The purpose of this article is to present an educative experience carried out in a university context, in order to discuss of the ways that peer tutoring could contribute to the development of the pedagogical skills of future and novice teachers of French as a Foreign Language. The aforementioned case study lasted throughout an academic semester and involved undergraduate and graduate students.

En este artículo se trata de reconstruir el desarrollo de la idea de forma musical en el pensamiento adorniano a partir de tres textos fundamentales: “Evolución y formas en la nueva música”, “Vers une musique informelle” y “La forma en la nueva música”. A partir de ellos, se pone en relación la forma con la idea de libertad, la imaginación y el color, en cada caso, para mostrar la complejidad del término, así como la relación con otros aspectos clave de (...) la filosofía adorniana. Palabras clave: Forma musical, Theodor W. Adorno, Filosofía de la música, Darmstadt, Nueva música. (shrink)

Este artigo explora o conceito emergente de ‘soberania digital’ no contexto atual de dataficação da vida, examinando como o termo é definido na esfera acadêmica. A discussão em torno do conceito ‘soberania digital’ tem sido abordado pela sociedade civil e pelos movimentos sociais em torno de uma internet livre e soberana, como pode ser observado através da Carta Soberania Digital entregue ao presidente Lula e assinada por diferentes atores e ativistas que se dedicam à discussão do tema. A pesquisa baseia-se (...) em levantamento bibliográfico e análise de artigos científicos da base CAPES Periódicos que foram publicados nos últimos dois anos, período em que o conceito se tornou mais presente na esfera acadêmica. A atual investigação tem como objetivo compreender como a comunidade acadêmica tem discutido o tema, explorando as discussões sobre o controle e a gestão de dados em níveis estatais e regionais. Nota-se que a caracterização político-jurídica do conceito de soberania é abordado a partir de diferentes perspectivas. A análise revela como o conceito de soberania digital está sendo utilizado para discutir questões de vigilância algorítmica, plataformas digitais e inteligência artificial, destacando os impactos dessas tecnologias na esfera pública democrática. Por fim, reflete-se sobre as implicações da soberania digital para o contexto educacional e sua gestão, políticas educacionais e financiamentos, sublinhando a importância de um debate aprofundado sobre o controle e a gestão dos dados na sociedade contemporânea, cada vez mais influenciada pelas tecnologias digitais e pela vigilância algorítmica. (shrink)

Este artigo explora os desafios impostos pela implementação de sistemas algorítmicos e inteligência artificial (IA) em diversas plataformas que fazem parte da cultura digital hoje. O foco principal é analisar como a literatura científica recente relaciona a questão algorítmica com os fenômenos da pós-verdade e a crise da democracia, em um contexto onde a disseminação de fake news e a manipulação digital desempenham papeis centrais. A pesquisa mapeia artigos publicados nos últimos dois anos, pós-pandemia, identificando correlações entre a aparição do (...) termo ‘pós-verdade’, o declínio da confiança social nas instituições democráticas e o colapso da verdade na esfera pública, o que tem configurado um cenário chamado de ‘crise da democracia’. Entre os temas abordados nos 13 artigos analisados, destacam-se a relação entre democracia e fake news, a crise da verdade na esfera pública e a manipulação algorítmica na era digital. Com base nesses estudos, o artigo esboça os desafios para a consolidação de uma política pública informada e democrática em um cenário cada vez mais influenciado por algoritmos e plataformas digitais. Em última análise, o trabalho contribui para a compreensão dos impactos das novas tecnologias na democracia, propondo caminhos possíveis para mitigar os riscos da pós-verdade e fortalecer o espaço público democrático. (shrink)

Este trabajo está divido en dos partes: en la primera de ellas se aborda la novela decimonónica de Eça de Queirós El crimen del padre Amaro: Escenas de la vida devota, así como la adaptación cinematográfica de Carlos Carrera y el guión de Vicente Leñero para la película El crimen del padre Amaro. Y un particular retorno al género novelístico El padre Amaro de Vicente Leñero. La metodología que se usará en este primer apartado será: exégesis de la adaptación, resumen (...) y elementos característicos de la novela Eça de Queirós, la denuncia social, y la relación amorosa; en una segunda parte se realizará un análisis de El crimen del Padre Amaro bajo la perspectiva de semiótica de la cultura de Yuri M. Lotman basada en su texto Estructura del texto artístico. (shrink)

