An experiment investigated the relationship between the ability to encode verbal stimuli during an attentional lapse. The task employed a variation on the sustained attention to response task which involved the detection of an infrequent target against a background of words. As a manipulation, participants were either instructed to encode the stimuli or were merely exposed to the stimuli. Retrieval was measured using process dissociation. Irrespective of the instructions given to the participants during the task, participants were more likely to (...) retrieve information on the basis of recollection after an error was made than before, whilst the likelihood of retrieving information on the basis of familiarity remained invariant over the same period. The implications of this result for methods of investigating subjective experience are discussed. (shrink)

Kemal Pasazâde (873-940/1468-1534) “fî Tahkîki Ta’rîbi’l-Kelimeti’l-A’cemiyye” adlı risalesinde “ta’rîb” yani “yabancı kelimelerin Arapçalastırılması” konusunu teorik ve pratik olarak inceler. Müellif verdigi çok sayıda örnekle neredeyse alanında küçük bir sözlük telif etmistir. Arap dünyasında iki kez tahkîk edilen ve karsılastırmalı çalısmaları yapılan risalede incelenen kelimelerin yaklasık beste biri, özel isimlerin büyük çogunlugunu olusturdugu Kur’ân-ı Kerîm kelimelerinden seçilmistir. Eser, bu yönleriyle Kur’ân’da Arapça dısı kelimelerin varlıgı üzerine yapılan tartısmalara önemli katkılar saglamaktadır.

Algis Mickiinas savo straipsnyje svarsto moder- niojo mokslo ir filosofijos ivykdytq tikroves "su- skliaudimo" judesi, leidusi semiotikams ir dekonst- rukcininkarns teigti kalbq arba diskursq esant pirmi- ne ir svarbiausia galios forma, pasirei3banEia visose 2mogiSkojo patyrimo ir praktikos srityse. Autoriaus tikslas - analizuojant 3i "suskliaudimq" atverti ypa- tingas struktiiras, "kurios niekam nepriklauso ir yra niekur neaptinkamos, ta&au yra esmingiausiy miisy modemiojo hojimo modalumy pamatas". Autorius teigia, jog wenamasis pasaulis - morfologiSkai kon- stituoty ir intuityviai suvokiarny ivykiy ir objekty pa- saulis - (...) yra suskliaudiiamas mokslinio skepsio, o pa- grindu laikoma transcendentine ir homogeniika tik- rove neatsiveria pojiiEiams. Teorinio-metodologinio formalizmo konstitucija, stokojanti intuityvaus as- pekto, neturi vertikalaus matmens ir tegali biiti arti- kuliuota horizontaliai, nuosekliavienalaypte progre-sija, remiantis savo paEios vidinemis taisyklemis. Ji neturi jokio biitino rySio su transcendentine homo- geni3ka tikrove; Sis rySys - arbitralus ir lemia tai, jog tikrovei primetami atsitiktinai parinkti forrnaliai kon- stituoti metodai. Sitoks arbitralus teorinio-metodo- loginio formalizmo ir w e n a m o pasaulio rySys Mic- kiinui leidiia interpretuoti modernyji progresq kaip autoreferentiSkq, subjekto n e t u ~ t j reiskini, kaip ar- bitraly riby nepaisymq, ir moderniqjq galiq kaip de- centralizuotq atsakomybq, kaip "galiq be priehties", kuriq palaiko ir maitina beribes formaliy ir materia- liy konstrukcijy galimybb. 'Ibks visur i3plitqs bet kobo veiksmo arbitralumo ir riby nebuvimo pojiitis ir yra, anot autoriaus, niidienos humanizmo krizes esme. Raktiniai ZodZiai: fenomenologija, swkliaudi- mas, gyvenamasis pasaulis, teorinis-metodologinis f o m l ~. (shrink)

