Selon une lecture classique, la théorie benthamienne de la démocratie est fondée sur le principe du principe selon lequel l’agrégation des suffrages individuels reflète l’intérêt public. C’est pourquoi les commentateurs ont en général porté leur attention sur la façon dont le vote réalise l’agrégation des intérêts individuels plutôt que sur les délibérations publiques qui précèdent le vote. Récemment, Peter Niesen et Oren Ben-Dor ont pourtant étudié les processus de délibération collective chez Bentham. Cet article pointe des difficultés avec ces deux (...) approches. D’une part, en s’appuyant principalement sur la Tactique des Assemblées législatives, P. Niesen limite la portée de sa démonstration. L’analyse originale d’O. Ben-Dor prend en compte les écrits de Bentham sur la persuasion et les pressions exercées par la communauté sur les individus pour montrer comment se constitue un « consensus utilitariste » dans une société politique donnée. Pourtant, il néglige le fait que Bentham ne parle jamais de « consensus », et que cette idée même est contraire à ses idéaux démocratiques. En effet, Bentham dénonce à plusieurs reprises l’influence manipulatrice exercée par les élites et cherche à en briser les mécanismes. Faut-il faire de Bentham l’un des penseurs de la délibération publique, au risque d’occulter des aspects importants de sa théorie démocratique? (shrink)

The past few decades have seen an explosion of research on causal reasoning in philosophy, computer science, and statistics, as well as descriptive work in psychology. In Causation with a Human Face, James Woodward integrates these lines of research and argues for an understanding of how each can inform the other: normative ideas can suggest interesting experiments, while descriptive results can suggest important normative concepts. Woodward's overall framework builds on the interventionist treatment of causation that he developed in Making (...) Things Happen. Normative ideas discussed include proposals about the role of invariant or stable relationships in successful causal reasoning and the notion of proportionality. He argues that these normative ideas are reflected in the causal judgments that people actually make as a descriptive matter. Woodward also discusses the common philosophical practice-particularly salient in philosophical accounts of causation--of appealing to intuitions or judgments about cases in support of philosophical theses. He explores how, properly understood, such appeals are not different in principle from appeals to results from empirical research, and demonstrates how they may serve as a useful source of information about causal cognition. (shrink)

Review of Why Music Moves Us by Jeanette Bicknell.

(2000). Federal world government at the dawn of the third millennium: Old challenges and new opportunities. World Futures: Vol. 56, No. 1, pp. 41-106.

(1994). The rhetoric of science and the challenge of post‐liberal democracy. Social Epistemology: Vol. 8, Public Indifference to Population Issues, pp. 261-271.

James O. Young seeks to explain why we value music so highly. He draws on the latest psychological research to argue that music is expressive of emotion by resembling human expressive behaviour. The representation of emotion in music gives it the capacity to provide psychological insight--and it is this which explains a good deal of its value.

Almost all of us would agree that the experience of art is deeply rewarding. Why this is the case remains a puzzle; nor does it explain why many of us find works of art much more important than other sources of pleasure. Art and Knowledge argues that the experience of art is so rewarding because it can be an important source of knowledge about ourselves and our relation to each other and to the world. The view that art is a (...) source of knowledge can be traced as far back as Aristotle and Horace. Artists as various as Tasso, Sidney, Henry James and Mendelssohn have believed that art contributes to knowledge. As attractive as this view may be, it has never been satisfactorily defended, either by artists or philosophers. Art and Knowledge reflects on the essence of art and argues that it ought to provide insight as well as pleasure. It argues that all the arts, including music, are importantly representational. This kind of representation is fundamentally different from that found in the sciences, but it can provide insights as important and profound as available from the sciences. Once we recognise that works of art can contribute to knowledge we can avoid thorough relativism about aesthetic value and we can be in a position to evaluate the avant-garde art of the past 100 years. Art and Knowledge is an exceptionally clear and interesting, as well as controversial, exploration of what art is and why it is valuable. It will be of interest to all philosophers of art, artists and art critics. (shrink)

Hume and the problem of theory and practice in philosophy and political theory -- Hume's naturalism and skepticism in the treatise and his appeal from theory to practice -- The systematic theory of theory of the treatise of human nature -- The behaviorist theory of practice of the treatise -- The practical philosophies of skepticism and commercial humanism -- The common sense theory of theory of the enquiries, essays, and history of England -- The common sense theory of practice of (...) the later works -- Hume, theory, and practice today. (shrink)

