In this chapter I explain Spinoza's concept of "infinite modes". After some brief background on Spinoza's thoughts on infinity, I provide reasons to think that Immediate Infinite Modes are identical to the attributes, and that Mediate Infinite Modes are merely totalities of finite modes. I conclude with some considerations against the alternative view that infinite modes are laws of nature.

My two principal aims in this essay are interconnected. One aim is to provide a new interpretation of the ‘infinite modes’ in Spinoza’s Ethics. I argue that for Spinoza, God, conceived as the one infinite and eternal substance, is not to be understood as causing two kinds of modes, some infinite and eternal and the rest finite and non-eternal. That there cannot be such a bifurcation of divine effects is what I take the ‘infinite (...) mode’ propositions, E1p21–23, to establish; E1p21–23 show that each and every one of the immanent effects of an infinite and eternal God is an infinite and eternal mode. The other aim is to show that these propositions can be understood as part of an extended critical response to Descartes’s infamous doctrine that God creates eternal truths and true and immutable natures. If we have the correct (Spinozan) conceptions of what God is and how God works, we see that an eternal and infinite God can only be understood to cause ‘eternal truths,’ and that these eternal truths are infinite and eternal modes of God. (shrink)

Spinoza's Mediate Infinite Mode TAD M. SCHMALTZ IN PART I of the Ethics, Spinoza argued that a modification is infinite just in case it either "follows from the absolute nature of any attribute of God" or "follows from some attribute of God, as it is modified by such a modification" that is infinite. 1 The main purpose of this argument is to bolster the claim later in this text that a finite modification can follow from a divine (...) attribute only insofar as that attribute is modified by another finite modification. 2 Thus it is understandable that in the section that contains the argument Spinoza did not actually affirm the existence of the two kinds of infinite modifications he mentioned, which following standard practice I call "immediate infinite modes" and "mediate infinite modes," respectively.3 Yet in this section he did 'E IP21,D-22,D, G II 65-66/Curley 429-3 o. In the text and notes of this paper I use the following abbreviations pertaining to Spinoza's writings: E: Ethics ; Ep.: Letters ; RDPP: Descartes' Principles of Philosophy ; CM: Appendix containing Metaphysical Thoughts ; KV: Short Treatise ; TdlE: Treatise on the Emendation of the Intellect ; G: C. Gebhardt, ed., Spinoza Opera, 4 vols. , cited by volume and page; Curley: E. Curley, trans, and ed., The Collected Works of.. (shrink)

Le mode infini immédiat de l’étendue (MIIE) est l’un des éléments les plus mystérieux de l’ontologie de Spinoza. Malgré son importance pour le système métaphysique de Spinoza, ce dernier nous dit très peu à propos de ce mode. Dans un effort pour faire progresser l’étude de cette question, j’examine trois hypothèses bien acceptées qui traitent de l’identité de ce mode : l’interprétation de la force, l’interprétation nomique et l’interprétation cinétique. J’affirme premièrement que l’interprétation de la force et l’interprétation nomique doivent (...) faire face à de sérieuses objections. Deuxièmement, je soutiens que malgré les affirmations contraires des spécialistes, l’interprétation cinétique du MIIE est une option valable. (shrink)

Although Alain Badiou dedicates a number of texts to the philosophy of Benedict de Spinoza throughout his work—after all, the author of a systematic philosophy of being more geometrico must be a point of reference for the philosopher who claims that “mathematics = ontology”—the reading offered in Meditation Ten of his key work Being and Event presents the most significant moment of this engagement. Here, Badiou proposes a reading of Spinoza’s ontology that foregrounds a concept that is as central to, (...) and celebrated in, his philosophy as it is strictly excluded by Spinoza: the void. In nuce, Badiou contends that for all of Spinoza’s efforts to offer an ontology of total plenitude, the void returns in his philosophy under the (at first sight) unlikely name of infinite mode. The presence of this errant name in Spinoza’s philosophy bears witness to the failure of his most profound intellectual endeavour. However striking Badiou’s reading of Spinoza, this paper argues that it fails to adequately grasp Spinoza’s metaphysics, particularly with respect to the central concept of modal essence, a concept which does not appear at all in the Badiouian text. By introducing a consideration of this concept, it becomes able to resolve the status of infinite modes, and to account for the move across the notorious finite–infinite divide. Thus the argument turns to the reading of Spinoza offered by Gilles Deleuze for a more thorough-going and nuanced approach, much superior to Badiou’s procrustean critique. (shrink)

Abstract:What is the relationship between philosophical understandings of the infinite and their narrative expressions? This article explores the infinite in two aesthetic paradigms: the horror of the infinite in classical Greece, and Romanticism's glorification of the unlimited. It argues that these two approaches paved the way for a third, a "relational infinite" that emerged in the second half of the twentieth century. To illustrate this third paradigm, I draw on the works of Argentine author Jorge Luis (...) Borges and on other fictions of the fantastic genre that make the boundless and endless a key element of the plot. (shrink)

In this article, we will describe two theistic modes of “paradoxical detachment” from the Presence of the Infinite, implying the coexistence of attachment and detachment. We will analyze two forms of Christianity-based paradoxical detachment: being dependent on the Ground of soul, while being detached from the representations of the Infinite ; being absolutely dependent on the Infinite, while being detached from any religious morality. The nontheistic mode of detachment from the Presence of the Infinite requires (...) an absolute detachment. We will examine two forms of absolute detachment towards the Presence of the Infinite: on one hand, the all-encompassing emptiness in the Kagyü and Gelug lineages of Tibetan Buddhism; on the other hand, the Heideggerian notion of “groundless abyss.” In the Kagyü and Gelug lineages of Tibetan Buddhism, being absolutely detached is searching for the Enlightenment, while being detached from all concepts. Heideggerian notions of “groundless abyss” and “de-hominization” allow us to reach absolute detachment, while remaining in a non-theistic way of thinking. (shrink)

This chapter contains sections titled: The Saying and the Said Subjectivity as Sensibility Ethics of Difference or an Ethics of Truths? Reading Levinas with Badiou: Impossibly Demanding? An Impossibly Demanding Education Notes.

In this paper, I examine how the Mode of Infinite Regress functions in Pyrrhonian scepticism. I argue that it is used both to generate an infinite regress of reasons and to show that such infinite regresses are epistemically defective. I clarify precisely how this occurs while examining the Mode’s efficaciousness and whether ancient philosophers might have accepted infinite regresses of reasons. I ultimately argue that they would not for reasons which have hitherto not been adequately appreciated (...) and which shed further light on how the Mode of Infinite Regress functions, its efficacy, and the relevant notions of justification at stake. (shrink)

Dans la lettre XXXII à Oldenburg, Spinoza affirme que l'esprit humain n'est que la puissance de la pensée divine, non en tant qu'elle est infinie et perçoit toute la nature, mais en tant qu'elle est finie et ne perçoit que le corps humain, ce qui fait de l'esprit humain « une partie de quelque entendement infini ». C'est à Pélucidation de ce « quelque entendement infini » qu'on travaille ici en montrant comment s'élaborent, dans l'Éthique, la doctrine de l'infinité des (...) attributs divins, puis la doctrine des modes infinis qui, au plan ontologique sinon au plan éthique, implique qu'on s'interroge sur la manière dont se comporte l'attribut de la pensée par rapport à l'infinité des autres attributs. On suggère enfin l'importance de cette enquête, tant pour la compréhension de la formule spinoziste de la connaissance que pour la compréhension de la formule spinoziste du salut. In letter XXXII to Oldenburg, Spinoza asserts that the human mind is but the power of divine thought, not as being infinite and encompassing nature, but as being finite and encompassing only the human body, which makes the human mind « a part of some infinite understanding ». We labor here for the clarification of this part of « some infinite understanding » by showing how, in Spinoza's Ethics, the doctrine of the infinity of divine attributes, then the doctrine of infinite modes are elaborated. The latter at the ontological level but not at the ethical level, implies that we question the way the attribute of thought functions with regard to the infinity of the other attributes. Lasty we underline the importance of this investigation, both for the understanding of the Spinozan formula for knowledge and for the understanding of his formula for salvation. (shrink)

