Limitations of antiarrhythmic drugs on cardiac sudden death prevention appeared since the early 80's. The "Cardiac Arrhythmia Suppression Trial"(CAST) showed more recently that mortality was significantly higher inpatients treated with some particular antiarrhythmic drugs than in non-treated patients. In this field, our group recently demonstrated that a bolus of a Class 1B antiarrhythmic drug was able to trigger a ventricular fibrillation due to transient blocks induction. The aim of the present work was to systematically study, by use of the van (...) Capelle and Durrer (VCD) model which allows to simulate ventricular activation wave propagation, the link between arrhythmogenic effects and the ability of transient blocks to possibly degenerate in severe arrhythmias. A fragment of the ventricular wall is represented by an array of 16384elements electrically coupled. Effects of induction of one or several transient blocks, as the effects of their size and duration on possible induction of reentries have been studied. Results obtained show that various combinations between these different parameters may trigger reentries, ventricular tachycardia and/or more complex patterns assimilable to ventricular fibrillation. These results clearly evidence the fact that possible induction of transient blocks may directly be related to risk factor associated to arrhythmogenic effects of antiarrhythmic drugs. (shrink)

This paper is not an article in a regular sense. It is a dialogue between François-David Sebbah, one of the two editors of this topical collection, and Jean-Luc Nancy, one of the most eminent representatives of the contemporary French Thought. This dialogue took place in the first half of 2022 in a written form, because of the sanitary restrictions related to the COVID-19 pandemic and because Nancy was heavily sick. Sebbah sent to Nancy a text, corresponding to Section 2.1, (...) and Nancy responded to it with another text, corresponding to Section 2.2. Unfortunately, Nancy died on August 23, 2022, and could not revise his own text nor pursue the dialogue, as it was originally planned. For this reason, an introductory clarification by Sebbah, corresponding to Section 1, has been added. The purpose of such clarification is to introduce the reader to Nancy’s philosophy of technology—although technology never had a central role in Nancy’s reflections. In Section 2.1, Sebbah proposes a distinction between “French Theory,” “French Thought,” and “French Philosophy.” He also proposes a list of twelve possible intersections between the French Thought and the philosophy of technology. In Section 2.2, Nancy criticizes the use of expressions such as “French Thought.” He also insists, in a Heideggerian vein, on the fact that Technology (with a capital “T”) does not depend on human ends but has its own ends. (shrink)

The problem of the intensification and remission of qualities was a crux for philosophical, theological, and scientific thought in the Middle Ages. It was raised in Antiquity with this remark of Aristotle: some qualities, as accidental beings, admit the more and the less. Admitting more and less is not a trivial property, since it belongs neither to every category of being, nor to every quality. Rather it applies only to states and dispositions such as virtue, to affections of bodies such (...) as heat and sweetness, and to affections of soul such as anger. However, the property of admitting more and less was a matter of importance for the qualitative physics that had reigned up to about the time of Descartes, a physics which was concerned with concepts such as heat, coldness, lightness, heaviness, and so on. (shrink)

Jean-Luc Nancy discusses his life's work with Pierre-Philippe Jandin. As Nancy looks back on his philosophical texts, he thinks anew about democracy, community, jouissance, love, Christianity, and the arts.

I examine Bayle's infamous statement that Christian mysteries are not only "above" human reason, but are "against" it. I put it back in the context of 16th-17th century Reformed thought. I then discuss the relation between reason and faith according to Bayle.

The phenomenological theory of constitution promises a solution for the problem of consciousness insofar as it changes the traditional terms of this problem by systematically correlating subject and object in the unifying context of intentional acts. I argue that embodied constitution must depend upon the role of kinesthesia as a constitutive operator. In pursuing the path of intentionality in its descent from an idealistic level of pure constitution to this fully embodied kinesthetic constitution, we are able to gain access to (...) different ontological regions such as physical thing, owned body and shared world. Neuroscience brings to light the somatological correlates of noemata. Bridging the gap between incarnation and naturalisation represents the best way of realizing the foundational program of transcendental phenomenology. (shrink)

Starting from a genesis of the concept of narrative identity, this article attemps to interpret the constitution process of our narrative identities through a systematic and synthetic review of the main contributions of the Ricœurian theory of imagination, from Freedom and Nature to Oneself as Another. In its complex imaginative constitution, narrative identity can then be characterized as a poetico-practical mix that mediates and puts in a dialectical relation two distinct functions of the imagination: a poetic and a practical one, (...) which are themselves enlivened by a dialectic and an internal duplication. (shrink)

This is the first English translation published of Jean-Luc Nancy's acclaimed consideration of the law's most pervasive principles in the context of actual systems and contemporary institutions, power, norms, laws.

