Qu'est-ce que l'humain? ou comment deux savants assez philosophes et un philosophe assez savant reviennent sur la distinction classique entre nature et culture. Notre tradition culturelle posait une barrière quasiment étanche entre l'animal et l'humain. Nous savons aujourd'hui que nous partageons avec nos cousins les plus récents l'immense majorité de notre matériel génétique. Alors qu'est-ce qui spécifie l'humain? Trois réponses venues de trois disciplines : la neurobiologie, en un va et vient entre sciences cognitives et biologie du système nerveux, la (...) paléoanthropologie, à la charnière de la théorie de l'évolution et de la préhistoire, et la philosophie. (shrink)

"Les fleurs, c'est ma maison, ma maison, c'est une serre ; mon enfance, c'est un jardin ; mon futur, c'est un paradis terrestre..." Chez Jean-Marie Pelt, tout ramène au jardin : le jardin de l'enfance où son grand-père lui a transmis l'amour de la nature ; le Jardin d'Eden, où il a rencontré Dieu, la ville jardin en laquelle il a transformé la ville de Metz, le jardin Terre qu'il s'est donné mission de servir... Laissez-vous guider à travers (...) les jardins de Jean-Marie Pelt et découvrez l'un des grands éveilleurs de conscience de notre temps, un homme en qui vibre L'âme de la nature. (shrink)

Dans les traditions philosophiques occidentales, c'est à la critique développée par la pensée marxiste que l'on doit de pouvoir aborder l'oeuvre de Moses Hess (1812-1875). Pourtant, le "rabbin des communistes", comme on l'a appelé, fut l'un des penseurs du XIXe siècle qui questionna au plus près les conditions de la liberté et de l'égalité sociales, en même temps qu'il ouvrit la voie à l'idée d'un foyer juif en Palestine, où cette liberté et cette égalité se seraient pleinement épanouies. Dans les (...) études juives, la philosophie de Moses Hess est rarement évoquée, si l'on excepte quelques commentaires qui font de lui ce "communiste et sioniste, qui joua un rôle décisif dans le premier mouvement et inventa virtuellement le second". Le livre de Jean-Louis Bertocchi veut porter un éclairage nouveau sur cette oeuvre pionnière et singulière à bien des égards, dont le coeur est bel et bien la discussion serrée, "en accord divergeant", de la pensée de Spinoza, lu attentivement par Marx lui-même, et qui, dans le ciel d'un humanisme juif émancipé et émancipateur, dessine une constellation en perpétuel mouvement, où scintillent tour à tour philosophie, communisme et sionisme."--Page 4 of cover. (shrink)

Der französische Philosoph Michel Serres ist am 1. Juni 2019 verstorben. Er hat etwa 50 Monographien veröffentlicht. Die Bekanntheit der Vielfältigkeit seines Denkens in Deutschland zu fördern, ist Ziel dieses Bandes.0Die Vielfältigkeit des Denkens von Serres, das Vielfältige zu denken, wird in diesem Band aus unterschiedlichen wissenschaftlichen Perspektiven beleuchtet. Thematische Akzente sind u.a.: Gemische und Gemenge, das Parasitäre, Boten und Mittler, der Mensch in den Netzen und in seiner Körperlichkeit. Außerdem werden die Berührungen mit anderen Philosophen thematisiert, von Henri Bergson (...) über Michel Foucault bis zu Jean-Luc Nancy. Zu den Autoren der einzelnen Artikel gehören neben Philosophen auch Literaturwissenschaftler, Sozialwissenschaftler, Psychologen, Religionswissenschaftler und Mathematiker sowie Wissenschaftshistoriker. (shrink)

This is a lightly copy-edited version of the paper given by Bill Ross (1964–2022) at the “Michel Serres and the Social” Colloquium held at Queens’ College, Cambridge, in June 2022. The editor has maintained the language of “paper” rather than “article” throughout. The paper addresses the respective stances of Michel Serres and Jean-François Lyotard to the prospect of the end of the world. Considering this end in relation to technology, evolution, and information throws into relief how each thinker regards (...) its significance for humankind, its connection with the Earth, and what succeeds such an end. For Lyotard, the story is ultimately one of the inhuman, a possible version of the human continued elsewhere in the universe but where the characteristics we associate with humanity are threatened – or worse – by the necessity of adapting to a different environment. By contrast, Serres is shown to regard the prospect of the end as an impetus to renew our contract with the Earth. (shrink)

