Intelligent design (ID) raises several challenges for the relation between science and religion. One's views on these matters ramify across the other sciences, including physics. Can design, especially supernatural design, play any legitimate role in science? Is the ID question just a matter of evidence? What is the proper role for naturalism in all this? These are important questions in the philosophy of science. Before taking them up, this chapter briefly looks at the core concepts used in ID today. There (...) is a less visible but equally menacing problem for the viability of ID. Methodological naturalism (MN) gets a lot of attention, but there is another methodological shaping principle to be contended with, namely, conservatism. Conservatism is also the reason ID attracts so many theists and few nontheists. If one already believes in an intelligence that can play the role of designer, then ID‐based science is not a radical move. (shrink)

Physicists and philosophers argue whether quantum theory has spiritual implications. The vast majority of opinions are at two extremes: Some contend that quantum theory has absolutely no spiritual implications whatsoever, whereas others assert that it forms the very basis of a modern spirituality and can be directly applied to the human condition. It is this article's contention that neither extreme is correct. Quantum theory does have spiritual implications - a fact that its founders intuited and its enemies, Einstein preeminent among (...) them, considered prima facie evidence of its as yet undiscovered flaws. Quantum theory has proven itself against all challenges more successfully than any other scientific theory, but its spiritual implications are extremely subtle. It provides a boundary to the materialistic, deterministic worldview and shows that there must be more to reality than that, but is inherently incapable of providing evidence as to the nature of what lies beyond that boundary. (shrink)

A longstanding question at the intersection of science, philosophy, and theology is how God might act, or not, when governing the universe. Many believe that determinism would prevent God from acting at all, since to do so would require violating the laws of nature. However, when a robust view of these laws is coupled with the kind of determinism now used in dynamics, a new model of divine action emerges. This book presents a new approach to divine action beyond the (...) current focus on quantum mechanics and esoteric gaps in the causal order. It bases this approach on two general points. First, that there are laws of nature is not merely a metaphor. Second, laws and physical determinism are now understood in mathematically precise ways that have important implications for metaphysics. The explication of these two claims shows not only that nonviolationist divine action is possible, but there is considerably more freedom available for God to act than current models allow. By bringing a philosophical perspective to an issue often dominated by theologians and scientists, this text redresses an imbalance in the discussion around divine action. It will, therefore, be of keen interest to scholars of Philosophy and Religion, the Philosophy of Science, and Theology. (shrink)

This paper explores the transformation which Adorno’s conception of history undergoes from his texts of the 1930s to those of the 1960s. This transformation involves a change in the role played by Hölderlin’s figure of transience. In the texts of the ’30s, Hölderlinian transience (in its Benjaminian interpretation) amounts to a moment of negative content within Adorno’s conception of history. In the texts of the ’60s, such transience becomes the very form of Adornian philosophical history. As such, his thinking of (...) history changes from a tragic conception (emphasizing a “negative absolute”) to an iconoclastic one (emphasizing “absolute negativity”). (shrink)

In his rich and engaging essay, Professor Garber asks most centrally, “…what was the relation between Leibniz’s metaphysical project as set out in the so-called ‘Monadologie’ and the more theological project in the Essais de Théodicée?” His answer is, in short, that there isn’t much of a relationship between these two great works. Furthermore, he takes this result to be evidence of Leibniz’s not being a systematic philosopher in the spirit of Descartes or Spinoza. In these brief comments, I revisit (...) Garber’s two central questions in turn and offer some moderating resistance to both of his conclusions. (shrink)

Bianchi, Stanley, and Sutander argue in an insightful, cogent manner for the consideration of harm reduction as an ethically-defensible, non-paternal management approach for capable persons...

The meticulous observation and imitation of animals lies deeply within human culture and identity. Zoomimesis refers to this performative animal mimicry and to how animal references and interaction are woven into the conception of the human. Zoomimesis has an anthropodecentering effect that places animal–human interactions in horizontal rather than hierarchical relation. Music, dance, and clothing show influence from animal behaviors. Many types of body art and body modification are inspired by animals. Animal movements and behaviors become an extension of the (...) capabilities of human bodies and identities. The human sense of art and aesthetics itself is shaped by animals and animality. (shrink)

