In current research on the work of Franz Kafka, war issues occur rather incidentally. In the presented article, the Author points out the omission of kafkology and tries to indicate possible directions of belumic interpretation. The sketch for Kafka’s war portrait is inspired by the short story Fratricide. The text, which shows the inspiration of the biblical story of Cain and Abel, is a beginning of Kafka’s thinking about a world determined by violence, controlled by a bloody conflict. The first (...) assassination is a prototype of mass destruction, war and genocide. Kafka seems to have subordinated his future feature projects on the subject of war. The author of the article postulates the reading of Kafka’s books as texts about war, not only about the metaphorical one but also the real one. (shrink)

In the paper I propose a modification of the position called “Skeptical Theism.” It was created as a response to two most serious arguments against the existence of God: “the argument from evil” and “the argument from hiddenness.” The paper attempts to answer the questions: how sceptical theism differs from other forms of theism? Is “Skeptical Theism” a step forward in dealing with the problem of evil and the problem of hiddenness? Is it possible to modify “skeptical theism” in such (...) a way that it is able to cover individual cases of experiencing evil and the feeling that God is absent. “Individualized Skeptical Theism” that I propose not only contains all the new elements that “Skeptical Theism” has brought to the discussion of the problem of evil and the problem of hiddenness, but also secures the element of individuality that is present in every person’s struggle with these problems. It also allows us to outline strategies that may prove useful for supporters of theism, the most important of which is the testimony of one’s own struggle with the problem of evil and the problem of hiddenness. (shrink)

In this article I propose a new concept: The Embodied Mind of God. I also point out the benefits that can flow from using it. This concept is combination of two concepts broadly discussed in contemporary philosophy: „The Mind of God” and „The Embodied Mind”. In my opinion this new concept can be very useful in the area of Philosophical Christology, because one of the most important questions there concerns the mind of Jesus Christ - Incarnate Son of God. I (...) present my own model of Christ’s mind that is able to avoid at least part of the problems faced by christology and sheds the new light on some of epistemological issues. (shrink)

Niektóre fragmenty książki mogą przywodzić na myśl filozofię Gianniego Vattimo, który dokonuje bardzo ciekawej reinterpretacji tradycji katolickiej, ale w wersji zsekularyzowanej i całkowicie immanentnej. Głębsze rozważenie tego wątku mogłoby wzbogacić i tak niezwykle erudycyjną oraz bardzo fachowo napisaną książkę. --------------- Zgłoszono: 06/09/2020. Zrecenzowano: 31/10/2020. Zaakceptowano do publikacji: 24/11/2021.

Catholics in the liberal pluralism state. Facing secularisation in the monthly Znak : The aim of this paper is to analyse the philosophical, sociological, politological, theological and press articles on the issue of secularisation that were published in the monthly Znak during 1989–2000. A definition of secularisation is employed that was coined by Charles Taylor in A secular age. It is understood as the endurance of religion in a plural society. The paper delineates three stands that the Znak Catholics have (...) taken when facing secularisation: an open catholicity; a liberal faith; and an ambiguous one. The first approach involves confronting one’s liberal, secular partners in public debates, with a focus on finding some of their points acceptable according to the Church doctrine. Nevertheless, it is burdened with the anxiety of losing one’s own identity. The second approach emphasises some of the connections between liberal and Christian ideas. A particular meaning of liberty and authenticity in human existence is stressed. In the third approach, although it does not admit to its malevolence, the liberal ideas are treated with sharp criticism. Liberalism is accused of limiting the role of religion in a plural society. In the conclusion to the paper, an attempt is made to present the current relations between liberalism and Christianity in Po‑ land. A deep recent transformation is revealed. It is believed that Znak will lose its function as a continuity sustainer in the next few years. (shrink)