The image of Antonio Salieri is recreated based on the memories of his contemporaries and epistolary and journalistic literature. The author, relying on memoir literature, archival documents and journalistic sources, substantiates his own position regarding A. Salieri’s contribution to the world artistic treasury and artistic higher education, the expediency of researching his heritage at the current stage. A wide range of primary sources little-known in scientific circulation are used, which allow us to reveal the image of Antonio Salieri – a (...) musician, composer, teacher, theater director, rector of the central art institution of higher education in Europe in the 19th century – the Vienna Conservatory. The concept of A. Salieri’s involvement in the early death of is refuted Mozart. The aim consists in recreating the image of Antonio Salieri based on the memories of his contemporaries and epistolary and journalistic literature. The tasks of the research are the analy of primary sources on this issue and the identification of modern approaches to Antonio Salieri’s contribution to the world artistic treasury. Research methods. The methodology of the author’s research is based on the content-comparative method, which allows you to determine the reliability of one or another source, the ratio of traditionally established and non-traditional vision of the image of a prominent representative of his era – Antonio Salieri. Reconstruction was also used – to reproduce the events of the era at the turn of the 18 – 19th centuries within the scope of the research. Research results: The development of the pedagogical heritage of A. Salieri in the activities of his students and followers is shown; the creative portrait of Y.N. Hummel, who, thanks to the Maestro, mastered vocal art, Italian musical terminology, music theory and solfeggio, choral singing and conducting, orchestration, pedagogical skills, combined “Salierian” classicism and his own romanticism. The achievements of Fortunata Valzel-Franchetti as a singer, artist and teacher are analyzed, and it is shown how the vocal-pedagogical school of A. Salieri came to Ukraine through her. Conclusion.The analysis of primary sources –correspondence, diaries of Antonio Salieri and his students, made it possible to find out the significance of the Maestro’s creative heritage for subsequent eras, to recreate his image based on the memories of his contemporaries and epistolary and journalistic literature. 27 archival cases were presented for consideration, which gave an opportunity to understand how domestic scientists, artists and publicists treated Antonio Salieri throughout the 20th century, so often they turned to his creative heritage. After careful analysis of these materials, it can be said that their assessment was very high. (shrink)

Comment témoigner d’une espérance religieuse dans le droit contemporain ? Par l’obéissance et l’humilité de l’inculturation, ou par l’objection et la résistance propre au signe de contradiction ? Si les périodes barbares du XXe siècle ont relancé l’analyse théologique de la tension entre ces deux voies, qu’en est-il aujourd’hui des contextes apparemment pacifiés de nos droits démocratiques ? Si le moment juridique y colonise progressivement la société, c’est au nom de sa nature de « droit commun » qu’il estime acquérir (...) de sa prétention croissante à la « neutralité ». À cet égard, la prise de parole religieuse dans l’espace public est aujourd’hui vivement débattue. Il serait cependant erroné de n’y viser que le seul moment de l’élaboration formelle de la loi. Cette prise de parole peut aussi viser les modalités d’application et de mise en contexte du droit. Cet article entend montrer l’importance de ce nouveau moment pour une prise de parole religieuse, entendue comme une troisième voie : celle de l’attestation évangélique au cœur de la pratique du droit. (shrink)

This article analyzes David Hume’s influential critique of worship from a process point of view informed by the thought of Whitehead and Hartshorne.

A gravitational model is proposed that relates the terrestrially measured value of the gravitational constantG directly to the density and angular velocity of the galaxy. The model indicates a constant scalar value forG within most regions of our galaxy, but predicts thatG will be different in other galaxies and zero in intergalactic space. The model offers explanations for galactic cluster stability, discrepancies in terrestrial measurements ofG, and atomic particle stability. The model also provides a causal relationship between strong, electromagnetic, weak, (...) and gravitational interactions. The two postulates required for the proposed model reduce to two assumptions made in GRT in regions whereG is constant; these postulates are consistent with the existence of a 2.7 K blackbody background radiation. (shrink)

The purpose of the article is distinguishing between "internal" and "external" public human through comprehending the phenomenon of Self in its virtual-digital essence as a popular demonstrative-project space "BETWEEN" aggression and harmony. Theoretical basis of the work is based on the study of the phenomenon of modern human aggression in the virtual-digital space and the "project space" of the living environment through understanding the nature of the human "I". The penetration limits of the Self of the public human into the (...) "project space" are comprehended and the nature of the self-realization and self-search models of human through the "transcendent ego" is revealed. Originality is demonstrated through comprehending the Self phenomenon of the public human, which forms new anthropological research direction and represents a conceptual paradigm of relationship of "human I – publicity – human We – the living space of the Other". Conclusions. The Self of the public human as the space "BETWEEN" does not completely "dissolve" in a separate ontological basis, but is the basis for the formation of his/her "I", while only participation in the existence of others reveals the meaning of his/her own existence. Such interaction requires significant human efforts – skills and competencies of public communication, which are able to create a successful self-identification of a public human without aggression and conflict. (shrink)

