The opening chapter of this work is a comprehensive “Historical Overview of the Hereditary Puzzle.” Goldie Morgentaler's analysis of theories of heredity before Mendel will interest students of biological science. She admits that “resurrecting such theories without contamination from subsequent knowledge often requires an imaginative leap.” Very true. There have been such profound advances in the science of genetics since that time, with the avalanche of discoveries during the past half century, that much of the previous thought now falls in (...) the realm of philosophical fantasy.These early concepts were those to which Charles Dickens was exposed for most of his life. His literary reaction to them is exhaustively analyzed in the subsequent two parts of the book. The first of these is entitled “Heredity and the Individual,” and the second is “The Public Face of Heredity.” The latter includes interesting discussion of class and race, with analyses of the last three novels. These indicate that Dickens's views on heredity changed during his later life, perhaps influenced by Darwin, whose work he had read … and vice versa.The author is to be admired for her detailed knowledge of Dickens's works and his characters. For a reviewer who has been steeped in evidence‐based medicine and science for most of his career, it seems that much of the speculation regarding heredity in the nineteenth century is tenuous and far‐fetched. While Dickens engaged the topic of heredity many times, he appears to have followed the general trend of that era by showing little consistency in his views. This is not surprising in light of the paucity of scientific evidence at that time.While the title implies a study of Dickens and heredity, the substance covers a much wider field, with ventures into ethics, morality, religion, psychology, philosophy, sociology, and more. The appended notes tell of assiduous research and concentration. To the pragmatic reader it sometimes appears that Morgentaler makes observations and draws conclusions that are more profound than Dickens himself might have achieved, or admitted. This is, of course, a common diversion in revisionist studies of well‐known authors and other celebrities.It is inevitable that the perennial question of the relative strength of nature and nurture must have prominence in this study. In his earlier novels Dickens implied support for the notion that goodness and virtue were heritable traits allied to beauty and good physical appearance. Morgentaler returns repeatedly to this question in many aspects. In her final chapter she points out that Dickens's views changed, paradoxically, after The Origin of Species was published, toward the end of his life. He then gave less weight to the influence of heredity. She has, perhaps, missed an opportunity of recording that Dickens noticed hereditary factors in alcoholism and longevity. In the case of Jenny Wren's family, Mr. Cleaver was “like his own father, a weak wretched trembling creature, falling to pieces, never sober” . The Wardle family in Pickwick Papers showed familial longevity in that “only one member hasn't lived to eighty‐five, and he was beheaded by one of the Henrys.”The relationship of some of the discussion to heredity is profound, often remote, even cryptic. To those who are hybrids of a scientific historian and an obsessive Dickens aficionado, this work will be absorbing. Unfortunately for the author and the publisher, such hybrids are probably rare—but I hope not extinct. To the pure scientist this work might be an uphill exercise. The production of the book is faultless. (shrink)

Dickens’ famous satire of complacency and chauvinism entails a peculiarly English fiction about the innocence of girls. The “Podsnappery” chapter of Our Mutual Friend is in fact devoted to a dinner party in honor of Georgiana Podsnap’s eighteenth birthday, though “it was somehow understood…that nothing must be said about the day”1—the generation of Miss Podsnap being one of those disagreeable facts that Mr. Podsnap simply refuses to admit. But if Miss Podsnap’s birth is unmentionable, her existence is crucial: Podsnappery (...) very much depends upon the presence of a daughter. What Mr. Podsnap cannot dismiss as “Not English!”—starving Englishmen, for instance—can always be removed as subjects unsuited to the female young. The “cheek of the young person” becomes the test of knowledge over a wide field.1. Charles Dickens, Our Mutual Friend, ed. Stephen Gill , bk. 1, chap. 11, pp. 181-82; all further references to this work will be included parenthetically in the text with only book and chapter numbers for the convenience of those using other editions. (shrink)