El grano de ben es un fruto que ha sido utilizado con fines terapéuticos desde la Antigüedad. Su descripción está incluida en el libro VI del De simplicium medicamentorum facultatibus de Galeno (s. II), una de las obras farmacológicas más importantes de la historia de la medicina. En este artículo compararemos desde una perspectiva filológica la entrada que Galeno dedicó a este simple en dos de sus traducciones medievales: la árabe de Ḥunayn ibn Isḥāq (s. IX) y la latina de (...) Gerardo de Cremona (s. XII). Nuestro análisis ayudará a profundizar en el estudio de estas dos traducciones y en la técnica de Gerardo de Cremona, el traductor más prolífico de obras de medicina griega y árabe al latín en la Edad Media. (shrink)

This article explores the concept of "practice" in Alasdair MacIntyre's moral theory, emphasizing its relevance for reconstructing virtue ethics in a contemporary context of moral fragmentation. Through a critical analysis of his work, After Virtue, the historical, philosophical, and narrative foundations of his ethical framework are examined. MacIntyre characterizes modernity as a period of moral disorder, marked by ethical pluralism lacking a shared basis for consensus. He advocates for the revival of teleology and Aristotelian virtues to address these dilemmas, adapting (...) them to the current cultural and social context. The concept of practice is central to this approach, defined as a collaborative activity guided by internal norms and values aiming for intrinsic excellence. Furthermore, the author employs narrative as a structure to integrate morality, history, and tradition. This research argues that reintegrating virtues and practices into morality offers a cohesive and meaningful solution to contemporary ethical challenges. This study deepens the understanding of the implications of virtue ethics in a pluralistic world, highlighting its applicability in strengthening the common good and justice. (shrink)

A partir de uma variedade de histórias sobre a vida íntima de mulheres famosas, o jornalismo de entretenimento e de fofocas compõe avaliações e julgamentos sobre emoções e comportamentos que alimentam atribuições culturais sobre a maternidade. Este artigo identifica duas matrizes culturais implicadas na narrativa jornalística do showbiz e dos chimentos - melodrama e escândalo - e analisa sua articulação na produção biográfica sobre mães celebridades que prolifera em revistas, programas de televisão e plataformas dedicadas a notícias sobre celebridades. Enquadrado (...) na tradição crítica do discurso, o artigo investiga a encenação de melodramas e escândalos na construção jornalística de seis histórias ligadas à maternidade de celebridades argentinas famosas. A partir da análise de diferentes fontes que encadearam essas histórias, observamos uma retórica moral expressa pela alternância complementar entre histórias de infortúnio e transgressões maternas. (shrink)

The \\)-Robertson–Walker spacetime is under investigation. With the derived Hamilton operator, we are solving the Wheeler–De Witt Equation and its Schrödinger-like extension, for physically important forms of the effective potential. The closed form solutions, expressed in terms of Heun’s functions, allow us to comment on the occurrence of Universe from highly probable quantum states.

The peculiarities of the “domestic” and political worlds’ interactions as well as their impact on the freedom of human choice are considered in the article. The purpose of the article is to analyze political and existential being which can be transformed in the light of collecting or distracting way. The phenomenon of national security is analyzed in theoretical as well as in practical dimension. The first part of the study of separatism is connected with the modern social world’s tendency of (...) social transgression which involves blurring the rules and limits expansion. The frontier concept as the transgressive space, which can be embodied in the form of possibility of political interaction or as a place of a political conflict, is offered. Frontier understanding in the light of a cultural dialogue permits to consider it as a perspective dynamic system in the social projects of common being construction. The second part of the article reveals three main directions of transgression: philosophical and reflexive, ethical and normative, common practices. An idea of correlation between freedom of choice, manifestation of will with the human ability of critical thinking, reflection is offered and proved. Tolerance is defined to be the strategical practice in the process of launching a dialogue program of conflicting political communication. (shrink)