continent. 2.2 (2012): 155–158 Michel Serres. Biogea . Trans. Randolph Burks. Minneapolis: Univocal Publishing. 2012. 200 pp. | ISBN 9781937561086 | $22.95 Conveying to potential readers the significance of a book puts me at risk of glad handing. It’s not in my interest to laud the undeserving, especially on the pages of this journal. This is not a sales pitch, but rather an affirmation of a necessary work on very troubled terms: human, earth, nature, and the problematic world we made. (...) It is this world that aspirates the silence (so to speak), and therefore the subject which, along with the development of the “made world” exports the excess augmentation of the cosmically missing, this silence of the natural, et cetera. Had we learned from Locke that lesson of “labor,” to consume what we need… but perhaps we need more than what matters? Serres’ Biogea has several functions on this manner, if it is indeed a book to be consumed. First, readers searching for novelistic entertainment have a place to dwell. Biogea deserves a place in your back pocket; biographical generosity and poetic fluidity should satisfy most textual fetishes. For lay philosophers who want to refresh their acumen, Biogea deserves a place on the book shelf, one already reads a sorely needed postmodern tune-up here. Serres’ style is clearly French; he leaves few cheese crumbs on his words, rather preciseness and breathing in the work give way to a sweeping manner that breaks the narrative line of sight. A circular narrative and anachronistic fragmentation of terms allows an abyssal atmosphere to swell, if only to pump into the book the externality of its broader text. Biogea aspires to a higher standard and the book, at times, is thinking this negentropic problem too. Univocal, the publisher, has crafted a book appropriate for the hands to hold and the translations are an achievement of an otherwise difficult writer to translate. Terms are the conditions of a broader text. It is important to note that Serres’ content is as much a thinking of terminal ports. There is a regard for the transportation technology of the written word. For me, this is the mark of genius, a craftiness that tells of a book device that I may trust. Serres is an accomplished thinker and a necessary voice to check the putative trendiness of anti-postmodernist and market-driven theory of endless cultural liquidation. Offering interventions on subjectivity as an open system we are given a chance to affirm the human, not merely to discard it, but to engage its poetic image emotion, the calibratory silent sense of the analogic world; the terms on which we base our efforts. 1 The human is the center of its own negation, constantly mediating it. Something deeper at stake appears in the work then, and it is quite obvious from the onset. Certainly, a book is an intensification of possible text and those who brought this actual book into existence have captured a rarity in regards to the subject matter and artistic accomplishment. I mentioned terms as conditions, so let us understand Biogea as bio-yea, a yes to bios . An affirmation of living and accepting presence for all of its defiance of images, words, and things temporal. Therefore Serres’ existence and its existants plays parts; out of linearity and still like a porous bone pumping blood it manufactures into the fleshy life it becomes. Starting from a man named silence chaos emerges, or the man “Old Taciturn” takes up a journey anticipating a great flood. In other words, a development akin to the one in Genesis. In dealing with this ancestral occupation, fusing Genesis with contemporary philosophical terms, Serres initiates this anachronistic fragmentation under the forming subjectivity of his own autobiography. This mutation in the open system is precisely one of Serres’ terms. There an abyss is at work, stated, but also measured by heels on the ground—the abyss dispatching earthen tensions, that which plays our tunes, that which we abide by and recognize in volcanoes, rivers, oceans, earthquakes and weaponry in the battles of the world. Set in later stages of the book, such tensions are harnessed through scientific principles in an attempt to unify the terms of natural force if only to terminate the world. Thus the elevation of the earth into the world is clearly set forth. Here already, and few pages in, a resonance is set forth under appellations such as the river Garonne, a subjectivity as much as it is inhuman, the river is the inhuman that makes us human. I get the sense that Serres is taking up a challenge issued by Wallace Stevens; namely, that the great poems of heaven and hell have been written, but that only the poem of the earth has resisted composition. 2 On this level we cannot avoid the killing factor of silence, given that our cognition blocks its pure, radical obliteration. Thus a silence of attunement to the earth is in a novel dialectic of the rithmic and rhythm. A technological world, a triumph of termination is set forth. If a text imposes its will given the reader who authorizes it, it is made to convey or convect a presupposition to a reader or its inhabitant(s). Text is therefore both, in-content, contenting, contentedness, and in reading it, a way to navigate self-destruction (dis-content). Here then would one note that the “inhuman” reveals itself, “an aperiodic rhythm of lovers and beloved…the sea as our friend…but as our enemy…maternal vivifying sea.” The sea is an open book, or vaginal birth canal, where the engagement of text comes forth: “…woman sea, open vulva.” One sees like the sea, but only after it, when the uninhabitable truth of inhabiting it switches the polarity of the sailors soul: “I was seeing like the sea” (9-11). In other words, we are invited to embrace the nonsense of the visible. At this point I am taken to Jean-François Lyotard’s work The Inhuman , specifically the first entry on negentropy that would be congruent with Serres’ thematic. 3 The human being exports, deports, or transplants its relation through text, through the system— and this is its sense or relation to silence, to music. Unaware of Serres’ proximity to this work, the concept of gender interrelation as regards a solar catastrophe runs clear. It would be, on this basis, that Serres references his peers, the other texts that, as mentioned above, are discarded in philosophy today. For students of philosophy what we have here is perhaps a gift, a needed project. If silence and death are at work, there is a political valence to deal with, and here, much like the domain of the text and the dominion of the reader, we confront the world of natural, fluid violence. The anti-postmodernist critique is in part based on a weak idea that the loss of ideology, of a world vision, motivates the “correlationist” project. 4 Serres seems to offer another way to view this when he notes that whereas persons “sometimes kill,” it is clearly “the collective” that “always kills” (17). What is the collective today, if not an organizing function we never see yet acts in its favor in the name of truth? One feels a sense of enigma here, if only to link to what Stevens remarked of communism as a “grubby faith,” providing this applies for capitalism as well, namely any ideology of progress overly interested in absolutes. Here we get the sense that the inhuman, silence, this type of killing, always killing, could not be matched by human-made, political dynamos. Or that if it comes to an equilibrium, a catastrophe is never too far from us to read with our heels. We are left to note that the forces of nature presuppose and permeate political systems, the more these systems obtain force, the more the system takes upon itself the proper name of nature that motivates its dissemination, albeit falsely. This note, that in an age of ecocide and technological captivity (sustainability and transparency) political regimes won’t grow our soul-learning ears any larger than our tongues, stands clear to us. The promise of technological desubjectification is here pushed aside. Regarding politics, Serres illustrates this fact: Where did this corpse come from? Who was it? Who killed it? I don’t know. I won’t try to find out. I refuse to get vengeance for it. And I only see Garonne. For our victims, today, are the rivers, too. Their waters have irrigated my life, enchanted my thought, invigorated my body; I’ve known them to be threatening, untamable, as dangerous as the sea when it rages. Yes, murderous. They decided to control their courses; dams, sometimes senseless, destroying sites and valleys, reduced entire populations to servile displacements; programs for the irrigation of thirsty farmland, often beneficial of course, completed their drying up.(22) Serres enters into his idea concerning the captivity of language from the natural into a world system: For thousands of years, we have been licking things with our tongues, covering and daubing them so as to appropriate things for ourselves. If language boils down to a convention, this convention took place between the speakers without consulting the thing named, become as a result the property of those who covered it in this way with their drawn or voiced productions. Malfeasance analyzes these acts of appropriation. Thus every inert object, every living thing as well, sleeps under the covers of signs, a little in the way that, today, a thousand posters shouting messages and ugly riots of color drown, with their filthy flood, the landscapes, or better, exclude them from perception because the meaning, almost nil, of this false language and these base images forms an irresistible source of attraction to our neurons and eyes. This appropriation covers the world’s beauty with ugliness. (38-39) Technological concealment coming to bear, we begin to get a sense of another commentary on the condition of sensing, driving home the necessity of a text dealing with such subject matter to be what its terms insist. Thus toward new openings: The new opening. As low beneath our feet as you like, the Biogea opens us to another space, high enough for us to be able to acquire a wisdom there, that of redeveloping this same place differently from our fathers, this place that’s still politically cut up by old hatreds, beneath the flood of tears and blood that we call history. Without this soft place, spiritually very old, but newly conceived in this way, without the juridical construction of a common good, opposed to our filthy ownership, I don’t see how our planet, hard, will survive. Hardness that depends on a softness, material belonging that depends on this temporary rented location (51). Serres enters into a summit on the content and the structure of his work. Archimedes is brought in with the concept of three volcanoes. Meaning fire, but as well earth, water, air. For it was Archimedes’ war machines that sought to lift the earth, thus bringing in the question of principles of science: “can a principle be invented while controlling its consequences?” (66-7). May the earth be put in a sentence, terminated by terminology, appellations, gone wild? By means of these element-dominating laws, this old physicist began to tear nature away from the ancient myths; by a strange return, today we’re plunging our successes back into the anxieties and terrors from which that ancient physics was born. Yes, our new history of science and technology is plunging, today, as though in a loop, into the fundamental human myths from which Empedocles’ first laws came. A major progression and a regression on the nether side of the origins. Consequently, the contemporary time requires that we try to return to that unity in which the principles of hate and love are at the same time human, living, inert and global. We will never attain a deontology of our knowledge and actions without thinking the subjective, the objective, the collective, and the cognitive all together simultaneously. Here, hate and love are the result of these four components.(71) Working then on the concept of fire-starting mirrors to the atomic annihilation of the Second War, Serres works into the subjectivity in question on the matter of rhythm—say rithmic— precisely at that point: Knowledge is changing today. The all-political is dying; the monarchy of the sciences said to be hard is coming to a close. The science of the things of the world will have to communicate just as much as the things of the world do, which do it much better than humans do, who don’t always want to do it. Let’s celebrate two changes this morning. The first one strikes a new blow to our narcissism. No, knowledge and the world don’t resemble our analytical enjoyments of refined cutting up, of endless debates and of exclusions full of hate. They, on the contrary, form a bloc and a sum, alliance and alloys. Uniting the fields of knowledge among themselves the way the things are connected among themselves, the second newness puts into place sets united by interlacing, webs and simplexes that combine with the things of the world, themselves combined, the combined knowledge that understands them.(130-1) Biogea closes on its opening flood thematic, approaching the initial telos of Genesis. Here the trees are brought into a position with atmosphere, the opaque abyssal reservoir, the tomb of the sun, sea in the polarity of the earthen heaven and hell. The poem of the earth then is silent but deadly, indeed, as funny as that phrase is, mainly a tomb gas. The meaning of the living and the non-meaning of things converge in the muteness of the world; this meaning and non-meaning plunge there and come out, the ultimate eddy. Mundus patet: through a fissure, through an opening, a fault, a cleft come noises, calls as small as these apertures. I’m listening, attentive, I’m translating, I’m advancing in the scaled-down meaning and science. Mundus patet: should the world open greatly, it will launch me into its silence. The totality remains silent. Knowledge expanded in elation. White origin of meaning, fountain of joy. (198) Final Remarks One test of a review is the long term trajectory the referee thinks the book will have. I see Serres’ text lending greatly into the vision of Biogea . In fact, in the vision of the novel inquiries of Stephen Jay Gould’s work there is something to be thought on the level of the individual and the species; namely, that humanity and its uniqueness is in its deferral, its thinking and naming, a thinking surrounded by silence that filters into everything, that pulls us through the world, the kinetic pulse we recognize, and all of that we cleave away in the base philosophical maxim of difference itself. Unique individuals are spatial creatures: we dwell, and we ought to get good at it. Yet this is an imaginative space that, if you are crazy enough to believe it, de-term-ine the conditions of its own terms. That is why we are not merely creating spaces on the acceleration of time, or so this ignoramus thinks, to accidentally transcend. Imagination already has this insatiable silence that we drink up and fail to manifest. Space is timeless. The imagination itself, shared by humans for themselves, their objects, and the species as a whole, is a non-defined space of relation; a whole human trajectory as part of nature, and part of worlds that are the other side of thinking nature, the consequence of it, at least our attempt to do so. Our survival is based on our deliberation, our caution, our natural deconstructive sense toward this silence that is already part of the song, sung, singing of this century without end. Good books will let us inhabit this space and recognize a form of life. Serres’ text moves toward dwelling, as noted, in masterful and accessible ways. The pitched battles are the falling replays of anemic and dead politics. As soon as we realize there is humanity, we may be able to enjoy the end of it, our inhuman capability of listening to silence. NOTES 1. See Michel Serres. The Parasite . Minneapolis: University of Minnesota Press. 2007. 2. Wallace Stevens, “Imagination as Value” [ca. 1945], in Collected Poetry and Prose . New York: The Library of America. 1997. 724-39. 3. Jean-François Lyotard. The Inhuman: Reflections on Time . Trans. Geoffrey Bennington & Rachel Bowlby. Stanford, CA: Stanford University Press. 1992. 4. See the introduction: Quentin Melliassoux. After Finitude: An Essay on the Necessity of Contingency . Trans. Ray Brassier. New York: Continuum. 2008. EDITOR'S NOTE: This review was updated on August 8, 2012. Substantial edits include block quotes from the book under review as well as the inclusion of comments from the author. (shrink)