W niniejszym artykule proponuję odczytanie antropologii filozoficznej Stanisława Judyckiego jako rodzaj eksperymentu myślowego, polegającego na próbie wyznaczenia optymalnego ze względu na najsłabsze jednostki ludzkie metafizycznego kształtu świata. Odwołując się do jego tekstów, będę chciał pokazać, dlaczego zza „metafizycznej zasłony niewiedzy” powinniśmy wybrać świat, który ma określone własności, pozwalające najsłabszym z ludzkich osób żyć spełnionym życiem. Następnie, posługując się argumentami, które można znaleźć w tekstach Judyckiego, pokażę, iż taki pożądany ze względu na egzystencjalnie najsłabsze osoby kształt świata jest możliwy jedynie przy (...) założeniu, iż istnieje Bóg. Będę sugerował, iż nawet jeśli ktoś nie chciałby zgodzić się z argumentami Judyckiego na rzecz tezy o istnieniu Bogu, powinien, biorąc pod uwagę ten postulowany kształt świata, stać się pro-teistą, a zatem chcieć, aby Bóg istniał. Na koniec spróbuję pokazać, iż w tekstach Judyckiego widać wyraźnie, iż opis doktryny chrześcijańskiej pokrywa się z zawartością tego, co należałoby wybrać zza „metafizycznej zasłony niewiedzy”. Jeśli tak, to nawet jeśli w tekstach Judyckiego nie znajdujemy wystarczająco mocnych uzasadnień prawdziwości chrześcijańskiego teizmu, to otrzymujemy bardzo mocne argumenty na rzecz tezy, iż powinniśmy chcieć, aby istniał Bóg, o jakim mówi chrześcijaństwo. (shrink)

That which connects ethics and epistemology is the concept of truth. The threads concerned with the ethical and epistemological understanding of truth are interwoven throughout the history of philosophy. They are also interwoven in Józef Tischner’s philosophy. In Tischner’s thought, the description of this interweave and its consequences, as well as ways of dealing with it, are very inspiring. In the present paper, I address Tischner’s highly interesting analysis of the development of the “political reason.” Then I juxtapose this analysis (...) with Tischner’s demand concerning the “ethics of truth.” I also show how Tischner, by referring to the Gospel and proposing a peculiar ‘Christological imperative,’ resolves dilemmas emerging at the interface of epistemology and ethics. Thanks to the reference to Christ, who not only realizes the ideal of the “ethics of truth,” but also becomes the privileged “vantage point of the world,” and thus a peculiar epistemological centre, the connection between the epistemological and ethical dimensions of truth is established. Also, a sufficiently solid justification for the demand that the “ethics of truth” be realized becomes possible, and the way of defending oneself against the charm spread by the “political reason” and its works is identified. (shrink)

Boża ukrytość jest problemem, który domaga się potraktowania z należytą powagą. Nie należy od tego problemu uciekać. Nie należy również ułatwiać sobie sprawy z Bożym ukryciem przez wprowadzanie rozwiązań, które sprawiają, że napięcie związane z problemem ukrytości znika lub zostaje złagodzone. Zaproponowane przeze mnie w książce Źródło i noc. Wprowadzenie do współczesnego absconditeizmu rozwiązanie, które nazwałem absconditeizmem, jest próbą zmierzenia się z problemem ukrytości w jego najmocniejszej możliwej postaci. Rozważam ten problem, biorąc pod uwagę również najmocniejszą wersję teizmu, którą określa (...) się jako klasyczny teizm. Artykuł stanowi łączną odpowiedź na teksty, których autorami są Maciej Bała, Ryszard Mordarski oraz Marek Słomka. Odnoszę się do pojawiających się w wyżej wymienionych tekstach krytyk, doprecyzowuję moje stanowisko oraz przedstawiam racje, dla których uważam, iż proponowany przeze mnie absconditeizm, stanowiący poważne i unikające ułatwień ujęcie problemu ukrytości, jest właściwym sposobem podejmowania tego zagadnienia. (shrink)

In the contemporary version of the discussion around the problem of God’s hiddenness, which was initiated by the argument presented by John Schellenberg, the problem is posed in a way that differs significantly from its traditional presentation. However, there is no shortage of references to thinkers of the past who have grappled with the problem of divine hiddenness. Among these, there are occasional references to authors belonging to the medieval period: Anselm of Canterbury and Thomas Aquinas. However, none of the (...) authors involved in the contemporary dispute refers to the thought of Bonaventure. In my paper, I intend to present and discuss the themes related to divine hiddenness that can be found in the theological works of Bonaventure. I will show their place and importance in the theological system of the Master of Bagnoregio. I will also indicate possible ways in which these themes can be used in contemporary philosophical discussion. (shrink)

W artykule O wątpliwej moralności pewnych rozpowszechnionych form modlitwy Saul Smi- lansky rekonstruuje założenia moralnie niedopuszczalnej modlitwy. Założenia te dotyczą sposobu, w jaki Bóg wysłuchuje próśb modlących się ludzi, moralnego poziomu bóstwa i tych, którzy się modlą, a także natury relacji między modlitwą a wysłuchaniem jej przez Boga. W niniejszym artykule, podaję powody, dla których uważam, iż dokonana przez niego rekonstrukcja nie jest poprawna. Argumentuję, że niedopuszczalna moralnie modlitwa, o jakiej pisze Smilansky, w ogóle nie jest możliwa. Wskazanych przez niego (...) założeń nie da się odnaleźć wśród założeń faktycznie modlących się ludzi. Nawet gdyby dało się je odnaleźć, niemożliwe jest ich łączne występowanie. Każdy, kto się modli, robi tym samym coś dobrego. Krytyka Smilansky’ego skierowana jest przeciwko czemuś, co faktycznie nie istnieje i nie może istnieć, dlatego nie dostarcza powodów, dla których należałoby uznać za niedopuszczalną jakąkolwiek modlitwę. (shrink)