Within the framework of this article, the authors analyze the cycle of engravings "Apocalypse" by Albrecht Durer in the context of the categories of space and time that have developed in the history and philosophy of culture of the Middle Ages and Renaissance. The metaphysical essence of time, defined by Christian eschatology, found its vivid embodiment in the activities of many figures of artistic culture of that era. Apocalyptic moods, which largely determine the consciousness of people of the Reformation era, (...) were also inherent in A. Durer. The cycle of engravings "Apocalypse" in many ways should be considered as the quintessence of these moods and a reflection of the image of death that develops in this era. Space also acquires metaphysical characteristics, becomes heterogeneous, emotionally colored. The authors conclude that in the "Apocalypse" there is a mixed (and therefore very peculiar) interpretation of the category of time and space. It clearly shows the transition of the space-time representations of the Middle Ages to the ideas of time and space inherent in the New Time. It is also possible that we have before us one of the variants of the Renaissance mastery of the categories of time and space in the art of Europe. Attention is drawn to its openness and conscious demonstrativeness, because two artistic systems interact with each other on an equal footing; their stylistic potential and expressive means are used entirely, with full dedication and as a result, with maximum impressive force. (shrink)

The philosophical vision of the world and the consequent methodology behind the book are clarified. The perspective used is the systemic one, but since today this term has assumed a wide and diversified meaning in the literature, this introduction will clarify the specific meaning of our approach, starting from the meaning of the term "system". Our idea of system is based on three key assertions that may seem contradictory, but are necessary and complementary to its definition. In particular, we considered (...) the usual idea that the system is more and less than the sum of its juxtaposed parts, highlighting the role of emergencies and constraints. In our idea of a system, however, we must consider a third fundamental characteristic: its dynamism, the dual nature of the system as an entity and as a process, its role as a "dynamic entity". Afterwards, the holistic and reductionist approaches were analysed in detail, and both the specific merits and the fact that these two opposing worldviews, considered individually, cannot give a complete and balanced description of reality, were taken into account. For us, only the systemic approach provides a balanced description of both the parts and the whole and must, therefore, be preferred. Finally, the differences between our approach and the approaches mentioned above have been considered in detail in this introduction. (shrink)

This paper establishes that Robert Boyle’s complex chemical ontology implies a non-reductionistic conception of chemical qualities and, more specifically, a conception of chemical qualities as being dispositional and relational. Though Peter Anstey has already shown that that Boyle considered sensible qualities to be dispositional and relational, this moves beyond Anstey’s work by extending his arguments to chemical properties. These arguments are, however, merely a first step in establishing a non-reductionistic interpretation of Boyle’s chemical ontology. A further argument will show that (...) Boyle regards chemical and other higher-level properties as being emergent and supervenient properties. These arguments are supported by substantial textual evidence from Boyle’s writings, which show that he clearly conceived of chemical substances as functional wholes whose properties emerge not only from the microstructural ordering of their parts but also from their relationship with other chemical substances within the context of experimental practice. (shrink)

This paper examines whether classical extensional mereology is adequate for formalizing the whole–parts relation in quantum chemical systems. Although other philosophers have argued that classical extensional and summative mereology does not adequately formalize whole–parts relation within organic wholes and social wholes, such critiques often assume that summative mereology is appropriate for formalizing the whole–parts relation in inorganic wholes such as atoms and molecules. However, my discussion of atoms and molecules as they are conceptualized in quantum chemistry will establish that standard (...) mereology cannot adequately fulfill this task, since the properties and behavior of such wholes are context-dependent and cannot simply be reduced to the summative properties of their parts. To the extent that philosophers of chemistry have called for the development of an alternative mereology for quantum chemical systems, this paper ends by proposing behavioral mereology as a promising step in that direction. According to behavioral mereology, considerations of what constitutes a part of a whole is dependent upon the observable behavior displayed by these entities. Thus, relationality and context-dependence are stipulated from the outset and this makes behavioral mereology particularly well-suited as a mereology of quantum chemical wholes. The question of which mereology is appropriate for formalizing the whole–parts relation in quantum chemical systems is relevant to contemporary philosophy of chemistry, since this issue is related to the more general questions of the reducibility of chemical wholes to their parts and of the reducibility of chemistry to physics, which have been of central importance within the philosophy of chemistry for several decades. More generally, this paper puts contemporary discussions of mereology within the philosophy of chemistry into a broader historical and philosophical context. In doing so, this paper also bridges the gap between formal mereology, conceived as a branch of formal ontology, and “applied” mereology, conceived as a branch of philosophy of science. (shrink)