La justice est-elle une illusion? Si tel etait le cas, que penser de l'Etat de droit contemporain, lui qui resulte d'une longue et continuelle recherche de la justice par les penseurs occidentaux? Avec Platon, la philosophie occidentale a en effet debute sa longue quete d'un modele pour batir la cite. Le modele de Platon, la justice transcendante ou naturelle (to; fuvsei divkaion), fut accueilli a Rome par Ciceron. Cette phase inaugurale de l'histoire de la philosophie politique occidentale est etudiee dans (...) le premier volume de cette etude: Platonisme politique et theorie du droit naturel. Contributions a une archeologie de la culture politique europeenne. Le platonisme dans l'antiquite, Louvain-Paris, Ed. Peeters, 1995. Le present volume etudie la reception chretienne de la doctrine de Platon, du Veme au XVIIeme siecle. Le lecteur rencontrera d'abord Augustin d'Hippone: l'eveque accueille, puis rejette la theorie platonicienne. Durant le Moyen Age latin, les juristes et le theologien Thomas d'Aquin assoient solidement cette doctrine dans la pensee chretienne en s'opposant a l'augustinisme religieux. De la Renaissance au XVIIeme siecle, Marsile Ficin, Jean Bodin, Jean de Serres, Francisco Suarez, Hugo Grotius, Samuel Pufendorf et John Locke retravaillent encore la notion platonico-chretienne de justice: contre le volontarisme, la pensee theocratique, puis la doctrine de Thomas Hobbes au XVIIeme siecle, cette tradition philosophique met la justice naturelle au fondement de la republique. Au bout de cette histoire se profilent les premieres declarations des Droits de l'homme, que cet etude envisage dans le sillage du platonisme politique et de l'un de ses heritiers majeurs, John Locke. Cette etude retrace pour la premiere fois la reception de Platon considere comme un penseur politique. Elle ouvre de fait une nouvelle perspective dans l'histoire de la philosophie politique. Elle corrige enfin les histoires anterieures du jusnaturalisme chretien, dans la mesure ou celles-ci ignoraient l'impact de la pensee platonicienne. L'etude est accompagnee de traductions francaises inedites: un ensemble de textes qui temoignent de la presence du platonisme politique dans la pensee occidentale. (shrink)