In Great Expectations, Charles Dickens gives us an account of Mrs. Gargery going into a rage that is as remarkable for its brevity as for its insight. ‘I must remark of my sister,’ says Pip, ‘that passion was no excuse for her, because it is undeniable that instead of lapsing into passion, she consciously and deliberately took extraordinary pains to force herself into it, and became blindly furious by regular stages.’1 What is remarkable about this passage is its descriptive (...) richness, that way it shows how many of our emotional reactions involve something more than spontaneity in their actual performance. All this we glean readily and grasp as true from being with others; the genius of Dickens is to carry what is so close to us unto the page. I suspect that in his own wry manner, Husserl too would have liked this passage. He held out for a method of describing concrete lived phenomena that would neither underinterpret nor over-interpret. Such a description would avoid the twin and complementary sins of stripping meaning away from the appearances and putting strangeness into them. Presupposing too little is just as erroneous as too much, and Husserl was acutely aware that ‘in the apprehension of a man very much is already included.’2 When the descriptive imperative is to the fore, Husserl’s studies of the other are notable for their rejection of psychophysical dualism. But when the Cartesian exclusion of contingent certainty triumphs, he adopts a methodological dualism that decomposes the ordinary and unitary experience of the Other. The criticisms of his Cartesian derivation the Other are by now quite familiar, and I will only rehearse them where they intersect with the main theses of this paper. What I would first like to establish is that Husserl’s Cartesian approach to the Other - beginning in Logical Investigations and culminating in the derivation of the alter ego from the monadic sphere of ownness - clashes with the account of bracketing and reduction in Ideas I.. (shrink)

Roger T. Ames begins his contribution to Chenyang Li and Franklin Perkins’ edited volume Chinese Metaphysics and Its Problems with this scene from Charles Dickens’ Pickwick Papers, chapter 51: “They [a set of literary articles written for the Eatanswill Gazette] appeared in the form of a copious review of a work on Chinese metaphysics, Sir,” said Pott. “Oh,” observed Mr. Pickwick; “from your pen, I hope?” “From the pen of my critic, Sir,” rejoined Pott, with dignity. “An abstruse subject, (...) I should conceive,” said Mr. Pickwick. “Very, Sir,” responded Pott, looking intensely sage. “He crammed for it, to use a technical but expressive term; he read up for the subject... (shrink)

Philosophical Analysis in the Twentieth Century by Scott Soames reminds me of nothing so much as Lectures on Literature by Vladimir Nabokov. Both are works that arose immediately out of the needs of undergraduate teaching, yet each manages to say much of significance to knowledgeable professionals. Each indirectly provides an outline of the history of its field, through a presentation of selected major works, taken in chronological order and including items that are generally recognized as marking decisive turning points. Yet (...) neither Soames’s work nor Nabokov’s is a history in any conventional sense, both being immediately disqualified from that category by the general absence of coverage of minor and middling works and writers. The emphasis is pedagogical rather than historiographical: the emphasis is on introducing the student to the field through very close examination of the limited number of key texts selected for inclusion. The author’s distinctive personality is also apparent in both works. Each writer has a favorite theme he repeatedly sounds: for Soames, the danger of conflating the analytic, the a priori, and the necessary; for Nabokov, the philistinism of expecting an uplifting “message” from works of literary art. Each also includes some quirky, individual selections: The Right and the Good, The Strange Case of Dr. Jekyll and Mr. Hyde. Few others would have taken R. L. Stevenson to be up there with Dickens, Flaubert, and Proust, or W. D. Ross with Russell, Wittgenstein, and Quine. Each also sets aside for separate treatment elsewhere a major body of work one might have expected to be covered. Nabokov reserves Russian literature for a companion volume, while Soames gives only slight coverage to what he describes as “work in logic, the foundations of logic, and the application of logical techniques to the study of language” — a category that in practice turns out to include the bulk of the relevant material (by such writers as Frege, Carnap, and Tarski) that published originally in German without simultaneous English translation.. (shrink)

