Episodic memory involves the sense that it is “first-hand”, i.e., originates directly from one’s own past experience. An account of this phenomenological dimension is offered in terms of an affective experience or feeling specific to episodic memory. On the basis of recent empirical research in the domain of metamemory, it is claimed that a recollective experience involves two separate mental components: a first-order memory about the past along with a metacognitive, episodic feeling of knowing. The proposed two-tiered account is contrasted (...) with other, reductionist two-tiered accounts as well as with reflexive accounts of episodic memory to be found in the literature. (shrink)

A popular idea at present is that emotions are perceptions of values. Most defenders of this idea have interpreted it as the perceptual thesis that emotions present (rather than merely represent) evaluative states of affairs in the way sensory experiences present us with sensible aspects of the world. We argue against the perceptual thesis. We show that the phenomenology of emotions is compatible with the fact that the evaluative aspect of apparent emotional contents has been incorporated from outside. We then (...) deal with the only two views that can make sense of the perceptual thesis. On the response–dependence view, emotional experiences present evaluative responsedependent properties (being fearsome, being disgusting, etc.) in the way visual experiences present response-dependent properties such as colors. On the response–independence view, emotional experiences present evaluative response-independent properties (being dangerous, being indigestible, etc.), conceived as ‘Gestalten’ independent of emotional feelings themselves. We show that neither view can make plausible the idea that emotions present values as such, i.e., in an open and transparent way. If emotions have apparent evaluative contents, this is in fact due to evaluative enrichments of the non-evaluative presentational contents of emotions. (shrink)

We investigate the nature of the sense of presence that usually accompanies perceptual experience. We show that the notion of a sense of presence can be interpreted in two ways, corresponding to the sense that we are acquainted with an object, and the sense that the object is real. In this essay, we focus on the sense of reality. Drawing on several case studies such as derealization disorder, Parkinson’s disease and virtual reality, we argue that the sense of reality is (...) two-way independent from the spatial and sensory contents of experience. We suggest that the sense of reality is an affective experience akin to a metacognitive feeling. Finally, we present a potentially important implication of our account for the current debate between Intentionalism and Naïve Realism. Since perception is “opaque” with respect to the reality of what is perceived, Intentionalism cannot refer to the sense of reality as what differentiates perception from sensory-like experiences such as imaginings. In contrast, Naïve Realism has an independent explanation of the specificity of perception. (shrink)

Following Meinong, many philosophers have been attracted by the view that emotions have intrinsically evaluative correctness conditions. On one version of this view, emotions have evaluative contents. On another version, emotions are evaluative attitudes; they are evaluative at the level of intentional mode rather than content. We raise objections against the latter version, showing that the only two ways of implementing it are hopeless. Either emotions are manifestly evaluative or they are not. In the former case, the Attitudinal View threatens (...) to collapse into the Perception View or any other view according to which emotions are evaluative at the level of content. In the latter case, the Attitudinal View does not stand up to an obvious alternative, namely that emotions can only be assessed with respect to extrinsic norms or conditions of correctness. (shrink)

In chapter 5 of Knowledge and its Limits, T. Williamson formulates an argument against the principle (KK) of epistemic transparency, or luminosity of knowledge, namely “that if one knows something, then one knows that one knows it”. Williamson’s argument proceeds by reductio: from the description of a situation of approximate knowledge, he shows that a contradiction can be derived on the basis of principle (KK) and additional epistemic principles that he claims are better grounded. One of them is a reflective (...) form of the margin for error principle defended by Williamson in his account of knowledge. We argue that Williamson’s reductio rests on the inappropriate identification of distinct forms of knowledge. More specifically, an important distinction between perceptual knowledge and non-perceptual knowledge is wanting in his statement and analysis of the puzzle. We present an alternative account of this puzzle, based on a modular conception of knowledge: the (KK) principle and the margin for error principle can coexist, provided their domain of application is referred to the right sort of knowledge. (shrink)