Le volume "Images de Platon et lectures de ses oeuvres" rassemble vingt et une contributions consacrees a diverses relectures qui ont ete faites de l'oeuvre ecrite de Platon entre le IIIe siecle (Diogene Laerce, Plotin) et le XXe sievle (K. Popper). Dans l'introduction, Ada Neschke met en lumiere le cheminement de ces relectures et souligne le fait que les lectures de Platon sont constamment alimentees par des preoccupations propres a ses lecteurs. Dans un premier temps, l'oeuvre de Platon est integree (...) dans une optique essentiellement theologique; apres l'avenement du kantisme, elle s'inscrit dans un cadre de pensee qui se veut critique et philosophique, c'est-a-dire emancipe de l'ancienne metaphysique. Ainsi, l'oeuvre de Platon represente, d'une part, pour les penseurs chretiens une source d'inspiration concernant les sujets les plus divers: la theologie chretienne (Clement d'Alexandrie, Ficin, les Platoniciens de Cambridge), la mytho-theologie neo-platonicienne (Plethon), l'iconographie de la trinite (Francisco di Hollanda), la politique catholique et le calviniste (Jean Bodin, Jean de Serres), le scepticisme face aux debats theologiques (Montaigne). D'autre part, Platon a la valeur d'une autorite pour les penseurs postkantiens, que ce soit pour construire une philosophie de la nature (Schelling), une ethique (Hegel), une epistemologie (les neo-kantiens Cohen et Natorp) ou encore une ontologie (Heidegger). Enfin, Platon sert de reference dans les debats politiques modernes et contemporains, en particulier dans les discussions sur le liberalisme (J. St. Mill) et le totalitarisme (Popper et ses successeurs). De l'antiquite jusqu'a nos jours, Platon reste donc un auteur qui interpelle son lecteur et lui lance meme souvent un defi. (shrink)

