Buber proclaims that 'in the beginning was relation'; that man is by his very nature a Homo Dialogus - incapable of realizing himself without communion with man, with the creation and with his Creator.Buber sought to anchor Zionism in what he defined as 'Hebrew Humanism': "the path of holiness" as opposed to "holy egoism".

Twelve-year-old Kalman Gabriel wrote to hundreds of famous -- and infamous -- people to find out what kind of advice for life they would impart upon him. The response was overwhelming. Over two hundred people, from Mother Teresa to Mr. Rogers: from Ray Bradbury and Scott Turow to Naomi Judd and Drew Barrymore, responded to Kalman's letters. Leona Helmsley told Kalman, "Presevere," while Elie Weisel advised, "Study. Read. Share." Kalman's files are compulsively readable and infinitely quotable.

A collection of essays in French or English on the reception of Cartesian philosphy.

KANT’S GOAL IN THE TRANSCENDENTAL DEDUCTION was to demonstrate that the categories are applicable to objects of sensible intuition. He carried out this task by disclosing the necessity of a transcendental synthesis. In the Transcendental Deduction in the second edition of the Critique of Pure Reason transcendental synthesis has two subspecies: synthesis intellectualis and synthesis speciosa. The distinction between the two types of transcendental synthesis is also mirrored in the structure of the proof of the B Deduction. As several commentators (...) have noted, the B Deduction in fact contains two parts. Each part seems to provide an account of a distinctive kind of transcendental synthesis. The first part provides an account of intellectual synthesis while the second part provides an account of figurative synthesis. (shrink)

In recent years, facial difference is increasingly on the public and academic agenda. This is evidenced by the growing public presence of individuals with an atypical face, and the simultaneous emergence of research investigating the issues associated with facial variance. The scholarship on facial difference approaches this topic either through a medical and rehabilitation perspective, or a psycho-social one. However, having a different face also encompasses an embodied dimension. In this paper, we explore this embodied dimension by interpreting the stories (...) of individuals with facial limb absence against the background of phenomenological theories of the body, illness and disability. Our findings suggest that the atypical face disrupts these individuals’ engagement with everyday projects when it gives rise to disruptive perceptions, sensations, and observations. The face then ceases to be the absent background to perception, and becomes foregrounded in awareness. The disruptions evoked by facial difference call for adjustments: as they come to terms with their altered face, the participants in our study gradually develop various new bodily habits that re-establish their face’s absence, or relate to its disruptive presence. It is through these emergent habits that facial difference comes to be embodied. By analyzing the everyday experiences of individuals with facial limb absence, this article provides a much-needed exploration of the embodied aspects of facial difference. It also exemplifies how a phenomenological account of illness and disability can do justice both to the impairments and appearance issues associated with atypical embodiment. (shrink)

Judäa—Syria Palästina. By Werner Eck. Texts and Studies in Ancient Judaism, vol. 157. Tübingen: Mohr Siebeck, 2014. Pp. xiv + 307. €119.

Describes Israel's transformation from a society held together by national liberation to a liberal democracy that must make room for individual Israelis.

A recurrent theme in contemporary narratives of grieving is that there is a gap between the griever’s more or less consciously chosen expression of, and acting out of, grief and loss and other people’s seeming lack of acceptance. Starting from the view that the social context of feelings and emotions are constitutive in making an emotional experience what it is, this article explores what is done and experienced in acts of grief. A phenomenological perspective is applied to analyze the conditioning (...) of these experiences, and what the acts of grieving may accomplish in relation to various aspects of the self, indeed selves—that is, in relation to the surviving relative as well as the deceased. (shrink)

Condensed detachment is usually regarded as a notation, and defined by example. In this paper it is regarded as a rule of inference, and rigorously defined with the help of the Unification Theorem of J. A. Robinson. Historically, however, the invention of condensed detachment by C. A. Meredith preceded Robinson's studies of unification. It is argued that Meredith's ideas deserve recognition in the history of unification, and the possibility that Meredith was influenced, through ukasiewicz, by ideas of Tarski going back (...) at least to 1939, and possibly to 1930 or earlier, is discussed. It is proved that a term is derivable by substitution and ordinary detachment from given axioms if and only if it is a substitution instance of a term which is derivable from these axioms by condensed detachment, and it is shown how this theorem enables the ideas of ukasiewicz and Tarski mentioned above to be formalized and extended. Finally, it is shown how condensed detachment may be subsumed within the resolution principle of J. A. Robinson, and several computer studies of particular Hilbert-type propositional calculi using programs based on condensed detachment or on resolution are briefly discussed. (shrink)