It is standard to think that in Spinoza’s system, all things are necessary and in no sense contingent. However, in his classic book, Spinoza’s Metaphysics, published in 1969, Edwin Curley argues based on the proposition 28 of the first part of the Ethics that Spinoza endorses necessitarianism of only a modest kind, according to which when it comes to finite modes, there is a sense in which they are contingent. In this paper, I revisit Curley’s argument. Commentators have responded (...) to Curley’s argument, showing that Spinoza’s remarks on infinite modes entail that finite modes can in no sense be contingent. But this alone falls short of dispelling Curley’s misgivings about the standard interpretation, for it remains unexplained why Curley is wrong in thinking that the proposition 28 supports his moderate necessitarian interpretation. In defense of the standard interpretation, I bolster the usual response to Curley in greater detail than has been done in the literature and explain why, pace Curley, the proposition 28 plays no evidential role in support of Curley’s interpretation. (shrink)

Since its presumed origin by the big bang, about 14 pasts billion years, the Universe is composed of entities, or objects, that produce movements that produce new objects that produce new movements, in an endless sequence.The human mind is one of these entities, whose movements are capable to produce many objects, materialized or as ideas. Those objects in their turn will interact with the mind and new movements will be produced. This process had composed the history of mankind.The Nature presents (...) a world of movements, originated from its first movement—the explosion of the Singularity. The Universe continues in its expansion, while the Earth rotates and the animals move on its surface. So are the humans, who continue to reproduce by natural movements, biologically, but are capable to fly to the Moon. The entire Universe is composed by the same particles, forming a multitude of objects, inserted in the primary objects, participating in the primary movements, and introducing new ones. It is a World of an infinite number of movements derived from the first one, disposed in levels. The upper levels are constituted by the social movements.Thus, history is a development of the producing of material and ideal objects and of their related movements. To produce it mankind have been using the natural environment, offered by the earth’s surface, and the social products already produced during their times of history.Among the last, the social products, one recognizes: a) the knowledge, or information; b) the social relations between men and their social structures, and c) the spatial shaping of their social life, or geography.Thus, in this paper one tries to develop the idea of relating the terms Civilization, Mode of Production and Ages of History to the above three-legged composition.An example is given here: the invention of the caravel, that had conduced to the large discoveries (technology, information, knowledge). It intensified commercial activities, geographical interactions, accelerating the replacing of the feudal society in Europe by the mercantile society (social relations, social structure). The geography also changed with the higher development of the commercial sea port urban centers (spatial shaping geography).The current age of globalization is being an age of a new geography and of new forms in the urbanization process. (shrink)

Some of Spinoza's most well‐known doctrines concern what kinds of beings there are and how they are related to each other. For example, he claims that: (1) there is only one substance; (2) this substance has infinitely many attributes; (3) this substance is God or nature; (4) each of these attributes express the divine essence; and (5) all else is a mode of the one substance. These claims have so astonished many of his readers that some of them have surely (...) concluded that they must not know what Spinoza means by “substance,”“attribute,” and “mode.” In this article I shall try to explain how Spinoza understands the basic ontological categories denoted by these expressions. (shrink)

This article gives insight into the world of 3rd century BCE Alexandrian Judaism by analysing one aspect of the Greek translation of Exodus and provides a detailed evaluation of the way the translator managed to express the essence of the Hebrew text of Exodus while reflecting to some degree the form of the Hebrew text. No previous study only analyses this translator’s treatment of Hebrew paronymous infinitive absolute constructions in Greek Exodus. This research contributes to the preparation of a commentary (...) on Greek Exodus in the Society of Biblical Literature Septuagint Commentary Series. Using the Göttingen text of Greek Exodus prepared by John William Wevers, it evaluates how this translator rendered each occurrence of a paronymous infinitive absolute construction in Hebrew Exodus, defining the primary modes employed and also seeking to explain variations from these norms. The primary method incorporates a close exegetical reading of both the Hebrew and Greek texts and comparing their texts, in order to discern how the translator treated this Hebrew idiom and illustrating his translation approach.Contribution: The results contribute to our understanding of how the translator of Greek Exodus approached his task. He was more concerned to express the sense of the Hebrew text, than producing a literal translation. He generally follows the Hebrew text’s word order, but is creative in his choice of Greek equivalents, often showing sensitivity to context and Greek idiom. This translation approach differentiates this translator’s approach somewhat from those responsible for other portions of the Pentateuch. (shrink)

A central difficulty in the way of understanding Spinoza's metaphysical system is that of reconciling two apparently contradictory theories of the causation of finite modes found in his Ethics. The easiest way to present the problem is to place these two accounts side by side.A. All things which follow from the absolute nature of any attribute of God must forever exist, and must be infinite; that is to say, through that attribute they are eternal and infinite. A (...) thing which has been determined to any action was necessarily so determined by God. Together, these propositions entail that God is a necessary and sufficient condition for the occurrence of any action, and that anything so determined is eternal and infinite. Compare these implications with the following.B. An individual thing or a thing which is finite and has determinate existence cannot exist nor be determined to action unless it be determined to existence and action by another cause which is also finite and has a determinate existence; and again this cause cannot exist nor be determined to action unless by another cause which is also finite and determined to existence and action, and so on, ad infinitum. (shrink)

There is a long tradition of reading Spinoza as committed, perhaps unwillingly, to the non-reality of finite modes. While acknowledging that Spinoza does seem to rely on the reality of modes in certain places, Michael Della Rocca has called attention to what he labels an “idealist strand.” As a concluding remark in “Steps Toward Eleaticism in Spinoza's Philosophy of Action,” he claims that faced with these two conflicting strands, which are genuinely to be found in the text, it (...) is better to note both rather than artificially imposing a unity on the text. In this paper, I suggest that one need not admit two conflicting strands in Spinoza, on the one hand, nor arbitrarily disregard one strand, on the other. Rather, I argue for a unified view that diagnoses what gives rise to both seemingly conflicting strands. The key to this enterprise is recognizing that finite modes, paradoxically seeming perhaps at first, are not wholly finite. That is, a finite mode is determined by the totality of finite modes—wherein lies its finite aspect, but at the same time, and equally, partially actively determines this totality—wherein lies its infinite aspect. (shrink)

There are many aspects of the Ethics that seem to suggest, or perhaps even require the possibility of deducing finite modes from the infinite substance. Nonetheless, as many have noted even during Spinoza’s own time, it is far from clear that such a deduction can be successfully performed. In this chapter I argue that the expectation of a top-down deduction is unwarranted, and that interestingly enough, it is not only unwarranted with regard to Spinoza but with regard to (...) Descartes as well. I show this by pointing to the crucial role confusion plays for both, noting that our epistemic journey to clear and distinct or adequate knowledge begins with confusion, and that this trajectory is one of emending initially confused ideas. This shows that epistemically a bottom-up trajectory necessarily precedes a top-down one. My claim, however, goes beyond this point regarding the order of discovery. I argue that the state of confusion presupposes a plurality of finite modes, in Spinoza’s case, and substances and modes in Descartes’s. Confusion, I claim, amounts to an inadequate perception of an amalgam of ideas of a real plurality of things. Recognizing the metaphysical ground of confusion along with its central epistemic role brings to light the artificiality, and indeed ultimately the impossibility of a top-down deduction which is divorced from a preceding bottom-up analysis. (shrink)

