledge of one’s own self that are to be found in Fernando Pessoa’s The Book of Disquiet. The insights are explored via close reading of the text and comparison with contemporaries of Pessoa. First, a tempting account of the importance of imagination in The Book of Disquiet is set out. On this reading, Pessoa is immersed in miasmatic boredom, but able to temporarily rise above it through the restorative (...) powers of escapist imagination. But, it is suggested, Pessoa neither enjoys his prolific imaginings, nor returns from them restored. It is argued that Pessoa’s disquiet owes to failures of imagination; the book presents a sharp contrast between Pessoa’s keen awareness of the importance of a successful, active imaginative life, and his failure to maintain such a thing. It is further argued that these failures point us towards a better account of imagination’s importance to Pessoa, an account that both prefigures and goes beyond Sartre’s ideas about the relations between nothingness, imagination, and self-consciousness. (shrink)

Must mental properties figure in psychological causal laws if they are causally efficacious? And do those psychological causal laws give the essence of mental properties? Contrary to the prevailing consensus, I argue that, on the usual conception of laws that is in play in these debates, there are in fact lawless causally efficacious properties both in and out of the philosophy of mind. I argue that this makes a great difference to the philosophical relevance of empirical psychology. 1 begin by (...) making the case that revolutions and hurricanes are lawless phenomena, before arguing for a similar thesis about creativity, love, courage, dreams, daydreams, and musings. Furthermore, the empirical research on these phenomena suggests that the philosophical issues may be independent of what empirical psychology can tell us. (shrink)

In sum, the non-cognitivist account of motivation is far from unproblematic. The non-cognitivist has trouble telling us what moral attitudes are in a way that is consistent with the phenomenon of variable motivation. Given that the cognitivist has an easy explanation of variable motivation, it seems that cognitivism is preferable to non-cognitivism on the score of motivation, which is a reversal of the way the issue is usually perceived.

Journal of Aesthetics and Art Criticism, 1995.

I argue that the constitution relation transmits causal efficacy and thus is a suitable relation to deploy in many troubled areas of philosophy, such as the mind–body problem. We need not demand identity.

ANTI-FORMALISM has become the consensus in aesthetics. But in my view anti-formalism is not true to our aesthetic experience; it gives a revisionary account of the aesthetic properties that we think we find in works of art. The thesis I think we should hold is not extreme formalism—the view that all or almost all aesthetic properties are formal—but the moderate thesis that many are. This view has not been given its due because so many aestheticians have been convinced by anti-formalist (...) arguments. In this short paper, I propose a systematic method for resisting anti-formalist arguments. The method is to apply one of three strategies. These strategies are repeatable archetypes. I shall show these neutralizing strategies at work with seven objections to formalism. (shrink)

I raise the issue of the role of God with respect to morality and why we should be concerned with Him. Then the difficulty that God existence is still irrelevant even if He created the world and even if the Divine Commandment Theory is right that He is responsible for Morality. A Jewish Neo-Aristotelian solution is considered but rejected, and the Jewish Neoplatonist solution endorsed and sympathetically but cautiously endorsed. Free Will is considered from the Neoplatonist point of view. Something (...) like Jewish incarnation is suggested at the end, with an appendix on sex. (shrink)