The thought of the Cappadocian fathers is linked to the Trinitarian nature of God. They strive for formulating a definition of divine person. The extent of the Cappadocian notion of person covers two other important ideas which refer to being someone: an ability to be in a fraternal relation with others, and a disposition to enter such a relation voluntarily. The Christian idea of divine person also implicates a concept of infinite dignity. The authoress shows that at the grassroots of (...) the Western concept of person, associated with human inalienable rights, there are certain metaphysical intuitions. (shrink)

Resenha de Ancona, R.; Tsouvala, G. (eds.) New Directions in the Study of Women in the Greco-Roman World (2021).

The Extent of the Literal develops a strikingly new approach to metaphor and polysemy in their relation to the conceptual structure. In a straightforward narrative style, the author argues for a reconsideration of standard assumptions concerning the notion of literal meaning and its relation to conceptual structure. She draws on neurophysiological and psychological experimental data in support of a view in which polysemy belongs to the level of words but not to the level of concepts, and thus challenges some seminal (...) work on metaphor and polysemy within cognitive linguistics, lexical semantics and analytical philosophy. (shrink)

Name der Zeitschrift: Byzantinische Zeitschrift Jahrgang: 107 Heft: 2 Seiten: 725-754.

We explore different ways in which the human visual system can adapt for perceiving and categorizing the environment. There are various accounts of supervised (categorical) and unsupervised perceptual learning, and different perspectives on the functional relationship between perception and categorization. We suggest that common experimental designs are insufficient to differentiate between hypothesized perceptual learning mechanisms and reveal their possible interplay. We propose a relatively underutilized way of studying potential categorical effects on perception, and we test the predictions of different perceptual (...) learning models using a two‐dimensional, interleaved categorization‐plus‐reconstruction task. We find evidence that the human visual system adapts its encodings to the feature structure of the environment, uses categorical expectations for robust reconstruction, allocates encoding resources with respect to categorization utility, and adapts to prevent miscategorizations. (shrink)

Mainstream accounts of responsible agency either overlook or discount wanton agents as plausible candidates for responsible agency. This is largely due to the compatibilist project of such accounts, and to their deemphasis of historical and modal considerations. I argue that wantons – those who are indifferent to the desires that move them to act – can and ought to be counted as responsible agents. Indeed, they deserve special blame for the acts of wrong doing that issue from their wanton behavior.

The paper aims at investigating external factors influencing organizational corporate social responsibility -related decision making. Two theoretical perspectives—stakeholder theory and institutional theory—have been applied to compile a list of external factors that might affect a company's CSR choices. As a result, a framework built on the government-related, society-related, and business-related groups of external factors is being suggested. This framework is used in the paper to answer to what extent do different external factors influence CSR-related decisions in large Danish companies and (...) how has that influence changed over the years. The research takes a qualitative approach and is designed as a multiple-case study. Empirically, the paper relies on data collected from semi-structured interviews with CSR specialists and managers and presents a dynamic perspective on the pressure exercised by the external factors on CSR decisions and choices. (shrink)

This article considers the value of adopting a code of professional ethics for teachers. After having underlined how a code of ethics stands to benefits a community of educators – namely, by providing a mechanism for regulating autonomy and promoting a shared professional ethic – the article examines the principal arguments against codes of ethics. Three arguments are presented and analyzed in light of the codes of teacher ethics in place elsewhere in Canada. We conclude that a code of ethics (...) must meet three conditions in order for it to be favorable to autonomous judgment rather than blind adhesion to pre-established norms: openness of meaning, space for dissidence, and avoidance of moralistic language. (shrink)