"Michel Foucault's Force of Light" offers a comprehensive, chronological reading of Foucault's published, and many unpublished, writings. James Bernauer claims that Foucault's achievement was to have fashioned a series of inquiries that makes it possible to question the activity of thought itself as an ethical practice. Foucault's ethic historicizes Kant's great questions on knowledge, obligation, and hope. He asks not "What can I know?" but rather "How have my questions been produced? How has the path of my knowing been (...) determined?" Not "What ought I to know?" or "What may I hope for?" by "How have the parameters of my aspirations been defined?". (shrink)

This is one of a pair of discussion notes comparing some features of the account of causation in Wolfgang Spohn’s Laws of Belief with the “interventionist” account in James Woodward’s Making Things Happen. Despite striking similarities there are also important differences. These include the “epistemic” orientation of Spohn’s account as opposed to the worldly or “ontic” orientation of the interventionist account, Spohn’s focus on token-level causal claims in contrast to the primary interventionist focus on type-level claims, the role of (...) temporal information in accounting for causal asymmetry, and the extent to which causal claims are “frame relative.”. (shrink)

This article explores some issues associated with Philip Kitcher's unificationist theory of explanation, including the contrast between epistemic and ontic approaches to explanation, and the implications of Kitcher’s theory for the autonomy of the special sciences.

This article argues that Jeremy Bentham put forward a distinctive and original theory of representative democracy which can be helpfully analysed through his concept of the ‘deputy’. A deputy, Bentham argued, evoked a specific political relationship between governors and the governed – a relationship that was functionally different to that between the people and a ‘representative’ or a ‘delegate’. Whereas a representative was suggestive of too great a degree of governmental independence from the people and a delegate implied an excessive (...) dependency of governors upon the governed, a deputy for Bentham best described the relationship between the rulers and the ruled that should subsist in a representative democracy. A political form based on deputies, who were to be relatively free to conduct the business of government yet simultaneously accountable to their sovereign electors, was the only way in his eyes to guarantee the promotion of utility in politics and the security of the people from being misruled. (shrink)

Argues that the Holocaust has caused a mutation of the world. Our new world is Planet Auschwitz, an unworld with satellites separate and incommunicable. In this new world, the forces of nihilism are at work - e.g. terrorism, mass murder. Face-to-face with this destruction process, its administrators, and its survivors, we mutations must rewrite everything that has been projectively written about us in the old world. The tendency to repression keeps us from thinking, binding us to cynicism and nostalgia. The (...) response to this new world condition must be to remember the Holocaust - repression leads to indifference and destruction. (shrink)

This research assessed the impact of the participants’ personal value orientation preferences and level of principled moral reasoning when comparing undergraduate business students with undergraduate pharmacy students before and after students completed a professional ethics course. Overall there was little significant change in the students’ value orientations and principled moral reasoning after completing a professional ethics course, yet some important findings emerged when comparing business to pharmacy students.

In The Market Experience, Robert Lane restates the central criticism of economic views of human satisfaction?namely, that they define welfare as utility and, in practice if not in theory, use money as the measure of utility, while in reality utility (or welfare) ought to be defined as happiness. In exploring the implications of this noneconomic definition for our assessment of markets, Lane summarizes the evidence about how people assess their own happiness more successfully than he clarifies the meaning of that (...) word. Since increases in income above a certain minimum do not increase happiness, work must be made more meaningful. (shrink)

Drawing upon the experiences and insights of a diverse group of notable contributors, this volume is perhaps the most complete study available on clergy ethics. The topics discussed include the separation of church and state, clergy professionalization, ethical pastoral care, and many more.

This book presents a comprehensive, accessible survey of Western philosophy of music from Pythagoras to the present. Its narrative traces themes and schools through history, in a sequence of five chapters that survey the ancient, medieval, early modern, modern and contemporary periods. Its wide-ranging coverage includes medieval Islamic thinkers, Continental and analytic thinkers, and neglected female thinkers such as Vernon Lee (Violet Paget). All aspects of the philosophy of music are discussed, including music and the cosmos, music's value, music's relation (...) to the other arts, the problem of opera, the origins of musical genius, music's emotional impact, the moral effects of music, the ontology of musical works, and the relevance of music's historical context. The volume will be valuable for students and scholars in philosophy and musicology, and all who are interested in the ways in which philosophers throughout history have thought about music. (shrink)