An eye-opener and a head-scratcher, this set of fifty exercices de style offers an oblique and learned introduction to a great classic of ludic literature dating from the twelfth century, the Maqamat of al-Hariri. Each of the fifty tales of the trickster Abu Zayid, some or perhaps all of which contain or are constituted by one or more formal restrictions, is here presented in the form of a pastiche of some familiar or exotic register of writing in English. We can (...) only admire Cooperson for having taught himself to channel Chaucer, Woolf, and Twain, to parrot Singaporean, Nigerian, and Indian English, to compose in dramatic form and in verse, and to riff off Austen as well as a dictionary of law.... What is frustrating to readers is that our translator-imposter does not let us play the game. He explains each exercise and justifies his approach to it in a prefatory note, then adds footnotes, a bibliography, and a glossary of the “dialect” chosen. We are not even allowed to play guess-the-author! The aim of the elaborate and scholarly apparatus attached to these imitative imitations is to give a hint—a necessarily and unapologetically misleading one—of the pleasure and value of the medieval Arabic for its first and later readers.The problem is that pastiche is not only an entertaining exercise. It typically serves a purpose located somewhere between mockery and homage, and sometimes plays both ends against the middle. Cooperson, however, is not mocking Dickens or Gibbon, even less the al-Hariri he clearly admires beyond all others. Consequently, the nonparticipant reader becomes ever more baffled as to what the game is really for. Surely it cannot be intended only to show us how clever and knowledgeable Mr. Cooperson is? Which he certainly is, but not beyond tripping over his own skipping rope. For example, the prisoner's constraint used in the middle of a pastiche of Dickens, when implemented in the way it was defined by its inventor Paul Fournel, excludes the letter z and also cannot accommodate the tilde of señor—and Dickens would have written bade for the past tense of bid. The more you read, the less you smile, the more you quibble as you are drawn into a surely unintended game of spot-the-blooper.It takes genius to write like someone else, which is why the people who get away with it for real use a battery of extratextual devices to deceive (think of Guilleragues, Ossian, Chatterton, Kuzma Proutkov, Romain Gary... ). Cooperson is not seeking to deceive (yet how can a pastiche not gesture toward deception?), but he is not actually offering fifty linked stories by fifty different hands either. What he has produced with the help of his distinguished préfacier, two editors, and a bevy of consultants is a curiously unidentifiable literary object, and quite possibly the only one of its kind.Two statements made by the translator in his introduction disturb me. He says he avoided using most twentieth-century literary models and references in order not to run into copyright issues. This is a declaration of submission to the Copyright Monster invented and unleashed by publishers in flagrant disregard of the laws of the UK, the US, and the EU, all of which allow parody and pastiche without permission of the copyright holder. Second, he “takes seriously the argument that privileged users of Standard English have no business imitating... the speech varieties associated with less privileged communities.” In all times other than our own, the privileged did not deign to use “less privileged” forms of speech (unless they were Victor Hugo), but if now they do not even dare, we can still guess what will happen. The less privileged will seek to use more privileged forms of speech, just as Anglo-Saxon serfs aped Norman French until they ended up speaking English. More recently, wealthy corporations have sought to own whole programming languages by extending the reach of copyright law; perhaps “less privileged communities” are now about to use similar weapons to protect their linguistic turf. We must object as noisily as we can to attempts to enclose public goods by corporations, by self-defining communities, or by any other entities. We would all be the poorer if they should ever succeed. (shrink)

Political Economy and the Novel: A Literary History of 'Homo Economicus' provides a transhistorical account of homo economicus (economic man), demonstrating this figure's significance to economic theory and the Anglo-American novel over a 250-year period. Beginning with Adam Smith's seminal texts - Theory of Moral Sentiments and The Wealth of Nations - and Henry Fielding's A History of Tom Jones, this book combines the methodologies of new historicism and new economic criticism to investigate the evolution of the homo economicus model (...) as it traverses through Ricardian economics and Jane Austen's Sanditon; J. S. Mill and Charles Dickens' engagement with mid-Victorian dualities; Keynesianism and Mrs Dalloway's exploration of post-war consumer impulses; the a/moralistic discourses of Friedrich von Hayek, and Ayn Rand's Atlas Shrugged; and finally the virtual crises of the twenty-first century financial market and Don DeLillo's Cosmopolis. Through its sustained comparative analysis of literary and economic discourses, this book transforms our understanding of the genre of the novel and offers critical new understandings of literary value, cultural capital and the moral foundations of political economy. (shrink)

