The concept of individualism has gone through a fundamental change, according to distinguished political theorist Nadia Urbinati. In the nineteenth century, individualism was a philosophical and ethical perspective that permitted each person to respect and cooperate with others as equals in rights and dignity for the betterment of the community as a whole. Today, the individualist is a more self-interested entity whose maxim might best be expressed as “I don’t give a damn.” This contemporary form of individualism is possessive and (...) conformist, litigious and docile, all too prone to manipulate norms and to submit to the tyrannical sway of private interests. As such, Urbinati believes, it represents the most radical risk that modern democracy currently faces. This well-reasoned and thought-provoking polemic is an attempt to detect the “tyranny of the moderns,” with the ultimate aim of recovering the role of the individual citizen as a free and equal agent of democratic society. It explores the concept of communitarianism as a form of individualism applied to the group itself, and advances the idea that the rescue of true individualism from the current ideology is a basic condition for the defense of democratic citizenship. (shrink)

In his major work, An Inquiry into the Modes of Existence, Bruno Latour sets out to establish an anthropology of the Moderns based on the plurality of the modes of existence that make up their world. What about the beings of science, politics, art, religion, economics and so on? How do these beings relate to one another, and how do they constitute the specific forms of thought of the Moderns? Taking as its starting point one of the central (...) notions of modern thought, namely the notion of matter, this article seeks to identify the way in which Latour shows its importance in the constitution of modern thought. It examines its topicality through the double prism of an ecological and decolonial approach that animates Latour’s work, and which this article proposes to revisit. (shrink)

Of Euclid’s lost manuscripts, few have elicited as much scholarly attention as the Porisms, of which a couple of brief summaries by late-Antiquity commentators are extant. Despite the lack of textual sources, attempts at restoring the content of this absent volume became numerous in early-modern Europe, following the diffusion of ancient mathematical manuscripts preserved in the Arabic world. Later, one similar attempt was that of French geometer Michel Chasles (1793–1880). This paper investigates the historiographical tenets and practices involved in Chasles’ (...) restoration of the porisms, as well as the philosophical and mathematical claims tentatively buttressed therewith. Echoes of the Quarrel of the Ancients and the Moderns, and of a long-standing debate on the authority and usefulness of the past, are shown to have decisively shaped Chasles’ enterprise—and, with it, his integration of mathematical and historical research. (shrink)

Modern, Stevie In a dark uniform, she walks swiftly through the tram carriage, her movements machine-like and efficient. Wordlessly, she punches passengers' tickets and passes money from the coin-changer strapped to her hip. The passengers pay small attention, their gazes vaguely forward. They do not see the face of evil, the anonymous official who stands above them returning their ticket stub. The tram clatters on through Berlin's streets.

During the last decade, scholars have set forth a variety of interpretations to explain how liberalism, republicanism, and several other traditions of political thought interpenetrated and interacted within the political thought of the American Founders. This essay first identifies several alternative versions of the ‘multiple traditions approach’ and then provides a retrospective and prospective analysis of the debate over the intellectual origins of the American republic. Ultimately, I argue that scholars need to explore the way in which the Founders selectively (...) adopted, creatively integrated, and substantially reconstructed these traditions into a conception of political thought that is at once peculiar and significant. (shrink)

A lively and accessible history of Modernism, _The First Moderns_ is filled with portraits of genius, and intellectual breakthroughs, that richly evoke the _fin-de-siècle_ atmosphere of Paris, Vienna, St. Louis, and St. Petersburg. William Everdell offers readers an invigorating look at the unfolding of an age. "This exceptionally wide-ranging history is chock-a-block with anecdotes, factoids, odd juxtapositions, and useful insights. Most impressive.... For anyone interested in learning about late 19th- and early 20th- century imaginative thought, this engagingly written book is (...) a good place to start."—_Washington Post Book World_ "_The First Moderns_ brilliantly maps the beginning of a path at whose end loom as many diasporas as there are men."—Frederic Morton, _The Los Angeles Times Book Review_ "In this truly exciting study of the origins of modernist thought, poet and teacher Everdell roams freely across disciplinary lines.... A brilliant book that will prove useful to scholars and generalists for years to come; enthusiastically recommended."—_Library Journal_, starred review "Everdell has performed a rare service for his readers. Dispelling much of the current nonsense about 'postmodernism,' this book belongs on the very short list of profound works of cultural analysis."—_Booklist_ "Innovative and impressive... [Everdell] has written a marvelous, erudite, and readable study."-Mark Bevir, _Spectator_ "A richly eclectic history of the dawn of a new era in painting, music, literature, mathematics, physics, genetics, neuroscience, psychiatry and philosophy."—Margaret Wertheim, _New Scientist_ "[Everdell] has himself recombined the parts of our era's intellectual history in new and startling ways, shedding light for which the reader of _The First Moderns_ will be eternally grateful."—Hugh Kenner, _The New York Times Book Review_ "Everdell shows how the idea of "modernity" arose before the First World War by telling the stories of heroes such as T. S. Eliot, Max Planck, and Georges Serault with such a lively eye for detail, irony, and ambiance that you feel as if you're reliving those miraculous years."—Jon Spayde, _Utne Reader_. (shrink)