I first explain the scholastic (Scotist) thesis on the independence of essences Bayle alludes to in the passage of the Continuation des Pensée Diverses where he presents the Stratonicians' and the Chinese philosophers' retorsion. Then, I show that this retorsion applies to the argument of the existence of God based on "aseity", but not to the occasionalist argument based on the "quod nescis" principle. I conclude that materialism (the "Stratonician hypothesis") cannot be, for Bayle, a satisfying system.

In this interview 1, Jean-Luc Nancy retraces the origin, the affirmation and the trivialisation of deconstruction: from its point of departure in Heidegger's project of the destruction of the history of ontology, to its attachment to Derrida's philosophical style; from its quick dissemination in the American universities and its adoption as a method of textual critique, to its gradual banalisation in common discourse as a synonym of ‘demolition’. All this is discussed through the lens of Nancy's personal experience, with (...) particular attention to the historical background and some insights into the origins of the project of a deconstruction of Christianity, the relation between deconstruction and différance and the future role of deconstruction. (shrink)

Historien de la philosophie, Jean-Luc Marion est l'un des philosophes français contemporains les plus discutés, les plus commentés et les plus traduits aujourd'hui. La rigueur d'une oeuvre aussi riche que dense rend ainsi très précieuse cette conversation. Le philosophe y revient sur quelques grandes figures qui ont marqué sa vie (Ferdinand Alquié, Louis Bouyer, Emmanuel Levinas qu'il a remplacé à la Sorbonne, Jean-Marie Lustiger dont il a pris la place à l'Académie française...). Il évoque également les grandes étapes (...) de son travail, et rend compte de la dynamique d'une quête philosophique jamais éteinte. Philosophe-phare du catholicisme français, il offre enfin un éclairage neuf et très original sur l'état de l'Eglise et le dialogue judéo-chrétien. (shrink)

The medieval notion of instrumental cause is not limited to what we call today “instruments” or “tools.” It extends way beyond the realm of technology and includes natural entities, for instance, the accidents by which a substance acts on another substance, sensible species in the air acting on a visual faculty, sacraments, bodily organs, and sometimes creatures with respect to God’s action. In all these cases, instrumental causes, like secondary causes in general, are subordinated to a principal cause and contribute (...) to its action and effects. However, the manner in which they do so makes them different from regular secondary causes, and the specifics are not easy to pinpoint. At the occasion of discussions about creation ex nihilo and sacraments, John Duns Scotus challenges Thomas Aquinas’s theory of instrumental causality. Whereas Aquinas does not strongly distinguish between artifacts and natural agents, and postulates a complex superposition of layers of causation, Scotus offers a novel view that clearly separates artificial instrumentality and natural instrumentality, and in both cases explains causation with great economy. Scotus’s in-depth discussion has far-reaching implications. It completely transforms the understanding of instrumental causality in general. (shrink)

The problem of the limitations of or conditions for God's power was one of the most fruitful topics in medieval discussions. While debating it, medieval thinkers came to redefine the concept of the "possible." William of Auxerre's disputed questions offer an example of critical reexamination of Aristotle's conception of possibility. Parallel to the account of William's views on the topic, the article provides (from a formal point of view, so to speak) an analysis of the sequence and formulation of the (...) questions he raises, in an attempt to propose a method for reading these frequently disconcerting texts. (shrink)