Aesthetics, both in its theoretical and empirical forms, has seen a renewed interest in the sublime, an aesthetic category dear to traditional philosophers, but quite neglected by contemporary philosophy. Our aim is to offer a novel perspective on the experience of the sublime. More precisely, our hypothesis is that the latter arises from ‘a radical limit-experience’, which is a metacognitve awareness of the limits of our cognitive capacities as we are confronted with something indefinitely greater or more powerful than us. (...) This hypothesis better explains the negative feelings involved in the experience of the sublime and accounts for its demarcation from other experiences (for example, terrible beauty). Experiences of the sublime have an overall positive valence, though. We will explore different ways in which a subject can try to overcome the negative evaluation involved in radical limit-experiences, and suggest that only one of them is appropriate to experiences of the sublime. (shrink)

This study brings together two important literatures together in the one volume. One concerns the role of quality assessments in social policy, especially health policy. The second concerns ethical and social issues raised by prenatal testing for disability. Hitherto, these two literatures have had little contact with each other: few scholars have written about both, or have compared the two domains in a systematic way, while people with disabilities and disability scholars are underrepresented in recent discussion on health policy and (...) quality of assessment. This book turns the perspectives of disability scholars on issues that have largely been the province of health methodology, policy and philosophy, while angling philosophical policy analysis on problems that have largely been the province of disability scholarship. This volume will be sought after by bioethicists, philosophers, and specialists in disability studies and healthcare economics. (shrink)

This article summarizes the main themes in the book What is Emotion? by Jerome Kagan (Yale University Press, 2007). The issues considered include: (1) the advantage of studying each phase of the cascade that begins with a brain reaction to an incentive and ends with an appraisal of a feeling state and/or a behavioral reaction; (2) distinguishing among appraisals with different origins; (3) replacing the current concern with consequences with more attention to the features of the brain and feeling (...) states; (4) a recognition of the weak relation between the language used to describe a feeling and both the underlying brain profile and a response; and (5) the reasons for variation in the feelings evoked by an incentive and for the appraisals of the feelings. (shrink)

The notion of perceptual content is commonly introduced in the analysis of perception. It stems from an analogy between perception and propositional attitudes. Both kinds of mental states, it is thought, have conditions of satisfaction. I try to show that on the most plausible account of perceptual content, it does not determine the conditions under which perceptual experience is veridical. Moreover, perceptual content must be bipolar (capable of being correct and capable of being incorrect), whereas perception as a mental state (...) is not (if it is veridical, it is essentially so). This has profound consequences for the epistemological view that perception is a source of knowledge. I sktech a two-level epistemology which is consistent with this view. I conclude that the analogy between perception and propositional attitudes, from which the notion of perceptual content is born, may be more misleading than it is usually thought. (shrink)

Our utterances are typically if not always "situated," in the sense that they are true or false relative to unarticulated parameters of the extra-linguistic context. The problem is to explain how these parameters are determined, given that nothing in the uttered sentences indicates them. It is tempting to claim that they must be determined at the level of thought or intention. However, as many philosophers have observed, thoughts themselves are no less situated than utterances. Unarticulated parameters need not be mentally (...) represented. In this paper, I try to make precise the notion of representation at stake here. In one sense of 'representation', something is represented if it is inferentially relevant. In another, less demanding sense, something is represented if it is relevant to the construction of a context-sensitive, ad hoc concept. Ad hoc concepts act as "proxies" for cognitively more demanding representations. They "imitate" the latter's epistemic and pragmatic roles while being inferentially less sophisticated. Thus, there are two senses in which a thought can be said to be situated: (1) its truth-value is relative to a non-represented contextual parameter, (2) its truth-value is not itself relative, but it involves a context-sensitive, ad hoc concept. (shrink)

Can the age-old practices of animal selection and breeding and the more recent biotechnological interventions on animals, far more intrusive and systematic than any present form of human enhancement, enlighten us as to the future of enhancement practices? This book explores issues raised by past and present practices of animal enhancement in terms of their means and their goals, clarifies conceptual issues and identifies lessons that can be learned about enhancement practices, as they concern both animals and humans. The extreme (...) ambiguity of the claim that animals are being enhanced, the driving goals and strategies of third-party interests, but also the similarity of the substances and techniques used on humans and animals, suggest that human enhancement practices may be just as tainted by equivocal goals and strategies as equivalent practices with animals. (shrink)