This paper examines the case of Lawrence v. Texas to bring out the philosophical commitments of Justices Anthony Kennedy and Antonin Scalia. It is proposed that Justices Kennedy and Scalia, while both Catholics, represent fundamentally different visions of the “ends and reasons” of democratic law. A close reading of the Justices’ opinions in Lawrence indicates that Justice Scalia belongs to the tradition of the “ancients” and Justice Kennedy to the tradition of the “moderns.” The paper focuses in particular on (...) the Justices’ interpretations of the Due Process Clause of the Fourteenth Amendment. It is claimed that the interpretation of this clause turns on a philosophical commitment regarding the ends and reasons that the Constitution should be understood to serve, and thus that justices cannot help acting as “philosopher kings” here. Which of the two Justices is more consistent with the Catholic tradition is proposed as a question for another day. (shrink)

Modern, Stevie In the movie Exodus set in 1947, Paul Newman plays a Jewish 'people smuggler' Ari Ben Canaan in an amusing early scene where he disguises himself as a British soldier. Ben Canaan fools a commanding officer into signing off on the transport of recent holocaust survivors out of detention in Cyprus, making the officer believe the survivors would be shipped back to Germany.

Modern, Stevie The appearance of Ayn Rand's 'lost' novel Ideal, 80 years after it was written, gives us cause to examine the life and works of the humanist author, playwright and philosopher.

In a well-reasoned and thought-provoking polemic, respected political theorist Nadia Urbinati explores a profound shift in the ideology of individualism, from the ethical nineteenth-century standard, in which each person cooperates with others as equals for the betterment of their lives and the community, to the contemporary "I don't give a damn" maxim. Identifying this "tyranny of the moderns" as the most radical risk that modern democracy currently faces, the author examines the critical necessity of reestablishing the role of the (...) individual citizen as a free and equal agent of democratic society. (shrink)

Modern, Stevie March 15, 2016: A 19 year-old American tourist is arrested in Jerusalem. Police authorities had found him asleep in a prohibited cave area, deep under the Muslim quarter of the Old City. A search finds his backpack loaded with rubble dug with a pickaxe, at a site where myth tells of lost religious treasure. The tourist claims no memory of his actions. Israeli media reports the story as a possible case of 'Jerusalem Syndrome' - a religiously themed psychosis. (...) The syndrome affects nearly 100 people each year out of millions of tourists who visit Jerusalem. (shrink)

Modern, Stevie At its annual general meeting in May this year, the Council of Australian Humanist Societies voted in support of volunteer ethics teachers entering public schools and teaching ethics programs to students as a secular alternative in religious education. The motion was put to the meeting by the NSW Society with the support of the Humanist Society of Victoria. The motion was opposed by the Queensland, Western Australian and South Australian Societies. Here is why the motion is a grave (...) mistake, and why Western Australia moved its own motion against it. (shrink)