Why is it that the modern conception of literature begins with one of the worst writers of the philosophical tradition? Such is the paradoxical question that lies at the heart of Jean-Luc Nancy’s highly original and now-classic study of the role of language in the critical philosophy of Kant. While Kant did not turn his attention very often to the philosophy of language, Nancy demonstrates to what extent he was anything but oblivious to it. He shows, in fact, that (...) the question of philosophical style, of how to write critical philosophy, goes to the core of Kant’s attempt to articulate the limits, once and for all, that would establish human reason in its autonomy and freedom. He also shows how this properly philosophical program, the very pinnacle of the Enlightenment, leads Kant to posit literature as its other by way of what is here called the syncope, and how this other of philosophy, entirely its product, cannot be said to exist outside of metaphysics in its accomplishment. This subtle, unprecedented reading of Kant demonstrates the continued importance of reflection on the relation between philosophy and literature, indeed, why any commitment to Enlightenment must consider and confront this partition anew. (shrink)

Lip reading is the ability to partially understand speech by looking at the speaker's lips. It improves the intelligibility of speech in noise when audio-visual perception is compared with audio-only perception. A recent set of experiments showed that seeing the speaker's lips also enhances sensitivity to acoustic information, decreasing the auditory detection threshold of speech embedded in noise [J. Acoust. Soc. Am. 109 (2001) 2272; J. Acoust. Soc. Am. 108 (2000) 1197]. However, detection is different from comprehension, and it remains (...) to be seen whether improved sensitivity also results in an intelligibility gain in audio-visual speech perception. In this work, we use an original paradigm to show that seeing the speaker's lips enables the listener to hear better and hence to understand better. The audio-visual stimuli used here could not be differentiated by lip reading per se since they contained exactly the same lip gesture matched with different compatible speech sounds. Nevertheless, the noise-masked stimuli were more intelligible in the audio-visual condition than in the audio-only condition due to the contribution of visual information to the extraction of acoustic cues. Replacing the lip gesture by a non-speech visual input with exactly the same time course, providing the same temporal cues for extraction, removed the intelligibility benefit. This early contribution to audio-visual speech identification is discussed in relationships with recent neurophysiological data on audio-visual perception. (shrink)

This article aims to establish that Descartes accepted the scholastic view that God’s duration in itself (“eternity”) is not successive but “all at once,” as opposed to temporal things’ durations. Though most scholars have assumed this to be Descartes’ view, Geoffrey Gorham recently called it into question with a number of strong arguments. We contest his interpretation on multiple grounds. First, we show that when Descartes asserts that a duration which is “all at once” is “inconceivable,” he is not making (...) a metaphysical claim but, rather, is making an epistemological one, based on the limitations of the human intellect in understanding the attributes of God. Second, we object to a number of Gorham’s systematic reconstructions of Descartes’ views. He argues among other things that divine simplicity is consistent with temporal parts and that the laws of Cartesian physics require God to have temporal parts. We refute these claims based on Descartes’ fundamental metaphysical commitments. We thus conclude that Descartes does not think that, per se, God’s existence unfolds successively, moment after moment. (shrink)

What influences people’s appreciation of works of art? In this paper, we provide a new cognitive approach to this big question, and the first empirical results in support of it. As a work of art typically does not activate intuitive cognition for functional artefacts, it is represented as an instance of non-verbal symbolic communication. By application of Sperber and Wilson’s Relevance Theory of communication, we hypothesize that understanding the artist’s intention plays a crucial role in intuitive art appreciation judgements. About (...) 60 works of fine art, representing a wide range of periods, genres and styles, were selected in the permanent exhibitions at Tate Britain in London, and rated by more than 500 visitors for goodness and understanding of the artist’s intention. Results suggest that works of art whose artist’s intention is easy to understand tend to be preferred over those with more obscure intentions, even when controlling for familiarity effects. (shrink)

An introduction to Jean-Luc Marion's philosophical and theological work in the form of a conversation with the author. Marion reflects on major 20th century French figures and their varied influence on his work, while giving an overview of his writings in the history of philosophy, theology, and phenomenology.