The defence of necessity has had a long, though confused, legal career. Like self-defence, consent, duress, insanity and mistake of law, necessity is rooted in moral intuitions about when conduct which causes harm to another's person or property is not wrong, or should be tolerated, permitted or praised. If a man is literally starving to death and steals a loaf of bread, we are reluctant to say that his extreme circumstances should make no difference at all to the way we (...) treat him at trial. And if two men, adrift at sea, are clinging to a log which can only support the weight of one, we are once again reluctant to say that if one pushes the other off the log, it is just a case of murder. These intuitions are deepseated; but it is extremely difficult to articulate the defence they seem to support, or to isolate the circumstances which mark the difference between a situation where the defence ought to apply and where it ought not. (shrink)

Cet article porte sur une distinction familière entre deux formes de souvenirs: les souvenirs factuels ('Je me souviens que p', où 'p' est une proposition) et les souvenirs épisodiques ('Je me souviens de x', où x est une entité particulière). Les souvenirs épisodiques ont, contrairement aux souvenirs factuels, un rapport immédiat et interne à une expérience particulière que le sujet a eue dans le passé. Les souvenirs épisodique et factuel sont des souvenirs explicites au sens de la psychologie cognitive. J'esquisse (...) une théorie du souvenir épisodique qui rend compte de ce trait essentiel. L'une des conséquences de cette théorie est que lorsque je me souviens de quelque chose au sens épisodique, je me souviens que ce même souvenir remonte directement à l'une des mes expériences passées. Le souvenir épisodique est un souvenir factuel réflexif. (shrink)

Résumé Les musées semblent souvent à la fois immuables et « objectifs » pour ce qui est des relations qu’ils proposent aux œuvres. La constitution des musées procède pourtant d’une histoire qui emprunte directement à la rhétorique des méthodes visant à convaincre, toucher, persuader, voire manipuler à tout prix les personnes à qui on a affaire. Les questions d’invention, de disposition, d’élocution se retrouvent ainsi au musée dans les choix et catégorisations d’œuvres, la muséographie, la médiation, la visite guidée...

Résumé L’interprétation serait un point qui divise les arts. À l’encontre de cette idée, l’auteur pose un principe d’équivalence entre les arts qui n’est plus fondé sur des questions de définition des « pratiques artistiques » mais sur leur mode de diffusion. Le concert, le spectacle, le cinéma, l’édition d’un livre trouvent alors leur contrepartie dans le monde des arts plastiques avec l’exposition. L’exposition est en outre le point de rencontre de différentes formes d’interprétation : celle de l’artiste, celles de (...) ses médiateurs, celles des spectateurs. (shrink)

Merleau-Ponty’s phenomenology also extends to politics, which he does not only understand from a Marxist point of view. In his articles on Montaigne and Machiavelli, he operates a reduction of the political subject in order to show how it is always already involved in the world, in history and in political affairs, how these phenomena appear to it, and how it can act. In this light, the ‘Preface’ to Humanism and Terror presents both a description of the demands of political (...) judgment and action, and a statement of Merleau-Ponty’s position as a political subject in postwar France. (shrink)

Contextualizationof Biblical texts is a priority of every exegete, who endeavors to bring the ancient scripts to dialogue with contemporary issues. This paper, which studies Psalm 72 and a prayer composed for good governance in Anambra State Nigeria, focuses on this hermeneutical interpretation. The writer adopts a simplified literary method in Biblical research that takes cognizance of the varied poetic techniques in Psalm 72 and engages in a detailed comparative study of a Psalm composed more than two millennia ago and (...) a prayer of our time. Such comparative study reveals a striking similar preoccupation of the composers of both texts. Both prayed for good governance of which all developing countries today are in dire need. (shrink)