Spinoza’s bold claim that there exists only a single infinite substance entails that finite things pose a deep challenge: How can Spinoza account for their finitude and their plurality? Taking finite bodies as a test case for finite modes in general I articulate the necessary conditions for the existence of finite things. The key to my argument is the recognition that Spinoza’s account of finite bodies reflects both Cartesian and Hobbesian influences. This recognition leads to the surprising realization (...) there must be more to finite bodies than their finitude, a claim that goes well beyond the basic substance-monism claim, namely, that anything that is, is in God. This leads to the conclusion, which may seem paradoxical, that finite bodies have both an infinite as well as a finite aspect to them. Finite bodies, I argue, both actively partially determine all the other finite bodies, thereby partially causing their existence insofar as they are finite, as well as are determined by the totality of other bodies. I articulate precisely what this infinite aspect is and how it is distinct from the general substance-monism dictum. (shrink)

Aristotle argues that the world is populated by real and distinct physical substances; Spinoza that there must and can only be one physical substance. Aristotle’s view carries considerably intuitive appeal, but Spinoza’s logic can, under the right interpretation, seem awfully convincing. Andrew Burnside (2023) helps us to explore what occurs when Aristotle’s unstoppable intuitive appeal meets Spinoza’s impeccable logic. Burnside’s project, as I understand it, has two aims: to show that Spinoza’s argument for one extended substance is a better account (...) of physical reality than Aristotle’s arguments against an infinite body and, second, to support this claim by defending Yitzhak Melamed interpretation of Spinoza as genuinely dividing reality into substances and modes. I would like to press Burnside on the usefulness of comparing Aristotle and Spinoza with respect to an infinitely extended physical thing and then raise several question for his reading of Spinoza. (shrink)

This paper proposes a reassessment of Hegel’s critical reading of Spinoza and of the charge of acosmism, for which this reading is known. We argue that this charge is actually the consequence of a more fundamental criticism, namely Spinoza’s presumable inability to conceive the unity of the finite and the infinite. According to Hegel, the infinite and the finite remain two poles apart in Spinoza’s metaphysics, which thus fails to be a true monism, insofar as it contains an (...) irreducible duality. Against this reading, we argue that Spinoza’s conception of the causal co-determination of finite modes entails the acknowledgment of their essentially infinite nature. The study of this particular instance of coincidentia oppositorum enables to counter some of Hegel’s criticisms as well as to illuminate a fairly unexplored aspect of Spinoza’s substance monism. (shrink)

The iltifāt (reference switching) is one of the arts of high literary value, widely practiced in the Qurʾān. This art takes place in the form of switching to another person, verb mode, number, preposition or sentence type contrary to the necessity of the situation, while continuing the word as a certain person, verb mode, number, preposition or sentence type. The art of iltifāt adds certain meanings to words such as certainty, continuity and movement. It keeps the curiosity, desire, excitement and (...) shiver alive. Similar to those who read the Qurʾān, those who read the translation of the Qurʾān are expected to be able to notice these meanings as much as possible and feel the literary pleasure of this art. There are important structural differences between Arabic and Turkish. In addition, the text that needs to be translated into Turkish is Holy Qurʾān, which has a divine infinite dimension, and it is a limited human mind attempts to translate it. This situation requires an advanced level of caution and diligence in transferring the art of iltifāt to the translations of Qurʾān. The issue of the art of iltifāt and the transfer of this art to the translations of the Qurʾān has also been studied in scientific research in different world languages such as Arabic, English and Indonesian. As far as we can determine, the only study in Turkish that examines the reflection of the iltifāt in the Qurʾān is the article titled "The Translation Problem of the Art of iltifāt in the Translation of the Qurʾān" by Haşim Özdaş. In the mentioned article, five different Qurʾān translations of eight verses from different types of the art of iltifāt were examined. It has been claimed that there is no art of iltifāt in Turkish language and literature, and that the translation of the art of iltifāt in the verses into Turkish is an obstacle to understanding the verses and leads to a wrong or incomplete understanding. As a solution, while the verses are being given and translated, it is suggested that the art of iltifāt in the verses be ignored. In this research article, the cases of the translations of the Qurʾān reflecting the art of iltifāt, as an example of iltifāt between māzī (past tense) and muzāriʻ (present tense) verbs modes in the verses are discussed. In addition, it discusses the opinions that say there is no art of iltifāt in the Turkish language, that the exact transfer of the art of iltifāt found in the Qurʾān to the translations of the Qurʾān causes wrong or incomplete understanding, therefore, the art of iltifāt should be ignored when the verses are being translated. As a result, the present study argues that the art of iltifāt is also a subject of Turkish rhetoric, which should be reflected in the translations of the Qurʾān as much as possible, and the transfer of the art of iltifāt in the translations of the Qurʾān does not constitute an obstacle to understanding the verses, on the contrary, the reference to this art in the verses will contribute to the realization of the divine purpose and wisdom. The data sources of the research were created from 6 verses and their 22 different translations, using various sampling methods. The data collected from these were analysed using the comparative text analysis method on the basis of the inductive approach. Qualitative data was converted into quantitative data, processed in the SPSS application, and the findings were presented as numerical figures in tables. At the end of the research, it was determined that iltifāt between māzī and muzāriʻ verbs modes studied in the science of rhetoric was also a subject of grammar as the phenomenon of time shifts in verbs. It was seen that the art of iltifāt was applied in an average of 800 places in the Qurʾān, and the iltifāt between māzī and muzāriʻ verbs modes accounted for 6.9% (55 pieces) of this amount. Most of these fifty-five iltifāts were iltifāt from the māzī verb mode to the muzāriʻ verb mode (63.6%), while the amount of iltifāt the muzāriʻ verb mode to the māzī verb mode was less (36.4%). In the analysed translations of the Qurʾān, it was determined that the iltifāt between māzī and muzāriʻ verbs modes was not reflected at a rate of 90.9%, and the art of iltifāt was completely abandoned in 14 of the 22 translations. It was concluded that the reason why the art of iltifāt in the verses was not reflected in the translations of the Qurʾān was the belief that this art was not found in Turkish and that the transfer of this art leads to wrong and incomplete understanding. In the research, it was proposed to increase the number of scientific studies in which various translation strategies and techniques were tested in the transfer of the art of iltifāt in the verses in the translations of the Qurʾān. In this respect, this research article is expected to pave the way for more research on the issue of transferring the arts used in the Qurʾān and to be useful for future translations of the Qurʾān. (shrink)

There is a difference between the tasks of interpreting Sextus Empiricus and contesting his arguments. Usually, one does the latter relying on some version of the former. Though this seems obvious, it is easy to make mistakes in this endeavor. From this point, I draw two basic recommendations which we should follow, lest we take Sextus to hold implausible positions regarding his Five Modes. However, these recommendations lead us to interpret Sextus’ Pyrrhonism as a limited skepticism. In the final (...) section, as I suggest a counter-example to this commitment, I reconsider the notion of infinite (apeiron) in the Five Modes to better explain interpretation and criticism of Sextus’ arguments. (shrink)

