This article examines India’s response to the global soil health crisis. A longstanding centre of agricultural production and innovation, India has recently launched an ambitious soil health programme. The country’s Soil Health Card (SHC) Scheme intervenes in farm-scale decisions about efficient fertiliser use, envisioning farmers as managers and soil as a substrate for production. India is also home to one of the world’s largest alternative agriculture movements: natural farming. This puts farmer expertise at the centre of soil fertility and attends (...) to the wider ecological health of soils. Despite emerging as a mode of resistance to dominant agricultural systems, natural farming is now being delivered in increasingly bureaucratic ways by India’s state governments. This article offers Himachal Pradesh as a case study in how the soil is governed, drawing on 38 semi-structured interviews with scientists, agricultural officers, non-governmental organisation leaders, and activists. Rather than assess approaches to soil health according to their ecological bottom line, we examine the differing forms of knowledge, expertise and ‘truth’ in the SHC and Natural Farming approaches. Our analysis reveals discontinuities in how farmers are imagined, as well as continuities in how quasi-spiritual language combines in a bionationalist project, positing assumptions about the correct arrangement of life in nationalist terms. We point to a shift toward hybrid and pick-and-mix approaches to soil health, as farmers and their organisers are increasingly invested with the capacities to combine multiple options. We see a fracturing of expertise and the opening up of epistemic pluralism in responses to the soil fertility crisis. (shrink)

The U.S. scientific community has long led the world in research on such areas as public health, environmental science, and issues affecting quality of life. These scientists have produced landmark studies on the dangers of DDT, tobacco smoke, acid rain, and global warming. But at the same time, a small yet potent subset of this community leads the world in vehement denial of these dangers. -/- Merchants of Doubt tells the story of how a loose-knit group of high-level scientists and (...) scientific advisers, with deep connections in politics and industry, ran effective campaigns to mislead the public and deny well-established scientific knowledge over four decades. Remarkably, the same individuals surface repeatedly-some of the same figures who have claimed that the science of global warming is "not settled" denied the truth of studies linking smoking to lung cancer, coal smoke to acid rain, and CFCs to the ozone hole. "Doubt is our product," wrote one tobacco executive. These "experts" supplied it. -/- Naomi Oreskes and Erik M. Conway, historians of science, roll back the rug on this dark corner of the American scientific community, showing how ideology and corporate interests, aided by a too-compliant media, have skewed public understanding of some of the most pressing issues of our era. (shrink)

The strong sensorimotor account of perception gives self-induced movements two constitutive roles in explaining visual consciousness. The first says that self-induced movements are vehicles of visual awareness, and for this reason consciousness ‘does not happen in the brain only’. The second says that the phenomenal nature of visual experiences is consists in the action-directing content of vision. In response I suggest, first, that the sense in which visual awareness is active should be explained by appeal to the role of attention (...) in visual consciousness, rather than self-induced movements; and second, that the sense in which perceptual consciousness does not happen in the brain only should be explained by appeal to the relational nature of perceptual consciousness, appeal to which also shows why links with action cannot exhaust phenomenal content. (shrink)

Recent policy changes in the European Union have introduced the requirement for publicly funded research to be published in open access. This can be seen as part of a mode of democratic accountability that not only promotes transparency but also, Naomi Hodgson argues, is constituted by visibility and openness. By drawing attention to the way in which the researcher is asked to understand herself in this policy context, Hodgson illustrates how particular technologies of performance measurement and management, and of (...) publication, enter the researcher into this economy of visibility. The understanding of openness as a corrective to the traditional closed access system of publishing and the marketization of academia is challenged, then, in this article, which indicates how these technologies of reading and writing constitute the researcher as a particular figure in the emergent mode of governance. (shrink)

Author note: Naomi Zack is Assistant Professor in the Department of Philosophy at the State University of New York at Albany. She herself is of mixed race: Jewish, African American, and Native American.