W książce Między ukryciem a jawnością. Esej z filozofii religii i teologii filozoficznej Jacek Wojtysiak podejmuje między innymi zagadnienie Bożej dobroci. Poszukuje najbardziej przekonującej odpowiedzi na pytanie o to, jak pogodzić z istnieniem Boga wielki fakt zła. Proponuje także reinterpretację tradycyjnego ujęcia Bożej dobroci poprzez rozwinięcie koncepcji Briana Daviesa. Uważam, że podjęta przez J. Wojtysiaka próba może zostać uzupełniona o kilka istotnych kwestii. W niniejszym tekście wskazuję możliwe uzupełnienia i dopowiedzenia. Zwracam uwagę na możliwe niepożądane konsekwencje płynące z niektórych proponowanych (...) przez J. Wojtysiaka rozwiązań. Pokazuję także, w jaki sposób można by uzupełnić propozycję Autora, by możliwe było uniknięcie tych konsekwencji. Zwracam uwagę na wskazywane w dyskusjach wokół problemów zła i Bożej ukrytości niebezpieczeństwa związane z modyfikacją przypisywanego Bogu atrybutu dobroci. Dyskutuję zagadnienie „łaski kreacyjnej”, umieszczając je w nieco innym, niż to czyni Autor, kontekście. Na koniec, podejmując wyzwanie rzucone przez J. Wojtysiaka, polegające na próbie pogodzenia wielkiego faktu zła z Bożą dobrocią, przedstawiam propozycję nowego ujęcia tego zagadnienia. (shrink)

The aim of this paper is to present a proof to the conclusion that is impossible to traverse an infinite series (in particular, an infinite series of past moments). This may also show (given additional assumptions) that the series of past moments cannot be infinite. In the first section I formulate five theses concerning traversing, successive addition and successive subtraction and I present the idea of the argument: if it were possible to traverse an infinite past, it should be in (...) principle possible to go back, which is, however, impossible. The main body of the paper is concerned with working out a simple mathematical representation of some structural features of processes like traversing and successive addition. I also make a crucial distinction between completion of a process at a particular time and its timeless "completion" in infinite time. In section V, I present the formal proof and defend it against a possible objection of question-begging. Finally, I suggest that my argume. (shrink)

Boża ukrytość jest problemem, który domaga się potraktowania z należytą powagą. Nie należy od tego problemu uciekać. Nie należy również ułatwiać sobie sprawy z Bożym ukryciem przez wprowadzanie rozwiązań, które sprawiają, że napięcie związane z problemem ukrytości znika lub zostaje złagodzone. Zaproponowane przeze mnie w książce Źródło i noc. Wprowadzenie do współczesnego absconditeizmu rozwiązanie, które nazwałem absconditeizmem, jest próbą zmierzenia się z problemem ukrytości w jego najmocniejszej możliwej postaci. Rozważam ten problem, biorąc pod uwagę również najmocniejszą wersję teizmu, którą określa (...) się jako klasyczny teizm. Artykuł stanowi łączną odpowiedź na teksty, których autorami są Maciej Bała, Ryszard Mordarski oraz Marek Słomka. Odnoszę się do pojawiających się w wyżej wymienionych tekstach krytyk, doprecyzowuję moje stanowisko oraz przedstawiam racje, dla których uważam, iż proponowany przeze mnie absconditeizm, stanowiący poważne i unikające ułatwień ujęcie problemu ukrytości, jest właściwym sposobem podejmowania tego zagadnienia. (shrink)

ExcerptCzesław Miłosz issues from an age and place when making a distinction between the ethos of a poet, an essayist, or a philosopher seemed an unnecessary and imprudent indiscretion. His resplendent work on political philosophy, The Captive Mind, is along with Albert Camus' The Rebel one of the most insightful, historically accurate, and devastating critiques of Marxism and its entrenchment in twentieth-century thought to date. As such, The Captive Mind is unrivalled by other “theoretical” and abstract treatises in its (...) sheer ability to grasp the vital essence of political reality under totalitarian regimes. As a poet and an essayist, Miłosz's…. (shrink)