To write a history “from antiquity to the present” of classical art or literature (or, worst of all, classicism) is the ultimate nightmare aspiration for a scholar whose colleagues are attentive methodologists. The product, when there is one (which I add because the aspiration can yield paralysis), is always in part an apologetic treatise on historical method. Professor Vout—of Christ's College, Cambridge—apologizes with the first word of her subtitle, A, which stresses that many differing histories may be as valid as (...) her own. The next two words, Life History, imply that her study is unauthorized, conjectural, a bit personal or informal, and reliant to an extent on unconfirmable stories. Her book, she tells readers, is of necessity an arrangement of “fragments” and “a mapping not of facts, but of ways in which Greek and Roman artifacts experience history.” She sets down, moreover, as a rule that “classical” is not “a self-standing category: it is always relational” (which historians of the novel have been telling us for many decades about “realism”).We might expect the result of Vout's axioms to be evenhanded diffidence when treating definitions of the classical, and indeed she entertains even the idea of Jeff Koons—maker of Balloon Venus (Orange) and Gazing Ball (Barberini Faun)—as a classical sculptor. There is, however, one approach that she dismisses out of hand: the obsession of classical humanism with authenticity and its renascence. She objects especially to research into the original conditions of objects and to the application of increasingly intrusive methods of restoring them. As she writes, “ ‘Real knowledge’ comes not from antiquities that have been ripped from their original context, cleaned and reconstituted for display in galleries and glass cabinets. ‘Real knowledge’ comes from antiquities that carry their dirt with them.”What Vout, as a critic of humanism, means by dirt is patina—the residue, interesting and sometimes beautiful in itself, of the use and misuse of objects. Dirt is a word that would occur to a humanist art historian when examining the patina of a Greek or Roman object. Vout's use of the word is a parodic expression of reverse snobbery. When studying changes, whether mistakes or enhancements, in a Greek or Roman document, a humanist literary historian would speak of corruption and edit the corrupt text by means of processes that humanist editors invented and perfected. Despite the humanists’ devotion to the recovery of classical learning, however, once a Renaissance edition of a manuscript was in print, the original, however rare, was often destroyed or lost. In effect, the work was reborn, better than new. Rebirth is not the same as preservation: though both are perhaps conservative (or better, in Ulysses's words, “rere regardant”), a renascence or a resurrection is cataclysmic.The humanist approach to the past can appear unlovable and is certainly arrogant, but it can also inspire awe and gratitude. The work of Michelangelo depended on it, and so (more to the point) did Martin Luther's. Vout's attitude toward dirt (patina, corruption, misprision, insertions, recontextualizations, bowdlerizations, misappropriations, translocations) resembles that of Catholic theologians to the depositum fidei. Restoring the original conditions of the Christian church involved methods of research learned from Renaissance humanists and the removal, often destructive, of the “deposit” or residue or patina that adhered to, distorted, discolored, and obscured the conditions of the “primitive church.” A Roman Catholic may well dislike the processes that Luther set in motion, but imagine a scholarly history of Christianity that mentioned Protestantism only to regret its existence.Still, Vout's reasoning, it seems to me, is more sophisticated in its defense of dirt and in its criticism of restoration than any offered against the Protestants’ reasoning during the Counter-Reformation. Consider, for instance, this inspiring passage: “When the curators at the Munich Glyptothek removed Thorwaldsen's restorations from the Aegina pediments, they did not so much take them back to a pristine state as out of the feedback loop, rendering them damaged goods. It was not a restriction of avenues or a change of direction that was being enacted here, but a refusal to speak the language, or rather an insistence that the only language worth speaking was an academic [humanist, restorationist] one.... In 2011, the Glyptothek marked the two hundredth year of the pediments’ discovery by putting new versions of Thorvaldsen's restored figures on display. They had relearned the lingo. For art to be ‘classical,’ it has to know its place in the discourse.” May lingo and feedback loop have successful careers in the lexicon of classical scholarship. “Far from producing a nostalgic narrative,” as Vout informs us, “the lessons learned from looking back ensure that we keep traveling.”. (shrink)

When Leviathan appeared as the third version of Thomas Hobbes' s civil science, it was notable in several respects: its rhetorical strategies, its political implications, and its appeal to an anglophone audience. There has been much scholarly attention paid to Hobbes's religious writing, but little specifically to his use of the phrase the “Christian Commonwealth.” Hobbes's first invocation of the notion of the Christian Commonwealth was found in his early Elements of Law. Hobbes's main concern was to secure the “obedience (...) to public authority” of Christians living in Christian polities, and the “Christian Commonwealth” found in the Elements was primarily distinguished from non‐Christian polities. The Christian Commonwealth of Leviathan was an absolute political entity achievable wherever a sovereign state espoused Hobbes's minimal theology. Bramhall's objection to Hobbes's pluralistic and minimal understanding of Christian polities, shorn of all clerical authority, would persist in high church and particularly Catholic ecclesiology. (shrink)