Der Aufsatz betrachtet die Geschichte und Praxis des Devising als ein Feld, um die Dynamik zwischen der Gewalt der Entscheidungsfindung und dem Potenzial für Kollektivität und Dissoziation zu untersuchen. Insbesondere beleuchtet dieser Artikel die Tradition des devised theatre, wie sie im Gefolge der Theater- und Performancegruppen der 1960er Jahre entstanden ist, die Kollektivität als politische Ideologie in den Vordergrund stellten. Ausgehend von den jüngsten partizipatorischen Performances des New Yorker Künstlerduos 600 HIGHWAYMEN im Rahmen des Tryptichons A Thousand Ways wird der (...) Begriff devised acts verwendet, um Facetten der Intervention und Entscheidungsfindung zu beschreiben. Der Aufsatz stellt dabei die Frage, wie die Kräfte der Gewalt durch devising transformiert werden können. Ausgehend von der Behauptung der US-amerikanischen Theaterregisseurin Anne Bogart, dass Entscheidungen eine generative Kraft der Gewalt hervorbringen können (2001, S. 45ff.), schaut dieser Beitrag auf Momente dieser „notwendigen Gewalt“ (ebd., S. 46), die sich nicht aus dem Prozess des Theatermachens und der Performance herauslösen lassen. (shrink)

Journal of Mass Media Ethics, Volume 27, Issue 1, Page 60-62, January-March.

Feminist care ethicshas for some time guided contemporary artists and curators in their search for sustaining and sustainable practices in the current neoliberal backwash and climate crisis. With a focus on current Australian art in the context of recent care ethics scholarship, this article considers what contemporary art – in its processes as well as aesthetic outcomes – can offer in imagining and practising care for the human and more-than-human world. The article focuses on a series of exhibitions that comprised (...) a key exploratory methodology of The Care Project: Feminism and art in neoliberal times (La Trobe University, 2019–2022). The exhibitions featured the work of regionally based artists. This accent on creative practices emerging from the experience of living in regional communities that are often on the frontline of climate change and social inequality offers unique perspectives on care ethics in practice. (shrink)

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Are doctors right when they tell us vaccines are safe? Should we take climate experts at their word when they warn us about the perils of global warming? Why should we trust science when so many of our political leaders don't? Naomi Oreskes offers a bold and compelling defense of science, revealing why the social character of scientific knowledge is its greatest strength--and the greatest reason we can trust it. Tracing the history and philosophy of science from the late (...) nineteenth century to today, this timely and provocative book features a new preface by Oreskes and critical responses by climate experts Ottmar Edenhofer and Martin Kowarsch, political scientist Jon Krosnick, philosopher of science Marc Lange, and science historian Susan Lindee, as well as a foreword by political theorist Stephen Macedo. (shrink)

It is commonly assumed that grounding relations are asymmetric. Here I develop and argue for a theory of metaphysical structure that takes grounding to be nonsymmetric rather than asymmetric. Even without infinite descending chains of dependence, it might be that every entity is grounded in some other entity. Having first addressed an immediate objection to the position under discussion, I introduce two examples of symmetric grounding. I give three arguments for the view that grounding is nonsymmetric (I call this view (...) ‘metaphysical interdependence’). These arguments are: (i) that metaphysical interdependence is the only theory able to reconcile competing intuitions about grounding; (ii) that it is the only theory consistent with both ‘gunk’ and ‘junk’; and (iii) that offers a satisfactory solution to the problem concerning whether or not grounding is itself grounded. (shrink)

Paisley Livingston here addresses contemporary controversies over the role of "theory" within the humanistic disciplines. In the process, he suggests ways in which significant modern texts in the philosophy of science relate to the study of literature. Livingston first surveys prevalent views of theory, and then proposes an alternative: theory, an indispensable element in the study of literature, should be understood as a Cogently argued and informed in its judgments, this book points the way to a fuller understanding of the (...) special contribution that literary knowledge may make within the human sciences. (shrink)