This book proposes a substantially new solution to a classic philosophical problem: how is it possible that morality genuinely obligates us, binding our wills without regard to our perceived well-being? Building on Immanuel Kant’s idea of the fact of reason, the book argues that the bindingness of obligation can be traced back to the fact, articulated in different ways by Maurice Merleau-Ponty, Michel Serres, and Jean-Luc Nancy, that we find ourselves responsive, prior to all reflection, to a pre-personal, originary (...) dimension of sense. (shrink)

This is the diary of an observant mathematician who documented the drama of the resolution of Fermat's Last Theorem as it unfolded around him from 1993 to 1995. Pierre Fermat claimed around 1637, in the most famous marginalia in the history of mathematics, to have a proof of the theorem that xn + yn = zn has no whole number solutions for n greater than 2. The other principal figure is the British mathematician Andrew Wiles, who emigrated to Princeton University (...) in the 1980s and who in 1993, at what for mathematicians is the relatively advanced age of forty, announced a proof of FLT. In the course of Wiles's initial exposition to mathematicians, before a full‐fledged proof could be published, a gap was discovered. This was too late to forestall announcements in the world press of an imminent proof. What had been an almost secretive devotion to the task by Wiles now became a rather more public and pressurized effort over the course of nearly a year. Wiles wondered at times if success could be achieved, but with the help of other mathematicians the gap was filled in and the full formal proof published in 1995.The statement of the theorem is likely to be the only part of the 1990s story that a nonspecialist can immediately appreciate, and the author has not especially addressed his book to the nonspecialist. Rather, this account is analogous to a well‐illustrated exhibition guidebook that serves as a memento and record to those who visited in person but that is not intended fully to inform those who did not experience it. For a broader account of the historical and mathematical background a reader can consult the three principal books published previously on the same topic by Amir Aczel, Simon Singh, and Alfred J. van der Poorten. The author knew many of the main players, attended most of the key talks, took notes, made recordings, and photographed. A major part of the book is a selection of sixty‐two photographs from the total of three thousand made by the author. He asked questions of Wiles and others and recorded both formal and informal reactions that he observed around him during the many public and nonpublic presentations that were made. Also, in keeping with the journal nature of his work, he has recorded his own reactions. Appendixes include an excerpt from Wiles's 1995 Annals of Mathematics publication and a synopsis by Ram Murty of the key results by Gerhard Frey, Jean‐Pierre Serre, and Kenneth Ribet that formed a basis for Wiles's work.It may interest historians and archivists to learn of the extent to which the primary sources for this story include e‐mail, web pages, photographs, and newspaper and television interviews. Though we recognize this reality of contemporary science, a diary account probably brings the issue home more directly than would studies by professional historians, who might feel obligated to do more of their own interviews, for example, rather than rely on the media. Mathematics has rarely had such a public spotlight turned on it—the proof of the four‐color theorem in 1976 is the only comparable event that comes to mind. Consequently, it has opened an unusual window into how mathematicians do mathematics. (shrink)