The basic reproduction ratio, R0, is a fundamental concept in epidemiology. It is defined as the total number of secondary infections brought on by a single primary infection, in a totally susceptible population. The value of R0 indicates whether a starting epidemic reaches a considerable part of the population and causes a lot of damage, or whether it remains restricted to a relatively small number of individuals. To calculate R0 one has to evaluate an integral that ranges over the duration (...) of the infection of the host. This duration is, of course, limited by remaining host longevity. So, R0 depends on remaining host longevity and in this paper we show that for long-lived hosts this aspect may not be ignored for long-lasting infections. We investigate in particular how this epidemiological measure of pathogen fitness depends on host longevity. For our analyses we adopt and combine a generic within- and between-host model from the literature. To find the optimal strategy for a pathogen from an evolutionary point of view, we focus on the indicator $$R_0^{{opt}}$$, i.e., the optimum of R0 as a function of its replication and mutation rates. These are the within-host parameters that the pathogen has at its disposal to optimize its strategy. We show that $$R_0^{{opt}}$$ is highly influenced by remaining host longevity in combination with the contact rate between hosts in a susceptible population. In addition, these two parameters determine whether a killer-like or a milker-like strategy is optimal for a given pathogen. In the killer-like strategy the pathogen has a high rate of reproduction within the host in a short time span causing a relatively short disease, whereas in the milker-like strategy the pathogen multiplies relatively slowly, producing a continuous small amount of offspring over time with a small effect on host health. The present research allows for the determination of a bifurcation line in the plane of host longevity versus contact rate that forms the boundary between the milker-like and killer-like regions. This plot shows that for short remaining host longevities the killer-like strategy is optimal, whereas for very long remaining host longevities the milker-like strategy is advantageous. For in-between values of host longevity, the contact rate determines which of both strategies is optimal. (shrink)

British Journal for the History of Philosophy, Volume 0, Issue 0, Page 1-3, Ahead of Print.

Some interference experiments with the photon pairs from two parametric down-converters are described and analyzed. They are found to contribute to the interpretation of the quantum state.

Издание содержит: плодотворная противоречивость философско-исторических и общественно-политических воззрений; амбивалентность великих философских учений и т.д.

Nikolai Fedorovich Fedorov is one of the most original and as yet inadequately studied Russian thinkers. Neither a professional philosopher, nor a well-known scholar, nor a critical essayist, he led a kind of double existence while working as an ordinary civil servant, developing his original philosophy at his leisure in the hours free from his intensive daily work. Fedorov's life was one of selflessness and self-denial, not at all eventful outwardly. He graduated from the Gymnasium in Tambov and completed three (...) years of study in the Law Department of the Richelieu Lyceum in Odessa, after which he taught for a number of years in the Borovsk, Lipetsk, Podol'sk, and other regional schools. The quarter century he spent working in the Library of the Rumiantsev Museum in Moscow was the most stable period in Fedorov's life. Fedorov's ideas attracted the attention of outstanding cultural figures. F.M. Dostoevskii became acquainted with them in 1878 through Peterson, and on March 24 of that year he wrote: "I am essentially in full accord with these ideas. I read them as if they were my own." L.N. Tolstoy, who knew Fedorov personally, said, "I am proud to be living in the same times as such a man." V.S. Solov'ev, who also associated with Fedorov, wrote to him as follows in the mid-1880s: "Your ‘project’ is the human spirit's first advance along the path of Christ since the advent of Christianity. As for me, I can only acknowledge you as my teacher and spiritual father." A.M. Gorky was especially impressed by the activism in Fedorov's views. But none of this precludes the many and very essential divergences of these authors from Fedorov. One can find some links with his ideas in A.N. Belyi, V. Ia. Briusov, N.A. Zabolotskii, V.V. Maiakovskii, A.P. Platonov, M.M. Prishvin, I.L. Sel'vinskii, O.D. Forsh, and V.N. Khlebnikov. The artist B.N. Chekrygin drafted a large fresco entitled The Resurrection of the Dead [Voskreshenie mertvykh] and a philosophical work entitled The Synod of the Resurrecting Museum [Sobor voskreshaiushchego muzeia], both inspired by Fedorov's teachings. (shrink)