The paper discusses the impact of the thought of Stanisław Brzozowski (1878–1911) on several Polish emigré writers, including Józef Czapski and Gustaw Herling-Grudziński, but first of all Czesław Miłosz (1911–2004) and Aleksander Wat (1900–1967). Miłosz’ approach oscillated between early fascination through an unjust rejection during the war, due to the “appropriation” of Brzozowski’s thought by the right wing publicists, to the new phase of fascination after the war, culminating in the publication of a book on Brzozowski ( A (...) Man Among Scorpions , 1962) and prolonged in several important articles till the very end of his life. Wat’s approach shifted from the communist practice of “overcoming” Brzozowski through the affirmation of his criticism and rejection of catholic obscurantism to the process of the internalization of the catholic faith. (shrink)

Kevin Mulligan | : La philosophie des valeurs cognitives, et des vertus et des vices intellectuels, prête peu d’attention au phénomène de la liberté intérieure et de son rapport à la sottise. On doit au poète et penseur polonais, Czesław Miłosz, une étude classique de ce rapport, La pensée captive (1953), examinée ici. Il est aussi question ici de l’apport d’une autre analyse de Miłosz au sujet du coeur de Julien Sorel et du ressentiment à la philosophie de (...) la sottise. | : The philosophy of cognitive values and of intellectual vices and virtues pays little attention to the phenomenon of inner freedom and its relation to foolishness. We owe to the Polish poet and philosopher, Czesław Miłosz, a classic study of this relation, The Captive Mind (1953). I examine the contribution of this study and of an earlier and little known analysis by Miłosz of the heart of Julien Sorel and resentment to the philosophy of foolishness. (shrink)

The article is an attempt to place Czesław Miłosz in the tradition of Gnosticism and Manichaeism, to recall the Nobel Prize winner’s literary fascinations which have especially influenced his poetry, as well as to show a possible way of interpretation of his works. The starting point for further discussion is the question posed by the Rev Józef Sadzik in Wstęp (the Preface) to Ziemia Ulro (The Land of Ulro): “co stało się z kulturą europejską w jej «romantycznym przesileniu»” (What (...) has become of European culture at the time of its «Romantic turning-point»), when, generally speaking, the spiritual and material elements separated? In the time when western civilization openly turned against its Christian roots, each artist connected with this cultural tradition was made to make choices. At that time Miłosz took to analysing the motif of unde malum (Where does evil come from?) and had a number of lectures on Dostojewski at the University of California. This led him to the philosophy of Mani, who is widely regarded as the founder of Manichaeism. A volume of poems with the title Hymn o Perle (A Hymn to the Pearl), published by Miłosz in 1982, which, as the poet explains, directly alludes to the apocrypha of Gnostic origin, seems to support this supposition. The next stage consisted in the fusion of the two threads, that is to say, the Manichaean and the Gnostic motifs. The poet finds elements of Manichaeism and gnosis in works by Emanuel Swedenborg, William Blake, Adam Mickiewicz and his relative Oskar Miłosz. Czesław Miłosz seems to me to be the next link in the chain of the same philosophical and religions movement. (shrink)

In this paper I hope to cast light on Wittgenstein enigmatic remark, “one should really only create philosophy poetically”. I discuss Wittgenstein’s ambition to overcome metaphysics by way of an appeal to ordinary language. For this purpose I contrast “realism” in philosophy (i.e., metaphysical realism, particularly its modern scientific version) with “realism” in poetry. My theme is the capacity of poetry to provide a model for Wittgenstein’s resistance to the inhumanity unleashed in metaphysics—exemplified by two distinct forms of skepticism—which obliterates (...) the ordinary world under the guise of discovering its true nature. The poem I shall use to illustrate the difficulty in maintaining our grip on reality, hence our grip on our humanity, is Czeslaw Milosz’s poem “Realism”. (shrink)

This article introduces the topic and offers an overview of the issue. The author argues that despite the dismantling of the Iron Curtain in 1989 there is still a gap of indifference that separates Western from Eastern Europe when it comes to the exchange of ideas and the dissemination of knowledge. While East European intellectuals most often feed themselves on West European authors, intellectual fashions and cultural products, their Western counterparts pay comparatively little attention to what comes, intellectually, from the (...) East – as though the traffic of ideas between Eastern and Western Europe is only one way. On closer inspection, however, this may be due in part to a sense of existential fragility, insecurity and dislocation that characterizes the “East European mind” itself. The author traces briefly this characteristic in the works and opinions of such authors as Czesław Miłosz, Arthur Koestler, Milan Kundera, Krzysztof Kieslowski and Mircea Eliade. (shrink)