Prosthetic devices that replace an absent body part are generally considered to be either cosmetic or functional. Functional prostheses aim to restore (some degree of) lost physical functioning. Cosmetic prostheses attempt to restore a “normal” appearance to bodies that lack (one or more) limbs by emulating the absent body part’s looks. In this article, we investigate how cosmetic prostheses establish a normal appearance by drawing on the stories of the users of a specific type of artificial limb: the facial prosthesis. (...) Given that prostheses are first and foremost devices worn upon the body, such an analysis requires an understanding of the ways in which bodies and technologies interact. We thus interpret users’ stories by critically engaging with the work of disability researcher and Actor-Network theorist Myriam Winance, as well as with the postphenomenological scholarship of Don Ihde and Peter-Paul Verbeek. Using this framework, we explore users’ attempts to achieve a proper fit between their faces and their prostheses, the technological transparency such a fit enables, and the ways in which transparency mediates users’ everyday exchanges with others. We conclude that a normal appearance, when it is achieved by means of prosthetics, enables the device’s user to navigate a precarious social environment as they encounter and interact with others in public. (shrink)

Conventional wisdom holds that Judaism is indifferent or even suspiciously hostile to the visual arts due to the Second Commandment's prohibition on creating "graven images," the dictates of monotheism, and historical happenstance. This intellectual history of medieval and modern Jewish attitudes toward art and representation overturns the modern assumption of Jewish iconophobia that denies to Jewish culture a visual dimension. Kalman Bland synthesizes evidence from medieval Jewish philosophy, mysticism, poetry, biblical commentaries, travelogues, and law, concluding that premodern Jewish intellectuals (...) held a positive, liberal understanding of the Second Commandment and did, in fact, articulate a certain Jewish aesthetic. He draws on this insight to consider modern ideas of Jewish art, revealing how they are inextricably linked to diverse notions about modern Jewish identity that are themselves entwined with arguments over Zionism, integration, and anti-Semitism. Through its use of the past to illuminate the present and its analysis of how the present informs our readings of the past, this book establishes a new assessment of Jewish aesthetic theory rooted in historical analysis. Authoritative and original in its identification of authentic Jewish traditions of painting, sculpture, and architecture, this volume will ripple the waters of several disciplines, including Jewish studies, art history, medieval and modern history, and philosophy. (shrink)

Responding to growing public anxiety about the current state of democracy, this book will appeal to scholars in political theory, history and anthropology, as well as to the wider educated public. It provides an analysis of changes in the deep structure of Western democracy offering new imaginaries of political order.

In Kitāb al-Muwashshā, a unique work on good manners and high-culture etiquette, al-Washshāʾ recorded the practices of a group of courtiers and other members of the elite in Abbasid society known as the ẓurafāʾ. This group conducted itself according to a strict etiquette governing dress, posture, speech, and even smell. One of the most interesting practices associated with the ẓurafāʾ is their inscribing of poetry on a variety of objects, from garments, rings, musical instruments, and wine vessels to apples and (...) citron, even on their bodies. This paper examines the practice of inscribing poetry on objects as a unique way of “performing” poetry. In this “refined” practice, poetry was not recited aloud, but rather given a voice by virtue of its physical display in space. (shrink)

The Origin of the ‘Paardekraal Vow’ Contrary to common belief that the ‘1880 Vow' was taken at Paardekraal, on the restoration of the Republic on 13 December 1880, the writer has documentary proof that this ‘Vow’ was in existence almost two years before that date. An agreement is said to have been signed by a number of the Boers at Wonderfontein, where they had gathered between 10 and 13 January 1879 to claim the restoration of the Republic. Both these minutes (...) and the Transvaal press ignored this agreement as it was feared that they would lead to premature armed resistance. The Paardekraal Festival Commission became aware of the agreement in 1945 and adopted it as the ‘Vow of 1880' in their 1946 programme. (shrink)

This review-article of Martha Roth's Law Collections focuses on selected sections in the Laws of Ur-Namma, Eshnunna, Hammurabi, Lipit-Ishtar, and the Neo-Babylonian Laws. It discusses potentially misleading divisions of sections and problems of rendering the term awīlum (lú). It also asserts that students of law will benefit from Roth's translations for generations.