Whether in her life or in her work, however, this difficulty with grieving recurs too often, and too insistently, to be passed off as a matter of artistic temperament. Its presence in her experimental fiction—elegies for her dead brother in To the Lighthouse, the taboo on grieving in Mrs. Dalloway—suggests rather a compulsive need to cope with death. Indeed, while writing To the Lighthouse she had even thought of supplanting "novel" as the name for her books with something like "elegy." (...) Perhaps "abortive elegies for our times" would be more appropriate since she refuses in these books to deal with death and grieving in any direct or open way, and her elegiac impulse—by which writer and reader alike may normally work out grief through formal measures—is delayed, disguised, or thwarted, at best only partially appeased. Her refusal seems to me characteristic of our times, or of that struggle against Victorian odds which helped to make our times. Mark Spilka, professor of English at Brown University and editor of Novel, is the author of works on Lawrence, Dickens, and Kafka. The present essay will be a chapter in his Virginia Woolf's Quarrel with Grieving. See also: "Virginia Woolf's Criticism: A Polemical Preface" by Barbara Currier Bell and Carol Ohmann in Vol. 1, No. 2. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reading BiographyMichael Benton (bio)Biographer, Biography, and the ReaderBiography is a hybrid. It is history crossed with narrative. The biographer has to present the available facts of the life yet shape their arbitrariness, untidiness, and incompleteness into an engaging whole. The readerly appeal lies in the prospect both of gaining documentary information, scrupulously researched and plausibly interpreted, and of experiencing the aesthetic pleasure of reading a well-made work of art (...) with a continuous life story and a satisfying closure. "In the family of literature," one of its most respected practitioners asserts, "biography seems to be the product of a strange coupling between old-fashioned history and the traditional novel."1 The invitation of biography is thus a dualistic one; the aesthetic experience it offers stems from the twofoldness of its nature and from the stance that this imposes upon the reader. Literary biographies of poets and novelists offer a particularly fruitful area of study since their subjects have a special concern for aesthetic experience and the biographers' main interest lies in the relationship between the life and the works. Though much of what follows has a wider application, the focus of this article is on biographies of writers. By triangulating the roles of the biographer, the biographee within the biographical text, and the reader we can conceptualize the elements that make up the invitation of the genre.First, the biographer. Richard Holmes characterizes the process he experiences with two keywords: it is a "pursuit" and it is a "haunting." They are two sides of the same phenomenon. The pursuit is a "tracking of the physical trail of someone's path through the past, a following of footsteps," an effort "to write about the pursuit of that fleeting figure in such a way as to bring it alive in the present."2 The haunting occurs when this revivification succeeds and the biographee is brought imaginatively alive. Then the biographer turns from pursuer to pursued. While the subject does not take [End Page 77] him over, as it might in some Gothic fantasy, it does exercise the power of the past upon the present and haunt the biographer's imagination. Holmes goes on to explain the two main elements as "closely entwined strands":The first is the gathering of factual materials, the assembling in chronological order of a man's "journey" through the world—the actions, the words, the recorded thoughts, the places and faces through which he moved: the "life and letters." The second is the creation of a fictional or imaginary relationship between the biographer and his subject; not merely a "point of view" or an "interpretation," but a continuous living dialogue between the two... It is fictional, imaginary, because of course the subject cannot really, literally, talk back; but the biographer must come to act and think of his subject as if he can.3Not every biographer would necessarily subscribe to this particular description, but there is ample evidence in the recent spate of books about the genre4 that the biographer's capacity for imaginative empathy is continuously interacting with the verifiable historical data. The present operates upon the past in other ways, too. Earlier biographers who are more or less contemporary with their subjects (for example, Boswell, Forster, Mrs. Gaskell)5 stand in different relationships with them and the available data about them compared with present-day biographers who may inherit a whole bibliography of "lives" laid down in stratified layers on top of the life they are trying to recover. The modern reader, like the modern biographer, has to be a literary archaeologist. Dickens's "lives," for example, are constructed on a bedrock of his friend Forster's biography and on the novelist's own writings, neither of which subsequent biographers can afford to ignore. Later "lives" also have to be sifted through: our inherited Dickens is compounded from a series of accounts from, among a host of others, the Victorian memoirs of his daughter6 and his reading manager,7 via Edwardian enthusiasts8 and 1930s revelations about Dickens's private life,9 to those of modern academics and writers in our own time.10 In such cases, bringing the subject... (shrink)