This essay examines the work of Ewa Lipska, who, since the publication of her first book in 1967, has been among the most acclaimed of recent Polish poets but less well known in the West than Czesław Miłosz, Wisława Szymborska, or Adam Zagajewski. She is a philosophical poet, making frequent reference to the tradition of the Frankfurt School, in order to ironize the Enlightenment, Marxism, and Critical Theory, but also in order to assess the dangers of globalization. The focus (...) of the analysis is Lipska’s volume 1999, the linchpin of a poetic project that engages centuries of social systems (political, economic, scientific, technological, artistic) and their vocabularies in order to examine the viability of human knowledge and the motivations underlying its creation. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:John Edward MacKinnon BORIS PASTERNAK'S CONCEPTION OF REALISM To desire truth is to desire direct contact with a piece of reality. To desire contact with a piece of reality is to love. —Simone Weil, The Needfor Roots According to czeslaw milosz, Boris Pasternak "did not pluck fruits from the tree of reason, the tree of life was enough for him. Confronted by argument, he replied with his sacred dance." (...) Pasternak's poetry, he concludes, is "antispeculative, anti-intellectual," and though he was compelled to make certain concessions in the course of writing Doctor Zhivago, speculative thought nonetheless remained for him a perennial and decided "adversary." ' However, the familiar and conveniently stark distinction between lyricist and thinker upon which such judgments depend is in fact both naive and tiresome since, plainly, creativity and reflection need in no way necessarily subvert one another. Accordingly, while it is indeed likely that the most valued feature of Pasternak's poetry and best prose is its detailed recording ofthe world's incessant change, of the magic and movement of weather and gardens, seasons and landscapes, Milosz is far from just in so readily and categorically dismissing any attribution of poetic thought to Pasternak. For as much as the whole of his poetry amounts to a celebration of life's small wonders, unrivaled in their greatness, there remains at bottom the inspiration of the thinker, of one who has seen and felt, but who at the same time has had to compile and consider in an attempt to make sense of the whole. As if in open challenge to Milosz, CM. Bowra notes that Pasternak's poetic sensibility is "both physical and intellectual." The mental states described in his poems, Bowra writes, "begin with sensations of the eye and ear but contain something else in their mental appreciation of the 211 212Philosophy and Literature situation," namely, his "gift for grasping abstract problems." 2 If Milosz remains unconvinced, and if Wladimir Weidle dismisses Pasternak's poetic thought as "puny and piteous," still more poets and critics have shared Bowra's view.3 Henry Gifford refers to Pasternak's "philosophical habit of mind," Ronald Hingley to the "pyrotechnics" ofhis "darting intellect," and Yury Lotman to his personal and "thoroughly professional philosophical culture." 4 In her review ofPasternak's My Sister, Life, meanwhile, Marina Tsvetaeva observes that "thought is what works in him, burrows in subterranean passages...." 5 And though Nadezhda Mandelstamclaims that the word of all poets "flows from a general, integrated view of the world," she acknowledges too that poets "vary in the range and depth of their understanding" and proceeds to cite Pasternak as her one example of a poet with a particularly unified worldview.6 If we were to agree with Francis Sparshott that "the fiercest hatreds spring from the closest relationships," we could assume in turn that the fundamental antagonism customarily alleged to obtain between the creative and critical faculties in fact indicates only some common, if confused, origin or inspiration.7 In creating, after all, it is predictable rather than idiosyncratic that the artist will be led to investigate the roots ofart within himself, tiiat he will be tempted by the urge to define, to entertain, that is, some rudimentary theory. And indeed, in Pasternak 's case, it is not simply a matter of his poetry and prose having been informed by certain tacit, if stray, aesthetic conceptions, but rather of his having supplemented his intensely thoughtful artwith aconcurrently developed theory. In this article, I want specifically to consider Pasternak's conception of realism, that standard of achievement which, according to his theory, constitutes the touchstone of all great art. In order more firmly to ground this notoriously vague and unwieldy notion, I will appeal not only to complementary theoretical conceptions of Pasternak's, but also to those central ideas advanced by Iris Murdoch in The Sovereignty of Good. My intention will be to locate Pasternak's brand of realism within what I take to be an identifiable tradition, or at least a conspicuous and pervasive theoretical tendency, according to which the most crucial criterion of artistic realism is judged to be not any properly physical aspect ofthe completed work, and certainly... (shrink)