One of the strongest strands in Nancy's philosophy is an attempt to rethink community and the very idea of the social in a way that does not ground these ideas in some individual subject or subjectivity. The fundamental argument of this book is that being is always 'being with', that 'I' is not prior to 'we', that existence is essentially co-existence. He thinks this being together, not as a comfortable enclosure in a pre-existing group, but as a mutual abandonment and (...) exposure to each other, one that would preserve the 'I' and its freedom in a mode of imagining community as neither a 'society of spectacle' nor via some form of 'authenticity'. (shrink)

Bringing together two aspects of Thomas Aquinas's thought that have been studied separately: his theory of God's concurrence and his theory of instrumental causality, I show how he uses the latter (which I discuss first) to clarify the Proclusian principle that the first cause has a greater influence on an effect than the proximate causes. Thanks to this theory, Aquinas accounts for the fact that it is God who confers existence to every new being that is produced by natural processes, (...) without however negating the agency of secondary, created causes. (shrink)

This paper explores the origins of the term "causa sine qua non" used by Durand de Saint-Pourçain to describe the role of material things in knowledge. I show that its technical meaning comes from the Stoics and was transmitted to the Middle Ages by Boethius' commentary on Cicero's Topics. The expression "sine qua non" here does not have the ordinary and restricted meaning of "indispensable", "necessary condition", which can also apply to direct, per se causes of an effect. In the (...) present context, sine qua non causes do not act on the effect in question, either as concomitant, secondary, or instrumental causes, or as remote causes. They act only on that which hinders the actualization of a potentiality, in order to remove that obstacle. For example, the removal of a support that prevented something from falling does not act on that thing, nor does it add anything to its tendency to fall; it simply enables that thing to exercise its own actualization. Similarly, in cognitive processes, external things do not impose anything on the soul, but simply give it the opportunity to actualize its faculties of its own accord. I situate Durand's use of this form of causality in the context of late 13th/early 14th century theories of cognition, among several other attempts to find an alternative theory to the standard Aristotelian model and to maintain the pure activity of the soul with respect to the body. (shrink)

The Dominican theologian Durand of Saint-Pourçain (ca. 1275–1334), breaking from the wide consensus, made a two-pronged attack on concurrentism (i.e., the theory according to which God does more than conserving creatures in existence and co-causes all their actions). On the one hand, he shows that the concurrentist position leads to the unacceptable consequence that God is the direct cause of man’s evil actions. On the other hand, he attacks the metaphysical foundations of concurrentism, first in the version offered by Thomas (...) Aquinas and Giles of Rome, and then in a more general way. Against Thomas and Giles, he challenges Neoplatonic assumptions about causality and being. More generally, he establishes that God’s action and a creature’s action can be neither identical nor different, and thus cannot both be direct causes of the same effect. Without claiming that Durand’s series of objections are definitely unanswerable, we may at least observe that they have generally been underestimated (which earned him the lowly role of the mere foil of the concurrentist view in the history of philosophy) and are able to do considerable damage to concurrentism. (shrink)

En este ensayo, traducido por primera vez al español, Jean-Luc Marion, sin duda el filósofo más importante de la última generación de pensadores franceses, desarrolla una interpretación no ontológica de la demostración de la existencia de Dios de san Anselmo. Con ello, Marion no sólo busca poner en tela de juicio el tratamiento que, desde Kant, se le ha dado a la demostración; antes bien, busca establecer las claves hacia un pensamiento fenomenológico —al margen de la tradición que Heidegger (...) llamó onto-teología—, que anticipan su controversial fenomenología de la “donación”. (shrink)

Arguing for a cognition theory that radically rejects the passivity Aristotle attributes to the soul with regard to material things, Olivi has to assume that the soul is always on the alert, that is, that its attention to the body never disappears, even in deep sleep. This is for him the only way to explain why an intense sensation wakes us up without acting on the soul. He thus exposes himself to possible criticism from Aristotelians: his hypothesis is counter-intuitive and (...) seems to be contradicted by our experiencing eclipses of our awareness. I propose a defense of Olivi based on a ‘retort’, showing that Aristotelians must themselves postulate either, like Albert the Great, that the agent intellect is constantly in act, or, like Thomas Aquinas, that it exercises a continual surveillance of phantasms, even when we are not conscious of it. So they cannot deny Olivi the right to hypothesize a permanent attention of the soul. (shrink)

A collection of five essays of French philosopher Nancy, originally published in 1985-86: The Inoperative Community, Myth Interpreted, Literary Communism, Shattered Love, and Of Divine Places.