Marina McCoy explores Plato's treatment of the rhetoric of philosophers and sophists through a thematic treatment of six different Platonic dialogues, including Apology, Protagoras, Gorgias, Republic, Sophist, and Phaedras. She argues that Plato presents the philosopher and the sophist as difficult to distinguish, insofar as both use rhetoric as part of their arguments. Plato does not present philosophy as rhetoric-free, but rather shows that rhetoric is an integral part of philosophy. However, the philosopher and the sophist are distinguished by (...) the philosopher's love of the forms as the ultimate objects of desire. It is this love of the forms that informs the philosopher's rhetoric, which he uses to lead his partner to better understand his deepest desires. McCoy's work is of interest to philosophers, classicists, and communications specialists alike in its careful yet comprehensive treatment of philosophy, sophistry, and rhetoric as portrayed through the drama of the dialogues. (shrink)

We present here for the first time an italian translation of Rang’s Vom Weg messianischer Deutung : the introductory essay on the work on Shakespeare’s sonnets. This work remained unfinished and was only partially published posthumously by Rang’s son, Bernhard, in 1954, with the title Shakespeare der Christ. Eine Deutung der Sonette. The translation is accompanied by a comment essay on Rang’s text. This comment essay firstly aims to contextualize both the work on Shakespeare and the very complex and still (...) little researched figure of Florens Christian Rang; secondly, it addresses the most important conceptual issues that the essay presents. With a strongly programmatic nature and, at the same time, with an expressionistic style, which is as obscure as it is visionary, Vom Weg messianischer Deutung presents the method of messianic interpretation in contrast with the classical-romantic one of the pneumatic interpretation. What is at stake is a perspective that challenges the autonomy of art in order to place the Kunstwerk in the series of all the works of divine creation to transform it in faith work. It is the point of view of the Last Judgment that leads the way. The messianic critique of art reveals to be only a particular case of messianic world critique, literally a critique of the world, which redirects itself to the world. It is the movement of conversion which breaks with the false dualism of Romanticism, according to which the spirit is divided in two: on the one hand, there are the experience, the world, the science, on the other hand, there is the art as pure mirroring of forms. Through the messianic interpretation, the spirit returns to be body, flesh. It follows the permanent movement of creation, namely the continuous conversion from God to the world and from the world to God. In this sense, according to Rang, Shakespeare’s sonnets exemplify the faith work: their poetic word names the messianic unity of body and spirit. They are crystals within which all creatural life, the great stages of the divine creation, are concentrated. (shrink)

Against those who dismiss Kant's project in the "Religion" because it provides a Pelagian understanding of salvation, this paper offers an analysis of the deep structure of Kant's views on divine justice and grace showing them not to conflict with an authentically Christian understanding of these concepts. The first part of the paper argues that Kant's analysis of these concepts helps us to understand the necessary conditions of the Christian understanding of grace: unfolding them uncovers intrinsic relations holding between God's (...) justice and grace. Parts two and three provide an analysis of two concepts of grace used by Kant. Getting clear on their differences is the key to understanding why Kant's account is not Pelagian. (shrink)

Challenging many of the currently accepted conceptions of autonomy and of how it is valued, Oshana develops a social-relational account of autonomy that is constituted by a person's relations with others and by the absence of certain social relations. She denies that command over one's motives and the freedom to realize one's will are sufficient to secure the kind of command over one's life that autonomy requires, and argues against psychological, procedural, and content neutral accounts of autonomy.