Philosophy and history (with Jean Hyppolite) -- Philosophy and science (with Georges Canguilhem) -- Philosophy and sociology (with Raymond Aron) -- Philosophy and psychology (with Michel Foucault) -- Philosophy and language (with Paul Ricœur) -- Philosophy and truth (with Jean Hyppolite, Georges Canguilhem, Raymond Aron, Michel Foucault, Paul Ricœur, Alain Badiou and Dina Dreyfus) -- Philosophy and ethics (with Michel Henry) -- Model and structure (with Michel Serres) -- Teaching philosophy through television (with excerpts from Jean Hyppolite, (...) Georges Canguilhem, Raymond Aron, Michel Foucault and Paul Ricœur. Alain Badiou by telephone and Dina Dreyfus in the studio). (shrink)

What constitutes an event? Propelled by this question, Sounding the Event encounters a variety of theories and a host of issues that have implications for not only conceptions of nature and becoming, subject and substance but also practices of time, art and photography. This book explores dialogue in its writing and as it encounters the philosophical utterances of Michel Serres, Isabelle Stengers, Alfred North Whitehead, Jean-Franbliogçois Lyotard, Maurice Blanchot, Gilles Deleuze and Fbliogelix Guattari, and Alain Badiou.

Ecopolitics is a study of environmental awareness--or non-awareness--in contemporary French theory. Arguing that it is now impossible not to think in an ecological way, Verena Andermatt Conley traces the roots of today's concern for the environment back to the intellectual climate of the late '50s and '60s. Major thinkers of 1968, the author argues, changed the way we think the world; this owes much to an ecological awareness that remains at the heart of issues concerning cultural theory in general. The (...) book points to critiques of ecology in the work of Luc Ferry and Jean Baudrillard before turning to more complicated ecological awareness primarily in French thought. The author considers key texts by influential figures such as Michael Serres, Paul Virilio, Gilles Deleuze and Felix Guattari, Michel de Certeau, Helene Cixous and Luce Irigaray. (shrink)

The imaginary has been inseparable, since prehistoric times, from technical artefacs, their forms, functions and uses. Gilbert Durand’s typologies can help to understand better the different technologies, their success, their effects, etc. Can we not go further by looking in the imaginary for one of the keys to technological innovation today which would allow an anthropological renovation of theoretical tools?

Maeterlinck, natif de Gand et mort à Nice, a commencé comme poète, publiant dans des revues dans les années 1880. Son recueil Serres chaudes est paru en 1889. Dans les 1880-1890, il découvre l’idéalisme allemand – Hegel, Schopenhauer –, le mystique flamand Jean de Ruisbroek, qu’il a traduit, et Novalis. Puis, il écrit quelques pièces : la première est La Princesse Malein. D’autres pièces ont suivi : Pelléas et Mélisande, la plus connue, la féérie de 1908 L’Ois...

The increasing standardization, specialisation and monetarization of academic publishing is designed to foster quality in research and expression. But these tendencies also pose serious challenges to the expression of cultural difference, particularly with regard to philosophy and religious studies. Scholars from various cultural backgrounds outside of mainstream universities often find themselves marginalised when the quality of their work is judged through the metrics of mainstream academic publishing. Smaller journals which give a forum to local research are gradually disappearing or becoming (...) irrelevant. The corporate control of publishing limits the access and distribution of information making it difficult for smaller regional universities to access and conduct research. But these challenges to the expression of cultural difference also reflect the deeper tendencies of the information age. To approach this problem, we need to consider the conflict between culture and spirit on the one hand, with the flows of information and capital on the other. I will introduce this problem through an idea of hermeneutics presented by George McLean. I will then discuss the approaches to this problem by such writers as Michel Serres, Jean Francois Lyotard, Giorgio Agamben and Jacques Derrida. I will show that these latter writers devise strategies to reach something outside of the cybernetic flows of information in the media age, but that their solutions are incomplete because they rely on intellectual concepts of redemption and ignore the concrete practices of spiritual redemption. The issue that cross-cultural journals must consider is how to emphasize something beyond the merely intellectual; how to amplify practice within its expression. I will address this issue in the spirit of a poem by Emily Dickinson entitled “Publication – is the Auction” which supplies the title of this essay. (shrink)

The phenomenological origins of the concept of givenness -- Remarks on the origins of Gegebenheit in Heidegger's thought -- Substitution and solicitude: how Levinas re-reads Heidegger -- Sketch of a phenomenological concept of sacrifice.