On standard accounts of responsibility, one is thought to be responsible for one's own actions or affairs. Levinas' philosophy speaks of a responsibility that goes beyond my actions and their consequences to an infinite, irrecusable, asymmetrical responsibility for the other human. In the dissertation, I present a defense of Levinasian responsibility and argue that distinctive of Levinas' thought as an ethics is the manner in which it maintains the absolute and unexceptionable character of responsibility, while simultaneously putting into question (...) every possible ground or justification for this claim. The central chapters of the dissertation consider the connection between the formal structure of transcendence and the deformalization of this notion as responsibility. After discussing the notions of transcendence employed in the phenomenology of Husserl and Heidegger, I examine Levinas' criticism that transcendence in their sense remains an immanence insofar it continues to tie the conditions of intelligibility to modes of understanding and comprehension. Levinas' reconception of transcendence as a relation to exteriority and absolute alterity is then examined as it is developed first in his early writings , and then in Totality and Infinity through the tropes of the idea of infinity, metaphysical desire, and the face. The aim of these chapters is not only to elucidate in detail the conception of transcendence, but to examine why Levinas thinks that transcendence is already an ethical event. While commentators have sometimes claimed that ethics in Levinas' sense is neither normative nor descriptive, I show that the question of normativity--of how ethical claims are binding on us--is central to the problematic of responsibility, though in a way which ultimately forces us to revise our understanding of both normativity and ethics. Levinas contests the possibility of decisive evidence that would prove the truth of our ethical obligations. What I show is how the call for proof or justification always already distorts and passes over the meaning of responsibility. (shrink)

Nagarjuna and Quantum physics. Eastern and Western Modes of Thought. Summary. The key terms. 1. Key term: ‘Emptiness’. The Indian philosopher Nagarjuna is known in the history of Buddhism mainly by his keyword ‘sunyata’. This word is translated into English by the word ‘emptiness’. The translation and the traditional interpretations create the impression that Nagarjuna declares the objects as empty or illusionary or not real or not existing. What is the assertion and concrete statement made by this interpretation? That (...) nothing can be found, that there is nothing, that nothing exists? Was Nagarjuna denying the external world? Did he wish to refute that which evidently is? Did he want to call into question the world in which we live? Did he wish to deny the presence of things that somehow arise? My first point is the refutation of this traditional translation and interpretation. 2. Key terms: ‘Dependence’ or ‘relational view’. My second point consists in a transcription of the keyword of ‘sunyata’ by the word ‘dependence’. This is something that Nagarjuna himself has done. Now Nagarjuna’s central view can be named ‘dependence of things’. Nagarjuna is not looking for a material or immaterial object which can be declared as a fundamental reality of this world. His fundamental reality is not an object. It is a relation between objects. This is a relational view of reality. Reality is without foundation. Or: Reality has the wide open space as foundation. 3. Key terms: ‘Arm in arm’. But Nagarjuna did not stop there. He was not content to repeat this discovery of relational reality. He went on one step further indicating that what is happening between two things. He gave indications to the space between two things. He realised that not the behaviour of bodies, but the behaviour of something between them may be essential for understanding the reality. This open space is not at all empty. It is full of energy. The open space is the middle between things. Things are going arm in arm. The middle might be considered as a force that bounds men to the world and it might be seen as well as a force of liberation. It might be seen as a bondage to the infinite space. 4. Key term: Philosophy. Nagarjuna, we are told, was a Buddhist philosopher. This statement is not wrong when we take the notion ‘philosophy’ in a deep sense as a love to wisdom, not as wisdom itself. Philosophy is a way to wisdom. Where this way has an end wisdom begins and philosophy is no more necessary. A.N. Whitehead gives philosophy the commission of descriptive generalisation. We do not need necessarily a philosophical building of universal dimensions. Some steps of descriptive generalisation might be enough in order to see and understand reality. There is another criterion of Nagarjuna’s philosophy. Not his keywords ‘sunyata’ and ‘pratityasamutpada’ but his 25 philosophical examples are the heart of his philosophy. His examples are images. They do not speak to rational and conceptual understanding. They speak to our eyes. Images, metaphors, allegories or symbolic examples have a freshness which rational ideas do not possess. Buddhist dharma and philosophy is a philosophy of allegories. This kind of philosophy is not completely new and unknown to European philosophy. Since Plato’s allegory of the cave it is already a little known. The German philosopher Hans Blumenberg has underlined the importance of metaphors in European philosophy. -/-. (shrink)

The paper, which retains a hypothetical character, argues that Spinoza's propositions referring to God (or involving the use of the name ‘God’, essentially in the Ethics), can be read in a fruitful manner apart from any pre-established hypothesis concerning his own ‘theological preferences’, as definite descriptions of three ‘ideas of God’ which have the same logical status: one (akin to Jewish Monotheism) which identifies the idea of God with the idea of the Law, one (akin to a heretic ‘Socinian’ version (...) of Christianity) which identifies it with the idea of Human Love, and one (akin to a form of Cosmotheism, rather than ‘Pantheism’) which identifies it with Nature. Evidence of this analytic tripartition can be found in the letter of the texts themselves. If accepted (at least as a thought experiment), it would carry three interesting consequences: 1) to renew our understanding of the theory of the ‘three kinds of knowledge’, which have obvious affinities with the three possible ways of understanding the idea of God; 2) to emphasize the critical move associated by Spinoza with each of the three ideas of God (passing from an anthropomorphic legislator to an impersonal command, passing from an imaginary community of similarities to a practical community of singularities, and passing from a teleological and harmonious idea of nature to a causal, even conflictual, idea of its infinite power); 3) to locate the essential ethical and political questions associated with religion on the ‘vectors’ which lead from one idea to another, and represent themselves practical conatus: obedience, utility, order. It is also assumed that such a reading enhances the relevance of Spinoza's philosophy with respect to contemporary debates about religion and secularism. (shrink)

Resumen: En este artículo presentamos a san Agustín como punto de partida de la reflexión de Husserl respecto del tiempo y la correlación entre memoria y Erinnerung. La investigación fenomenológica de Husserl acerca de la conciencia interna del tiempo parte de la reflexión de san Agustín por el mismo problema. En estas obras, el tiempo se puede medir porque hay una distentio animi. En Husserl, Die Erinnerung nos coloca ante una conexión infinita de “antes”, pues toda percepción se encuentra en (...) una relación de multiplicidad de percepciones. Ambos pensadores están unidos por la vocación de dar cuenta de la propia inmanencia.: This article presents Saint Agustin as a starting point for Husserl’s reflection on time and the correlation between memory and Erinnerung. Husserl’s phenomenological research on the internal consciousness of time starts from the reflection of St. Augustine on the same problem. In this works, time can be measured because there is distentio animi. In Husserl, Die Erinnerung places us in the face of an infinite “before” connection, because all perceptions are to be found on a relationship of multiplicity of perceptions. Both thinkers are united by the vocation to account for their own immanence. (shrink)

“Why did God create the World?” is one of the traditional questions of theology. In the twentieth century this question was rephrased in a secularized manner as “Why is there something rather than nothing?” While creation - at least in its traditional, temporal, sense - has little place in Spinoza’s system, a variant of the same questions puts Spinoza’s system under significant pressure. According to Spinoza, God, or the substance, has infinitely many modes. This infinity of modes follow (...) from the essence of God. If we ask: “Why must God have modes?,” we seem to be trapped in a real catch. On the one hand, Spinoza’s commitment to thoroughgoing rationalism demands that there must be a reason for the existence of the radical plurality of modes. On the other hand, the asymmetric dependence of modes on the substance seems to imply that the substance does not need the modes, and that it can exist without the modes. But if the substance does not need the modes, then why are there modes at all? Furthermore, Spinoza cannot explain the existence of modes as an arbitrary act of grace on God’s side since Spinoza’s God does not act arbitrarily. Surprisingly, this problem has hardly been addressed in the existing literature on Spinoza’s metaphysics, and it is my primary aim here to draw attention to this problem. In the first part of the paper I will present and explain the problem of justifying the existence of infinite plurality modes in Spinoza’s system. In the second part of the paper I consider the radical solution to the problem according to which modes do not really exist, and show that this solution must be rejected upon consideration. In the third and final part of the paper I will suggest my own solution according to which the essence of God is active and it is this feature of God’s essence which requires the flow of modes from God’s essence. I also suggest that Spinoza considered radical infinity and radical unity to be roughly the same, and that the absolute infinity of what follow from God’s essence is grounded in the absolute infinity of God’s essence itself. (shrink)

