22 found
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  1. Beauty and Evil: The Case of Leni Riefenstahl's 'Triumph of the Will'.Mary Devereaux - 1998 - In Jerrold Levinson, Aesthetics and Ethics: Essays at the Intersection. New York: Cambridge University Press. pp. 227--256.
  2. Moral judgments and works of art: The case of narrative literature.Mary Devereaux - 2004 - Journal of Aesthetics and Art Criticism 62 (1):3–11.
  3.  77
    The Philosophy of Horror, or Paradoxes of the Heart.Mary Devereaux - 1992 - Philosophical Review 101 (4):950.
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  4.  75
    Honesty in Shared Decision Making When Last-Ditch Efforts Fail.Alexander A. Kon & Mary Devereaux - 2018 - American Journal of Bioethics 18 (1):12-14.
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  5. (1 other version)Oppressive texts, resisting readers and the gendered spectator: The new aesthetics.Mary Devereaux - 1990 - Journal of Aesthetics and Art Criticism 48 (4):337-347.
  6. Feminist aesthetics.Mary Devereaux - 2003 - In Jerrold Levinson, The Oxford handbook of aesthetics. New York: Oxford University Press. pp. 647--666.
    The chapter provides a critical survey of English-language feminist work in aesthetics since the early 1970s. The aim is to focus on those areas of feminist inquiry that have most significantly affected philosophical aesthetics in the analytic tradition: the development of a new self-conception of the discipline that sees the philosophy of art and aesthetics as a theoretical enterprise with its own political content and political consequences, one deeply enmeshed in a patriarchal view of the world.
     
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  7. Introduction: Feminism and Aesthetics.Peg Zeglin Brand Weiser & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.
    This special issue of HYPATIA: A Journal of Feminist Philosophy entitled "Women, Art, and Aesthetics" highlights the expanded range of topics at center stage in feminist philosophical inquiry to date (2003): recontextualizing women artists (essays by Patricia Locke, Eleanor Heartney, and Michelle Meagher), bodies and beauty (Ann J. Cahill, Sheila Lintott, Janell Hobson, Richard Shusterman, Joanna Frueh), art, ethics, politics, law (A. W. Eaton, Amy Mullin, L. Ryan Musgrave, Teresa Winterhalter), and review essays by Estella Lauter and Flo Leibowitz. Annotated (...)
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  8. Autonomy and its Feminist Critics.Mary Devereaux - 1998 - In Michael Kelly, Encyclopedia of aesthetics. New York: Oxford University Press. pp. 1--179.
  9.  49
    Subversive Intent: Gender, Politics, and the Avant-Garde.Mary Devereaux - 1992 - Journal of Aesthetics and Art Criticism 50 (2):159-160.
  10. Protected space: Politics, censorship, and the arts.Mary Devereaux - 1993 - Journal of Aesthetics and Art Criticism 51 (2):207-215.
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  11.  28
    Introduction: Feminism and Aesthetics.Peggy Zeglin Brand & Mary Devereaux - 2003 - Hypatia 18 (4):ix-xx.
  12.  20
    Is Medical Aesthetics Really Medical?Mary Devereaux - 2013 - In Peg Brand Weiser, Beauty Unlimited. Indiana University Press. pp. 175-191.
    Medicine is the art of healing, aesthetics the study of our response to art and beauty. What happens when the two come together in the practice of cosmetic surgery? This is my question, a foray into what I will call "medical aesthetics." In what follows, I examine how practitioners of cosmetic surgery and related specialties have appropriated the language of medicine and healthcare to reframe and legitimize various nonmusical elective procedures designed to modify appearance. I being with a short discussion (...)
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  13.  33
    A Modest Proposal in Response to Rhodes and Schiano.Mary Devereaux & Jeanne F. Loring - 2010 - American Journal of Bioethics 10 (2):20-22.
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  14.  51
    Can Art Save Us?: A Meditation on Gadamer.Mary Devereaux - 1991 - Philosophy and Literature 15 (1):59-73.
    It is a commonplace that Western culture is in moral crisis. One response has been to turn to art to fill the vacuum created by the collapse of traditional morality. I analyze one version of this appealing but deeply paradoxical view of art: Hans-Georg Gadamer's proposal to find in art a source of moral instruction which neither reverts to foundationalism nor leads to relativism. I argue that Gadamer's romantic picture of art overlooks the possibility that the authority of tradition and (...)
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  15.  46
    ESCRO Committees—Not Dead Yet.Mary Devereaux & Michael Kalichman - 2013 - American Journal of Bioethics 13 (1):59-60.
  16.  33
    Growth of an Industry: How U.S. Scientists and Clinicians Have Enabled Stem Cell Tourism.Mary Devereaux & Jeanne Loring - 2010 - American Journal of Bioethics 10 (5):45-46.
  17. More than 'meets the eye'.Mary Devereaux - 1984 - Journal of Aesthetics and Art Criticism 43 (2):159-169.
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  18.  56
    May We Take Our Baby With Hypoplastic Left Heart Syndrome Home?Mary Devereaux & Alexander A. Kon - 2017 - American Journal of Bioethics 17 (7):72-74.
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  19.  27
    Please amputate my child's arms.Mary Devereaux & Dennis John Kuo - 2017 - Hastings Center Report 47 (4):9-11.
    Jeremy sustained bilateral complete brachial plexus injuries in an auto collision on an icy road a month before his third birthday. The accident rendered both upper extremities completely flail and insensate: he has no motor or sensory function of his shoulders, elbows, wrists, or digits. Jeremy does, however, have normal function of the lower extremities. Physical therapists have worked with the child for over a year with no noted improvement in arm function. Jeremy falls frequently, causing injury to his face (...)
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  20.  32
    Mystifying Movies: Fads and Fallacies in Contemporary Film Theory (review).Mary Devereaux - 1991 - Philosophy and Literature 15 (1):139-140.
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  21.  25
    The State of the Art (review).Mary Devereaux - 1990 - Philosophy and Literature 14 (1):199-200.
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  22. Christopher Williams, ed., Realism and the Cinema. [REVIEW]Mary Devereaux - 1983 - Philosophy in Review 3:106-108.
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