Kathy Acker’s work has been praised for the way it highlights the transformative potential of the body in contact with the world. Often, however, such contact also reminds us of the danger involved in the use of the body to disrupt social convention. “Bodies at Liberty” mines this tension, considering Acker alongside three contemporary theorists – Michel Serres, Jean-Luc Nancy, and Mari Ruti – whose disparate theories of embodiment each offer accounts of exposure, vulnerability, and relation as strategies for (...) envisioning human frailty as grounds for meaning-making in our lives. Read together, these texts become examples of the body’s ways of guiding our attention toward new paradigms for thriving and bonding in precarious times. (shrink)

Le projet de Jean Piaget ne se réduit pas à son œuvre épistémologique. Il prend sa source, dès l'adolescence, dans une volonté de réconcilier la science et la foi. C'est de cette source-là, morale et humaniste, que lui vient son intérêt pour l'éducation. Sa pensée éducative se fonde sur la ferme conviction que la morale est une logique de l'action comme la logique est une morale de la pensée. Il s'ensuit qu'éducation morale et éducation intellectuelle doivent être menées de (...) front, et donc, qu'il faut éduquer la personne entière. Mais l'éducation est ambiguë par essence, selon qu'elle enferme l'enfant dans son égocentrisme intellectuel et la morale conventionnelle ou, au contraire, qu'elle stimule, par une pédagogie appropriée, sa marche vers une plus grande rationalité et une éthique personnelle. Dans de nombreux textes, Piaget explique comment l'école peut aider l'élève, citoyen de demain, à construire sa liberté intérieure, liberté de jugement autant que liberté de conscience. Humaniser l'humanité par l'éducation grâce à l'école, tel est le sens de son engagement - pendant trois décennies - à la tête du Bureau international d'éducation et à l'Unesco. (shrink)

This book revisits the theory of the sources of international law from the perspective of formalism.

Jean Grondin’s starting point in his impressive book is what Hans-Georg Gadamer refers to as the universal claim of hermeneutics. Gadamer is better known for the limits his hermeneutics seems to place on universal claims. Against the reliance the Enlightenment placed on the insights of a reason common to humanity, Gadamer stresses the prejudiced and partial character of attempts to understand meaning. And against more contemporary attempts to ground Enlightenment conceptions in universal human competencies, he stresses the historicity and (...) finitude of human knowledge. Our attempts to understand the meaning of texts, conversations, historical events, and social actions and practices are conditioned by the horizon of our language, our own historical experiences, and our assumptions and expectations. Still, Gadamer ends his Truth and Method by stressing not only the linguistic character of understanding but the infinite capacity of all languages to find and express new dimensions of meaning. “Language,” he writes, “forestalls any objection to its jurisdiction. Its universality keeps pace with the universality of reason.”. (shrink)

Wenn man behauptet, Wolff sei Rationalist, will man im allgemeinen zum Ausdruck bringen, daß er nur auf die apriorische Deduktion baut. Freilich räumt er der Vernunft einen Vorrang in der Konstitution des Wissens ein. Aber er betont, daß die Vernunft nur tätig werden könne, wenn sie sich auf die Daten der Erfahrung stütze, und er fügt hinzu, die Erfahrungsdaten bildeten sowohl den Ausgangspunkt für die rationale Erklärung als auch das Mittel für die Bestätigung der Folgerung. Unter diesem Gesichtspunkt ist folglich (...) Wolffs Rationalismus ein eingeschränkter. Wenn man jedoch in Betracht zieht, daß Wolff die Vernunft beim Erwerb der intellektuellen Erkenntnis fast ausschließlich eine Rolle spielen läßt, kann man im Gegensatz zum Vorhergehenden die These vertreten, er sei sehr rationalistisch eingestellt. Denn der Gegenstand dieser Erkenntnis wird fast vollständig konstituiert durch Gattungsund Artbegriffe, zu welchen man nur mit Hilfe des Denkens gelangen kann. (shrink)

A major figure in the contemporary critical world, Jean-Francois Lyotard originally introduced the term 'postmodern' into current discussions of philosophy. The Postmodern Explained is an engaging collection of letters addressed to young philosophers, including the actual children of some of Lyotard's colleagues, that inform the trajectory of his thinking in the period before The Postmodern Condition through The Differend.