In analogy with Rousseau's concept of ?civil religion? as a system of ?positive dogmas?, ?without which?, as he observed, ?a man cannot be a good citizen?, this paper advances the concept of ?civil epistemology? as the positive dogmas without which the agents of government actions cannot be held accountable by democratic citizens. The civil epistemology of democracy shapes the citizen's views on the nature of political reality, on how the facts of political reality can be known and by whom. Modern (...) liberal democratic politics assumes that the exercise of political power can be manifest in a visible domain of publicly accessible facts. It rests on the Enlightenment faith in the powers of light and visibility to demystify political power, render political actors more exposed and therefore more honestly accountable and enlist the sense of sight as a vehicle of universal political participation. It is, in this context, that technology has come to play such an important symbolic role in the construction of the particular democratic genre of public action as a political spectacle. Democratic civil epistemology, and technology ? in the widest sense of the word ? as the prototype of action which can be observed in the field of visual perception, uphold the democratic conception of politics as a view. Together they define political actors as visible performers, journalists as observers (who translate actual seeing into virtual seeing) and the citizens as witnesses. (shrink)

Henri Bergson (1859-1941) is widely regarded as one of the most original and important philosophers of the twentieth century. His work explored a rich panoply of subjects, including time, memory, free will and humor and we owe the popular term élan vital to a fundamental insight of Bergson's. His books provoked responses from some of the leading thinkers and philosophers of his time, including Einstein, William James and Bertrand Russell, and he is acknowledged as a fundamental influence on Marcel Proust. (...) The Bergsonian Mind is an outstanding, wide-ranging volume covering the major aspects of Bergson's thought, from his early influences to his continued relevance and legacy. 36 chapters by an international team of leading Bergson scholars are divided into five clear parts: Sources and Scene Mind and World Ethics and Politics Reception Bergson and Contemporary Thought. In these sections fundamental topics are examined, including time, freedom and determinism, memory, perception, evolutionary theory, pragmatism and art and aesthetics. Bergson's impact beyond philosophy is also explored in chapters on Bergson and spiritualism, modernism, Proust and post-colonial thought. An indispensable resource for anyone in Philosophy studying and researching Bergson's work, The Bergsonian Mind will also interest those in related disciplines such as Literature, Religion, Sociology and French studies. (shrink)

This thesis engages with central debates on the nature of temporal experience, drawing upon the thought of Henri Bergson. Part one, comprising two chapters, critically explores two issues at the forefront of contemporary research on the experience of time. The first chapter examines attempts by B-theorists of time to address the manifest flow of temporal experience, arguing that these have been thus far unsuccessful. The second chapter focuses on recent articulations of the Process View of temporal experience, according to which (...) temporal experience itself has temporal structure. Recent varieties of the Process View, I argue, do not satisfactorily accommodate the experientially robust insight which provides the most powerful motivation for the position. This insight is captured by what I call the Experiential Process Thesis: we have a pre-reflective sense that our experience of change itself unfolds through time. Part two, comprising three chapters, brings to bear perspectives from Bergson's work on debates concerning temporal experience. The third chapter connects themes from the first two. I argue that Bergson's account of temporal experience provides resources for a successful articulation of the Process View, insofar as it can accommodate the Experiential Process Thesis. What allows us to give shape to the thesis, on Bergson's account, is the explanatory role ascribed to an experiential feature of qualitative flow, which Bergson terms durée. The fourth chapter discusses (i) the relation between memory and temporal experience, and (ii) the unity of experience over time. I suggest that Bergson's account cogently motivates a memory theory of temporal experience - which takes memory to be partially constitutive of immediate temporal experience - in contrast with a recent formulation of the memory account. I then argue that a view of experiential unity over time appealing to Bergson's durée is a theoretically parsimonious and phenomenologically attractive alternative to a number of proposals from the recent literature. In the fifth chapter, I focus on a frequently-discussed feature of 'continuous novelty' in temporal experience. I examine a suggestion from Bergson's work, according to which this aspect is paradigmatically found in a sub-class of agential experiences, namely experiences of creative agency. (shrink)

This paper examines Bergson’s position concerning the relation between memory and the immediate experience of change. I argue that Bergson’s view, which has not been discussed in significant detail in the literature, can shed new light upon recent debates on the topic. I approach this in three steps. First, I examine the “memory theory” of immediate temporal experience in its two main forms — a “traditional” version and a “modified” account — situating Bergson’s views vis-à-vis this distinction. Second, I explore (...) a contemporary defence of the memory theory and underline a limitation in this account. Finally, I focus on a feature of Bergson’s reflections on memory and temporal experience that can potentially address this limitation. (shrink)

Jewish Travel in Antiquity. By Catherine Hezser. Texts and Studies in Ancient Judaism, vol. 144. Tübingen: Mohr Siebeck, 2011. Pp. x + 529. €139.

This chapter focuses on the potential second “career” of the banality of evil thesis in the profoundly different context of the Arab-Israeli conflict. Considering the continual violence between the sides, the urgent problem in this context is not only how to understand evil committed in the past, but how to frame it in a way congenial for the social psychology and politics of reconciliation between the antagonistic parties.