In Spinoza’s ontology, there are only two categories of existing items: an independent entity that is one substance, and dependent entities that are infinite modes; “nothing exists external to the intellect except substances and their affections”(Proof of 1.P.4). Nevertheless, Spinoza introduces a third notion, ‘attribute’, that is defined as “what the intellect perceives of substance as constituting its essence” (1.d.4). Spinoza’s metaphysics is known for the doctrine of substance monism that indicates that only one substance exists. Spinoza, however, (...) explicitly states that “substance consisting of infinite attributes, each of which expresses eternal and infinite essence, necessarily exists.” These remarks create a perplexing puzzle regarding the ontological status of attributes in Spinoza’s philosophy. In the literature, in general, there are two opposite interpretations: the realist view (i.e., Curley (1988)) according to which attributes are real substances; and the anti-realist interpretation (i.e., Wolfson (1934)) that holds that attributes are not metaphysically real. In this paper, I provide some textual evidence from Spinoza’s works that contradicts both mentioned the realist and the anti-realist interpretations. As an alternative, I put forward a new account according to which attributes are real and objective; nevertheless, they should not be understood as distinct things in Spinoza's metaphysics. (shrink)

Yitzhak Melamed here offers a new and systematic interpretation of the core of Spinoza's metaphysics. In the first part of the book, he proposes a new reading of the metaphysics of substance in Spinoza: he argues that for Spinoza modes both inhere in and are predicated of God. Using extensive textual evidence, he shows that Spinoza considered modes to be God's propria. He goes on to clarify Spinoza's understanding of infinity, mereological relations, infinite modes, and the (...) flow of finite things from God's essence. In the second part of the book, Melamed relies on this interpretation of the substance-mode relation and the nature of infinite modes and puts forward two interrelated theses about the structure of the attribute of Thought and its overarching role in Spinoza's metaphysics. First, he shows that Spinoza had not one, but two independent doctrines of parallelism. Then, in his final main thesis, Melamed argues that, for Spinoza, ideas have a multifaceted structure that allows one and the same idea to represent the infinitely many modes which are parallel to it in the infinitely many attributes. Thought turns out to be coextensive with the whole of nature. Spinoza cannot embrace an idealist reduction of Extension to Thought because of his commitment to the conceptual separation of the attributes. Yet, within Spinoza's metaphysics, Thought clearly has primacy over the other attributes insofar as it is the only attribute which is as elaborate, as complex, and, in some senses, as powerful as God. (shrink)

Errol Harris talks about a crypto-dialectic method that lies behind the geometrical disguise of Spinoza'sEthics.Spinoza's method, he argues, is not the linear formal deduction of traditional logic but a crypto-dialectical development of the structural implications of a systematic whole. Substance differentiates itself into infinite attributes and infinite modes. Each attribute is self-differentiated into a hierarchy of modes ranging from the most complex to the simplest. Harris calls this a dialectical scale or a crypto-dialectical development of the (...) structural implications of a systematic whole. The self-specification of the whole into attributes and modes provides the framework for a dialectical system. Spinoza's hypotheses are implications dialectically derived from his concept of substance, a concept of a whole which differentiates itself into infinite attributes and modes. Substance is not a hypothesis but is a postulate which s i absolutely certain. Everything follows from substance with dialectical necessity. Substance is the origin of all things and ideas. (shrink)

The aim of this paper is to clarify Spinoza’s views on some of the most fundamental issues of his metaphysics: the nature of God’s attributes, the nature of existence and eternity, and the relation between essence and existence in God. While there is an extensive literature on each of these topics, it seems that the following question was hardly raised so far: What is, for Spinoza, the relation between God’s existence and the divine attributes? Given Spinoza’s claims that there are (...) intimate connections between God’s essence and his existence – “God’s essence and his existence are one and the same”(E1p20) – and between God’s essence and the attributes – “By attribute I understand what the intellect perceives of substance, as constituting its essence” (E1d4), we would naturally expect that by transitivity, there is a significant relation between God’s existence and the attributes. Yet, as far as I know, there is little, if any, attempt in the existing literature to explicate such a relation, and it is one of my aims of this study to both raise the question and answer it. Eventually, I will argue that for Spinoza God is nothing but existence, and that the divine attributes are just fundamental kinds of existence, or, what is the same, as I will later argue, the intellect’s most fundamental and adequate conceptions of existence. In the first part of the paper I provide some background for Spinoza’s brief discussion in the TTP of God’s name and essence by studying the claims of Maimonides in the Guide of the Perplexed that God’s true essence is necessary existence, and that this essence is denoted by the ineffable Hebrew name of God, the Tetragrammaton (YHVH). In the second part of the paper I point out similar claims Spinoza presents in the TTP, and show how they respond to and echo Maimonides’ discussion in the Guide. In the third part, I examine Spinoza’s apparently conflicting claims in the Ethics about the relationship between God’s essence and existence. In some places Spinoza claims that God’s essence and existence are strictly identical (E1p10: “God’s essence his existence are one and the same”), but in other passages he makes the apparently much more modest claim that God’s essence involves existence (E1d1, E1p7d and E1p11d), which may lead one to believe that there is more to God’s essence than mere existence. I show that Spinoza’s understanding of the relation denoted by the Latin ‘involvit’ is consistent with the strict identification of essence and existence in God, and that Spinoza identifies God’s essence with self-necessitated existence, or eternity. Indeed, Spinoza’s understanding of eternity [aeternitas] as self-necessitated existence (E1d8) is one of the very few Spinozistic concepts that has no trace in Descartes. In this part I will also solve the long-standing problem of the sense in which the infinite modes can be called ‘eternal.’ In the fourth part I turn to the relation between the divine attributes and God’s existence and argue that, for Spinoza, the attributes are self-sufficient and adequate conceptions of existence. Finally, I will attempt to explain what brought Spinoza to deify existence. -/- Part I: “In that Day shall God be One, and his Name One”- Maimonides on God’s Name and Essence. -/- 1.1 Before we delve into the texts, let me suggest a few distinctions between various views on the issue of the relation between essence and existence in God. The view I suspect both Maimonides and Spinoza subscribe to can be termed the divine essence-existence Identity Thesis. -/- Identity Thesis (IT): God’s essence is existence and nothing but existence. We should distinguish the Identity Thesis from the much more common view according to which God’s essence contains existence, or (which I take to be roughly the same) that existence is one of the properties or perfections which constitute God’s essence. The latter view allows for the possibility (though it does not demand) that there is more to God’s essence than bare existence (e.g., God’s essence may include omniscience, omnipotence, etc.). I will term this view the divine essence-existence Containment Thesis. (shrink)

The way of laws is as much a defining feature of the modern period as the way of ideas; but the way of laws is hardly without its forks. Both before and after Descartes, there are philosophers using the concept to carve out a very different position from his, one that is entirely disconnected from God or God’s will. I argue that Francis Bacon and Baruch Spinoza treat laws as dispositions that derive from a thing’s nature. This reading upends the (...) currently orthodox treatment of Spinoza’s laws as infinite modes, and calls for a re-conception of his metaphysics of causation. (shrink)