The article reflects on the therapeutic and ethical potential of literature, the theme which is often marginalized and overlooked by literary critics, in the novel Mister Pip by Lloyd Jones. Matilda, the main character of the analyzed novel, finds salvation in the times of war and oppression thanks to Charles Dickens’s masterpiece, Great Expectations, and the only white man on the island−her teacher, Mr. Watts. Matilda’s strong identification with Dickensian Pip and imagination make her escape to another world, become (...) a self-conscious person and reunite with her father. The paper also discusses relationships between Matilda, Mr. Watts and her mother, Dolores. I attempt to show the emotional development of the characters, their interactions, changes, sense of identity, and, having analyzed their actions, I compare them to protagonists created by Charles Dickens. Needless to say, drawing the reader’s attention to British culture and traditions, Lloyd Jones avoids focusing on the negative aspects of the postcolonial views, pointing out that “the white man” can be an example of a Dickensian gentleman. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 27.2 (2003) 428-435 [Access article in PDF] Agapic Friendship Sharon E. Sytsma ARISTOTLE CATEGORIZED FRIENDSHIP into three types: friendships of pleasure, friendships of utility, and complete (perfect or true) friendships (1156a5-10). 1 The thesis developed here is that Aristotle neglects an important kind of friendship. Various aspects of his theory of friendship have been challenged, but no one has charged that his categorization is incomplete. 2 (...) In what follows, an Aristotelian account of the friendship between James Steerforth and David Copperfield in Dickens' David Copperfield will be given, and then shown to be inadequate. Then a brief account of agapic love will be given and shown to be another basis of friendship—agapic friendship. Finally, the agapic nature of the two young men's friendship will be highlighted. I One might suppose that the friendship between David Copperfield and Steerforth is a mixed form of the three types of friendships identified by Aristotle. There can be no doubt that their friendship was pleasurable and useful to both. The two boys (and later young men) were appreciative of the other's pleasing appearance. David frequently comments on the pleasure attending any kind remark issuing from Steerforth on his own behalf. He admits his pleasure in being "cherished as a kind of plaything in my room," indicating his awareness of Steerforth's pleasure in being with him. Steerforth took great pleasure in David's imaginative and talented storytelling, which David eagerly [End Page 428] used as a "cementing" force in their relationship. Surely, Steerforth also took pleasure in the respect and admiration of his doting schoolmate.Also undeniable is that both friends found each other to be useful. David treasured the gift of Steerforth's protection. Being favored by Steerforth automatically elicited the admiration and envy of the other schoolboys. "No one dared to annoy one whom [Steerforth] honored with his countenance." Steerforth, on his part, found David's storytelling to be a useful antidote to his insomnia.However, David's love for Steerforth went beyond any self-interested concern. David loved Steerforth for his friend's own sake. He stayed up late and rose early to recount and embellish tales, not because he was motivated by self-interest or fear, but only because he "admired and loved him." David perceived Steerforth to be considerate and generous, and he mistook his friend's self-confidence as evidence of nobility of character.These perceptions were hardly objective. David's good nature, generous-mindedness, and youthful naiveté kept him from recognizing the faults in his friend's character, even in the face of ample evidence. Steerforth's cruel streak should have been obvious to David since he witnessed Steerforth allowing another student, the hapless Traddles, to take the blame when Steerforth laughed in church, and his ruthless exposure of Mr. Mell's secret shame of having a mother living on charity in an almshouse. He heard Steerforth's story about how he had "accidentally" thrown a hammer into Rosa Dartle's face. David's uneasiness on these occasions was overcome by his natural generosity of spirit and sense of gratitude. When shocked by a cold and arrogant insult against Little Em'ly's fiancé, Ham, David responds with full confidence: [You may] try to hide your sympathies in jest from me, but I know better. When I see how perfectly you understand them and how exquisitely you can enter into happiness like this plain fisherman's, or humour a love like my old nurse's, I know that there is not a joy or sorrow, not an emotion, of such people, that can be indifferent to you. And I admire and love you for it, Steerforth, twenty times the more! So even though David has an inflated sense of Steerforth's virtue, his thinking of Steerforth as virtuous was integral to their relationship, and that in itself would support thinking of the friendship as based on the good.Given Steerforth's defects of character, one might easily be led to the conclusion that Steerforth loved David only for the pleasure and [End Page 429] benefits of his... (shrink)