Baudrillard's unsettling coda: previously unpublished texts written just before the visionary theorist's death in 2007. History that repeats itself turns to farce. But a farce that repeats itself ends up making a history.—from The Agony of Power In these previously unpublished manuscripts written just before his death in 2007, Jean Baudrillard takes a last crack at the bewildering situation currently facing us as we exit the system of “domination” and enter a world of generalized “hegemony” in which everyone becomes (...) both hostage and accomplice of the global market. But in the free-form market of political and sexual liberation, as the possibility of revolution dissipates, Baudrillard sees the hegemonic process as only beginning. Once expelled, negativity returns from within ourselves as an antagonistic force—most vividly in the phenomenon of terrorism, but also as irony, mockery, and the symbolic liquidation of all human values. This is the dimension of hegemony marked by an unbridled circulation—of capital, goods, information, or manufactured history—that is bringing the very concept of exchange to an end and pushing capital beyond its limits: to the point at which it destroys the conditions of its own existence. In the system of hegemony, the alienated, the oppressed, and the colonized find themselves on the side of the system that holds them hostage. In this paradoxical moment in which history has turned to farce, domination itself may appear to have been a lesser evil.This book gathers together three essays—“From Domination to Hegemony,” "The White Terror of World Order," and "Where Good Grows"—and a 2005 interview with Baudrillard by Sylvère Lotringer. Semiotext launched Baudrillard into English back in the early 1980s; now, as our media and information infested “ultra-reality” finally catches up with his theory, Semiotext offers The Agony of Power, Baudrillard's unsettling coda. (shrink)

In French schools, La Fontaine is presented as “the height of French culture,” but he was only marginally inspired by French poets. His main sources were Spanish and Italian authors, as well as classics of both the Occident and Orient. In this way La Fontaine exemplifies, for Serres, a general pattern in which “cultures grow at the crossroads of other cultures.” One's identity develops out of numerous contacts with others, by learning from them and assimilating some of their qualities—by being (...) open to, not isolated from, the rest of the world. The non-French genealogy of the fables puts in doubt the entrenched concept of identity as involving separation and isolation.Their genealogy also sets a limit on political and moralistic interpretations of La Fontaine's stories. At school, pupils are taught that the Lion stands for the King, the Fox for the Nobles, the Lamb for the Poor. But is it possible, Serres asks, that so many poets from diverse times and places have been describing “the same society with the same hierarchies submitted to the same laws”? As for moralistic readings, Serres shows that for each fable there is a counterfable in which the winner becomes the loser. The Wolf that eats the Lamb in one fable is killed by the Hunter in another. In “The Two Mules,” the animal loading the salt is murdered by bandits, whereas in “The Ass with a Load of Sponges and the Ass with a Load of Salt,” it is the latter that survives. In other words, the fables illustrate how beings metamorphose into one another: the Wolf (the attacker) can appreciate and play the role of the Lamb (the victim) when chased by the Hunter; salt can lead to death or to freedom, depending on the circumstances. The fables, taken together, offer a collection of behaviors that we, humans and animals, are capable of: our “so-called moralities,” Serres explains, “don't speak about ethics, but about ethology.”The fables offer as well a “palimpsest [that] lies silently in our bodies and our practices.” Serres speculates that the oldest forms of the fables were not spoken, but gesticulated; they mimed animal behaviors. By imitating them, we humans not only learned about the animals we were observing and living with but also about the potentialities of our own bodies. If La Fontaine became the epitome of French culture by assimilating elements of other cultures, then it was by embodying animal behaviors that we became human. (The omnipresence of prepositions in the fables—next to, in front of, under, above—suggests that the body underpins the stories. Those little words, which Serres analyzes minutely in a long chapter, locate each body in relation to those of other beings.)Serres was planning to write a book about La Fontaine as early as 1997. In his notebooks, he scribbled possible titles, all of which are evocative: “Archaeology of Miming,” “Anthropology of Simulation,” “The Fabulous Bodies of Animals,” “The Scale and the Net.” Sadly, he died in 2019 when his work on the manuscript was progressing. He had not yet settled on a definitive title, nor had he decided the order of the chapters and sections. Jean-Charles Darmon, who was allowed to edit the work, faced chapters that were almost completed but others consisting of a single line suggesting a main idea. (The blanks are often about a type of fable never defined or described: “fables of representation.”) In spite of its incompleteness, this book intermingles systematic analysis, textual and historical contextualization, and philosophical speculation—in it, we find the conceptual inventiveness, the lexical and etymological alertness, and above all the joyfulness that characterize the whole of Serres's extraordinary oeuvre. (shrink)