The aim of this paper is to present the 1951 dicussion on Czesław Miłosz’s escape from Poland. Wirpsza’s poem, published in January 1951, was dedicated to Czesław Miłosz. It was was commented on in a literary cultural newspaper over the next few months. Miłosz is shown as a deserter and a traitor, who has lost his poetic talent. The analysis of censorship documents shows that instructions for Miłosz’s texts and texts about him must have been issued (...) in May 1951. (shrink)

The following article begins with my recollection of the only academic conference on Zdziechowski that was organised still under the communist regime in the autumn of 1984 at the Jagiellonian University and ends with a description of the discussion on the genesis and power of evil, with the participation of Czesław Miłosz and Leszek Kołakowski, which was triggered in Poland immediately after the publication of the last edition of On Cruelty in 1993. On Cruelty was first published in 1928 (...) in the journal Przegla̧d Współczesny [Contemporary Review] in Krakow, a second time in 1938 in the volume of articles In the Face of the End, Krakow 1938, and a third – and so far last – time also in Krakow in 1993. On Cruelty, published three times but so far only in Polish, has never been thoroughly analysed or even discussed, which is why this article focuses on discussing it and related questions about the origins and nature of evil, mainly in Europe and Asia, from the earliest times to the present. Zdziechowski was particularly outraged when the cruelty he condemned was justified by religion, especially Christianity (Catholic and Protestant). From these condemnations, he described the activities of the Inquisition, the witch trials, cruelty to animals, and – in the introduction – the “psychology of cruelty.” At the same time, however, he meticulously listed the names of those political and spiritual leaders in Europe and Asia, theologians and thinkers, who, over many centuries, up to the present day, have resolutely spoken out against evil, including cruelty, within and outside the Church. A separate and important issue is Zdziechowski’s attitude to Tsarist Russia and Bolshevism, as outlined in his work On Cruelty. On the one hand, he pointed out that at least two rulers of Russia before 1917 – Ivan the Terrible and Peter the Great – had made major contributions to the history of cruelty in Europe and Asia. But Bolshevism, which Zdziechowski condemned in the strongest terms, was in his eyes not a continuation of pre-1917 Russian despotism, but emanated from the depths of Asia. (shrink)

The article reviews the book Los, zło, tajemnica: ku twórczym źródłom poezji Aleksandra Wata i Czesława Miłosza [Fate, Evil, Mystery: Toward the Creative Sources of Aleksander Wat's and Czesław Miłosz's Poetry], by Marek K. Siwiec.

Philip Larkin’s poem “Aubade” tackles the subject of mortality with technical facility and unsparing candour. It has a reputation for profoundly affecting its readers. Yet poets Seamus Heaney and Czeslaw Milosz think “Aubade” is bad for us and for poetry: it lures us into the underworld and traps us there, and betrays poetry’s purpose by transcribing rather than transforming the depressing facts of reality. Philosophers, however, quite like it. “Aubade” crops up repeatedly in contemporary philosophy of death. I examine the (...) various appeals that philosophers have made to Larkin’s poem with a view to drawing out subtleties in the poem and the philosophical texts, before turning my attention to broader questions of its merit. At first glance, philosophy’s affinity for “Aubade” may seem to confirm Heaney and Milosz’s contention that the poem is somehow against poetry and on the side of “reason, science, and science-inspired philosophy” (Milosz). I argue that the philosophical uses of the poem help to undercut if not entirely dissolve Heaney and Milosz’s polarising efforts; they are mistaken in their views about the different purposes of poetry and philosophy, but there is some philosophical support for their commitment to averting mortal despair. (shrink)

The article deals with the images of Lithuania found in Czesław Milosz’s poetry. The novels and essays have only been used to confirm the conclusions drawn from the interpretation of selected poems. Despite the frequently-declared unwillingness of the author of Dolina Issy [The Valley of the Issa] to accept and use any autobiographical elements in literature, the land of his childhood has always been present in all the poet’s works. The explanation of this fascination with nostalgia seems to be unsatisfactory. (...) The author of the article perceives the poetic images of Lithuania created by the uprooted immigrant as a symbol of his inner, not purely geographical, settlement. The subject of the discussion is the ever-changing perception of the Eastem-Borderland, which corresponds to particular stages of the protagonist’s journey through life. The starting point is the experience of eviction. It modifies the originally idealized vision of the „little homeland” and makes the hero’s attempt to reject or „amputate” it. The poems from the volume Światło dzienne [Daylight] surprise the reader by a hostile attitude towards the poet’s youth spent in Lithuania and the perception of these early memories as some destructive forces threatening the artist. It is only after a many-years’ quest that the borderland heritage is appreciated and conquered again. Now, however, it acquires a different, more symbolic form. The cycle Miasto bez imienia [A Town without a Name] and the poem Gdzie wschodzi słońce i kędy zapada [Where the Sun Rises and Sets] are evidence of a gradual transformation. The faithful recreation in the poet’s memory of particular places and people changes into the construction of some outside religious space, built from the traces of the real world. Lithuania changes into a perfect reality, a Super-Land, capable of retaining the past and combining it with the present. It is a prop freeing the poet from the waste land of Urizen. (shrink)