Attempts to elucidate grounding are often made by connecting grounding to metaphysical explanation, but the notion of metaphysical explanation is itself opaque, and has received little attention in the literature. We can appeal to theories of explanation in the philosophy of science to give us a characterization of metaphysical explanation, but this reveals a tension between three theses: that grounding relations are objective and mind-independent; that there are pragmatic elements to metaphysical explanation; and that grounding and metaphysical explanation share a (...) close connection. Holding fixed the mind-independence of grounding, I show that neither horn of the resultant dilemma can be blunted. Consequently, we should reject the assumption that grounding relations are mind-independent. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Naomi Greene SARTRE, SEXUALITY, AND THE SECOND SEX Few would deny that Simone de Beauvoir's analysis of female sexuality plays a very important role in her book The Second Sex, widely regarded as one of the key works of modern feminist thought. At the same time, it is precisely her view of sexuality, and many of the conclusions it gives rise to concerning female behavior, which constitute some (...) of the most problematical areas in this vast and complex work. Margaret Walters echoes the concerns of many feminists when she remarks that de Beauvoir "attacks the mystique of femininity—by accepting a masculine mystique. In the end, it is she who equates the human with the male sex, who idealizes male values, sees life from a masculine perspective." So far, however, little attention has been paid to the ways in which de Beauvoir's view of female sexuality and behavior reveals the unmistakable influence of her life-long friend and companion, Jean-Paul Sartre. It is not difficult to discern in some of Sartre's central metaphysical ideas—ideas which de Beauvoir uses to create the theoretical framework of The Second Sex—a world view which is deeply anti-sexual (perhaps even anti-life, but then life itself appears symbolized by sex) and anti-female. Sartre's anti-sexual bias is more readily apparent in the metaphors of Nausea (1938), his philosophical novel, than in his strictly philosophical work, Being and Nothingness (1943). Nausea is, in fact, alive with metaphors since it seeks to render accessible, even tangible, some of the fundamental abstractions of Being and Nothingness. The feeling of nausea itself, for example, is essentially a metaphor for man's basic experience of Being: the nausea comes when man realizes that all the distinctions and orders (in particular, language itself) he has imposed upon the world are arbitrary (there is, for example, no necessary connection between words and things) and the real nature of Being unfolds itself as a vegetal, ever-changing, viscous, engulfing matter. Deprived of a "reason" for being, man is "de trop," part of the world of matter, and his unjustified existence is contrasted both with lifeless 199 200Philosophy and Literature and unchanging forms, such as minerals and stones, and with the abstract realms of mathematics and music, realms governed by inexorable laws. Unlike these lifeless or abstract realms, the world of matter, of Being, is in perpetual movement and metamorphosis. And it is when Sartre discusses these infinite, arbitrary metamorphoses, the revelation of which provokes the nausea, that his imagery betrays a distaste for sexuality. In one famous passage, for example, we are told that when the nausea takes over, a man may well awaken in a "forest of murmuring cocks, rising red and white towards the sky like the chimneys of Jouxtebouville, with great balls half out of the earth, shaggy and bulbous like onions. And birds will fly around those cocks and peck them with their beaks and make them bleed. Sperm will flow slowly, gently, from these wounds, sperm mixed with blood, vitreous and lukewarm with small bubbles." This implied link between unpleasant sexuality and a basic fear of engulfing Being is made even clearer in one of his early philosophical tales, "The Room" (1939), in which madness, like nausea, seems to stand for what we will experience when we become aware of the nature of Being. But it can hardly be arbitrary or coincidental that the form taken by this madness is that of a pathological, sexual nature. And in still another early tale, "Intimacy," a wife actually enjoys the relationship she shares with her impotent, disturbed husband. The distaste for sexuality suggested in Sartre's early works declares itself openly in the portrait of women found in his later fiction, indicating that the sexual metaphors of Nausea, far from being chosen at random, were inspired by deep and persistent feelings. In the trilogy The Roads to Freedom (1945-49), a historical fresco of France during the crucial years preceding World War II, women seem to incarnate all the attributes which disgust Sartre in matter or unjustified Being: they embody the viscous, passive, heavy world of the en-soi ("being-in... (shrink)