It is often challenging for mental health‐care providers and health organizations to perform their various roles and to meet their varied obligations. In complex mental health‐care circumstances the concurrent application of relevant ethical principles and values often leads to the emergence of completing obligations that need to be carefully weighed and balanced in the making of care‐related decisions. Although some clinical circumstances, such as those potentially triggering the duty to warn, are adequately guided by existing rules based on legal precedents, (...) there is a gap in decision‐making support in other mental health‐care domains. This article proposes that a set of targeted, decision‐making approaches be developed to assist in the handling of specific, challenging circumstances. By way of illustration, two novel approaches are introduced; that is, choosing to work within a moral relational space of optimal therapeutic engagement (at the micro level of clinical practice), and the use of a health policy development approach that instantiates deliberative engagement (at the meso and macro levels of health organization). (shrink)

This article explores and categorizes the belief of what awaited the soul after bodily death held by English divine Samuel Clarke, D.D. as compared to that held by his close friend Isaac Newton. Evidence taken from the corpus of Clarke's writings reveals both he and Newton to be mortalists, but of differing types and to different degrees. While it has long been known that Clarke and Newton were often of one mind in matters of theology, a comparative study of their (...) conceptions of soul reveals that the two friends held even more parallels than has been acknolwedged. (shrink)

Informed consent is the single most important concept for understanding decision-making capacity. There is a steady pull in the clinical world to transform capacity into a technical concept that can be tested objectively, usually by calling for a psychiatric consult. This is a classic example of medicalization. In this article I argue that is a mistake, not just unnecessary but wrong, and explain how to normalize capacity assessment.Returning the locus of capacity assessment to the attending, the primary care doctor, and (...) even to ethics consultation in today's environment will require a substantial effort to undo a strong but illusory impression of capacity assessment. Hospital attorneys as well as clinical ethicists with a sophisticated understanding of health law can be in the vanguard of this reorientation. (shrink)

This book offers a provocative analysis of the neuroscience of morality. Written by three leading scholars of science, medicine, and bioethics, it critiques contemporary neuroscientific claims about individual morality and notions of good and evil. Winner of a 2021 prize from the Expanded Reason Institute, it connects moral philosophy to neoliberal economics and successfully challenges the idea that we can locate morality in the brain. Instead of discovering the source of morality in the brain as they claim to do, the (...) popularizers of contemporary neuroscience are shown to participate in an understanding of human behavior that serves the vested interests of contemporary political economy. Providing evidence that the history of claims about morality and brain function reach back 400 years, the authors locate its genesis in the beginnings of modern philosophy, science, and economics. They further map this trajectory through the economic and moral theories of Francis Bacon, David Hume, Jeremy Bentham, John Stuart Mill, and the Chicago School of Economics to uncover a pervasive colonial anthropology at play in the neuroscience of morality today. The book concludes with a call for a humbler and more constrained neuroscience, informed by a more robust human anthropology that embraces the nobility, beauty, frailties, and flaws in being human. (shrink)

I argue that relations between non identical times, such as the relations, earlier than , later than , or 10 seconds apart , involve contraction, and only co temporal relations are non contradictory, which would leave presentism the only non contradictory theory of time. The arguments I present are arguments that I have not seen in the literature.

ABSTRACT This article engages Frater Taciturnus’s ‘Letter to the Reader’ to argue for a religious aesthetics in Kierkegaard. This religious aesthetics is designed to purify the passions and help the believer ‘see’ the religious ideal, but also to confront the aesthetic spectator with the religious reality of her own situation. My claim for this revised reading of religious poetics in Kierkegaard derives from Taciturnus’s view of a superior form of religious ideality that comes ‘after actuality’. This ideality is not an (...) envisioned ideal that is untested by actuality and thus ‘illusory’ but an ideal that is graspable only after the self has acknowledged the actuality of their sinful condition, rather than any specific actual sin. To appreciate this form of ideality, Frater Taciturnus repeatedly resorts to visual metaphors and the power of imagination, suggesting that the religious ideal must be ‘seen’ with a sort of synoptic vision capable of looking past both comedy and tragedy and resulting in the purification of our typical affective responses to aesthetic objects. Seeing in this way, the individual imaginatively engages in religious aesthetics and grasps the religious ideality by affirming the actuality of their own sinfulness and receiving forgiveness for that sinfulness. (shrink)

We suggest in this commentary an emotional origin of the Industrial Revolution. Specifically, increased living standards directly preceding the Industrial Revolution produced increased happiness and subjective well-being that, in turn, fueled the explosion of innovation and economic growth experienced in industrial England.