This article attempts to bring together the life, situation, and philosophical work of the Czech phenomenologist Jan Patočka in order to present his conception of philosophy and sacrifice and to understand his action of dissent and his own sacrifice as spokesman for Charter 77 in light of these concepts. Patočka philosophized despite being barred from teaching under the German occupation and under the communist regime, even after he was forced to retire and banned from publication. He also refused the official (...) philosophical categories of communism and, what is more, criticized the very manner in which its ideology allowed it to function. Against the destruction of moral and political life by communist and liberal regimes alike, he outlined the necessity of a “life in the idea” that would be responsive to the notion of sacrifice. Such a position of distance from the things of the world which remains anchored among them is meant to respond to dissatisfaction with the world as it is found and is the very movement of human freedom. Taken together, these three aspects of his philosophical practice made him a dissident, a role he took on more completely when, as part of the Charter 77 movement, he publicly opposed the state, in a course of action that led to his death. (shrink)

Three commitments guide Dennett’s approach to the study of consciousness. First, an ontological commitment to materialist monism. Second, a methodological commitment to what he calls ‘heterophenomenology.’ Third, a ‘doxological’ commitment that can be expressed as the view that there is no room for a distinction between a subject’s beliefs about how things seem to her and what things actually seem to her, or, to put it otherwise, as the view that there is no room for a reality/appearance distinction for consciousness. (...) We investigate how Dennett’s third doxological commitment relates to his first two commitments and whether its acceptance should be seen as a mere logical consequence of acceptance of the first two. We will argue that this is not the case, that Dennett’s doxological commitment is in need of independent motivation, and that this independent motivation is not forthcoming. (shrink)

Prologue: retrospective and prospective -- The ethics of enough -- Real and apparent goods -- Wrong desires: pleasure, money, fame, and power -- Right desires: the totum bonum and its constituents -- Fundamental errors in moral philosophy -- Necessary but not sufficient -- Epilogue: transcultural ethics.

Preface by Dr. Franz Alexander - Director, Psychiatric and Pychosomatic Research Institute Mount Sinai Hospital, Los Angeles. Vol. 9.

The image of perception as openness to fact is best understood as the claim that the contents of perception are mind-independent facts. However, I argue against John McDowell that this claim, which he accepts, is incompatible with his conceptualism, namely the thesis that the contents of perception are fully conceptual. If we want to give justice to the image of perception as openness to facts, we have to acknwoledge that perception relates us to a non-conceptual world.

In lieu of an abstract, here is a brief excerpt of the content:Philosophy, Psychiatry, & Psychology 9.2 (2002) 159-160 [Access article in PDF] The Nine Lives of the Dynamic Unconscious Jerome Kroll IN THEIR PROVOCATIVE ARTICLE "Dispensing with the Dynamic Unconscious," O'Brien and Jureidini offer two basic arguments against the existence or, more accurately, because we are dealing here with constructs, the plausibility, of the dynamic unconscious. First, they assert, in contradistinction to the psychoanalytic claim that evidence of a (...) cognitive unconscious supports the claim for a dynamic unconscious, that the notion of a cognitive unconscious is incompatible with that of a dynamic unconscious. Second, they argue on the grounds of parsimony that the phenomena explained by a dynamic unconscious can be better explained (accounted for) by other mechanisms.I would argue that neither of their contentions is correct. O'Brien and Jureidini have essentially taken data and evidence from cognitive science, issued a new vocabulary, and then asserted that their vocabulary is superior and constitutes better explanations for the phenomena and observations under question. They have failed to show any incompatibility between the two explanatory constructs. O'Brien and Jureidini agree with the basic Freudian tenet that most mental activity is unconscious, that is, out of consciousness, and that much of what is out of consciousness can be brought into consciousness with proper cueing. No problem so far.The problem with the dynamic unconscious, as O'Brien and Jureidini see it, is that the cognitive unconscious is modular, best described as a series of subpersonal systems akin to a set of narrowly focused computational specialists, whereas the dynamic unconscious contains fully formed repressed memories. What O'Brien and Jureidini have now given us are multiple homunculi rather than just one CEO or executive homunculus. How literally do we want to take these subpersons? Are subpersonal mental states more satisfactory scientifically than personal-level mental states? Second, O'Brien and Jureidini unfairly attribute to the psychoanalytic position the claim that the dynamic unconscious "is presumed to contain fully formed repressed memories." With the compelling evidence from psychology and neuroscience that all memory is a reconstruction, I do not think that any contemporary psychodynamicist makes a case for fully formed repressed memories, nor is this notion essential to a theory of a dynamic unconscious. O'Brien and Jureidini invoke Occam's razor by invoking a straw horse argument. Their description of the action of subpersonal parts doing sufficient specific cuing sounds suspiciously like the work done in the dynamic unconscious. In the next section, an emotional response is described as pushing images out of mind before they can be reported on (assumedly, before they become conscious). What is doing the pushing here? Upon what principles or priorities are images pushed out of mind?The authors explain that mental "representations are inaccessible to consciousness by virtue [End Page 159] of architectural constraints rather than the operation of a repressive force." But architectural constraints sounds like another way of describing neural facilitation and inhibition. Certainly most neural activity, perhaps all, involves facilitation and inhibition of signals at multiple synapses. Repression is just a psychological construct to describe what the processes of facilitation and inhibition bring about in terms of meaningful mental activity. While we are on the topic of choice of words, the repeated description of the dynamic unconscious as subterranean is an inflammatory locution designed to rally opposition to the notion. The cognitive unconscious is equally subterranean.To look further into the supposed superiority of explanation via the cognitive unconscious, we see that O'Brien and Jureidini attribute the following processes to the cognitive unconscious: evaluation, decision making, editing out, filling in, reconstruction, and reconfiguration. But what are the bases of these processes? What guides or influences the way ideas, images, and emotions are reconstructed and reconfigured? It does not appear to be done randomly. When the reconstructive narrative becomes "significantly distorted" because the memory to be retrieved is fraught with distress, what accounts for the shape of the distortion and what (dare we say who?) recognizes that a memory is about to be distressing? We may all be unhappy with the notion of a dynamic unconscious... (shrink)