Les genres littéraires et paralitteraires, se formant á nos jours, se pénélrent. Cela résulte de la crise des formes qui déjá existent. Cet article analyse les textes de Cz. Miłosz, R. Kapuściński, J. M. Rymkiewicz et J. Twardowski, dont le trait commun est le genre des silves et les techniques de collage. Ces oeuvres sont représentatifs pour ce qu’on apelle la «nouvelle génologie».

Dominik Tatarka, Slovak (Czechoslovak) writer, philosopher, social and political thinker. His literary and philosophical works are firmly linked with his personal experience, combined with socio-political events in Czechoslovakia. They are based on several principles of which the most important is respect for democratic principles and the rule of Christian universalism, which returned in the end of the 70th last century. The article is focused on the modification of the key problems of Slovak author: the freedom of the individual and the (...) freedom of the community. Tatarka in his texts and also in his life always tried to understand an individual, not judging him. That was his moral strength and reason behind the superiority over many opponents. When comparing his views with the ideas of other authors (M. Bátorová, M. Hamada, Vaclav Havel, C. Miłosz, S. Marais...), this article will highlights the uniqueness of texts, as well as the importance of the interpretation of the concept of freedom in the context of Central Europe marked by two totalitarian ideologies. (shrink)

The marginality of poetry in American culture has been taken for granted at least since the dawn of the modernist period, when Walt Whitman printed his first volume of poetry at his own expense. More recently, it has become an article of faith that there is a real popular audience for poetry, but somewhere else-in the East. Literary journals, the popular press, and publishers have made household names of a handful of Eastern European writers: Czeslaw Milosz, Joseph Brodsky, Zbigniew Herbert. (...) One is regaled with chestnuts about ordinary people in the Eastern bloc who care about "the Word," manuscripts passed from hand to hand, even poems preserved orally. Inevitably, the questions are revived: Where are the great American poets? Has American poetry been reduced to private confessions and personal trivia? Why is it that our poetry lacks that public, political relevance? The answer to such questions is often that we do not have the weight of History on our backs, the state oppression under which, as Milosz says, "poetry is no longer alienated," no longer "a foreigner in society," and can become more important than bread.1 But what has not surfaced in the vaunted "poetry and politics" debate is the extent to which our homage to victims of censorship everywhere has become a fetishization of totalitarianism, and a self-serving one at that. The mythology of our freedom, unbounded and unmediated, depends precisely on this other world, on what happens over there. 1. Czeslaw Milosz, The Witness of Poetry , p. 95; hereafter abbreviated WP. Bruce F. Murphy's work has appeared in the Paris Review, Pequod, and An Gael. He has completed a manuscript of poems and with Friedrich Ulfers is writing a study of Friedrich Nietzsche. (shrink)

In _Art Can Help_, the internationally acclaimed American photographer Robert Adams offers over two dozen meditations on the purpose of art and the responsibility of the artist. In particular, Adams advocates art that evokes beauty without irony or sentimentality, art that “encourages us to gratitude and engagement, and is of both personal and civic consequence.” Following an introduction, the book begins with two short essays on the works of the American painter Edward Hopper, an artist venerated by Adams. The rest (...) of this compilation contains texts—more than half of which have never before been published—that contemplate one or two works by an individual artist. The pictures discussed are by noted photographers such as Julia Margaret Cameron, Emmet Gowin, Dorothea Lange, Abelardo Morell, Edward Ranney, Judith Joy Ross, John Szarkowski, and Garry Winogrand. Several essays summon the words of literary figures, including Virginia Woolf and Czeslaw Milosz. Adams’s voice is at once intimate and accessible, and is imbued with the accumulated wisdom of a long career devoted to making and viewing art. This eloquent and moving book champions art that fights against disillusionment and despair. Distributed for the Yale University Art Gallery. (shrink)

The author presents the problem of humanizing the demon and giving to the human being the demonic features. The analysis focuses on modern Polish prose, especially on such works: Cz. Miłosz, A. Szczypiorski, J. Broszkiewicz, A. Gołubiew, T. Konwicki, G. Herling- Grudziński. He is mostly interested in the devil figure as an evil spirit.