Modern, Stevie The September 11 Memorial Museum at Ground Zero opened in May this year, nearly 13 years from the date when 2,983 people were murdered by Islamist hijackers. It is 20 years from Al Qaida's first attempt to bomb the World Trade Center in 1993.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Montaigne Among the Moderns: Receptions of the “Essais”Patrick HenryMontaigne Among the Moderns: Receptions of the “Essais,” by Dudley M. Marchi; xiii & 334 pp. Providence, Rhode Island: Berghahn Books, 1994, $49.95.This ambitious project is not a study of the Essais per se, but rather an analysis of their receptions from the seventeenth century to the present. Written by a comparativist with access to German, French, and (...) English literature and philosophy, it deals with authors from diverse backgrounds and time periods and pays careful attention throughout both to intertextuality and to the particular “horizons-of-experience” in which the Essais were received. “Reception” here does not mean some un-Mont aigne-like passive acceptance, but rather the assimilation and reactivation of the essayist’s concept of literature, writerly project, and theories of reading and writing in the works of later writers, mainly “premodernists” (Emerson and Nietzsche), “high modernists” (Pater and Woolf), and “postmodernists” (Butor, Chaillou, Sollers). In the most general sense, what Montaigne shares with all these authors is the need to make central in the form and substance of his work the paradox of a rupture with the pa st and its simultaneous continuation. Here modernism is less a period concept than a recurring literary phenomenon whereby the essayist not only influences the moderns and the postmoderns but is one of them. This enables us, finally, to perceive in the Essais a dialogical process that resists closure and reenacts the literary and philosophical debates of our own historical situation.Chapter One schematizes the history of the receptions of the Essais in France from 1580 to 1950 focusing mainly on the stylistic and religious readings of major figures in French literature. While much of this has already been done, Marchi syn thesizes well, makes his own original points, and offers us exceedingly interesting pages on the essayist’s covenant daughter and most active literary executrix, Marie le Jars de Gournay. Throughout he depicts how the shifting nature of the Essais’ textuality (their “hermeneutic undecidability” [p. 74]) allows them to assume various identities in the minds of different interpreters through the ages, thus problematizing the very act of reception and granting the reader a role in the production of me aning.The next chapters constitute the most original parts of the study and analyze the reception of the Essais in the works of Emerson, Nietzsche, Pater, Woolf, Butor, Chaillou, and Sollers. In Emerson and Nietzsche, we find reactivated the Montaig nean dialogue between the unique self and cultural tradition. Emerson read the Essais in the Cotton translation and wrote about Montaigne in Representative Men but only relied on the essayist to help him reach his own intellectual independen ce, finally moving from a more ego-centered position to the security of past models and rejecting skepticism in favor of dialectical resolution. Nietzsche read Montaigne in the original and knew him through Emerson. Marchi finds “an active inter textual Montaignean dimension” (p. 124) [End Page 140] in Nietzsche’s work and underscores their mutual preoccupation with radical skepticism, self-cultivation, self-portraiture, mutability, the instability of language, and the crisis of representa tion. He discovers two sides to Nietzsche’s reception of the Essais: the Apollonian “Socrantic optimism” and the Dionysian “libertine transgression” (p. 165) and indicates how the essayist’s concreteness and acceptance of human limitations tempered respectively Nietzsche’s propensity toward abstract metaphysics and Schopenhaurean pessimism.The third chapter unveils the aesthetic and thematic elements of the Essais in the critical and creative works of Pater and Woolf who went beyond the philosophical essaying of Emerson and Nietzsche, were the first to extend aspects of the E ssais in narrative works since Marie de Gournay, and created Montaigne the modernist “by insisting on the qualities of his textuality most akin to their own” (p. 186). The most interesting pages here delineate, on the one hand, Pater’s failed attempt to reconcile the religion of Pascal and the aesthetics of Montaigne and the essayist’s presence in Pater’s Gaston de Latour and, on the other, Woolf’s Montaigne-like essayistic techniques of weighing probabilities, suspending dogmatic judgment, and breaking of narrative sequentiality and her concomitant assimilation... (shrink)

This article reads Carlyle as a reader of Goethe to recover why he proclaimed Goethe as the `benignant spiritual revolutionist' of modernity and `first of the moderns'. As Goethe's first major English translator, Thomas Carlyle was also arguably the first to grasp the nature and purpose of Goethe's project to interpret modernity as a revolutionary epoch involving changes in consciousness, culture and material development. For Carlyle, Goethe's Faust presents modern consciousness and culture from the side of elegy - as (...) the search by an old man for eternal youth and an infinite world without constraints involving tragic loss. Wilhelm Meisters Lehrjahre, by contrast, presents the same processes from the side of romantic quest, that is, from the perspective of a youth growing into adulthood, as looking into the future with infinite hope. Finally in Wilhelm Meisters Wanderjahre, Carlyle discerns that the radical form of this novel as a discontinuous narrative that embodies movement, change and incompletion enables Goethe to represent the social conditions of moderns as a spiritual challenge and historic achievement. Carlyle's critical perspicacity is evident not least in his choice of Goethe's works to translate as much as his own essays on Goethe's place in modern European letters. In his close reading of Goethe, Carlyle captures the symbolic form of modernity as incorporating three levels of revolutionary transformation of individual consciousness, of culture and of modernity as mythic condition consisting of tragic development, creative destruction and perpetual movement and change. Moderns then are challenged to become authors of their own texts and lives. Carlyle contrasts Goethe's achievement against other primary candidates for the title of modern spiritual revolutionist in ironically Goethean terms: Napoleon (Prometheus), Byron (Faust and Young Werther) and Voltaire (Mephistopheles). Thereafter, the older Carlyle puts aside his critical readings of Goethe to become his own Goethean authority on the modern condition, most notably in his most famous books, Sartor Resartus, The French Revolution, Chartism, On Heroes, and Past and Present. By reading Carlyle as a reader of Goethe we can begin to discern that Carlyle was not only an historian, biographer and political commentator of his own place and times but a critical theorist seeking to interpret the modern epoch, with and beyond Goethe. (shrink)