Plato uses the myth of Er in the Republic in order to carve out space for political freedom and responsibility for human freedom in the ordinary polis. While much of the Republic concentrates on the development of an ideal city in speech, that city is fundamentally a mythos presented in order for Socrates and his friends to learn something about political and individual virtue. The city in which Socrates and his friends exist is an imperfect city and myth of Er (...) is intended for those audience members. Its emphasis on the necessity for personal responsibility in the midst of freedom can be understood as a political claim about the place of individual choice in a world that is constrained by both political and cosmic "necessity". Platón utiliza el mito de Er en la República con el fin de abrir un espacio para la libertad y la responsabilidad políticas en la polis común y corriente. Mientras que gran parte de la República se centra en el desarrollo de una ciudad ideal en el discurso, esa ciudad es fundamentalmente un mythos presentado para que Sócrates y sus amigos aprendan algo acerca de la virtud política e individual. La ciudad en la que viven Sócrates y sus amigos es una ciudad imperfecta y el mito de Er está dirigido a esos miembros del público. El énfasis que hace el mito en la necesidad de la responsabilidad personal en el ámbito de la libertad puede entenderse como una afirmación política acerca del lugar de la elección individual en un mundo constreñido tanto por la "necesidad" política como la cósmica. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Iconicity, Romance and History in the Crónica SarracinaMarina S. Brownlee (bio)Though seemingly alien discourses, romance and historiography are perennially linked. Far from offering an atemporal imaginary universe that bears no resemblance to historical specificity, romance is constructed as a response to it. Rather than simply projecting for the reader the naïve appeal of a prelapsarian escapism from the harsh realities of history, romance involves a continuous and sophisticated reinvention (...) of itself as a response to an ever-changing historico-political configuration. It is, in fact, a reciprocal relationship. We frequently see history appropriating romance paradigms explicitly, as, for example, when Bernal Díaz chooses to present Spain’s New World conquest and colonization as a continuation of the exploits of Amadís [see Gilman].Whatever form it takes, romance is committed to the celebration of a coherent system of socio-political values. This extra-textual frame of reference can take a variety of forms—from political propaganda that offers a self-aggrandizing depiction of the nobility or patron for whom the text is produced, to escapist fantasy—futuristic or archaizing. It is nostalgia for the lost world of chivalric romance which Cervantes embodies in the figure of Don Quijote, a foolish old man driven mad by his obsession with this perennial literary form. Cervantes is rightly credited with a brilliant and programmatic use of romance constructs to communicate the ongoing historical crisis of the Spanish empire. A byproduct of this romance scrutiny of history was his invention of the modern novel.Testimony to the long-standing interaction between romance and history in Spain, as elsewhere in Europe, is evident in the fact that its first romances were based on history, the so-called “romances of antiquity.” In those texts historical figures and events are evoked for the purpose of legitimating the present, vernacular poets as they celebrate the empowering myths projected by their society, as well as their own literary endeavors by invoking venerable Latin models. The well known translatio studii et imperii topos offers such allegory of empire.At the same time, the confrontation of romance and historical representation can also have a destabilizing effect, and this is programmatically explored in Pedro del Corral’s Crónica sarracina (c. 1430). His text ponders the possibilities of romance and historiography in an obsessive manner and he accomplishes his task by examining representation of the most iconic figures associated with the fall of Spain in 711, namely, La Cava and her father, Count Julián, King Rodrigo, and Pelayo, the messianic hope of the Reconquest effort which would last nearly 800 years.Of related and perhaps even broader importance, Corral’s text merits careful reading because its exploration of iconicity related to Spain’s fall offers meditations on the workings of ideology, which inevitably proposes “imaginary or formal solutions to unresolvable contradictions” [Jameson 79]. Ideology—its unmasking—is intriguingly posited by Corral in powerful ways.If we turn to Corral’s text, we find a work offering an extraordinary consideration of history and romance—their profound interaction—whose full title reads, La crónica [End Page 119] del rey don Rodrigo con la destrucción de España (The Chronicle of King Rodrigo with the Destruction of Spain). My interest in the Crónica here is primarily to consider the mechanisms by which it gestures boldly toward what Žižek has described as the project of the postmodern critique of ideology—though it is clearly a recurring cultural constant—namely to “designate the elements which point towards the system’s antagonistic character, and thus ‘estrange’ us to the self-evidence of its established identity” [Žižek 7]. A reading of the Crónica provides an extended paradigm of such estrangement.Iberia is the area of the Mediterranean which underwent the most protracted encounter between Christianity and Islam, and the events of the Moorish invasion of 711 constitute Spain’s unique foundational subject-matter—on a par with the Troy legend and with King Arthur [see Deyermond 355]. Like them, the retelling of 711 is all about forging mythic connections in order to legitimize empire in a temporally remote time-frame. What interests me in this essay is... (shrink)