Connecting the issues of the female gaze and of the female narrative is the issue of desire. As [Stanley] Cavell repeatedly stresses, a central theme of these films is the heroine’s acknowledgment of her desire of its true object—frequently the man from whom she mistakenly thought she needed to be divorced. The heroine’s acknowledgment of her desire, and of herself as a subject of desire, is for Cavell what principally makes a marriage of equality achievable. It is in this achievement (...) that Cavell wants to locate the feminism of the genre: it is the “comedy of equality” . There is, therefore, an obvious explanation in Cavell’s terms for the anomalous nature of these films: if their vision is explicitly feminist in embracing an ideal of equality, in approvingly foregrounding female desire, and in characterizing that desire as active and as actively gazing, then they would not be expected to fit an analysis based on films whose view of female desire and the female gaze is passive, absent, or treacherous. If we accept Cavell’s readings, these films provide genuine counterexamples to feminist claims of the normative masculinity of film .My affection for these films, and the ways in which Cavell accounts for that affection, leads me to want to believe that his account, or something like it, is true: that there did briefly emerge a distinctively feminist sensibility in some popular Hollywood movies, one which unsurprisingly succumbed to the repressive redomestication of women in the postwar years. But, for a number of reasons, I can’t quite believe it. Some version of the feminist critical theory of popular cinema does, in an odd way, apply to these movies: they are, to use a frequent phrase of Cavell’s, the exceptions that prove the rule. Though they do have some claim to being considered feminist, their feminism is seriously qualified by the terms in which it is presented, by the ways in which female desire and the female gaze are framed.Naomi Scheman is associate professor of philosophy and women’s studies at the University of Minnesota. She is currently working on the roles played by bodies and by differences in modern and feminist postmodern accounts of knowledge. (shrink)

What if you woke up one morning and found you'd acquired another self--a double who was almost you and yet not you at all? What if that double shared many of your preoccupations but, in a twisted, upside-down way, furthered the very causes you'd devoted your life to fighting against? Not long ago, the celebrated activist and public intellectual Naomi Klein had just such an experience--she was confronted with a doppelganger whose views she found abhorrent but whose name and (...) public persona were sufficiently similar to her own that many people got confused about who was who. Destabilized, she lost her bearings, until she began to understand the experience as one manifestation of a strangeness many of us have come to know but struggle to define: AI-generated text is blurring the line between genuine and spurious communication; New Age wellness entrepreneurs turned anti-vaxxers are scrambling familiar political allegiances of left and right; and liberal democracies are teetering on the edge of absurdist authoritarianism, even as the oceans rise. Under such conditions, reality itself seems to have become unmoored. Is there a cure for our moment of collective vertigo? Naomi Klein is one of our most trenchant and influential social critics, an essential analyst of what branding, austerity, and climate profiteering have done to our societies and souls. Here she turns her gaze inward to our psychic landscapes, and outward to the possibilities for building hope amid intersecting economic, medical, and political crises. With the assistance of Sigmund Freud, Jordan Peele, Alfred Hitchcock, and bell hooks, among other accomplices, Klein uses wry humor and a keen sense of the ridiculous to face the strange doubles that haunt us--and that have come to feel as intimate and proximate as a warped reflection in the mirror. Combining comic memoir with chilling reportage and cobweb-clearing analysis, Klein seeks to smash that mirror and chart a path beyond despair. Doppelganger asks: What do we neglect as we polish and perfect our digital reflections? Is it possible to dispose of our doubles and overcome the pathologies of a culture of multiplication? Can we create a politics of collective care and undertake a true reckoning with historical crimes? The result is a revelatory treatment of the way many of us think and feel now--and an intellectual adventure story for our times. (shrink)

Verification and validation of numerical models of natural systems is impossible. This is because natural systems are never closed and because model results are always nonunique. Models can be confirmed by the demonstration of agreement between observation and prediction, but confirmation is inherently partial. Complete confirmation is logically precluded by the fallacy of affirming the consequent and by incomplete access to natural phenomena. Models can only be evaluated in relative terms, and their predictive value is always open to question. The (...) primary value of models is heuristic. (shrink)

In “Extending Research Protections to Tribal Communities,” Saunkeah et al. derive group-based protections of sovereignty and solidarity from the Belmont Report’s value of respect for persons...

‘Like the shadow of one’s own head, [the referent of one’s ‘I’ thoughts] will not wait to be jumped on. And yet it is never very far ahead; indeed, sometimes it does not seem to be ahead of the pursuer at all. It evades capture by lodging itself in the very inside of the muscles of the pursuer. It is too near even to be within arm’s reach.’(C of M 177-89).