The aim of the article is to investigate some of the possible sources of inspiration for Orwell’s concept of the artificial language called Newspeak, which, in his novel Nineteen Eighty-Four, is shown as an effective tool of enslavement and thought control in the hands of a totalitarian state. The author discusses, in this context, the putative links between Newspeak and really existing artificial languages, first of all Esperanto, and also between Orwell’s notion of “doublethink”, which is an important feature of (...) the totalitarian mentality, and Czesław Miłosz’s notion of “ketman”, developed in his book The Captive Mind. But the main emphasis is on the connection between Orwell’s book and the slightly earlier novel by C.S. Lewis, That Hideous Strength. It is well known that Orwell knew Lewis’s book and expressed his mixed feelings about it. There are many specific, though far from obvious, similarities between the two books, but what seems to have been particularly inspiring for Orwell was Lewis’s vision of a thoroughly degenerate language that is used for political manipulation rather than for communication. (shrink)

The aim of this article is to show the influence of Jacques Maritain’s philosophical work Art et scolastique on the young Czesław Miłosz and his work, and how it shaped the poet’s views on art in subsequent years. The author analyzes Maritain’s work on art in the context of theology and Miłosz’s articles published between the two world wars. In terms of methodology, the article draws on the concept of intertextuality, pointing to the dependence of the poet’s thinking (...) during this period on that of the French philosopher. Maritain’s aesthetic creationism was seen by some inter-war literary critics, including Miłosz himself, as a third way between the mimetic aesthetics or art in the service of ideas and the “angelism” of symbolic art and art for art’s sake. In Maritain’s aesthetics, the writer found a system of concepts through which he opened himself up to issues related to human spirituality, ontology and religion. Maritain’s distinction between the purpose of the work and the purpose of the maker directed Miłosz’s attention to the author, as one that has been singled out as bound to strive for self-improvement and self-development. To a much lesser extent, this concept influenced his poetics. His works written in the twenty-year interwar period are saturated with dark symbolism and modernistic mannerisms. (shrink)

W książce Źródło i noc. Wprowadzenie do współczesnego absconditeizmu (Kraków: Wydawnictwo WAM 2020) Miłosz Hołda wnikliwie przedstawia poruszaną problematykę i proponuje ciekawe rozwiązania. Stanowiąc ambitną próbę wypracowania oryginalnego stanowiska w ważnym obszarze myśli chrześcijańskiej, publikacja domaga się krytycznej refleksji i uwypuklenia istotnych problemów, co jest celem niniejszego tekstu. Chodzi zwłaszcza o dwie kwestie o kluczowym znaczeniu dla teizmu: (nie)działanie Boga w świecie oraz godzenie „Boga filozofii” z „Bogiem objawienia”. W pierwszym z wymienionych zagadnień podstawowym problemem jest (częściowo) niewłaściwe podejście (...) do przyrodniczego obrazu świata oraz do filozofii nauki i teologii nauki. W drugim obszarze głównym mankamentem analiz Hołdy jest rozbieżność między manifestowanym poparciem dla teizmu klasycznego a brakiem krytycznego spojrzenia na te jego elementy, które utrudniają, w niektórych zaś aspektach uniemożliwiają, wyrażenie istotnych treści judeochrześcijańskiego objawienia. Zawarte w artykule uwagi nie obalają w całości głównych tez stawianych przez Hołdę, lecz prowadzą do ich modyfikacji, dowartościowującej przyrodniczy obraz świata. (shrink)

Anna Kamieńska (1920-1986) rückte in den Band Quellen (1962) ein Gedicht Begrüßung der Adria ein. Dieser Artikel ist ein Versuch der Werksinterpretation unter besonderer Beachtung seines literarischen Umfeldes. Er verdeutlicht die Bedeutung des Schaffens der unterschätzen Dichterin, die sich auf die Suche der Lösungen der menschlichen Existenzfragen machte. Der Artikel ist eine Auseinandersetzung mit Miłosz, der Anna Kamieńska den Namen hervorragende Dichterin absprach.

After 1989, Bocheński published three texts devoted to the direction in which Poland should move. In the first he criticized Miłosz's article "Denominational state?". He claimed that Polish tradition is closer to the medieval rather than the ancient settlement of the relationship between the state and the Church. And so it is the "religious state". In the second article he specified his views on nationality and the denominational state, admitting to the federalist tradition, but also appreciating Dmowski's tradition. In (...) turn, the last publication is "Sketches collected" from 1932-38, which is an attempt to synthesize nationalism and Catholicism. The case of Bocheński is an early example of the dilemma faced by the Polish rightist political and philosophical thought after 1989. (shrink)