Figure used with kind permission of Pie: The Search for Utopia (http://pieonedotzero.wordpress.com). Charles Dickens's Hard Times is not a novel that typically springs to mind in the context of discussions of education in utopia or dystopia. But maybe it should be. Hard Times stages a fierce debate between utopic and dystopic visions of nineteenth-century Britain and the future that it prepares its children for. On one side: Mr. Gradgrind and his school, with a sclerotic curriculum of "Facts, facts, facts" (...) that hardens the heart and the mind and stamps out any spark of imagination. Gradgrind "manufactures," like identical widgets, model citizens in the form of the apathetic Bitzer. On the other side: Mr. .. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Poetic Justice: The Literary Imagination and Public LifeDavid GormanPoetic Justice: The Literary Imagination and Public Life, by Martha C. Nussbaum; xii & 143 pp. Boston: Beacon Press, 1995, $20.00.This volume, a revision of lectures given in 1991, is a philosophical study comparing aspects of law and literature. The law in question is contemporary American case law (hence the reference to “Public Life” in the book’s subtitle). The literature (...) to which it is juxtaposed consists primarily of “realist social novels” (p. 87), represented chiefly by Dickens’s Hard Times, though with some attention also given to E. M. Forster’s Maurice, Richard Wright’s Native Son, and to passages from Whitman’s poetry (quoted, characteristically, at some length). Nussbaum’s thesis is that both this kind of legal discourse and this kind—or kinds—of literary discourse constitute, involve, or otherwise rely upon an imaginative vision of human life and its possibilities. Thus lawyers have a great deal to learn from literature, insofar as contact with the capacious imaginations of a Dickens or a Whitman can only enlarge the sensibilities of those who read them in a sufficiently open-minded, reflective way.It may be both too kind and overly reductive to ascribe to Poetic Justice such a thing as a thesis. On the contrary, this compact book, like all of Nussbaum’s writings, teems with theories and theses. This is the main reason, I suppose, for the dichotomy of responses to Nussbaum: some find this pullulating quality of her work exhilarating, while others just find it annoying. One advantage that I think both parties will recognize in the compactness of Poetic Justice (due to the constraints of the lecture format) is that it inhibits the author’s native prolixity, which makes her previous books—The Fragility of Goodness (1986), Love’s Knowledge (1990), and The Therapy of Desire (1994)—something of an effort even for Nussbaum’s biggest fans to stay with through every last qualification, tertiary argument, and cross-reference. [End Page 196]The opening pages of these lectures seem, if anything, all too simple. Nussbaum’s initial target is the economistic, deterministic school of social analysis associated with the University of Chicago generally and with Richard Posner in particular, which has lately exercised a disproportionate influence in American jurisprudence and—especially during the Reagan-Bush era—in public policymaking. Against this kind of thinking, which attempts to treat human beings and their actions and decisions as much as possible in terms of quantifiable, statistical measures, Nussbaum emphasizes the autonomy, the irreducible singularity of each human being and the qualitative aspects of each person’s experience, which is the kind of cautionary lesson that she sees literary works as driving home—hence their value as a counterweight, or even a vaccine, against reductive economism. Thus readers will tend to assume from the first lecture (“The Literary Imagination”) that what they are in for, pretty much, is something like Bob Cratchit’s comeback to Ebenezer Scrooge. The Dickensian comparison is not fortuitous, of course, because although the text of reference is Hard Times and not A Christmas Carol, the moral antithesis is familiar enough: a coldly, blindly all-embracing utilitarianism versus a warm, empathetic humanism.Yet, as Nussbaum develops her account, things are not so simple. What emerges is that her aim is not simply to mount an attack on the economic-determinist approach to analyzing (and thus judging) human behavior, but in the first place to understand it, to get inside this worldview. This empathetic response to Chicago-style social analysis, in turn, weaves itself into the texture of Nussbaum’s book in two ways. For one thing, it supports her call to treat literature as making a potentially significant contribution to public life, since what better path can there be to understanding neo-utilitarians like Posner than via imaginative portrayals of such paleo-utilitarians as Mr. Gradgrind? For another thing, moreover, the very gesture of trying to empathize with economic determinism rather than trying to bury it serves the purpose of showing up the latter’s limitations, because this kind of other-directed response is just what the utilitarian approach is least... (shrink)

Prohibition on sex selection may well be unnecessary and oppressive as well as posing risks to women’s lives The urge to select children’s sex is not new. The Babylonian Talmud, a Jewish text completed towards the end of the fifth century of the Christian era, advises couples on means to favour the birth of either a male or a female child.1 The development of amniocentesis alerted the public in the mid-1970s to the scientific potential for prenatal determination of fetal sex,2 (...) and progressive decriminalisation of abortion afforded choice about continuation of pregnancy. The more recent emergence of preimplantation genetic diagnosis (PGD) obviates resort to abortion, and improved techniques of sperm sorting and diagnosis permit creation of zygotes that will ensure the sex of a future child. Growth of biomedical means to select the sex of future children has been accompanied by fear that such means will be employed to favour births of sons, and so perpetuate devaluation of girl children and women’s inferior family and social status. A reaction to this fear has been the demand for legal and medical professional prohibition of sex selection techniques. For instance, the Council of Europe’s Convention on Human Rights and Biomedicine3 provides in article 14 that: The use of techniques of medically assisted procreation shall not be allowed for the purpose of choosing a future child’s sex, except where serious hereditary sex-related disease is to be avoided. Legislation has been enacted in a number of countries, and proposed in others, to prohibit sex selection on non-medical grounds, such as the Prenatal Diagnostic Techniques (Regulation and Prevention of Misuse) Act, 1994 in India. In Canada, for instance, government draft legislation introduced in May 2002 proposes to make it a crime for any person, for the purpose of creating a human …. (shrink)

It may be most convenient to respond to Dr Andreae’s points in turn. Unless the claim that a child should determine its own genetic characteristics before it is conceived or born is intended to be flippant, it is logically incoherent. Conception is a decision that only a prospective parent can make. The editorial argument is that denial of choice of sex contributes to preventable maternal mortality and morbidity, particularly in developing countries. ….