This chapter illustrates how the language of research, citizenship, and education operates in two particular ways. First, by highlighting the way in which the discourses identified in policy and practice are taken up in educational research, and then by indicating how the particular mode of subjectivation detailed thus far is evident in certain forms of educational research. Both have implications for the critique educational research might provide. As a first example, the way in which educational research has responded to the (...) introduction of citizenship education in England is illustrated in the chapter by a review of research, policy, and practice covering the period 1995‐2005, commissioned by the British Educational Research Association. The review is taken to exemplify the field of education policy sociology. This is followed by discussion, in a second example, of what might be termed a genre of educational research concerned with voice and social justice. (shrink)

The role of motherhood was attenuated over the second half of the twentieth century, by literal and metaphorical factors: Privileged women gained control over their reproduction and developed non-mothering life priorities; government and society became less nurturing in public ideals; projects of spontaneous speciation began in biology; the environment became unsustaining. In addition, feminist criticism resulted in greater individuation between the persons of mothers and their children. With these changes, the role of motherhood lacks a positive identity, culturally and psychically. (...) Extending a literary character, I suggest that mothers consider an attenuated internal identity, based on their unique biological relationships to their children. This would afford a more positive self-identity, as well as a pragmatic solution to demands made by present “middleman” roles for mothers to procure expert child enculturation care, in addition to their “second shifts.”. (shrink)

Spatial Representation presents original, specially written essays by leading psychologists and philosophers on a fascinating set of topics at the intersection of these two disciplines. They address such questions as these: Do the extraordinary navigational abilities of birds mean that these birds have the same kind of grip on the idea of a spatial world as we do? Is there a difference between the way sighted and blind subjects represent the world 'out there'? Does the study of brain-injured subjects, such (...) as 'blind seers', tell us anything about the working of normal spatial consciousness? -/- The essays are arranged into five sections, each of which reflects a central area of research into spatial cognition, and opens with a short introduction by the editors, designed to facilitate cross-disciplinary reading. The volume as a whole offers a rich and compelling expression of the view that to advance our understanding of the way we represent the external world it is necessary to draw on both philosophical and psychological approaches. (shrink)

Naomi Scheman argues that the concerns of philosophy emerge not from the universal human condition but from conditions of privilege. Her books represents a powerful challenge to the notion that gender makes no difference in the construction of philosophical reasoning. At the same time, it criticizes the narrow focus of most feminist theorizing and calls for a more inclusive form of inquiry.

Amid the highly industrialized, export-focused food system of the Canadian prairies, some farmers and consumers are turning to localized agriculture as an alternative—they are “going local”. Despite farmers’ obvious importance to the food system, surprisingly little research has examined their motivations and reasons for localization. To date, most local food scholarship in North America has focused on either consumers’ motivations to buy local or the systemic aspects of local food, such as regulations, infrastructure, and marketing arrangements. Existing research suggests that (...) local food systems are supported by consumers’ rejection of the industrial paradigm and desire to connect with their food and its source. But what drives farmers to localize, particularly when export-focused production is firmly entrenched as the status quo? Based on interviews and focus groups with 60 farmers, processors, policy experts, and retailers in the Canadian prairie province of Saskatchewan, this paper examines local food systems from the producer perspective in a rural context of high industrialization and geographical dispersion. We examine what motivates farmers to produce for local markets, and what forces they must resist to do so. The findings indicate that farmers’ main motivations for localization are political and social in nature, and stem from a critique of the dominant neoliberal agri-food system. We map farmers’ agential responses to this dominant system on a spectrum that ranges from acceptance of a neoliberal “feed the world” ideology to promotion of food sovereignty. Drawing on farmers’ perspectives, our findings question the straightforward equation of local food with environmental sustainability and also challenge neoliberal economic assumptions of “scaling up”. (shrink)

This paper develops an account of metaphysical explanation according to which metaphysical explanations are answers to what-makes-it-the-case-that questions. On this view, metaphysical explanations are not to be considered entirely objective, but are subject to epistemic constraints imposed by the context in which a relevant question is asked. The resultant account of metaphysical explanation is developed independently of any particular views about grounding. Toward the end of the paper an application of the view is proposed that takes metaphysical explanations conceived in (...) this way to characterize reality's structure. According to this proposal, reality's structure is partly constituted by a projection of our explanatory practices onto reality. (shrink)