Jean-Luc Nancy'sOn the Commerce of Thinkingconcerns the particular communication of thoughts that takes place by means of the business of writing, producing, and selling books. His reflection is born out of his relation to the bookstore, in the first place his neighborhood one, but beyond that any such "perfumery, rotisserie, patisserie," as he calls them, dispensaries "of scents and flavors through which something like a fragrance or bouquet of the book is divined, presumed, sensed."On the Commerce of Thinking is (...) thus not only something of a semiology of the specific cultural practice that begins with the unique character of the writer's voice and culminates in a customer crossing the bookstore threshold, package under arm, on the way home to a comfortable chair, but also an understated yet persuasive plea in favor of an endangered species. In evoking the peddler who, in times past, plied the streets with books and pamphlets literally hanging off him, Nancy emphasizes the sensuality of this commerce and reminds us that this form of consumerism is like no other, one that ends in an experience-reading-that is the beginning of a limitless dispersion, metamorphosis, and dissemination of ideas. Making, selling, and buying books has all the elements of the exchange economy that Marx analyzedfrom commodification to fetishismyet each book retains throughout an absolute and unique value, that of its subject. With reading, it gets repeatedly reprinted and rebound. For Nancy, the book thus functions only if it remains at the same time open and shut, like some Moebius strip. Closed, it represents the Idea and takes its place in a canon by means of its monumental form and the title and author's name displayed on its spine. But it also opens itself to us, indeed consents to being shaken to its core, in being read each time anew. (shrink)

Un court extrait d’une lettre d’Épicure à son disciple Colotès en dit long sur la mystique de l’amitié telle qu’elle était pratiquée dans le Jardin par les premiers Épicuriens. Cet extrait pourrait être révélateur de certaines pratiques rituelles peu connues, plutôt étranges et certainement cachées du public. C’est moins l’acte de vénération du maître par ses disciples que la pratique qui se veut réciproque d’un Épicure vénérant et adorant lui-même ses propres disciples qui pose question. On connaît quelque peu ces (...) pratiques grâce à la trahison d’un ancien membre qui a tout fait pour ébruiter les secrets intimes de la secte. Mais leur signification reste encore à élucider. Comment les comprendre ? Comment les intégrer dans l’ensemble de la doctrine ? Ce surgissement du pathos mystikos au sein d’un logos peri physeôs ne serait-il pas révélateur d’une philosophie qui serait apparue autant, sinon plus, comme une nouvelle religion des mystères, que sous l’aspect d’un système philosophique achevé ? Sans prétendre répondre à toutes ces questions, cette étude tente d’analyser ce qui nous reste de cette lettre d’Épicure à son disciple pour dégager quelques pistes. (shrink)

Expectation is a major volume of Jean-Luc Nancy’s writings on literature, written across three decades but, for the most part, previously unavailable in English. More substantial than literary criticism, these essays collectively negotiate literature’s relation to philosophy. Nancy pursues such questions as literature’s claims to truth, the status of narrative, the relation of poetry and prose, and the unity of a book or of a text, and he addresses a number of major European writers, including Dante, Sterne, Rousseau, Hölderlin, (...) Proust, Joyce, and Blanchot. The final section offers a number of impressive pieces by Nancy that completely merge his concerns for philosophy and literature and philosophy-as-literature. These include a lengthy parody of Valéry’s “La Jeune Parque,” several original poems by Nancy, and a beautiful prose-poetic discourse on an installation by Italian artist Claudio Parmiggiani that incorporates the Faust theme. Opening with a substantial Introduction by Jean-Michel Rabaté that elaborates Nancy’s importance as a literary thinker, this book constitutes the most substantial statement to date by one of today’s leading philosophers on a discipline that has been central to his work across his career. (shrink)

Des « libertés» proclamées en 1789 à la loi sur la librairie de 1810, les dynamiques qui traversent le monde de l'imprimé constituent encore un des objets les plus originaux pour renouveler l'histoire des savoirs d'une période révolutionnaire riche en bouleversements institutionnels et en mutations épistémologiques. Dans la perspective d'une histoire sociale des savoirs, l'analyse des actions construites par et dans l'imprimé permet de préciser la compréhension des transformations sociales, institutionnelles et théoriques qui caractérisent cette période. Alors que le chantier (...) reste encore largement ouvert, il s'agit de présenter ici quelques jalons d'une analyse visant à replacer l'imprimé au coeur des interrogations sur les mutations des sociabilités, des identités et des productions intellectuelles en Révolution. (shrink)