A thematic reading guide for the Great books of the Western world series.

L’intelligence artificielle (IA) est une notion propice aux fantasmes. En pratique, elle désigne notamment une technologie permettant à des machines de réaliser des choses que les humains qualifient d’intelligentes. Le rapport que l’intelligence artificielle entretient avec le droit se situe essentiellement à deux niveaux. D’une part on peut traiter, grâce à l’intelligence artificielle, le droit comme un objet mathématique, ce qui permet de quantifier l’ aléa judiciaire. Dans ce cadre, la machine ne singe pas le raisonnement du juge mais permet (...) de mieux mesurer les issues possibles et leurs probabilités, dans l’espoir de favoriser les solutions amiables. D’autre part, l’intelligence artificielle est un domaine du droit naissant dont les juristes doivent se saisir. Le droit n’est pas démuni face aux multiples enjeux qui existent en ce domaine, qu’il s’agisse de robotique autonome ou de systèmes experts. La responsabilité du fait des choses et la responsabilité du fait des produits défectueux sont les deux voies à explorer principalement. Les juges devront traiter ces sujets nouveaux dans les prochaines années, en comblant certaines lacunes du droit, lequel évoluera à son tour. (shrink)

Il s’agira d’aborder dans cette contribution l’œuvre de Carl Andre en tant qu’arrangement de pièces combinatoires, selon des ensembles minimaux qui se parcourent, dont l’expérience et littéralement la compréhension ne peuvent se faire qu’à partir du déplacement physique du visiteur. Un déplacement qui prend son impulsion à partir du sol, départ de la sculpture mais aussi plan selon lequel la plus existentielle des dimensions se donne, condition fondatrice de l’habiter humain. Si l’installation a souvent été considérée comme une extension des (...) pratiques de l’assemblage et du collage, c’est-à-dire en fonctionnant selon des principes d’association, de contamination et de télescopage, le travail de Carl Andre pose de manière très radicale et rigoureuse les conditions mêmes qui rendent possible toute installation : la mise en tension sans cesse renouvelée d’une proximité et d’un lointain qui fonde l’horizon d’un spectateur toujours dessaisi de ce qui ad-vient, l’avènement de la corporéité en tant que mouvement, des prises sensori-motrices sans cesse reconduites et indexées sur la perception des objets qui occupent l’espace et le redistribuent, enfin la nature éminemment trajective de cette catégorie d’œuvre que l’on tente de définir par le terme d’installation. Les environnements sculpturaux proposés par l’artiste américain donnent lieu, ils instituent l’espace et l’ouvrent, ils sont autant de places à investir. In this contribution, we will deal with the works by Carl Andre as an arrangement of combinatory parts, according to minimal sets you can go by whose experience and literally the understanding can only be made from the visitor’s physical moves. A movement that origins from the ground, the start of the sculpture but also a map according to which the most existential of dimensions emerges, the founding condition of human beings. If the installation has often been considered an extension of assembly and collage habits, that is to say functioning according to association, contamination and going back and forth principles, the works by Carl Andre set the very conditions which make any kind of installation possible in an extremely radical and strict way: the forever renewed focus of a proximity and a distance which founds the horizon for a spectator who keeps being deprived of what will come, the surge of corporeality as a movement, of forever renewed sensorimotor grips indexed to the perception of objects which fill space and redistribute it, and at last the trajective nature of this kind of works one tends to define by the word of installation. The sculptural environment offered by the American artist gives place, they institute space and widen it, they are as many places to invest. (shrink)