This article studies the proposal of the twentieth-century anticaste scholar and writer Iyothee Thass of a millennial anticaste communitas (community) in creative opposition to caste immunitas (immunity). It argues that Thass’s casteless community makes an appeal as it withdraws from caste and Brahminism by differentiating itself from enclosure. Thass’s works sought to conceive and construct a community against caste in the vernacular both in the global and local context by way of a highly scholarly as well as creative engagement with (...) Buddhism and the Tamil literary archive. In the colonial and nationalist context of the nineteenth century in the Indian subcontinent, his interpretative imaginaire of the history of India—Indhira Dhesa Sarithiram—was a pedagogy that establishes a belonging to world community and, at the same time, to one’s own vernacular communities. (shrink)

I contend that Jews, Christians, and Muslims who seek peace should not be reluctant to acknowledge the existence of their sometimes profound disagreements, or to affirm the truth of their own beliefs and practices. Since this places me at odds with John Hick, I analyze his views, granting the strengths of his critical realism and arguing that his revisionist-pluralist theory of religion has significant limitations for interreligious dialogue. Since the veridical-pluralist alternative I propose facilitates rather than stifles disagreement, I examine (...) three different conceptions of dialogue that acknowledge the importance of disputes among those searching for truth. I also discuss three virtues--honesty, empathy, and humility--whose cultivation would make us less likely to fail in our search for truth and the peace that is its sign and fruit. (shrink)

There is a natural objection to the epistemic coherence of Bas van Fraassen’s use of a distinction between the observable and unobservable in his constructive empiricism, an objection that has been raised with particular clarity by Alan Musgrave. We outline Musgrave’s objection, and then consider how one might interpret and evaluate van Fraassen’s response. According to the constructive empiricist, observability for us is measured with respect to the epistemic limits of human beings qua measuring devices, limitations ‘which will be described (...) in detail in the final physics and biology’ (van Fraassen 1980: 17). In order for the constructive empiricist to determine what counts as observable, he will have to appeal to our best scientific theories of light, human physiology, and so forth. To put the same point in a slightly more abstract way, in order to draw a distinction between observable and unobservable entities, the constructive empiricist needs to use his best scientific theory of observability – call it T* – to tell him the identity of the observable entities. This raises an interesting difficulty. Constructive empiricism is the view that ‘science aims to give us theories that are empirically adequate; and acceptance of a theory involves as belief only that it is empirically adequate’ (van Fraassen 1980:12). When he accepts a theory, the constructive empiricist only believes the statements of his scientific theories that are about observable entities. Thus, in order to know which statements of a scientific theory to believe, the constructive empiricist needs to know which statements of that theory are about observable entities. In particular then, the constructive empiricist only believes the statements of his theory of observability T* that are about observable entities. Therefore, in order to know which statements of T* he can believe, the constructive empiricist needs to know which statements of T* are about observable entities. However, it is T* that tells the constructive empiricist what counts as an observable entity: the constructive empiricist therefore needs to use T* to tell him which statements of T* he can believe. The fact that the distinction drawn by T* must also apply to itself is not an immediate cause for alarm.. (shrink)

Public health aims to provide universal safety and progressive opportunities to populations to realise their highest level of health through prevention of disease, its progression or transmission. Screening asymptomatic individuals to detect early unapparent conditions is an important public health intervention strategy. It may be designed to be compulsory or voluntary depending on the epidemiological characteristics of the disease. Integrated screening, including for both syphilis and cancer of the cervix, is a core component of the national reproductive health program in (...) Kenya. Screening for syphilis is compulsory while it is voluntary for cervical cancer. Participants’ perspectives of either form of screening approach provide the necessary contextual information that clarifies mundane community concerns. (shrink)

James Ladyman ([2000]) argues that constructive empiricism is untenable because it cannot adequately account for modal statements about observability. In this paper, I attempt to resist Ladyman's conclusion, arguing that the constructive empiricist can grant his modal discourse objective, theory-independent truth-conditions, yet without compromising his empiricism.