When McTaggart puts Spinoza on his short list of philosophers who considered time unreal, he is falling in line with a reading of Spinoza’s philosophy of time advanced by contemporaneous British Idealists and by Hegel. The idealists understood that there is much at stake concerning the ontological status of Spinozistic time. If time is essential to motion then temporal idealism entails that nearly everything—apart from God conceived sub specie aeternitatis—is imaginary. I argue that although time is indeed ‘imaginary’—in a sense (...) ‘no one doubts’ as Spinoza says—there is no good reason to infer that bodies, the infinite modes, and conatus are imaginary in the same sense. To avoid this conflation, we need to follow Spinoza in carefully distinguishing between tempus and duratio. Duration is not only real; it has all the structure needed to ground Spinozistic motion, bodies and conatus. (shrink)

Spinoza’s Letter 66 is written in response to a question raised by Tschirnhaus. The question is why does one’s mind in one attribute perceive only one’s body in another if one’s nature is expressed in modes of infinite attributes? Spinoza replies that “although each thing is expressed in infinite modes in the infinite intellect of God, the infinite ideas by which it is expressed cannot constitute one and the same mind of a singular thing,” (...) and he contends that these “infinite ideas” constitute “an infinity of minds” or independent conceptions in God’s understanding. (shrink)

The book is a historical investigation of the problem of infinity in Greek ontology and physics - more specifically, the problem of the infinite size of the world and of its eternal existence, the problem of the infinity of worlds, of infinite divisibility of matter, of infinity of attributes or attribute modes (e.g., infinity of atom shapes), and the problem of infinity of nonphysical entities such as mathematical constructs. The view espoused here is that infinity was of (...) paramount importance for Greek philosophers even if it was not explicitly discussed by them. It served as an unspoken assumption without which Greek philosophy could hardly be possible. (shrink)

An old question in Spinoza scholarship is how finite, non-eternal things transitively caused by other finite, non-eternal things (i. e., the entities described in propositions like E1p28) are caused by the infinite, eternal substance, given that what follows either directly or indirectly from the divine nature is infinite and eternal (E1p21–23). In “Spinoza’s Monism I,” “Spinoza’s Monism I,” in the previous issue of this journal. I pointed out that most commentators answer this question by invoking entities that are (...) indefinite and sempiternal, but argued that perhaps we should not be so quick to assume that in Spinoza’s system, an infinite and eternal substance could cause such indefinite, sempiternal entities. But if such eternal-durational causation is denied, then it seems harder to see how Spinoza’s system could be coherent: if Spinoza holds that the infinite, eternal substance cannot cause anything that is not infinite and not eternal, then how can he also hold that all things are modes immanently caused by substance (E1p15, E1p18, E1p25)? In this essay, I explain how Spinoza’s system could be understood in light of a denial of eternal-durational causation. On the interpretation I offer, God is the cause of all things and all things are modes because the essences of all things follow from the divine nature and all essences enjoy infinite, eternal reality as modes immanently caused by the infinite, eternal substance. The same non-substantial essences can also be conceived as enjoying non-infinite, non-eternal reality, but so conceived, they are enduring, finite (or sempiternal, indefinite) entities that cannot be conceived as modes caused by and inhering in the one infinite, eternal substance. I conclude by pointing out that if we take this interpretive route, we do have to understand Spinoza as committed to acosmism, or a denial of the reality of the world – at least the world of enduring, finite things. (shrink)

In this essay, I suggest that Spinoza acknowledges a distinction between formal reality that is infinite and timelessly eternal and formal reality that is non-infinite (i. e., finite or indefinite) and non-eternal (i. e., enduring). I also argue that if, in Spinoza’s system, only intelligible causation is genuine causation, then infinite, timelessly eternal formal reality cannot cause non-infinite, non-eternal formal reality. A denial of eternal-durational causation generates a puzzle, however: if no enduring thing – not even (...) the sempiternal, indefinite individual composed of all finite, enduring things – is caused by the infinite, eternal substance, then how can Spinoza consistently hold that the one infinite, eternal substance is the cause of all things and that all things are modes of that substance? At the end of this essay, I sketch how Spinoza could deny eternal-durational causation while still holding that an infinite, eternal God is the cause of all things and that all things are modes. I develop the interpretation more in the companion essay.1 1 In “Spinoza’s Monism II,” in the next issue of this journal. (shrink)

Descartes croyait que le monde étendu ne se terminait pas par une borne, mais pourquoi? Après avoir expliqué la position de Descartes au §1, en suggérant que sa conception de l’étendue indéfinie de l’univers devrait être entendue comme actuelle, mais syncatégorématique, nous nous penchons sur son argument dans le §2 : toute postulation d’une surface extérieure au monde sera autodestructrice, parce que la simple contemplation d’une telle borne nous conduira à reconnaître l’existence d’une étendue allant au-delà. Au §3, nous identifions (...) l’hypothèse fondamentale qui sous-tend cet argument en comparant les conceptions respectives de Descartes et de Malebranche quant au statut ontologique des modes de l’étendue. (shrink)

Cognitive Grammar postulates two modes of cognitive processing for the structuring of complex scenes, summary scanning and sequential scanning. Generally speaking, the theory is committed to basing grammatical concepts upon more general cognitive principles. In the case of summary and sequential scanning, independent evidence is lacking, but Langacker argues that the distinction should nonetheless be accepted as it buys us considerable theory-internal explanatory power. For example, dynamic prepositions, to-infinitives and participles (e.g., into, to enter, entered ) are distinguished from (...) finite and bare verbs in terms of summary vs. sequential scanning. In this paper, we try to show that various theory-internal and theory-external arguments do not seem to support the two scanning modes. In particular, we offer a detailed examination of causatives (e.g., get, make ) and argue that their complementation patterns are difficult to reconcile with differences in scanning. We conclude that the status of, and need for, summary and sequential scanning in (Cognitive) grammar is doubtful, especially if grammar is approached from the viewpoint of the language learner/user. It follows also that the parcelling of some form-function mappings may prove less clear-cut than previously assumed. (shrink)

‘Substance’ (substantia, zelfstandigheid) is a key term of Spinoza’s philosophy. Like almost all of Spinoza’s philosophical vocabulary, Spinoza did not invent this term, which has a long history that can be traced back at least to Aristotle. Yet, Spinoza radicalized the traditional notion of substance and made a very powerful use of it by demonstrating – or at least attempting to demonstrate -- that there is only one, unique substance -- God (or Nature) -- and that all other things are (...) merely modes or states of God. Some of Spinoza’s readers understood these claims as committing him to the view that only God truly exists, and while this interpretation is not groundless, we will later see that this enticing and bold reading of Spinoza as an ‘acosmist’ comes at the expense of another audacious claim Spinoza advances, i.e., that God/Nature is absolutely and actually infinite. But before we reach this last conclusion, we have a long way to go. So, let me first provide an overview of our plan. In the first section of this paper we will examine Spinoza’s definitions of ‘substance’ and ‘God’ at the opening of his magnum opus, the Ethics. Following a preliminary clarification of these two terms and their relations to the other key terms defined at the beginning of the Ethics, we will briefly address the Aristotelian and Cartesian background of Spinoza’s discussion of substance. In the second section, we will study the properties of the fundamental binary relations pertaining to Spinoza’s substance: inherence, conception, and causation. The third section will be dedicated to a clarification of Spinoza’s claim that God, the unique substance, is absolutely infinite. This essential feature of Spinoza’s substance has been largely neglected in recent Anglo-American scholarship, a neglect which has brought about an unfortunate tendency to domesticate Spinoza’s metaphysics to more contemporary views. The fourth section will study the nature of Spinoza’s monism. It will discuss and criticize the interesting yet controversial views of the eminent Spinoza scholar, Martial Gueroult, about the plurality of substances in the beginning of the Ethics; address Spinoza’s claim in Letter 50 that, strictly speaking, it is improper to describe God as “one”; and, finally, evaluate Spinoza’s kind of monism against the distinction between existence and priority monism recently introduced into the contemporary philosophical literature. The fifth and final section will explain the nature, reality, and manner of existence of modes. We therefore have an ambitious plan; let’s get down to business. (shrink)