Qualia, conceived as intrinsic properties of experiences, are not always welcomed by materialists, who prefer to see them as intentional properties presented in our experience. I ask whether this form of reductionism applies to the qualia of bodily awareness. According to the standard materialist theory, the intentional object of pain experience, for instance, is a bodily damage. This theory, though, is unable to account for the phenomenal difference between feeling pain 'inside' and perceiving it 'outside' (seeing oneself or another in (...) pain). I sketch another reductionist analysis which is compatible with materialism, and according to which the intentional object of bodily awareness, unlike that of external perception, constitutively depends on the subject's experience. (shrink)

What does "The Rime of the Ancient Mariner" mean? This question, in one form or another, has been asked of the poem from the beginning; indeed, so interesting and so dominant has this question been that Coleridge's poem now serves as one of our culture's standard texts for introducing students to poetic interpretation. The question has been, and still is, an important one, and I shall try to present here yet another answer to it. My approach, however, will differ slightly (...) from the traditional ones, for I do not believe that we can arrive at a synthetic answer until we reflect upon the meaning of the question itself. I will begin, therefore, by reconsidering briefly the history of the poem's criticism. . . . A poem like the "Rime" encourages, therefore, the most diverse readings and interpretations. Since this encouragement is made in terms of the Christian economy, the interpretations have generally remained within the broad spiritualist terms, "heathen" terms, in Newman's view, which Coleridge's mind had allowed for. The historical method of the "Rime," however, had also prepared the ground for a thoroughly revisionist view of the poem, in which the entire ideological structure of its symbolist procedures would finally be able to be seen in their special historical terms. (shrink)

Durant l'entre-deux guerres, en France, suite aux changements sociaux répercutés dans le champ littéraire, nombre d'écrivains, de critiques, de grammairiens s'interrogent sur la place du «peuple» dans la représentation littéraire. Non seulement sur le rôle des personnages populaires dans le roman, comme le suggère le mouvement populiste né en 1930, mais également sur celui de la représentation de la langue parlée par le «peuple». Plusieurs solutions s'ébauchent et font l'objet de débats , dont la plus audacieuse peut être décrite comme (...) une nouvelle narration oralisée, sanctionnée par le succès de Voyage au bout de la nuit , de L.-F. Céline.During the 1919-1939, many writers and critics think about the representation of popular language in the modern novel, and their political consequences. Not only about the popular characters, not only about the dialogues, but also about the techniques of narrative transposition of orality. Many solutions exist, and create violent debates between the critics and the writers. For example, Giono, Ramuz, Queneau or Cendrars use forms of oralisation in their narration. L. F. Celine is the most famous of these writers, because of the success of "Travel to the end of Night". (shrink)

Résumé Depuis la Place (1983), Annie Ernaux a tourné le dos à la fiction pour se consacrer à des récits factuels, témoignant de l’expérience du transfuge de classe. Pour ce faire, elle recourt à des modèles explicatifs venus des sciences sociales. Cet article propose d’examiner l’éthique narrative propre à cette posture de témoin, à travers deux options formelles qui l’incarnent : d’abord, une énonciation « transpersonnelle », ensuite la mise au point d’une « écriture plate ».