This three-volume history of England from before the Roman conquest through to the Glorious Revolution of 1688 was originally serialised in Charles Dickens' magazine Household Words between 1851 and 1853. The text was published in book form in the same period, although each volume was post-dated to the following year. Dickens dedicated the work to his own children, intending it to be a stepping stone to more substantial histories. The volumes were popular with readers for decades, and were (...) used in British schools well into the twentieth century. Dickens employs his signature style to bring events and personalities to life, making use of vivid similes, unabashedly partisan language and direct speech, as well as the occasional moral lesson. Volume 1 covers the period from the campaigns of Julius Caesar up to the close of the reign of the 'miserable brute' King John. (shrink)

The concept of reproductive health promises to play a crucial role in improving health care provision and legal protection for women around the world. This is an authoritative and much-needed introduction to and defence of the concept of reproductive health, which though internationally endorsed, is still contested. The authors are leading authorities on reproductive medicine, women's health, human rights, medical law, and bioethics. They integrate their disciplines to provide an accessible but comprehensive picture. They analyse 15 cases from different countries (...) and cultures, and explore options for resolution. The aim is to equip readers to fashion solutions in their own health care circumstances, compatibly with ethical, legal and human rights principles. (shrink)

Constructive empiricism is not just a view regarding the aim of science; it is also a view regarding the epistemological framework in which one should debate the aim of science. This is the focus of this book -- not with scientific truth, but with how one should argue about scientific truth.

The transforming growth factors beta are a family of peptides which are involved in the regulation of cell growth and differentiation. It has been suggested that the loss of sensitivity to growth inhibition by endogenous TGF‐β may contribute to the process of carcinogenesis in epithelial systems. However, many breast cancer cells remain sensitive to the growth inhibitory effects of these peptides, suggesting that the local induction of TGF‐β could provide a pharmacological approach to chemoprevention. Triphenylethylene anti‐oestrogens, synthetic progestins and retinoids (...) all offer potential as chemopreventative agents. A common feature of their mechanism of action is the ability to locally increase the production of the transforming growth factors beta. (shrink)

Discusses some of the most popular misconceptions about science, and their continuing role in the public imagination. Drawing upon the history and philosophy of science it challenges widespread assumptions and misunderstandings, from creationism and climate change to the use of statistics and computer modeling. The result is an engaging introduction to contentious issues in the philosophy of science and a new way of looking at the role of science in society.

This article explores the ontological status of trees from a Whiteheadian panexperientialist viewpoint; it also explores how our relationship with trees affects who we are as human beings.

One of the main features of the contemporary environmental crisis is that no one has a clear picture of what is taking place. Environmental problems are real enough but they bring home the inadequacy of our knowledge. How does the natural world relate to the social world? Why do we continue to have such a poor understanding? How can ecological knowledge be made to relate to our understanding of human society? Reconstructing Nature argues that the division of labor is a (...) key but neglected factor underlying people's inability to adequately understand and relate to the natural world. The argument extends Marx's theory of alienation to account for inadequate knowledge and therefore inadequate concern for nature. Using recent developments in "critical realist" philosophy, the book aims to find ways of reorganizing knowledge in the light of ecological consciousness. It also corrects the emphasis of much environmental literature by focusing on production rather than consumption. (shrink)

Recent literature in the scientific realism debate has been concerned with a particular species of statistical fallacy concerning base-rates, and the worry that no matter how predictively successful our contemporary scientific theories may be, this will tell us absolutely nothing about the likelihood of their truth if our overall sample space contains enough empirically adequate theories that are nevertheless false. In response, both realists and anti-realists have switched their focus from general arguments concerning the reliability and historical track-records of our (...) scientific methodology, to a series of specific arguments and case-studies concerning our reasons to believe individual scientific theories to be true. Such a development however sits in tension with the usual understanding of the scientific realism debate as offering a second-order assessment of our first-order scientific practices, and threatens to undermine the possibility of a distinctive philosophical debate over the approximate truth of our scientific theories. I illustrate this concern with three recent attempts to offer a more localised understanding of the scientific realism debate—due to Stathis Psillos, Juha Saatsi, and Kyle Stanford—and argue that none of these alternatives offer a satisfactory response to the problem. (shrink)

Constructive empiricism - as formulated by Bas van Fraassen - makes no epistemological claims about the nature of science. Rather, it is a view about the aim of science, to be situated within van Fraassen's broader voluntarist epistemology. Yet while this epistemically minimalist framework may have various advantages in defending the epistemic relevance of constructive empiricism, I show how it also has various disadvantages in maintaining its internal coherence.

In this paper, I explore Rosen’s ‘transcendental’ objection to constructive empiricism—the argument that in order to be a constructive empiricist, one must be ontologically committed to just the sort of abstract, mathematical objects constructive empiricism seems committed to denying. In particular, I assess Bueno’s ‘partial structures’ response to Rosen, and argue that such a strategy cannot succeed, on the grounds that it cannot provide an adequate metalogic for our scientific discourse. I conclude by arguing that this result provides some interesting (...) consequences in general for anti-realist programmes in the philosophy of science.Keywords: Constructive empiricism; Mathematical fictionalism; Partial structures; Modality. (shrink)