In this article I intend to show that certain aspects of the axiomatical structure of mathematical theories can be, by a phenomenologically motivated approach, reduced to two distinct types of idealization, the first-level idealization associated with the concrete intuition of the objects of mathematical theories as discrete, finite sign-configurations and the second-level idealization associated with the intuition of infinite mathematical objects as extensions over constituted temporality. This is the main standpoint from which I review Cantor’s conception of infinite (...) cardinalities and also the metatheoretical content of some later well-known theorems of mathematical foundations. These are, the Skolem-Löwenheim Theorem which, except for its importance as such, it is also chosen for an interpretation of the associated metatheoretical paradox (Skolem Paradox), and Gödel’s (first) incompleteness result which, notwithstanding its obvious influence in the mathematical foundations, is still open to philosophical inquiry. On the phenomenological level, first-level and second-level idealizations, as above, are associated respectively with intentional acts carried out in actual present and with certain modes of a temporal constitution process. (shrink)

Applying Weglorz' mode s of set theory without the axiom of choice, we investigate Arrow-type social we fare functions for infinite societies with restricted coalition algebras. We show that there is a reasonable, nondictatorial social welfare function satisfying “finite discrimination”, if and only if in Weglorz' mode there is a free ultrafilter on a set representing the individuals.

continent. 1.2 (2011): 70-75. cartography of ghosts . . . And as a way to talk . . . of temporality the topography of imagination, this body whose dirty entry into the articulation of history as rapturous becoming & unbecoming, greeted with violence, i take permission to extend this grace —Akilah Oliver from “An Arriving Guard of Angels Thusly Coming To Greet” Our disappearance is already here. —Jacques Derrida, 117 I wrestled with death as a threshold, an aporia, a bandit, (...) a part of life. —Akilah Oliver Moraine in geological lingo is that which is left behind. Moraine- a euphemism for the de-stabilizing referent of the writer-ly body as a “troubled and troubling landscape marked by cultural and historical signifiers, the body as flesh memory [...] the body as transitory” (Oliver, Author Statement). Moraine— a geological metaphor of the poet as a holder of memory, as an accumulation of rocks and debris carried along the edge, terminal, dropped at the foot of language (in language). “Flesh Memory” according to Akilah Oliver is "that which my body recalls [...] everything has to do with the task of remembrance and its narrative reinvention [...] I was always translating an idea of the world as it presented itself at any given time. To write was a choice about how to be seen, how to enter the world as translator, actor, participant, in the dialogues that apparently made the real 'real'" (Levitsky). Flesh. Memory. The stuff some poems are made from. The stuff that gets abandoned, gleaned, and picked up by more flesh and memory. "My body, my life has always felt like a kaleidoscopic rip in the dominant fabric [...] has always been a dialogue with the impossible and the apparent” (Levitsky). The impossible-body or poet's body anticipates and performs (through language) an irretrievable death. IN APORIA I realized everything I must have been doing must have been Death. It was Christmas or Labor Day—a holiday—and every time you turned on the radio they said something like ‘four million’ or ‘going to die’.” — Andy Warhol I’m trying on egos, [a justification for the planet’s continuance]. Oh hello transgressor, you’ve come to collect utilitarian debts, humbling narrative space. Give me condition and wheatgrass, I his body disintegrating. I his body is ossification. Death my habit radius, yeah yeah. I his body can’t refuse this summons. I can’t get out this fucking room. Tell me something different about torture dear Trickster. Tell me about the lightness my mother told me to pick the one i love the best how it signals everything I ever wish to believe true just holy on my ship. I jump all over this house. this is it [what I thought is thought only, nothing more deceptive than]: I his body keeps thinking someone will come along, touch me. As like human or lima bean. I’m cradling you to my breast, you are looking out. A little wooden lion you & Peter carve on Bluff Street is quieting across your cheekbone. Not at all like the kind of terror found in sleep, on trembling grounds. It is yesterday now. I have not had a chance to dance in this century. Tonight I shall kill someone, a condition to remember Sunday morning. To think of lives as repetitions [rather than singular serial incarnations]. To understand your death is as exacerbating as trying to figure out why as schoolchildren in mid-nineteen-sixties Southern California we performed reflexive motions: cutting out lace snowflakes, reading Dick and Jane search for their missing mittens, imagining snow. Disintegrat ing . The -ing gerund catapults from the non-finite verb into past, present, future. The -ing as a tail pinned to death, a dog spinning to bite and never fully reaching itself, always shy of the end, circumreferential; a double copulative: deathing. Possessively AO calls it “habit radius” (a virtual fetish attribute) or an inescapable death presence that “confronts us with the paradox of an unattainable object [...] through it’s being unattainable” (Agamben, 27). A flirtation or dialogue with an unknowable thing and aporia utilized as investigative instrument to engage (death) while (in Southern California) we “perform reflexive motions,” cut lace snowflakes, imagine snow, and pay rent like “yeah, yeah” what else is new. And this too, fiction. The book I wish to right. The restored fallen, heroic. Did you expect a different grace from the world? Or upon exit? I’m working on “tough.” They think I am already. All ready. Who is the dead person? Is "I'm sorry" real to a dead person? Browning grass. My hands on this table. A contentious century. A place to pay rent. Redemptive moments. Am I now the dead person? Dead person, dead person, will you partake in my persimmon feast? The body inside the body astounds, confesses sins of the funhouse. I too have admired the people of this planet. Their frilly, orderly intellects. The use they’ve made of cardamom, radiation as well. How they’ve pasteurized milk, loaned surnames to stars, captured tribes, diseases, streets, and ideas too. The living-body as archive: is it possible to experience the living-body as archive without a (kind of) death? Sifting the rubble, rummaging through hoarded debris, skin sheds, memory-napping, and re-awoken (in flesh and) on terrain. “An investigative poetics seeks to unravel staid communities of thought and grasp at what might always be just beyond reach; a poetics of inquiry that lies between language as meaning, and language as rapturous entry into the world of posited ideas and idealism”( Levitsky). Something snaps. Lights blow out prior to embarking upon an investigative poetics. It begins with a question (often a sexy aporia) that leads to openings. "Every politics of memory [...] implies an intervention of the state. It's a state that legislates and acts with regard to the nonfinite mass of materials to be stored, materials which must be collected, preserved” (Derrida & Stiegler, 62). It seems poetic investigation already contains the potentiality of an (invisible) archive if the writer is “always writing” especially when not. Here’s my stupid digital romantic inclination: the living-body (of a poet) is a self-sustaining archive of non-finite memories. But not even I really believe that. AO innovated and sculpted an investigative poetic praxis. In a conversation with poet Rachel Levitsky, poetic-voice is viewed not as a precious identifier, but as a means to think through/about form, concluding that form is linked to framing. While poetic-voice may have tendency to precede form, it also erupts as a result of framing techniques. “They are frames that hold the shape of thinking (which is also to say of imagining) [...].”7 This reminds me of my rabbit who symmetrically chewed the corners of his hutch, which makes me wonder if it’s an expression of the shape of some animal anxiety tick I won’t ever have access to. Beyond the form/frame, death is an unoriginal yet unique limit; death is a damn deathless thing. It functions as a source of poetic investigation; that thing always “just beyond reach.” And how is death not a fetish (in this case an obsessive reverence for something non-material)? “Insofar as it [death] is a presence, a