The intellectual history of Humanity is part of a vast genealogy that stems from disputes between those advocating the excellence of ancient times and those arguing the superiority of the present. Thus, since antiquity we find the persistent recurrence of a Quarrel of the Ancients and the Moderns, virulence that stresses the human and social experience, either praised, either rebuked in its development process. This paper discusses the process of development of the Quarrel of the Ancients and the (...) class='Hi'>Moderns as a matrix from which it is possible to perceive, in sparse and seemingly random historical positions, a way that guide us to the path, full of crossings and intersections, of modern experience. Its aim is to define some cardinal points of the Quarrel’s own development that help us to better understand how the idea of “modernity” has evolved. (shrink)

Renowned for his influence as a political philosopher, a writer, and an autobiographer, Jean-Jacques Rousseau is known also for his lifelong interest in music. He composed operas and other musical pieces, invented a system of numbered musical notation, engaged in public debates about music, and wrote at length about musical theory. Critical analysis of Rousseau’s work in music has been principally the domain of musicologists, rarely involving the work of scholars of political theory or literary studies. In _Rousseau Among the (...) Moderns_, Julia Simon puts forth fresh interpretations of _The Social Contract_, _The Discourse on the Origin of Inequality_, and _The Confessions_, as well as other texts. She links Rousseau’s understanding of key concepts in music, such as tuning, harmony, melody, and form, to the crucial problem of the individual’s relationship to the social order. The choice of music as the privileged aesthetic object enables Rousseau to gain insight into the role of the aesthetic realm in relation to the social and political body in ways often associated with later thinkers. Simon argues that much of Rousseau’s “modernism” resides in the unique role that he assigns to music in forging communal relations. (shrink)

Peter Groenewegen's reputation as a chronicler of the history of economics is unparalleled. Building on his respected collection on eighteenth century economics, this new book focuses on the nineteenth and early twentieth centuries, reprinting essays on classical and modern economics. Several of the included essays have never been published before, whilst many have previously been difficult to access having been written across the 1970s, 1980s and 1990s. This important collection will be an invaluable resource for any historian, student or academic (...) involved in the history of economics. (shrink)

In this conversation, Brazilian anthropologist, philosopher, and political activist Eduardo Viveiros de Castro offers an overview of his thinking, both past and present. After explaining why initially he argued that ontology should be a topic of anthropologists, he discusses his more recent conclusion that indigenous thought should be regarded instead as metaphysical. It is not that la pensée sauvage has an implicit ontology discoverable by the human sciences but, rather, that indigenous people themselves think about metaphysical issues as such. He (...) explains the origins of this position in the ethnographic fieldwork that he undertook in the 1980s with the Awareté of northwestern Brazil and in his and the anthropologist Philippe Descola's parallel engagements with the structuralism of Claude Lévi-Strauss. Finally, Viveiros de Castro addresses the political stakes of ascribing metaphysics to alien and marginal peoples, clarifying what he means by the “permanent decolonization of thought.”. (shrink)

In this essay I sketch a philosophical argument for classical liberalism based on the requirements of public reason. I argue that we can develop a philosophical liberalism that, unlike so much recent philosophy, takes existing social facts and mores seriously while, at the same time, retaining the critical edge characteristic of the liberal tradition. I argue that once we develop such an account, we are led toward a vindication of “old” (qua classical) liberal morality—what Benjamin Constant called the “liberties of (...) the moderns.” A core thesis of the paper is that a regime of individual rights is crucial to the project of public justification because it disperses moral authority to individuals thus mitigating what I call the “burdens of justification.” Footnotesa Earlier versions of this essay were presented at the University of North Carolina, Chapel Hill, Philosophy Department workshop on the morality of capitalism, and at the conference on rights theory at the Murphy Institute, Tulane University. I am grateful for the comments of the participants; my special thanks to David Schmidtz, Julian Lamont, and Andrea Houchard for their useful written comments and suggestions. (shrink)