fetish [...] it is in fact something concrete and tangible; but insofar as it is the presence of an absence, it is, at the same time, immaterial and intangible, because it alludes continuously beyond itself to something that can never really be possessed [...] The fetish is [...] a sign of an absence, it is not an unrepeatable unique object; on the contrary, it is something infinitely capable of substitution, without any successive incarnations ever succeeding in exhausting the nullity of which it is the symbol” (Agamben, 33). AO utilized absence (the absent body [catapulted by the death of a beloved]) as an apparatus to investigate. In the process of conversing with absence or that which is absent, the absent body is affectionately objectified, incessantly summonsed back to a place of recognition, of objects, a desire for the absent body to remain intact while exiting the structural limits of grammar and syntax by moving into chant forms “to say what cannot be said” (Levitsky). from AN ARRIVING GUARD OF ANGELS THUSLY COMING TO GREET dear oluchi- the light is blinking rapidly on the black boxy machine. your room seems bigger than before and i am still planning to read some of those robert jordan books of yours. yesterday at the used bookstore where i was browsing the mysteries to “stall reality” (they are really not mysteries at all, they just employ death as the plot mistress but are unable to grasp its mystery at all)—well the point is, things were calm down here for a while and the world was little. i want to be big like you. or i want you not vast, not dead, not gone, but human small and here. i am so selfish. that is what i really want. to see you again. to oil your scalp. to hear you walk in the door, say ma i’m home . give me a chance to say welcome home son. or when leaving, don’t forget your hat . what do you wear out there? i wish you could have taken your new shoes with you. i’m so proud of you. i’m sorry for the way you died. i miss you all the time. even before, i missed you. out there, one time, some different men said: “shake for me girl, i wanna be your backdoor man.” who dat you love. 5/18/03 A letter-poem in sixteen lines “dear oluchi-” is safe-housed in epistolary form. Poetic voice is rendered as internal thought meanderings, a not-so-much confession, private/(pillow?) talk in the desire to be heard/witnessed by the referent and reader with an intent to absolve. The diminutive “i” bears a relation to poet Fanny Howe’s “little g God” in that “One of the (many) things I like about little g God is that you can have a vodka tonic while you talk to little g God, sing along to Bowie’s “I’m Afraid Of Americans,” and hum Coltrane’s “A Love Supreme,” though maybe not all at the same time” (Oliver, 2009). Towards the middle of the poem AO is at a used bookstore and remarks on the funny employment of death as a ‘plot mistress’ that ‘they’ (the dubious employed mystery authors) are ‘unable to grasp’, thereby giving death a mouthpiece, a modeling job, something to do to pass the time. from THE VISIBLE UNSEEN When I first saw graffiti, I recognized in it an ugly aesthetic, a dialectics of violence, a distortion of limbs, a hieroglyph. It was only later when I read the names of the dead that I then saw the path of ghosts charted there; its narrative of loss for the visible unseen whose place in history has been fictionalized and rendered unseen under the totalizing glare of history. Inscriptions, traces, specters. Graffiti begs a public face just as ghosts require non-ghosts (humans) to sense them. The “visible unseen” is a game of hide-and-seek between public viewer and graffiti-inscriber, an ephemeral-violent aesthetic on an ephemeral-policed canvas. Graffiti-inscribers already submit to being forgotten, expect to be washed away; perhaps it’s a holy urban mandala created by gangster-type monks without Buddhism. [...] in its refusal to disappear it forces a discourse in the public imagination we are forced to see what we would rather not, to make sense of an encoded language that we cannot read on the level of meaning. it irritates, forces its agency on us, speaks outside and beyond semiotic reach. An epic font-size pervading the public’s imagination, illegible, I could just close my eyes, remain passive, drive past, abandon it beyond reach, push it further away beyond death walls. In Barcelona I watched a clean up crew wash walls with an awesome water hose but I was more intrigued by their bodies; not a distortion of limbs, not hieroglyph but also not entirely legible; the laboring body permanently erasing specters of the city, and of course they knew it was also an invitation for the ghosts to return. Graffiti is death’s little sister, is also an aporia. [...] Graffiti (fr GK -graph(os), something drawn or written, to diagram or chart) attempts to stage the impossible: to erase the essence of its own subjectivity. Graffiti is a cartography of ghosts, a mapping of elegiac rapture (the transporting of a person from one place to another, as in heaven) and rupture (the state of being broken open.) Dwelling is a fiction stasis. [...] The notion of the past as being something done with, a look-back event, inhibits the possibility of reading graffiti as rapture, as rupture. If graffiti posits history as always in the process of becoming undone. [...] Because what is the body, if not also a complex temple, an unstable site through which to negotiate subjects, materiality, economies, gods, and modes of representations? The site where we are all already belated. Graphein meaning “to write.” “Derrida says every archive makes a law, and the law of genre is its own rupture” (Bloch, 39). However, graffiti is an (non/anti)-archive of erasure due to (the politics of) washing out its subjectivity, which only adds onto (or is symptomatic of) its character. The inhibition of “reading graffiti as rapture, as rupture” is partly due to it being a “look-back” event in that it’s process involves scratching through layers to reveal previous specters underneath. Graffiti (as an ancient genre) has always been a thing of ‘becoming undone’, and therefore ‘belated and always in arrival’ (Levitsky). It’s a Dionysian activity done at night with it’s back turned toward us. "The specter [...] is of the visible, but of the invisible visible, it is the visibility of a body which is not present in flesh and blood [...] appearing for vision, to the brightness of day [...] something becomes almost visible which is visible only insofar as it is not visible in flesh and blood. It is a night visibility. As soon as there is a technology of the image, visibility brings night. It incarnates in a night body, it radiates in a night light" (Derrida & Stiegler, 115). (shrink)

This collection of essays, drawn from the latest generation of Whitehead scholars, explores how, in the deconstruction of certain concepts, an unceasing invitation of possibility and change is released, both in relation to ongoing philosophical conversations, and as applied to lived experience. The essays make a significant intervention in the field of Whiteheadian scholarship by creating new intersections and paths that extend Whitehead's thought in novel, and often unexpected, directions. The philosophy of Alfred North Whitehead proposes a radical reconceptualization of (...) experience-one in which we, and all other things, are composed of mutually implicated series of events in an infinite universe of interaction, generating and regenerating experience. Far from indicating a new superlative of holistic integrity, Whitehead prefers the always incomplete movement of all realities, which is the source of vitality for every new generation. This volume applies Whitehead's philosophy to superlatives-those valued concepts that limit and define our categories amid the flux of experience. The first half of this book probes the superlatives that have historically defined philosophical method in the West. These essays trace the adventures of concepts like substance, novelty, system, and truth. Ossified oppositions that define these superlatives are fractured, indicating new directions for growth. The essays in the second half of the book reflect on the influx, fragility, and impossibility of superlatives like care, tragedy, love, and loss in human experience, generating new matters of philosophical discourse. Superlatives abound. But Whitehead cautions us to attend to their multiplicity. The mutual immanence of events constantly generates new constellations of importance, and so superlatives, because they are contingent upon unstable modes of togetherness, cannot be taken for granted. Any of these concepts may have a particular significance today, but as events coalesce into new constellations, those ideals will continue to take on new meaning. (shrink)